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Click here to subscribeAn impressive 'Arts & Crafts' longcase clock. The architectural case in oak, walnut and inlaid hardwoods, with carved roof tiles, and bird and griffin finials, over a pointed Gothic arch with a roundel carved with the initials ‘T.R.’. This above finely carved friezes, semi reeded Corinthian columns, marquetry panels showing unusual animals amongst foliage and a pair of carved dragon panels. The sides also decorated and with an access door for the three large weights. The 14” silvered brass dial inscribed Hurt & Son, Birmingham, with a subsidiary seconds dial and strike silent facility, the three train movement with a dead beat escapement, striking the quarters on eight bells. Now 2.48m high x 71cm wide (plinth base) x 30cm deep. This clock has apparently been reduced in height in the past.
A George III oak eight-day longcase clock, the painted square dial inscribed "W. Tolema?, Caernarvon", with subsidiary second dial, date aperture, the spandrels with a fan pattern, the hood with a moulded pediment, cylindrical columns, trunk with mahogany banding and quarter columns and on bracket feet, 81in. (206cm) high.
A 19th Century mahogany eight-day longcase clock, the painted arched dial inscribed "F. Handcock, Kilbarchan" with subsidiary second and date dials, the arch painted to depict The Lady of the Lake, the spandrels depicting the four elements, the hood with tunbridge ware banding and repeated to the trunk, 81 1/2 in. (207cm) high.
A late 18th Century oak and mahogany crossbanded eight-day longcase clock, the square brass dial with a silvered chapter ring and centre, inscribed "Coates, Wigan" with subsidiary second and date dials, scrolled spandrels, the hood with a swan-neck pediment, cylindrical columns, the trunk with a shaped crossbanded door flanked by quarter fluted columns, panelled base, 83in. (211cm) high. See lot 998 for illustration.
A mid 19th century oak and mahogany longcase clock, the swan neck pediment on full turned and baluster supports enclosing an arched dial, painted with rural scenes and floral spandrels, black Roman numerals and incribed 'Ness Kirby-Moorside, the case with two maple panels, the square door with acanthus carved cresting enclosed by canted angles, the crossbanded base with shaped apron and bracket feet, 30 hour movement, dial 47cm high, 222cm high overall
Mahogany inlaid eight day longcase clock, early 19th Century, the hood and trunk boxwood strung throughout with twin octagonal columns flanking an arched and painted dial, 35cm, with Roman numerals, subsidiary seconds and date dial, naively painted with figures to the spandrels emblematic of the seasons beneath a painted river landscape to the arch, all raised on a box base with bracket feet, height 210cm
A George III mahogany and inlaid longcase clock, late 18th century, the arched hood with broken scroll pediment painted with scrollwork in verre eglomise style above an arched and pillared glazed door, enclosing a 14" white enamel dial with Roman numerals, subsidiary seconds and date dial and painted with roses in the corners and a rolling moon phase in the arch, eight day movement striking on a bell, between fluted pilasters and over a shaped top, three-quarter length trunk door with oval boxwood and ebony stringing, flanked by fluted pilasters over a further oval tablet, ogive and cushion moulding and inlaid panel base board, between canted angles, lacking feet, distressed, 90" high
An oak and mahogany crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above an arched trunk door, flanked by brass capped pilasters enclosing a 12" white painted enamel dial with Roman numerals and subsidiary seconds dial and date aperture and marked 'Unwin & Holt, Newark', gilt painted foliate corners and painted with a fisherman fishing by a weir in the arch, eight day movement striking on a bell above a canted top crossbanded full length trunk door, ogive moulding and ribbed baseboard on plinth base, restorations, 82" high
A George III oak cottage longcase clock, early 19th century, with shaped pediment and three brass eagle and ball finials above a square hood flanked by pilasters, enclosing a 12" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked 'Robert King, Fodden', painted with roses to the corners, 30 hour movement striking on a bell above an arched full length trunk door, ogive and cushion moulding and plain baseboard on plinth base, 80" high
A George III oak mahogany crossbanded and inlaid longcase clock, late 18th/early 19th century, with broken swan neck pediment above a square glazed door, flanked by brass capped pilasters, enclosing a 13" square enamel dial with arabic numerals, subsidiary seconds dial and date aperture, marked 'Owen Davies, Llanidloes', painted with gilt paterae in the corners, 30 hour movement, striking on a bell above a crossbanded trunk door with canted top corners, ogive moulding and plain baseboard with fan inlaid top corners raised on shaped apron and bracket feet, restorations, 82" high
An oak and mahogany crossbanded and inlaid cottage longcase clock, second quarter 19th century, the broken scroll swan neck pediment above an arched glazed door, flanked by fluted brass capped pilasters enclosing a 12" white painted arched enamel dial with Roman numerals and date aperture, marked 'Thomas William Hay, Shrewsbury', painted with flowers to the corners and a hunt in full cry to the arch, 30 hour movement, striking on a bell above an ogee arched top three-quarter length trunk door inlaid with a boxwood and harewood bird motif over a tablet, ogive and cushion moulding crossbanded base and deep plinth, distressed, 80" high.
