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An 18th century mahogany cased eight day longcase clock, the finial mounted pierced pediment above an arch glazed door flanked with brass capped reeded columns enclosing a 12inch brass arch dial with silvered chapter ring, subsidiary seconds dial and date aperture, signed John Wise, London, with four pillar bell striking movement above a marquetry inlaid arched long trunk door, standing on a similarly inlaid plinth base with bracket feet, 249cm high

William Harris, Chippenham. An 18th century oak longcase clock, the hood with whale's tail cresting and fluted pillars, the trunk with moulded edge, the 28cm (11inch) square brass dial with Rococo scroll spandrels and engraved centre, with 8 day 5 pillar bell striking movement, 207cm high

An 18th century oak cased longcase clock, the moulded cornice with blind fret worked frieze above a glazed door flanked with fluted columns enclosing a brass dial with silvered chapter ring, moon phase and date apertures and Roman numerals, signed Reynolds, Kirkbride, with four pillar bell striking movement above an arched long trunk door flanked with quarter columns, standing on a panelled plinth base with bracket feet, 206cm high

An early 19thC flamed mahogany and rosewood banded bowfront longcase clock, with swan-neck candytwist pillared hood, short trunk door, deep base with bracket feet, the 13" painted dial having a hunting scene to the arch, fruit spandrels, Roman numerals, seconds ring, date crescent, marked Philip Thomas, Doncaster, 8-day movement. 88" high.

An oak longcase clock with pillared hood, full length trunk door and bracket feet, painted 11" dial with silent/strike to arch, shells to spandrels, seconds ring, dates ring, Roman numerals and marked 'Gregory, Basingstoke'. 82" high.

A Victorian mahogany longcase clock, circa 1850, the painted face with eight day Birmingham movement, the hood and trunk with fluted columns. (approx 230cms high/for restoration)

An oak longcase clock c.1930, the silvered dial with arabic numerals, fitted a continental chain-driven striking movement with chrome encased weights and pendulum bob, all enclosed by glazed panelled door, raised on a plinth base with bun feet, 20in. x 75in. high.

A George III mahogany longcase clock, the hood with swan neck pediment and brass finial, decorated with blind fret carved panels above the arched glazed panel door, flanked by fluted brass mounted pilasters, the movement (not contemporary with the case) fitted a silvered dial, subsidiary date and seconds dials, decorated with spandrels and a circular disc to the arch engraved A. Pringle, Edinburgh, fitted eight day striking movement with new seat board, the trunk below with an inlaid panel door flanked by fluted pilasters, raised on ogee bracket feet, 18in. x 87in. high.

A Georgian mahogany longcase clock, the hood with swan neck pediment and brass sphere finial above the glazed panel door enclosing the silvered chapter ring with roman numerals and seconds dial, inscribed Thos. Davis, North Shields, fitted eight day striking movement, the case decorated with inlaid flower and shell motifs with sharks tooth banding and stringing, raised on bracket feet, 19in. x 94in. high (possibly a marriage). See lot 1525 for illustration.

A large walnut veneered on oak longcase clock, the arched hood above the brass dial, roman numerals, seconds dial and date aperture, decorated with ornate applied spandrels and a circular boss to the arch inscribed "George Willson, Swalwell", fitted eight day striking movement, a crossbanded panel door to the trunk, raised on a plinth base, 21.5in. x 94.5in. high.

A Georgian mahogany longcase clock with scrolling swan neck pediment centred by a brass sphere finial, the arched brass dial below with roman numerals and seconds dial, silvered boss to the arch inscribed James Black, Kirkcaldy, fitted eight day striking movement and flanked by fluted pilasters, the crossbanded and inlaid panelled door below raised on ogee bracket feet, 18.5in. x 84in. high. See lot 1525 for illustration.

A Georgian mahogany longcase clock, the hood with swan neck pediment above a painted arched moon phase dial, with arabic numerals and figures depicting the four seasons painted to each corner, indistinctly inscribed, the back plate engraved Wilson, serpentine panel door below flanked by fluted pilasters and raised on bracket feet, 19.5in. x 88.5in. high.

AN EIGHTEENTH CENTURY OAK LONGCASE CLOCK, the square dial with calendar aperture and signed 'R. Stedman, Godalmin', the thirty hour movement striking on a bell, 78in high.

AN EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the arched brass dial with calendar subsidiary and phases of the moon, signed 'Thomas Lister', above a panelled door flanked by canted corners, on ogee bracket feet. See lot 3 for illustration.

AN EIGHTEENTH CENTURY LONGCASE CLOCK MOVEMENT, the 12in arched brass dial with a calendar and seconds subsidiary and a twenty-four hour circular dial in the arch showing countries of the world and signed 'Jno. Marie, Hertford', the movement with a pull/repeat.

