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A longcase clock, the square brass dial with a single hand and matted centre engraved 'Stephen Wilmshurst Basingstoke', supporting a 30 hour 'birdcage' movement in a later case, dial 9 1/2" diameter (24cm), case 83" high (211cm)

AN 18TH CENTURY WALNUT LONGCASE CLOCK having an eight day movement with arched brass dial embossed spandrels and second hand, signed Godfrey of Kidderminster, the case with holly and ebony line inlay, arched panel door and on bracket feet, 89"high.

John Hodges, London; a George III japanned longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the arched brass dial with silvered chapter ring, Roman numerals and Arabic five minute divisions with subsidiary seconds dial and date aperture, 'strike/silent' ring within the arch, the case gilt with Chinoiserie panels reserved on a black ground, the hood with two doric pillars with brass capitals supporting an open fret frieze within a domed entablature, surmounted with a stepped pediment, height 247cm (97in) (some restoration to the case).

A black-japanned longcase clock, the eight-day two-train movement with anchor escapement, and rack-strike on a bell, the brass arched dial with silvered chapter ring, Roman numerals, Arabic five miniute divisions and subsiduary seconds and date dials, inscribed Thomas Reynolds OXON, the arch with 'strike/silent' dial, the case gilt with Chinoiserie vignettes, the shaped door applied with a printed panel of a music lesson, the domed hood with three gilt ball finials, height 240cm.

A carved oak longcase clock, the five pillar, eight day movement with anchor escapement and rack strike on a bell, the 12 inch brass and silvered dial engraved with a cottage and a keep, within a silvered chapter ring with Roman numerals and Arabic five minute divisions, within foliate spandrels and with subsidiary seconds dial, the arch with oval boss inscribed Thos. Hall ROMSEY, the case carved allover with stylised foliage.

A 19th century oak and mahogany longcase clock, the thirty hour movement with anchor escapement and striking on a bell, the arched and painted dial with Roman numerals and spandrels of bowls of fruit, the arch painted with a shooting scene, the plain case with shaped door, the hood with broken pediment, height 208cm (some damage and repairs to the hood).

An oak longcase clock, the eight day two-train movement with anchor escapement and count- wheel strike on a bell, the 10 inch brass dial with silvered chapter ring and Roman numerals, date aperture, subsidiary seconds dial, within putto head spandrels, plain case, the hood with plain pilasters and flat pediment, 198cm high (lacks second hand).

A mahogany longcase clock; the eight day two-train movement with anchor escapement and rackstrike on a bell, the arched dial painted in black with scrolling foliage, with subsidiary seconds and date dials, within a silvered chapter ring with Roman numerals, inscribed Edm. Wills, Salisbury, the plain case with shaped door, the hood with broken pediment, height 234cm, the case circa 1800.

A mahogany longcase clock, the eight day movement with anchor escapement and rack strike on a bell, the silvered dial with Roman numerals and subsidiary 'strike/silent' dial, inscribed Tony Dunlop London, the case with domed hood, 221cm high.

W Bullock, Bath; a George III mahogany longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the painted dial with Roman numerals and Arabic five minute divisions, about subsidiary seconds and date dials, the plain case line inlaid, the hood with broken pediment, height 214cm.

A 19th century oak longcase clock, the eight day movement with anchor escapementand rack strike on a bell, the arched brass 12in. dial with Roman numerals and foliate spandrels, inscribed within the arch ROSS EPWORTH, the case with fluted pillasters, the hood with broken pediment and an anthemion finial, 214cm high (the hood lacks glazed door).

An oak dresser with an integral longcase clock by Winstanley, Ashburn; the clock with an eight-day four pillar, two train movement with anchor escapement striking on a bell, the 33cm round brass dial signed, and with Roman and Arabic numerals and date aperture, the dresser with a dentil cornice an arched hood with spirally turned columns and convex glass, flanked by open shelves, the base with three drawers, a shaped apron and cabriole legs with pad feet, 212 high x 186cm wide.