A MAHOGANY LONGCASE CLOCK dial: the 11 3/4 inch silvered chapter ring with subsidiary seconds ring and hour ring, signed Whiteside, Davies Street, London, striking on a gong, case: circular door with square hood with an arched top, waist door glazed, all with brass fillets, 78 1/2in. (200cm.) high
Thomas Pringle, Dalkeith, an early 19th Century mahogany longcase clock having a moulded swan neck cornice with brass orb and rosette ornament, pierced boxwood spandrels, the arched painted face with floral spray to arch and spandrel subsidiary second and date dials, eight-day movement, the glazed door flanked by fluted columns with boxwood strung case, crossbanded base on bracket feet. 2.13m.
John Barr, Port Glasgow, a Georgian mahogany longcase clock having moulded swan neck cornice carved rosettes with gilded centres, the arched brass face with main boss flanked by dolphin spandrels, silver chapter ring with eight-day movement, subsidiary second dial and date aperture with carved spandrels enclosed by glazed door flanked by columns, the trunk with moulded edge and shaped base. 2.17m. (See lot 386 for illustration).
Andrew Dickie, Stirling, a Georgian oak longcase clock having a moulded swan neck cornice with boxwood pierced fret ornament, the arched brass dial having a name boss flanked by dolphin spandrels, silver chapter ring with eight-day movement, subsidiary date and second dials and the cast gilded spandrels with bust cartouches enclosed by an arched glazed door flanked by columns, moulded edge trunk with panel door, the base with canted corners and shaped bracket feet, 207cm. (See lot 386 for illustration).
A George III oak cased longcase clock, the 8 day striking movement (no bell) to an arched brass dial, the engraved centre with subsidiary seconds dial and date aperture, the boss inscribed Jno Swinburn, Hexham, to dolphin and scroll spandrels, the glazed hook (cracked) with a swan neck pediment above turned columns, to an arched waist door with fluted quarter pilasters, the base with a moulded plinth, 7ft 2in (218.4cm) high.
An 18th century japanned longcase clock, with chinosiere decoration, the eight day movement striking on a bell, to an arched brass dial with subsidiary seconds dial and date aperture, the boss inscribed Josh Herring, London, the glazed pagoda hood above and arched trunk door, the base with a plinth moulding, 7ft 7in (231cm) high.
A 19th century mahogany longcase clock, the 8 day movement striking on a bell to a arched dial painted a shepherd above spandrels inscribed ?ercer, Debenham with a subsidiary seconds dial, the hood with a shaped outline door with swan neck pediment with central brass ball and spire fluted pilasters, the trunk door with an ebonzied edge to fluted corners, the base on bracket feet (old restoration) 7ft 4in (223.5cm) high.
A mahogany longcase clock, the marquetry case with shaped and pillared hood and eagle and ball finials, the trunk with neo-classical designs of winged females over an arched trunk door with central vignette of a water carrying maiden and eagle, the moulded base with folite scrolling shell and urn panel,on bracket feet, the 12" brass dial having cast spandrels, 'tempest fugit' and eagle rondel to arch, silvered chapter ring and subsidiary seconds ring, having Roman hour numerals and Arabic minute and seconds numerals, matted center with date aperture, 8-day movement striking on a bell, 90" high.
A Georgian mahogany longcase clock by J Watson of Blackburn, the mahogany string inlaid case having swan-neck hood with Corinthian reeded columns, cluster column trunk with shaped full-length door, crossbanded and canted base with ogee feet, the painted 14" dial having moon roller, conche shell spandrels, Roman hour numerals, Arabic minute and the same to the subsidiary seconds and date rings, 8-day movement striking a bell, 92" high.
A George III oak and mahogany crossbanded longcase clock by John Wood Junior of Grantham, having fox painted to the swan-neck pillared hood, full-length trunk door enclosed by inset reeded columns, panel base with bracket feet, circular painted 12" dial 12" having Roman numerals and Arabic minute numerals, 88" high.
A 19th Century mahogany longcase clock by J. Topham of Nantwich, the 14ins arched painted dial decorated with a duck hunting scene to the arch and shells to spandrels, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment and turned pillars to hood, shaped trunk door with plain cant corners, the base with raised centre panel, 89ins high (enamelled dial marked and lacking bracket feet).
An 18th Century oak longcase clock by William Womersley, the 12ins square brass dial with silvered chapter ring and dial showing phases of the moon to the eight day two train movement striking on a bell, contained in case with deep moulded and overhanging cornice, and reeded columns to hood, shaped trunk door, 78ins high.
An early 19th century oak longcase clock, the 8 day striking movement with an arched brass dial, having a rocking 'Father Time', Tempus Fugit, above a subsidiary seconds dial and calendar, to the foliage engraved centre, inscribed Richard Hacket, Harringworth. Cast corner spandrels, the case mahogany banded and inlaid stringing, the hood with swan neck pediment and brass finials, brass gilt Corinthian capped turned pillars, a serpentine top door to the trunk, front reeded angled corners, the base on bracket feet, 7 ft. 1.5 ins.
