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A mahogany longcase clock, dated from the first quarter of the 19th century having selected flame veneers with boxwood and ebony string inlays, the hood with swan neck pediment, central eagle ball finial and flanked by spiral columns. The clock has a married eight day striking movement with 12 inch brass arch dial and having lunar aperature with high water at Bristol Key, chapter ring with roman numerals, cast corner spandrels, engraved centre panel, date aperature and second hand, maker Lawrence of Bristol, 7ft 5 inches high.

A Georgian longcase clock, having eight day striking movement with painted twelve inch arch dial decorated with duck shooting panel and floral spandrels. Bearing maker name Thomas Pearce, Chard. The case is of oak with mahogany cross banding and hood with swan neck pediment flanked by turned columns.

An early 20th century inlaid mahogany longcase clock, the eight day three-train movement with anchor escapement, striking the hour and chiming the quarters on five tubular gongs, the 12inch brass arched dial with foliate spandrels, the silvered chapter ring with Roman numerals and subsidiary seconds dial, the arch with 'chime/silent' dial within dolphin spandrels, the case with glazed door and inlaid in the neo-classical style with swags and urns, the hood with brass capital Corinthian columns beneath a broken pediment and brass ball finial, 235cm high, the dial with retailer's stamp for Yoell, Retford

A mahogany longcase clock, the eight-day two-train movement with rack strike on a bell, the arched and painted gilt dial with roman numerals, subsidiary seconds dial and date aperture, the chapter ring inscribed Smorthwait Colchester, the case with a lancet door inlaid with a shell motif, the hood with gilt-metal-capped Corinthian columns and a blind fret frieze, 213cm high

An early 19th century mahogany longcase clock, the eight-day two-train movement with rack-strike on a bell, the painted dial with arch, with Roman numerals and subsidiary date and seconds dial, painted with spandrels of female figures emblematic of the Seasons, the arch with a figure of a woman emblematic of Hope, the case with a shaped door between two fluted pilasters, the hood with a pair of fluted pilasters and swan-neck pediment, 210cm high (wear to dial)

A 19th century oak and mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the 13in. painted and arched dial with Roman numerals, Arabic five minutes divisions, and subsidiary date and seconds dial, painted with fruit spandrels, the arch with automaton moonphase, indistinctly inscribed GEO: GOODALL TADCASTER, the case inlaid with panels of urns and geometric foliage, the hood with fluted columns and broken pediment with ball finial, 234cm high

A 19th century oak and mahogany inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, date aperture and subsidiary seconds dial, decorated with spandrels of rustic buildings, the arch with moonphase automaton, the case with shaped door, the hood with fluted columns, swan-neck pediment and three ball and eagle finials, 225cm high

A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted 12in. dial with Roman numerals, Arabic five minute divisions, date aperture and subsidiary seconds dial, painted with floral spandrels and inscribed Matt.w Read AYLESHAM, the plain case with domed door, the domed hood with shaped pediment, 217cm high

A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted square 12in. dial with Arabic numerals and date aperture, painted with floral spandrels and a bird on a branch, inscribed Jn Sidery, Hamstead Norris, the plain case with gilt-metal furniture, the hood with plain gilt-metal-capped columns and broken pediment, 201cm high (replacement finial)

A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack- strike on a bell, the arched brass 13in. dial with silvered chapter ring with Roman numerals and Arabic five minute divisions, the line-inlaid case with shaped door, the domed hood with plain columns and three gilt-metal ball finials, 247cm high (dial assembled, crack through lower section of case)

Samuel Hart, Devizes, a 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch painted with a buccholic scene of cattle and pigs in a farm yard setting, the line-inlaid case with canted corners, the hood with plain pillars, broken pediment and eagle finial, 222cm high

A pine longcase clock, the thirty-hour movement with anchor escapement and outside countwheel strike on a bell, the square 11in brass dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, gilt foliate spandrels and inscribed JOSH. MILES SHASTON, above a house by the sea, plain case and hood, 200cm high

A 19th century oak longcase clock, the thirty-hour movement with anchor escapement and outside countwheel strike on a bell, the arched brass dial with Roman numerals, date aperture and inscribed Price, Coventry, plain case, the hood with swan neck pediment and brass finial, 219cm high

Stewart, Glasgow, a George III mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 13in arched brass dial with Roman numerals, Arabic five minute divisions, subsidiary seconds and date dial, foliate spandrels and inscribed STEWART, GLASGOW, the arch with moonphase automaton, the line-inlaid case with spirally fluted pilasters, the hood with similar pillars and broken pediment, 216cm high

Thomas Spence, Dysart, a George III mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 12 1/4in arched brass dial with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date aperture, the arch inscribed Thos Spence DYSART, engraved with trailing foliage with griffon-head terminals, the case with shaped door and fluted pilasters, the hood with broken pediment, 219cm high

