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Click here to subscribeGeorge II walnut longcase clock, the broken arch hood with broken pediment above a rectangular panelled door with glass bull's eye above a conforming plinth base, the gilt brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture with strike silent selector in the arch, signed Francis Wells, London. The two train movement with anchor escapement striking on a bell
A mahogany longcase regulator clock, the 8 day striking movement with a dead beat escapement to a square brass dial, with subsidiary seconds dial and date aperture, the chapter ring inscribed Brownless Staindrop, the hood with turned columns, a waist door housing the wooden shafted pendulum, the base on bracket feet, 5ft 8.25in (173. 5cm) high.
An early 19th century oak and mahogany banded longcase clock, the 8 day movement striking on a bell to a painted 12in square dial with subsidiary seconds dial and calendar aperture inscribed W. Stephenson, Dorchester, (one hand broken), the hood with a swan neck pediment turned columns waist door, the base with a shaped apron and bracket feet, 6ft 8in (203cm) high
A 19th century mahogany longcase clock, the 8 day movement striking on a bell, to a painted arch dial with a European river landscape, churches and houses, a subsidiary seconds dial (no hand) and a date aperture, inscribed Stevenson, Leicester, the arched hood and case veneered and inlaid stringing, canted corners to the trunk, the base on bracket feet, 7ft 1in (216cm) high.
A walnut veneered longcase clock, the 8 day movement striking on a bell to a arched brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, inscribed Joseph Stephens, London, the boss engraved a bird, urn and griffin corner spandrels the case with a glazed lenticle to the waist door, the base crossbanded, 6ft 11in (211cm) high.
Webb & Son, Hembury, an oak and mahogany banded longcase clock, the hood with swanneck pediment, brass ball finials and fluted pillars, the trunk with inlaid canted corners, on a rectangular plinth, the retouched 12inch arched dial with floral basket painted to the arch, leaf spandrels, seconds dial and calendar aperture, Finnemore & Son falseplate, restored 8 day movement, (associated), 212cm high
Chas Cornell, Royston, a mahogany longcase clock, the hood with swanneck pediment and fluted pillars, the 12inch arched dial painted with fruit and foliage, gilt floral spandrels, Roman numerals, seconds dial, calendar aperture, with 8 day movement, Finnemore & Son falseplate, the trunk with canted corners, (striking train removed, lacks skirting) 196cm high
James Smith, Oxford Street, a George III mahogany longcase clock, the pagoda top break-arch hood with fret panel, ball finials and stop fluted columns, the 12inch brass dial inscribed above the silvered strike-silent dial, also with silvered chapter ring, seconds dial and date aperture, matted centre, rococo spandrels, the break-arch trunk door flanked by stop-fluted brass capped quarter columns, above a stepped plinth with shaped front panel and skirting, with 5 pillar bell-striking movement, 250cm high
Thos Glase, Bridgnorth, a burr yew longcase clock, the hood with swanneck pediment and turned pillars, the arched 14inch painted dial with Biblical scene to the arch, foliate spandrels, Arabic numerals, seconds dial and calendar aperture above a square and compass motif, the 8 day 4 pillar movement with Wilkes & Son falseplate, the trunk with short trunk door flanked by canted corners, upon a panelled plinth with bracket feet, early 19th century, 229cm high. With original bill of Micklewright's of Ludlow (Antique Dealers) 1919 for £25
A GEORGE III MAHOGANY LONGCASE CLOCK, the 13 inch arched brass dial signed 'Taylor, Kings Street, Whitehaven', with a calendar subsidiary dial and phases of the moon in the arch, the hood with a swan neck pediment above an arched panelled door, flanked by fluted columns, on a plinth base and bracket feet, 90.5in high (230cm).
A LATE GEORGE III MAHOGANY LONGCASE CLOCK, the 12in arched painted dial signed 'Thos. Hunt, London', with calendar and seconds subsidiary dial and strike/silent in the arch, flanked by fluted columns strung in brass, the arched panelled door flanked by similar columns on a double plinth base and bracket feet, 85in high (216cm).
