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A George III mahogany longcase clock Norwich, with an eagle surmount,49cm wide25cm deep210cm highCondition ReportKnocks and wear throughout. With cracking to the veneer arch of the clock.

A mahogany longcase clock by Andrew Smith, North Berwick,12 1/2in dial, 220cm high overallCondition ReportTrunk: 34.5cm wide, 18.5cm deepHood: 52cm wide, 25.5cm deepKnocks and wear throughout with holes to the interior back. Crack to the glass on the hood.With historic flight holes. It is difficult to tell if the dial is original, I would think it may be slightly later. The truck does not appear to be warped. Please see additional images.

An oak and mahogany cased longcase clock, 19th century, by Holt, Newark, with an eight-day movement, with a painted dial, 223cm highthe dial 30cm diameterCondition ReportWith wear. One weight. Splits to the case. Some losses.

A 19th century Scottish longcase clock with 14" painted arch dial by Thomas Steel of Kirkintilloch with eight-day movement in mahogany traditional case

A 19th century longcase clock by W. B. Cornforth of Macclesfield with 14" painted arched dial below moon phase aperture with shipping scenes, 8-day movement in mahogany traditional case

A WALNUT LONGCASE CLOCK BY JOSEPH SMITH OF BRISTOL (act. 1725-1778) the eight day two train movement striking on a bell, the brass face with subsidiary second dial, date aperture and a rocking Father Time aperture bordered by script, 'Tempus Fugit Momento Mori', the case with a caddy top hood and a stepped plinth base, 235cm high x 53cm wide x 26cm deepProvenance: The Les Watts Collection.

A GEORGE III OAK LONGCASE CLOCK BY RICHARD HARDWICK OF ASHWICKthe eight day two train movement striking on a bell, the brass dial with Roman numerals, subsidiary second dial and date aperture, the case with a caddy top over a gilt tooled red leather frieze, a slender trunk above a stepped plinth base, 217cm high x 50cm wide x 24cm deep

An Art Deco longcase clock of small proportions or 'grandmother clock', in rosewood veneer, the silvered dial with engraved Roman numerals, set in a square enclosed hood with a chrome rimmed door, the case fronted by a dark tinted glass panel and chrome on either sides. Spring driven eight day movement, Westminster chime quarter stricking on rods, with pendulum. 23cm wide x 16.5cm deep x 137cm high.

A 19th Century oak longcase clock, with a carved pierced arched top and painted dial, by D Bowman, the case with ebony inlay above the panelled door on a plinth base, 212cm high

An oak cased longcase clock, the painted 13" dial with moon phase to the arch, subsidiary seconds and date dials and signed Thomas, Worcester, fitted with an eight-day movement, total height 216cm

Late XVIII Century Oak and Mahogany White Dial Eight Day Longcase Clock, hood with a swan neck pediment, column supports, trunk with a shaped crossbanded door, panelled base, the white dial with minute and date apertures.Pendulum is present

A 19th century inlaid mahogany eight-day longcase clock with moonphase by Edward Massey of Burslem - the floral painted Roman arched dial with subsidiary seconds dial at noon and arched date aperture at six, pierced brass hands, fronting a bell strike movement with four knopped pillars and anchor escapement, the case with swan neck cornice with brass rosette rondels and central ball finial, over fluted columns and an ogee moulded door, probable later alterations to case, the trunk with fluted quarter columns and a cross banded glazed door, on a cross banded plinth with fan spandrels, with ogee bracket feet, probable alterations to case. (LWH 60.5 x 28 x 246.5 cm)