Bartley & Eggert, Bristol; a late George III mahogany and line-inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 13in. painted dial with automaton arch and with Roman numerals, Arabic quarter-hour divisions, seconds and date subsidiary dials, the corners painted with spandrels of coronets, the arch with an automaton of Adam and Eve in the Garden of Eden, the case with two gilt-metal-capped pilasters, the hood with similar columns and a swan-neck pediment, 218cm high (restored)

William Roberts, Bath; a George IV mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted 12in. dial with Roman numerals, date aperture and subsidiary seconds dial, painted and gilt with floral spandrels, the line-inlaid case with canted corners, the domed hood with brass-capped and fluted Doric columns, fluted frieze and shaped pediment surmounted with three ball finials, 226cm high

An Edwardian mahogany chiming longcase clock, the eight day, three train movement with deadbeat anchor escapement and striking and chiming the hours on coiled gongs, the arched brass 12in dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, the arch with chime/silent dial, the case with astragal glazed door, the hood with a blind fret frieze and broken pediment, 218cm high

John Key, Dumbarton; a George III mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 13in arched brass dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial, date aperture, the silvered centre of the dial with foliate engraving, the arch with dolphin spandrels about an inscribed central boss John Key, DUMBARTON, the case with an inlaid door with rosette motif and spirally fluted pilasters, the hood with similar pilasters, blind-fret frieze and flat pediment, 202cm high

Daniel Torin, London; a George III lacquered longcase clock, the eight-day two-train movement with anchor escapement, the arched 12in brass dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date aperture, the arch with 'strike/silent' dial inscribed Dan. Torin, London No. 2325, the case decorated with chinoiserie panels, the domed hood with glass panel inset, 237cm high (some damage)

G.Healer, Wantage; an early 19th century oak and mahogany crossbanded longcase clock, with thirty hour movement striking on a bell, the painted dial with Roman numerals and foliate spandrels, the case inlaid with mahogany sections, the hood with turned columns

An oak and mahogany inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched 12in. brass dial with Roman numerals and Arabic five minute divisions, the arch with a sunburst boss inscribed Samuel Austin Rumsey Fecit, the case with fluted pilasters with brass capitals, the hood with swan-neck pediment, 217cm high

A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted 14in. dial with Roman numerals, painted moon-phase automaton and subsidiary seconds dial, decorated with floral spandrels, the case with fluted pilasters and shaped door, the hood with brass-capped columns and broken pediment, 217cm high

A carved oak longcase clock, the five pillar, eight-day two-train movement with anchor escapement and rack-strike on a bell, the square brass 12in. dial with silvered chapter ring with Roman numerals, date aperture and subsidiary seconds dial, set with silvered plaque inscribed Geo Tyler London, within masks and foliate spandrels, the 1930s case heavily carved with spiral columns, the hood with similar spiral columns and domed pediment, 206cm high

A George IV mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted 14in. dial with Roman numerals and subsidiary date and seconds dial, painted with spandrels of figures representing the Continents, the arch with a moonphase automaton, the case with shaped door and a pair of Corinthian fluted pilasters with gilt-metal bases and capitals, the hood with a pair of similar columns and swan-neck pediment with ball finial, 225cm high

A 20th century mahogany and inlaid longcase clock of so-called 'Grandmother' type, the eight-day two-train German movement with anchor escapement and striking on a gong, the brass 9 1/2in. arched dial with Roman numerals and inscribed Garrard Hale NORWICH, the case line inlaid, the rectangular door with central rosette motif, 176cm high

William Randall, Newbury; a late George III oak and mahogany inlaid longcase clock, the eight-day two-train movement with rack strike on a bell, stamped WALKER & HUGHES, the painted 12in.dial with automaton arch, Arabic numerals, subsidiary seconds and date dials, the arch with moonphase automaton, the case with fluted pilasters and shaped door, the hood with similar fluted columns and swan-neck pediment, 213cm high

A 19th century oak and mahogany-inlaid longcase clock, the eight-day two-train movement with rack-strike on a bell, the square 13in painted dial with Roman numerals, Arabic five minute divisions, date aperture and subsidiary seconds dial, painted with fruit spandrels and birds and inscribed Hulme Congleton, the plain case with fluted pilasters, the hood with two brass-capped fluted columns and flat pediment, 197cm high (damage and losses to the case, bell lacking)

An oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched 12in dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date dial, the arch with a silvered bell inscribed Patrick Hardie. Morpeth, the plain case with gilt furniture, the hood with two columns with brass Corinthian columns, swan-neck pediment and three various ball finials, 221cm high (restored)

An oak longcase clock, the eight-day movement with anchor escapement and outside countwheel strike on a bell, the square brass 10in dial with Roman numerals, single hand and alarm set, the plain case with gilt-metal furniture, the hood with two brass-capped columns and flat pediment, 199cm high

An Arts and Crafts copper timepiece, in the form of a miniature longcase clock with an overall stippled surface and having a central panel embossed with 'Glasgow-style' roses and tendrils, 36.5cm. high, and a pair of Arts and Crafts candlesticks, en suite with the timepiece, 23.5cm. high.