A MID 19TH CENTURY WELSH TUNBRIDGEWARE INLAID MAHOGANY LONGCASE CLOCK with two train, eight day movement, the painted dial with revolving phases of the moon within the arch, the spandrels with architectural paintings, with roman numerals, seconds dial and calendar aperture, inscribed "I M Moses & Son, Swansea", the hood with swan neck pediment and baluster turned angle pillars, the trunk with short shaped door and angle pillars, the base on bracket feet. Dial Width 14". Width 19"

An Early 19th Century Oak Longcase Clock, the thirty hour movement having a square painted dial with arabic numerals, seconds dial and calendar aperture, inscribed with illegible makers name ".......Porth", the hood with swan neck pediment and fluted angle pillars, the trunk with long rectangular door and canted angles, the base plain. Dial Width 11.5". Width 13.5". Height 83". Lacking feet

A SCOTTISH LONGCASE CLOCK, c.1850, mahogany strung case, the dial spandrels painted with Scottish figure scenes and name 'J. Brown & Sons, Kilmarnock', eight day bellstrike, height 235cm

A George III mahogany and boxwood inlaid and crossbanded longcase clock, late 18th century, the broken scroll swan neck pediment applied with stamped brass urn terminals, over foliate gilt painted glass panels, above an arched glazed door flanked by fluted gilt brass capped pilasters, enclosing a white painted 13" enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked R. Webster, Salop, gilded foliate corners and rolling moon phase with galleon and pastoral scene in the arch, 8 day movement striking on a bell above a fluted frieze centred by a boxwood oval patera over a shaped top crossbanded trunk door flanked by fluted quarter columns above an ogive moulding and crossbanded base board between canted angles, lacking feet, distressed, 86" high

A George III mahogany and inlaid longcase clock, circa 1800, the broken scroll pediment with replacement gilt brass paterae over a dentil moulding and open foliate fretwork border over a blind fretwork frieze and further dentil moulding and chevron strung arched glazed door, flanked by ropetwist gilt brass capped corinthian columns and glazed sides, enclosing a 14" arched silvered dial marked Thos Nevill, Bristol, within an engraved garland and below clouds holding Mercury, the Winged Messenger aloft, the corners engraved with figural representatives of the seasons, the dial with roman numerals, brass hands and replaced seconds hand, date aperture and a later painted rolling moon phase in the arch, engraved "High water at Bristol Key" the five pillar 8 day movement with dead beat escapement striking on a bell and with Nevill maintaining power above a dentil moulded and blind fret carved frieze and elaborately shaped door flanked by fluted gilt brass capped corinthian quarter columns over a cushion moulding and shaped base board between blind fret carved canted angles and raised on later ogee bracket feet, with restorations, 103" high

A walnut and boxwood inlaid longcase clock, the case 20th century, the movement 18th century, with pierced gallery caddy top boxwood inlaid with flowers above an arched glazed door applied with half round gilded columns, enclosing a 12" arched brass dial with roman numeral chapter ring, subsidiary seconds dial and calendar dial and moon phase in the arch, crown and cherub pierced spandrels, dolphin spandrels in the arch, three train musical movement playing on a carillion of eight graduated bells and a striking bell, above a rectangular cockbeaded trunk door inlaid with shell urn and foliate motifs, over a cushion moulding, the base board inlaid with a boxwood conch shell motif and raised on a plinth and bracket feet, 93" high

A Regency oak cottage longcase clock, early 19th century, the arched hood and glazed door flanked by two brass capped pilasters enclosing a 12" white painted enamel dial marked I. Bright with roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and a rose spray in the arch, 8 day movement striking on a bell, with glazed side windows above an arched top trunk door, concave moulding and plain baseboard and plinth, restorations, 81" high

A George III mahogany satinwood, boxwood and harewood inlaid longcase clock, late 18th century, the caddy top surmounted by three brass eagle and ball finials, the frieze incised with a pen work leaf motif above boxwood and harewood foliate corners over a glazed door flanked by square boxwood strung tapering columns and enclosing a 13" brass dial with silvered chapter ring, roman numerals and subsidiary seconds dial and marked Martin, Crosby with an engraved diaper centre and foliate pierced spandrels with a painted rolling moon phase in the arch, 8 day movement striking on a bell above a cockbeaded and chequer strung trunk door centred by a boxwood and harewood conch shell motif between satinwood canted angles over an ogive and cushion moulding and conforming base board with fan bracket corners and raised on later ogee bracket feet, restorations, 84 high