A Dutch Marquetry Inlaid Oak Longcase Clock, the arched brass dial with silvered chapter ring, subsidiary seconds dial, the arch with disk inscribed "Alex Giroust, Coventry Street, London", the movement with anchor escapement, striking on a bell, in a case richly inlaid with flowers and birds, the door with central glazed lenticle, 220cm high.
A 30 Hour Oak Longcase Clock, Jas Bonn, Matlock, circa 1780, the 13-inch circular brass dial with Roman and Arabic numerals, date aperture, rectangular case, the plinth with moulded angles and on bracket feet, four pillar movement, anchor escapement with count wheel strike on a bell, 209cm high.
A 30 Hour Longcase Clock by John Shepley (Stockport), the brass 107.8-inch dial with matted centre and date aperture, the chapter ring with bold 1.2 hour markers, in an oak case with shaped headed door and turned quarter columns, the hood with blind fret panel and dentil moulding, circa 1750, 207cm.
A 30 Hour Longcase Clock, by Bradley, Ilkiston (sic), the 12 1/4" square silvered and brass dial with engraved boldly signed centre with date aperture, in an oak case with shaped moulded headed door and hood with turned columns and burr oak band below key pattern band and broken pediment, circa 1775, now 221cm
An Eight Day Longcase Clock by Archd. Strachan, Newcastle, the 13-inch dial with seconds, date and engraved scrolls, with lunar and tidal dial in the arch, in a mahogany case with rosewood crossbanding and boxwood lines, the shallow arched door with turned and fluted flanking columns, the hood with mounted fluted columns and scroll pediment, the base with beaded mouldings, angled corners and inlaid panel, upon bracket feet, 240cm.
A George III Mahogany Inlaid Eight Day Longcase Clock, signed John Craig, Carrigill, associated break-arch brass dial with silvered chapter ring, pierced cherub spandrels, steel hands, case with reeded columns, associated rectangular case, the "onion" arched trunk door flanked by inlaid sides, the four pillar movement with anchor escapement and rack strike on bell, 213cm high.
A Fine Mahogany Regulator Longcase Clock, by William Dutton, London, the circular silvered dial signed "William Dutton London", two subsidiary dials indicating seconds and hours, outer minutes track with central corresponding minute hand, eccentric winding hole, blued steel handles, with triangulated plates linked by four turned pillars, maintaining power, jewelled deadbeat escapement, in a brass mounted and richly figured mahogany case, with stop-fluted chamfered stiles, reeded raised mouldings to the plinth, 224cm high over eagle and sphere finial, with winding key.
Robt. Hodgkin, London. A George III oak and mahogany longcase clock, the arched hood with swan neck pediment and reeded pillars with Corinthian capitals, the trunk with shaped top door flanked by quarter reeded pilasters, raised on a panelled plinth, the arched 13 inch dial with moon phase disc painted with figures in landscapes, above a silvered chapter ring and foliate engraved centre with seconds dial and date aperture, urn spandrels, the eight day four pillar movement with shaped ogee shoulders to the plates, 238cm (probably associated)
John Wright, Linton. An automaton oak longcase clock, the break arch hood above conforming trunk door raised on a rectangular plinth, the 12 inch arched silvered dial landscape-painted to the arch with two rocking figures on a sea-saw, above silvered chapter ring and well-engraved centre, seconds and calendar dials, gilt rococo spandrels, with four pillar bell-striking movement, (case probably associated) 200cm high
An early 19th century Scottish mahogany longcase clock, the arched moulded top with 'C' scroll cresting, the silvered dial with black Roman numerals, Arabic five minute divisions, subsidiary seconds and date dials, inscribed 'Tempus Fugit' within scrolled spandrels, the curl veneer door enclosed by half round column pilasters with spire finials, on moulded panel base with flattened bun feet, 8 day movement striking on a bell, dial 52cm, 221cm overall.
A George III mahogany longcase clock, the fretwork pierced silk lined pagoda top with three ball finials, on ormolu capped stop fluted tapering columns, the arched brass dial with black Roman numerals and Arabic five minute divisions, with subsidiary seconds dial, inscribed 'Richard Reader Hull', feacit within cast spandrels, the arched door inlaid with a flower filled urn with shell cresting, enclosed by ormolu capped reeded quarter columns, the base inlaid with an urn in a satinwood banded panel, the whole outlined with satinwood stringing and with conch shell scroll and fan paterae detail, on shaped bracket feet, 8 day movement striking on a bell, dial 46cm, 248cm overall.
A George III fruitwood longcase clock, with full length door, the hood with shaped and moulded cornice and pillar supports, containing a 30 hour movement with 10in square brass dial engraved with flowers, single hand, the chapter ring with Roman numerals, shell pattern spandrels, inscribed Edw How, Holford, 74.5in high.
George Hill, Bo-ness; an early Victorian mahogany longcase clock, the two train movement with anchor escapement and rack-strike on a bell, the painted dial with domestic scenes and Roman numerals with subsidiary seconds and date dials; the case with convex lancet door between pilasters, the hood with broken pediment and three ball and eagle finials, 215cm high