Cottage oak longcase clock, 30 hour movement striking the hour, square brass face, named John Porthouse, Penrith, in a flat topped hood with dentil cornice (one weight and pendulum)

An early George III oak longcase clock, circa 1770, the stepped cornice with a blind fretwork frieze and doric supports enclosing an 11 inch brass dial with Roman numerals and date aperture within cast brass spandrels, signed Baddeley, Albrighton, thirty hour movement, the case with arched door on a stepped plinth base, height 207cm, 81.5 inches..

A George III oak longcase clock, circa 1800, the broken scroll pediment above an arched door opening to reveal a 12 inch brass dial with silvered chapter ring, Roman numerals and date aperture between scroll cast spandrels and moonphase dial, signed John Day, Wakefield, eight day movement, the case with arched door on a plinth base and short bracket feet, height 230cm, 90 inches.

A Painted Sycamore Wood Watch Stand as a Longcase Clock, the arched hood painted with a spider and beetle above and below a circular aperture (for a pocket watch) accessed from the back via a hinged door, the trunk painted with a panel of foliage, the bombe base painted to three sides with insects and fairies teasing a stag beetle, late 19th century, (41cm high)

A Rosewood Watch Stand Fashioned as a Longcase Clock, with broken swan-neck pediment over a circular aperture (to receive a pocket watch) with rear cover, with arched sham door to the trunk on a base with low bracket feet and plinth, stamped on the reverse P Allan, circa 1850, (36.5cm high)

A Thirty Hour Longcase Clock by Roberts, Llanvair (sic) No 387, the 10" square brass dial with engraved and matted centre, in an oak case with shaped headed door and hood with attached columns and moulded cornice, circa 1760, (205cm)

A Thirty Hour Longcase Clock, by E Sagar, Skipton, the 11.75" square brass dial with engraved centre and date subsidiary, in an oak case of plain proportions, the hood with flat caddy and moulded cornice, circa 1780, (203cm)

A Thirty Hour Longcase Clock, by Barber, Winster, No 402, the movement with external locking plate, alternate latches numbered under the minute wheel, the 11.25" square brass dial with matted centre and engraved date aperture, in an ash case with shaped headed door and hood with turned columns and moulded cornice, (191cm)

An Eight Day Longcase Clock, by W Coulson, North Shields, the painted dial with whelks and gilt arcaded spandrels, the arch with a bowl of strawberries and grapes, with seconds and date, in a mahogany case with inlaid banding angles and oval in the door, the hood with inlaid cresting, the plinth with inlaid vase outline, upon slender bracket feet, circa 1800, (236cm)

An Eight Day Longcase Clock, by Jno Ogden, Darlington, the 12" square dial with matted centre, seconds and date, the movement with inside locking plate, circa 1740, now in a walnut case of conforming style with panel veneers and hood with caddy, (244cm, including finials)

An Eight Day Longcase Clock, by James Green, Nantwich, the silvered and brass dial with engraved centre, seconds and date, engraved boss in the arch, in a mahogany case with fluted columns and break arch door, the hood with inlaid caddy, upon later bracket feet, circa 1780, (218cm)

A Thirty Hour Longcase Clock, by Thomas Watson, Haslingden, the 13" square dial with engraved centre, date aperture, large minute chapters and mock winding holes in an oak case with plain columns shaped headed door, the hood with moulded door and scroll pediment, the plinth with moulded angles and bracket feet, circa 1780, (230cm)

A Mahogany Eight Day Longcase Clock, by James Lees, Bury, the painted arched dial with rolling moon, bell striking movement, with broken arch hood, the arched door to the trunk, with cluster columns (231cm high)

A Mahogany Longcase Clock, by D Cairns BP, Wearmouth, circa 1840, the 12.75" painted broken arched dial with subsidiary seconds and date dial, the spandrels and arch painted with sailing vessels on choppy seas, with an eight day bell striking movement, the case with arched top with fretted cornice, the arched trunk door between cylindrical columns, (229cm high)

An Eight Day Longcase Clock, by J Halliwell, Warrington, the 13 3/8" square brass dial engraved with a ship and bird amongst scrolls, with seconds and date, in an oak case with fluted columns and blind fret panels, shaped headed door with mahogany crossbanding, the hood with brass mounted columns, moulded door and dentil scroll pediment, the plinth with fluted angles and crossbanded panel, upon bracket feet, circa 1770, (217cm)

A 19thC oak, mahogany and burr elm longcase clock, the square painted dial with Roman numerals and foliate spandrels, inscribed John King, Loughborough, with calendar aperture, 30 hour movement, the hood with swan neck pediment, centre cast brass finial, turned pilasters, shaped trunk door flanked by canted corners, and on a deep plinth with fielded panel and bracket foot 85" high.