A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the 14 inch arched painted dial signed 'Robt. Wigan, Kolne', the three train movement striking on eight bells with Westminster/Whittington and two strike/silent catches on the dial, the hood with scrolling ornament above an arch panelled door on turned feet, 93in high (236cm).
An early 19th Century mahogany longcase clock, the hood with reeded columns and gilt corinthian capitals, over a trunk with quarter reeded columns, brass corinthian capitals and a crossbanded arched door, the arched brass dial with subsidiary seconds and date rings, a disc inscribed John Bates, Kettering, and a five pillar movement. (seatboard not original) 208cm high
An early 20th Century mahogany case longcase clock having an arched moulded cornice, arched glazed door flanked by Doric columns, pierced fret sides having a brass face with eight-day mechanism, triple train eight-day movement striking on St. Michael, Westminster and Whittingham chimes having cast dolphin and mask head spandrel, the musical mechanism striking on twelve gongs, the case with astragal glazed door, canted corners, panel base on ogee bracket feet, 1.98m high.
George Pringle, Denny? An early 19th Century mahogany longcase clock having a moulded swan neck cornice, arched painted dial, the arch decorated with The Escape of Queen Mary, similarly decorated spandrels, eight-day movement, flanked by subsidiary second and date dial, the arched glazed door flanked by columns with rectangular panel door and boxwood strung base, 2.25m.
Scott, Dunning, Early 19th Century oak longcase clock having a moulded swan-neck cornice with brass rosettes and finial, boxwood blind fret decorated spandrels, the arched brass face with engraved ornament name boss, subsidiary second and date dial, eight-day movement, glazed door flanked by fluted column, the trunk with quarter columns with crossbanding and boxwood strung decoration, central paterae inlay and base on turned feet, 2.10m.
A crossbanded mahogany 8 day striking longcase clock with a 14" painted moonroller dial having second and calendar dials signed Vesher Wolverhampton contained in a swan neck hood with turned octagonal columns above a shaped trunk door flanked by turned octagonal columns and a canted stepped base 7' 7" tall
An 18th Century oak longcase clock by William Womersley, the 12ins square brass dial with silvered chapter ring and dial showing phases of the moon, now with eight day two train movement striking on a bell, contained in case with deep moulded and overhanging cornice, and reeded columns to hood, shaped trunk door, 78ins high.
An early 19th Century mahogany longcase clock by William Allan of Aberdeen, the 12ins arched brass dial with silvered chapter ring, subsidiary seconds dial, date aperture and strike/silent dial to arch, the dial centre engraved with scroll work and urns, to the eight day five pillar movement striking on a bell, contained in case with arched and moulded cresting with fluted pillars to hood, arched trunk door, on turned feet, 94ins high.
A late 18th Century mahogany longcase clock by William Ing??? of London, the 12ins arched painted dial with strike/silent dial to arch (inoperative), subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded caddy top and turned, fluted and brass stopped columns to hood, figured veneered trunk door with arched and moulded top, fluted and brass-stopped quarter columns to sides, raised astragal moulded centre panel, on plinth base, 102ins high (glass cracked, fretted panel to top missing, and side fret panels broken - painted dial rubbed and chipped)
A George III oak longcase clock, the caddy top hood with blind fret frieze, with half round gilt capped columns, square brass dial with silvered chapter ring, subsidiary seconds and date apertures, black Roman numerals, with Arabic five minute divisions enclosed by cast spandrels inscribed on reverse W Barnard, the moulded arched door with bullseye aperature, on a plinth base, 8 day movement striking a on bell, dial 30cm (12" square), 210cm high overall
An unusual early 19th century oak cased 30 hour longcase clock, quarter chiming on two balls with subsidiary seconds, stamped on the backplate Alf Smith -1750, hand painted dial with cottages, trees and river scenes, swan neck top pediment. (quarter strike can be cancelled to chime hourly), made circa 1840 with later alterations to movement.
An early 18th Century oak and pine longcase clock, the 12" brass dial engraved 'John Shaw, Holborn', with a subsidiary seconds dial and calendar mechanism, cherub and crown spandrals and ringed winding holes supporting a five pillar striking movement. The case now painted black and with later alterations. Case 2.46m high