A GEORGE III MAHOGANY LONGCASE CLOCK LATE 18TH CENTURY The eight-day bell striking movement striking on a bell, the 13inch dial with a painted scene to the arch and inscription for the maker THOMAS WORSWICK LANCASTER above Roman numeral chapter ring and Arabic five minutes to the outside track and with central date aperture, the case attributed to Gillows of Lancaster, with fretwork and blind fretwork, fluted quarter columns, and canted plinth base 230cm high Condition Report: Movement is complete but is generally in neglected condition hence will require a clean/overhaul before putting to use. The hour hammer has been altered (in the 19th century) to have an external cock/pivot at the rear together with external spring/counter (to sound on a gong that was once fitted to the case backboard); the bell and stand are replacements. The dial is a little dirty/discoloured and may have originally had a rocking figure feature to the arch (no longer present and painted scene now fitted flush within the dial aperture. The movement rests on an old seatboard onto to cheek uprights of the case which appear not to have been packed hence movement and dial are probably original to the case. The case would have originally had a pierced/fretwork crest and the fretwork (no longer present) and the fretwork infill to the upper quadrants above the dial are most likely replacements. The case backboard may also be a replacement (or has been out of the case and re-fitted). Otherwise faults to the case are limited to relatively minor bumps, scratches, scuffs (most noticeably one to the front of the base) and light shrinkage.Clock has two weights, a case key but no winder. Condition Report Disclaimer

An early 20th century mahogany novelty timepiece, as a George III longcase clock, 8cm dial inscribed with Roman numerals, key wound movement, the case inlaid to the centre with a circular batwing patera, 37.5cm high

An 18th Century oak longcase clock, the hood with pagoda pediment and turned pillars, full length door and reeded side columns to the trunk, on bracket feet with circular dial and 30 hour movement, by Kidd Malton, height 227cm.

An early 19th Century oak longcase clock with mahogany cross banding, the hood, with swan neck pediment and turned columns, full length door to the trunk with 1/4 turned reeded pillars, arched painted dial and 30 hours movement, by Foxtan Sutton. Height 216cm.

Late 17th/early 18th century slender 30-hour oak longcase clock with single hand, 11" square brass dial, signed 'Jn Hankins, Southton' with roman numerals, the spandrels featuring masks in foliate castings, the plain case with door having round glass lenticle, 209cm high Condition ReportAll clocks and watches are sold as untested for time keeping accuracies. Glass lenticle is possibly a later replacement. Comes with pendulum and one weight. Surface marks, scratches and wear in places commensurate with age and previous use.

Black Forest-style longcase clock in the 18th century manner, broken-arch brass dial with roman numerals on silvered scalloped edged chapter ring and sunburst hands, the hood decorated with floral motifs and pagoda style top and glazed side doors opening to reveal 30-hour movement, 250cm high Condition ReportWeight, pendulum and key are present. Circular glass window has possibly been previously replaced. 

Georgian eight-day oak cased longcase clock by James Coates, Horncastle, with painted broken-arch dial, indistinctly signed, decorated with fruits and flowers, featuring rocking sailing ship flying the red ensign, roman numerals, subsidiary seconds dial and arched date aperture, eight-day movement cased in hood with swan neck pediment and fluted pillars, broken arched door with moulded surround, 215cm high Condition ReportClock comes with two weights and a pendulum. Door opens and closes, lock doesn't appear to work. Base is split on one corner. Surface marks, scratches and wear visible throughout the dial and case commensurate with age and previous use. Ship and its backing are well worn with signs of rust. All clocks are sold untested for timekeeping accuracies.  

Mid 18th century walnut longcase clock, the five pillared twin train movement by William Stumbels, Totnes, the broken-arch brass dial with silvered chapter ring, roman numerals for the hours, arabic minutes, subsidiary seconds dial, square date aperture, signed circular boss in arch, arched hood with corinthian pilasters, door with herringbone and crossbanded details and thumbnail moulding, all on bracket feet, 240cm high  William Stumbels (d.1769) has been described as the finest West Country clockmaker and one of the best outside London at the time and made clocks for the illustrations houses of the area incuding Powderham Castle near Exeter  Condition Report Dial has possibly been refinished/restored. All clocks and watches are sold untested for time keeping accuracies. Has two brass weights and pendulum. Arch back top of the hood is broken/split in two places, see additional photograph. Marks, small splits to the case and wear in places commensurate with age and previous use. 