A mahogany longcase clock, second quarter 19th century, the brokem scroll pediment above an arched glazed door flanked by turned mirrored baluster columns enclosing a 13" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and gilt painted flowers in the corners and eagle in the arch with the Latin motto 'Tempus fugit', eight day movement striking on a bell above a crossbanded frieze and shaped top crossbanded three quarter length trunk door flanked by canted half baluster columns over a cushion moulding and crossbanded base board and on bracket feet, some damage and restoration, 90" high

A George III oak and mahogany crossbanded and inlaid longcase clock, late 18th century, the broken scroll swan neck pediment centred by a gilt brass eagle and ball finial and with stamped brass terminals, above an arched glazed door with tapering square side columns enclosing a 12" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked W Edwards, Bishop's Castle, florally painted corners and rolling moon phase in the arch, eight day movement striking on a bell above an ogive moulding and ogee arched top, trunk door centred by a boxwood and harewood conch shell motif over a further moulding and crossbanded base board, distressed, 85" high

A George III mahogany longcase clock, late 18th century, the blind fret carved and arched hood with broken scroll swan neck pediment and floral terminals above an arched cushion moulded glazed door flanked by simulated bamboo pilasters enclosing a white painted 14" enamel dial with roman numerals, subsidiary seconds dial and marked F Wood, Bollington, the corners painted with rustic housing, rolling moon phase in the arch, eight day movement striking on a bell, above a Greek key moulding and blind fret carved frieze and triple ogee arch top trunk door flanked by fluted quarter pilasters on blind fret carved half columns over an ogive moulding and raised base board between reeded angles, lacking feet, the case possibly Gillows, 94" high

A 19th century mahogany longcase clock with moulded swan neck cornice, the arched glazed door enclosing a painted face with scenes of the four continents, the eight day movement with subsidiary second dial, painted spandrels, the trunk with cross banded door, the base similarly inlaid, raised on bun feet.

Late George III mahogany longcase clock with moulded swan neck cornice and arched glazed door flanked by inlaid tapered columns with brass capitals. The 8 day movement with a moon phase, the brass face with inlaid scroll decoration, subsidiary date dial and cast spandrels, the trunk with a cross banded door with paterae inlay, the base similarly inlaid with quarter paterae.

Georgian style oak longcase clock with arched moulded cornice flanked by spiral columns, moulded front case with brass and silver face, musical chiming movement, 194cm.

AN EARLY 19TH CENTURY MAHOGANY THIRTY HOUR LONGCASE CLOCK having a white painted dial, shell decoration, signed W Morris, East Bourn, subsiduary dials and Roman numerals, the case with break arch pediment, ball finial, panel door and bracket feet, 81"high.

A GEORGE III OAK LONGCASE CLOCK with arched painted dial signed William Preddy of Langport with bobbing sailing ship mechanism, date aperture and seconds dial, eight day movement, the case with crossbanded decoration, arched hood, urn finials and panel door, 88"high.

A Mid 18th Century Blue & Gilt Lacquered Longcase Clock, with eight day movement, the brass dial with painted circular plaque within arch and with baroque spandrels, with roman numerals and brass centre inscribed "John Westoby, Londini Fecit", the rectangular hood with integral angle pillars (lacking capitals and plinths) the trunk with long arched door decorated with chinoiserie, buildings, figures etc.. Lacking dome and plinth. Dial Width 11". Width 13". Height 79".

An Early 19th Century Mahogany Longcase Clock, with eight day movement, the arched painted dial with arabic numrals and calendar aperture inscribed "Wainwright, Nottingham", the arched hood with swan neck pediment and turned angle pillars, the trunk having a long shaped door with oval central panel between canted angles, the base with similar oval panel. Dial Width 12". Width 14". Height 93".