A crestedware longcase clock, Staffs cottage and 2 Carlton ware crinoline ladies

An 18th century mahogany eight-day longcase clock, the moulded cornice above a glazed door flanked with turned columns enclosing a 13" painted dial with Arabic numerals, seconds dial and date aperture, signed indistinctly, with four-pillar bell striking movement, above a long trunk door and plinth base, 183cm high

An 19th century mahogany 30 hour longcase clock, the finial mounted scrolling pediment with moulded cornice above a glazed door flanked with turned columns enclosing a 12" painted dial with Roman numerals, seconds dial and date dial, signed Barker, Lundfield, with brass posted frame movement, above a long trunk door and plinth base, standing on bracket feet with a shaped apron, 219cm high

Zac Mountfort, St Albans; a japanned longcase clock, the eight day four pillared movement with anchor escapement and countwheel strike on a bell, the 27.5cm brass dial with pierced spandrels, chapter ring and subsidiary seconds and date aperture to the matt centre, the japanned case on a cream ground with gilt borders, the hood with a blind fret frieze on tapering columns, above a rectangular door on a plinth base, 198.5cm high (the base possibly reduced in height)

An early 19c oak and mahogany longcase clock with swan neck pediment, turned finials to the hood, over a shaped door, flanked by ring turned columns, over a plain base on bracket feet; the painted dial with figures to the top, flowers as spandrels, white face with Roman numerals, inscribed T. Clark Epworth, eight day movement with seconds dial, 212cms.

An early 19c mahogany longcase clock with [formerly] pierced fretwork mount to the domed top, turned columns to the hood, over a crossbanded and shaped door, again with columns to the sides, over a crossbanded trunk, raised upon short turned feet; the painted dial with figure to the top and buildings as spandrels, enclosing a white dial with Roman numerals, inscribed Young Newcastle, eight day movement with seconds and date dials, 225cms.

Early 19th century provincial oak 30 hour longcase clock, with square dial painted floral spandrels with date aperture.

John Black, Aberdeen An early 19th century mahogany longcase clock, with a circular painted dial, with subsidiary seconds and calendar dials, the eight day striking movement in an inlaid and crossbanded case, 224cm

CLOCKS AND BAROMATERS - An oak longcase clock, the square brass 11in dial with mask and leaf scroll spandrels, Roman chapter ring, the matted centre leaf chased, date sector, single hand, inscribed 'Thos Storer, Derby', thirty hour movement, striking on a bell, the hood with blind fretwork frieze and integral three-quarter pillars, ovolo moulded trunk door, on a plinth, 80in high

CLOCKS AND BAROMATERS - An oak longcase clock, the square brass 10in dial with Roman chapter ring, inscribed 'Hutchinson, Worksop', the centre chased with leaves on a matted ground, calendar sector, pierced steel hand, thirty-hour movement, striking on a bell, the square architectural hood with moulded cornice and integral plain tapering three-quarter pillars, the slender trunk with arched ovolo moulded door, on a plinth, 80in high

CLOCKS AND BAROMATERS - An oak longcase clock, the circular enamelled 12in dial with Roman chapter ring and painted floral sprigs, thirty hour movement, striking on a bell, the hood with swan neck pediment, brass finials and brass mounted fluted freestanding pillars, the trunk with arched ovolo moulded door flanked by fluted quadrant pilasters, outlined throughout with mahogany bandings, 82.5in high

CLOCKS AND BAROMATERS - An oak cottage longcase clock, the square brass 10in dial with mask and leaf scroll spandrels, silvered Roman chapter ring, inscribed 'W. Nichols, Oundle', matted centre chased with leafy strapwork and basket, single hand, thirty hour movement, striking on a bell, the square hood with brass mounted freestanding pillars, arched ovolo moulded door to trunk, canted angles, on a shaped plinth, 74in high

CLOCKS AND BAROMATERS - An oak longcase clock, the square enamelled 11.5in dial with castle spandrels, Roman chapter ring, calendar sector, inscribed 'Dadford, Northampton', thirty hour movement, striking on a bell, the hood with brass mounted swan neck pediment and freestanding fluted pillars, the trunk door above a panel and flanked by fluted quadrant pilasters, mahogany banded throughout and inlaid with harewood shell patera, 81in high