Reproduction 'Moathe' longcase clock in Chinese lacquer and mother'o'pearl inlaid case with dragons, birds, bamboo, flowers, etc, the three-train movement with Westminster chime, chromed weights behind glazed door, 206cm high 

18th century George III mahogany eight-day longcase clock, the silvered broken-arch dial with roman numerals and hands, square date aperture and silent/chime lever signed James Wilson, Sweetings Alley, Royal Exchange, the arch-topped hood with brass ball finial, matching case door, 210cm high (lacking weights)Condition ReportPendulum present, lacking weights. Case back is worn and damaged, with old repairs visible. All clocks and watches are sold untested for timekeeping accuracies. Overall condition of the dial is good, with marks and wear in places caused through use. Marks, scratches and wear in places throughout the case commensurate with age and use.

18th century 30-hour oak longcase clock, single hand on 11" square brass dial with roman numerals and arch calendar aperture, hood topped with three brass eagle and ball finials, 203cm high 

Late 17th/early 18th century 30-hour oak longcase clock, the 10" brass square dial with roman numerals on silvered chapter ring, the inner etched with foliate themes, the cast brass spandrels featuring classical urns and foliate decoration, indistinctly signed (see photo), the plain case topped with classical pediment hood, brass escutcheon to the door, 208cm high 

19TH CENTURY ANGLESEY LONGCASE CLOCK mahogany encased, having rolling moon dial to Owen Owen of Llanerchymedd, twin weights and pendulum, 231 (h) x 67 (w) x 26cms (d)Provenance: private collection Anglesey

19TH CENTURY SHROPSHIRE LONGCASE CLOCK oak encased, thirty-hour, brass dial to John Joyce of Ellesmere, single weight and pendulum, 207 (h) x 54 (w) x 33cms (d)Provenance: private collection Gwynedd

18TH CENTURY SHROPSHIRE LONGCASE CLOCK inscribed Baddely (of) Tong, having brass face, an oak trunk with twin pendulum and weight, 213 (h) x 51 (w) x 26cms (d)Provenance: private collection Gwynedd

W. Edwards, Bishops Castle an oak longcase clock the thirty-hour plated movement striking the hours on a bell with the twelve-inch square painted dial having Arabic numerals, decorative birds to the centre, 'false' winding holes, a subsidiary seconds dial and date aperture, anchor style spandrels painted to the four corners and signed W. Edwards, Bishops Castle, with decorative gilt-brass hands, the oak case having fluted pillars to the hood with cast-brass capitals, a swan-neck pediment, three cast-brass urn finials and standing on bracket feet, height 212cms.Note: William Edwards is recorded as working in Bishopsgate, Shropshire. He was baptised in December 1776 being the son of the clockmaker Edward Edwards, recorded as working in Bishopscastle from before 1771, and Susannah. William was unmarried and lived in Church Street where he is shown with his sister in the census of 1841 and 1851. Douglas J. Elliott Shropshire Clock & Watchmakers Pub. Phillimore & Co Ltd, 1979.

Peerless, Germany a contemporary walnut longcase clock the eight-day duration spring-driven movement chiming the quarters on a nest of eight gong rods and striking the hours on a further four gong rods, the backplate stamped with the trademark for Peerless and numbered 1832092, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals with the arch having a silvered dial for selecting Westminster/Whittington or Winchester, the mahogany and walnut case having an arched moulding to the trunk door and cast-brass capitals to the hood pillars, height 172cm.

An electric master longcase clock the square black dial having an applied chrome chapter ring and corners with Arabic hour numerals and stylised black counter-weighted hands, with the movement setting off an electric impulse set within the trunk, the oak case with a curved top, straight sides, glazed trunk door, and standing on a curved plinth.

An 18th century oak longcase clock, having an eight-day duration movement striking on a bell with the twelve-inch break-arch brass dial having a silvered chapter ring engraved with black Roman numerals and decorative blued-steel hands, with the centre having a subsidiary seconds dial and date aperture, with cast-brass female-head spandrels to the four corners, the arch with a brass boss engraved Tempus Fugit and with an engraved eagle, the oak case with mahogany crossbanding to the trunk and hood and with star-inlaid decoration to the trunk, the break-arch hood having three-quarter plain pillars and surmounted by a cast-brass eagle finial, all standing on bracket feet, height 217cm without finial, 234cm including finial..