An 18th century walnut longcase clock. The arched brass dial with strike/silent and seconds dials, a calendar aperture and plaque engraved 'Jn. Fladgate London', supporting an 8 day 5 pillar striking movement, dial 12" diameter (30cm), case 7' 9" high (236cm)

A 19th century oak longcase clock with a 30 hour striking movement and a square enamel dial, painted with a balloon and china men spandrels

A George III mahogany longcase clock, by Iain Weston, Stratford, with a pagoda hood and a brass dial, supported by 5 pillars and a striking 8 day movement, with calendar aperture case. 97" (245cm) high

A 19TH CENTURY MAHOGANY LONGCASE CLOCK with arched painted dial, by Joseph Watson of Cambridge, with painted rustic cottage panel, seconds dial and date aperture, the case with shaped hood, reeded side columns and crossbanded panel door, 77" high

A 19th century oak and mahogany eight day longcase clock having arched brass dial with seconds and subsidiary dials; the swan necked hood decorated with brass acorn finials, the case having inlay and some cross banding and canted corner.

An early 20th century oak cased longcase clock, the domed top with a glass front on a box base and turned feet, the silvered dial with Arabic numerals

A French brass wall clock in the form of a longcase clock dial, the stamp brass face depicting a man and horse, the circular enamel dial with roman numerals

A Delft blue and white clock case in the form of a longcase clock, of an architectural nature and painted with panels of dutch figures and scenes, height 44cm (17 1/4in), late 19th century (repaired finials)

EDW. GARTREX, BIRMINGHAM, A GEORGIAN OAK CASED LONGCASE CLOCK, the basket top hood with square door flanked by spiral twist integral pillars, shaped top trunk door above a stepped base, the 11 ins square brass dial with ringed winding holes and a silvered chapter ring, supporting an eight day movement, approximately 86 ins high.

A GEORGIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the swan neck fret top hood, above a break arch door flanked by integral pillars with gilt metal corinthian capitals, long trunk door, raised on a plinth base with shaped bracket feet, fitted with a later three train spring driven movement and brass dial, approximately 83 1/2 ins high.

R. SUMMERHAYES, ILMINSTER, A GEORGIAN COUNTRY MADE OAK LONGCASE CLOCK, the shaped top hood with square door, flanked by turned pillars, long trunk door, stepped base and moulded surround, the cream enamel dial with gilt shell and leaf spandrel corners, supporting an eight day movement, approximately 77 1/2 ins high.

A George III mahogany longcase clock, by Benjamin Farrer Pontefract, with a painted dial of Scottish folk, 8 day movement, seconds dial, case with shaped cornice and finials, with inlaid banding, dial 11" diameter, case 90" (229cm)

A George III oak longcase clock, by Thomas Lister, Halifax, with a brass and steel dial, 30 hour movement, calendar and seconds apertures. 11 5/8" diameter, case 80 1/2" (204cm) high

A George III mahogany longcase clock, the 10" square silvered dial inscribed Robt. Wood, London, with subsidiary seconds and date dials and a S pillar 8 day striking movement. 79" high (201cm)

A George III oak longcase clock by J. Popplewell, Bridlington 1787, the painted dial with countryside scene and calendar aperture, seconds dial, 8 day movement dial 11" diameter, case 87" high (28cm)

Edward Banger An ebonised longcase clock, the square dial with a silvered chapter ring, seconds dial, calendar aperture and cast spandrels supporting an 8 day striking movement. The ebonised pearwood case with a panelled door and plinth, dial 11" diameter (28cm)

A carved oak longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the arched brass dial with moonphase, the chapter ring with Roman numerals and Arabic five minute divisions, inscribed Richard Smith, Newport, the late 19th century case elaborately carved, height 218.5cm

Gabriel Leekey, London; a George III mahogany longcase clock, the eight-day two-train movementwith anchor escapement and rack strike on a bell, the arched brass dial with silvered chapter ring with Roman numerals and Arabic five minute divisions, subsidiary seconds dial, name plate and date aperture, the arch with 'strike/silent'ring, within elaborate spandrels, the plain case with arched door, the arched hood with fluted brass capital doric columns, height 226cm (89in) (damage to top of hood, 'strike/silent' lever lacking)

A mahogany longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the foliate engraved arched brass dial with moonphase, the silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed JasWebb FROME, the case with later bracket feet, shaped lower panel and similar door, the hood with fluted Corinthean columns and brass capitals beneath a swan-neck pediment with eagle and ball finial, height 230cm. (assembled and restored)

An early 19th century oak longcase clock, the eight day two-train movement with anchor escapment and rack strike on a bell, the square painted dial with Roman numerals, subsidiary date aperture and moonphase, painted with birds and indistinctly inscribed R. Thomas...., the case with fluted pillasters, the hood with broken pediment and brass ball finial, height 218cm.