19th Century mahogany longcase clock, the broken arch dial above an arched panel door on conforming plinth, the painted dial with Roman numerals, subsidiary seconds and two train movement, together with a Bakelite Enfield mantel clock

Mixed media on board, interior scene of various furniture including a longcase clock, signed Ruffell, 44 x 54cm, together with another modern painting on board, cat in a meadow, signed Bolton, 44 x 60cm

19th Century mahogany and oak longcase clock, the arched top and painted dial with subsidiary seconds and date aperture, with loose movement (for restoration)

Early 20th Century oak and mahogany longcase clock, the painted dial with Roman and Arabic numerals inscribed Hodgetts Dudley, with a two train eight day movement striking on a bell

Two 19th Century longcase clock movments with painted dials

Quantity of longcase, fusée and other clock keys

Early 20th Century oak longcase clock with a two train weight driven movement

19th Century mahogany longcase clock, the circular painted dial inscribed Birley, Birmingham, having subsidiary seconds and date apertures, decorated with masonic emblems, the two train movement striking on a bell, the case with flush panel door and conforming plinth base on ogee bracket feet, 218cm highMarks and cracks to case, dial has been re-painted. Has not been tested for any length of time. Movement is very dusty/dirty.

Three various 19th Century painted longcase clock dials, together with a wooden clock dial

18th Century oak longcase clock, the pagoda hood with brass finials and blind fretwork frieze above a rectangular panel door and conforming plinth, the brass dial with cherub spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Marke Hawkins, Bury St. Edmunds, the two train movement with anchor escapement striking on a bell, with two weights and pendulumOverall height 232cm. Overall in good condition. Restored recently.

Nine various longcase clock weights (some brass cased)

19th Century painted longcase clock dial decorated with buildings and landscapes, two further circular painted clock dials and various longcase clock weights and pendulums etc.

19th century mahogany longcase clock with inlaid decoration

Late 19th century miniature longcase clock in oak case

19th century oak longcase clock, dial signed John Boot, Sutton AshfieldDial measures 27.5cm²

19th century mahogany longcase clock by Wilkinson, Preston

George III oak longcase clock by W. Swain, Woodbridge, with square signed painted dial, and twin train movement striking on a bell, in square section case, 205cm high, with two weights and pendulumThis is a 30 hour clock with single train movement it therefore has only one weight. It is running and striking but has not been tested with timekeeping. The base board of the case is split

19th century oak longcase clock with painted dial

Early George III mahogany longcase clock the painted arched dial indistinctly signed Webster White, in square hood with glass frieze and canted columns, raised on bracket feet, with twin train movement striking on a bell, 233cm high, with two weights and pendulum

19th century Swedish longcase clock with inlaid decoration

Reproduction mahogany longcase clock with weights and pendulum

Early 20th century oak longcase clock with glazed door

Early 19th century longcase clock with an 8 day movement by James Chapman of Lincoln in an oak case Ht 212cm W 46cm D 22cm

A GEOGIAN MAHOGANY, OAK AND MAPLE EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, and bobbin turned pillars, the painted dial with Arabic numerals, signed Thomas Button of Wakefield, missing weights, pendulum and winding key, height 206cm (condition report: dial board does not fit between hood, missing glass door to hood)

A vintage mantel or desk clock in the form of a longcase clock, 31 cm (h) and a British military General Service Trade Pattern pocket watch, marked with broad arrow and numbered 009499. [W]

A mid-18th century 30 hr Longcase Clock, signed 'Thomas Dicker, Silchester', 10 inch brass dial with spanderals, silvered chapter ring with Roman numerals, raised on oak trunk, door reinstated with original round glass lenticel, with pendulum and weight, H 193.5 cm. Note clock has been restored with label inside, lenticel original to trunk but not necessarily original to the movement, see images.

Robert Matthews of Ely 19thC Mahogany and Walnut cased Longcase clock with painted dial

Modern Longcase clock with Roman numeral brass dial

19th Century J Reed of Brampton longcase clock having a hand painted classical scene depicting a harp player with a painted round face with roman numeral dial, broken swan neck pediment, oak case with domed top door.