An early 19th century oak longcase clock, the eight movement with anchor escapement and rack strike on a bell, the painted dial with Roman numerals within gilt paterae spandrels, indistinctly inscribed J.Melsome...., plain case, the hood with fluted doric columns, the flat pediment with fluted band frieze, height 205 cm (wear to dial)

An early 20th century inlaid mahogany longcase clock, the three-train four-pillar eight day movement with anchor escapement chiming the quarters on eight tubular gongs and striking the hour on a coiled gong, the 30.5cm (12in) brass arched dial with blind fret foliate decoration, the silvered chapter ring with Roman numerals and Arabic five minute divisions, the arch with subsidiary dials for 'chime/silent' and Whittington and Westminster chimes, the mahogany case inlaid in the Adam style with floral festoons and with fluted pillasters with brass corinthian capitals, the arched hood with similar columns and three finials, height 221cm (87in)

A LATE GEORGIAN MAHOGANY LONGCASE CLOCK having an arched painted dial, simple foliate decoration and second hand,the case with boxwood line and crossbanded decoration, 78 1/2"high.

A GEORGE III OAK LONGCASE CLOCK having an arched brass dial with moon phase, second hand and date aperture, signed George Clapham of Whitton, the case with inlaid ebony and satinwood sunburst and cruciform decoration, on bracket feet, (reduced), 75"high.

AN 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK having a square brass single hand dial with engraved decoration and cherub head spandrels, the case with plain graduated top, panel door and bracket feet, 78 1/2"high.

A George III oak and ebony strung cottage longcase clock, circa 1780, the broken scroll cornice foliate carved over an ogive moulding and square glazed door flanked by gilt brass capped pilasters enclosing an 11" brass dial with matted centre and silvered chapter ring, roman numerals, pierced cherub mask spandrels and date aperture, and marked Thos Reynolds, Oxon eight day movement striking on a bell over an ogive moulding and presentation plaque dated June 1898 and full-length foliate carved trunk door, ogive moulding, panel base and raised on a plinth 76" high

An oak cottage longcase clock, 18th century, the moulded ogive cornice above a glazed square door flanked by gilt brass capped pilasters enclosing a 10" brass dial with roman numerals and mask spandrels and marked Gilkes Adderbury, 30 hour movement striking on a bell above a rectangular three quarter length trunk door over a panel moulding and ogive border, planked base board raised on a shaped apron and bracket feet 78" high

An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door flanked by turned pilasters and enclosing a 12.5" square brass dial with roman numerals, date aperture, subsidiary seconds dial and matted centre marked Bullock, Ellesmere, cherub mask spandrels, eight day movement striking on a bell above a rectangular trunk door revealing a paper label inscribed 'John Lloyd no 20 anno 1768' over an ogive moulding and base board raised on a plinth, distressed, the door a conversion from a rising hood, 77" high

A mahogany longcase clock, early 19th century, the broken scroll swan neck pediment with reeded roundel terminals above an arched glazed door flanked by square reeded columns enclosing a 14" arched enamel dial with roman numerals, subsidiary seconds dial and date dial marked Thos Russell, Lancaster, the arch painted with field workers gathering in the corn with an abbey in the distance, eight day movement striking on a bell above an arched ribbed door flanked by reeded quarter columns over an ogive moulding and base board with reeded moulding and fan mouldings between canted angles and raised on shaped bracket feet, dial re-painted 91" high

An oak and mahogany crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above a chevron strung frieze over an arched glazed door flanked by turned split balusters enclosing a 14" white painted enamel dial with roman numerals, subsidiary seconds hand and date dial marked T Cox Tipton, moon phase in the arch, and painted with ladies representing the seasons, 8 day movement striking on a bell above a boxwood inlaid frieze and triple pointed arch top, three quarter length trunk door lozenge inlaid, flanked by split balusters over a short panel and ogive moulding and further inlaid base board raised on a plinth 96" high