An early 20th century mahogany longcase clock, the arched brass dial with a silvered chapter ring and chime/silent dial supporting an 8 day movement striking the hours and quarters on 5 gongs, 2.26m high, dial 27cm diameter

A George III Scottish mahogany longcase clock, with an eight day movement a rolling moonphase mechanism and a painted dial, 210cm high

A George III oak and mahogany veneered longcase clock with a later Edwardian triple fusee movement, chiming on eight bells, with Whittington & Westminster chimes, inscribed J. Moncas, Liverpool, 240cm high

An impressive 'Arts & Crafts' longcase clock. The architectural case in oak, walnut and inlaid hardwoods, with carved roof tiles, and bird and griffin finials, over a pointed Gothic arch with a roundel carved with the initials ‘T.R.’. This above finely carved friezes, semi reeded Corinthian columns, marquetry panels showing unusual animals amongst foliage and a pair of carved dragon panels. The sides also decorated and with an access door for the three large weights. The 14” silvered brass dial inscribed Hurt & Son, Birmingham, with a subsidiary seconds dial and strike silent facility, the three train movement with a dead beat escapement, striking the quarters on eight bells. Now 2.48m high x 71cm wide (plinth base) x 30cm deep. This clock has apparently been reduced in height in the past.

A longcase clock dial inscribed "J. & W. Blaylock, Carlisle" and a further circular dial. (2)

A George III oak eight-day longcase clock, the painted square dial inscribed "W. Tolema?, Caernarvon", with subsidiary second dial, date aperture, the spandrels with a fan pattern, the hood with a moulded pediment, cylindrical columns, trunk with mahogany banding and quarter columns and on bracket feet, 81in. (206cm) high.

An 18th Century oak eight-day longcase clock, the arched brass dial inscribed "Peter Gill, Aberdeen" with subsidiary second dial and date aperture, the hood with an arched pediment, reeded three-quarter columns, the trunk with a mahogany crossbanded arched door, 82in. (208cm) high.

A 19th Century mahogany eight-day longcase clock, the painted arched dial inscribed "F. Handcock, Kilbarchan" with subsidiary second and date dials, the arch painted to depict The Lady of the Lake, the spandrels depicting the four elements, the hood with tunbridge ware banding and repeated to the trunk, 81 1/2 in. (207cm) high.

A late 18th Century oak and mahogany crossbanded eight-day longcase clock, the square brass dial with a silvered chapter ring and centre, inscribed "Coates, Wigan" with subsidiary second and date dials, scrolled spandrels, the hood with a swan-neck pediment, cylindrical columns, the trunk with a shaped crossbanded door flanked by quarter fluted columns, panelled base, 83in. (211cm) high. See lot 998 for illustration.

A mid 19th century oak and mahogany longcase clock, the swan neck pediment on full turned and baluster supports enclosing an arched dial, painted with rural scenes and floral spandrels, black Roman numerals and incribed 'Ness Kirby-Moorside, the case with two maple panels, the square door with acanthus carved cresting enclosed by canted angles, the crossbanded base with shaped apron and bracket feet, 30 hour movement, dial 47cm high, 222cm high overall

An antique oak longcase clock having arch enamel 30cm dial with phases of moon, seconds and calendar by M Bartley, Bristol, eight day, the case flanked by ropetwist quarter columns, 249cms.

Oak Westminster chiming longcase clock, circa 1910-1920, the hood with barlyetwist columns flanking a silvered chapter ring with Roman numerals over a trunk with a single long door centred with a carved rosette over a raised panel base, height 185cm

Mahogany inlaid eight day longcase clock, early 19th Century, the hood and trunk boxwood strung throughout with twin octagonal columns flanking an arched and painted dial, 35cm, with Roman numerals, subsidiary seconds and date dial, naively painted with figures to the spandrels emblematic of the seasons beneath a painted river landscape to the arch, all raised on a box base with bracket feet, height 210cm

J Grundy, Whalley - 8 Day Striking Oak Longcase Clock having square brass dial with calendar, swan neck cornice having inlaid mahogany and satinwood leaf motif, banding, boxing and stringing, panelled door flanked by half round reeded column supports on ogee feet, 2m 6cm high

A George III mahogany and inlaid longcase clock, late 18th century, the arched hood with broken scroll pediment painted with scrollwork in verre eglomise style above an arched and pillared glazed door, enclosing a 14" white enamel dial with Roman numerals, subsidiary seconds and date dial and painted with roses in the corners and a rolling moon phase in the arch, eight day movement striking on a bell, between fluted pilasters and over a shaped top, three-quarter length trunk door with oval boxwood and ebony stringing, flanked by fluted pilasters over a further oval tablet, ogive and cushion moulding and inlaid panel base board, between canted angles, lacking feet, distressed, 90" high

An oak and mahogany crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above an arched trunk door, flanked by brass capped pilasters enclosing a 12" white painted enamel dial with Roman numerals and subsidiary seconds dial and date aperture and marked 'Unwin & Holt, Newark', gilt painted foliate corners and painted with a fisherman fishing by a weir in the arch, eight day movement striking on a bell above a canted top crossbanded full length trunk door, ogive moulding and ribbed baseboard on plinth base, restorations, 82" high

A George III oak cottage longcase clock, early 19th century, with shaped pediment and three brass eagle and ball finials above a square hood flanked by pilasters, enclosing a 12" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked 'Robert King, Fodden', painted with roses to the corners, 30 hour movement striking on a bell above an arched full length trunk door, ogive and cushion moulding and plain baseboard on plinth base, 80" high

A George III oak mahogany crossbanded and inlaid longcase clock, late 18th/early 19th century, with broken swan neck pediment above a square glazed door, flanked by brass capped pilasters, enclosing a 13" square enamel dial with arabic numerals, subsidiary seconds dial and date aperture, marked 'Owen Davies, Llanidloes', painted with gilt paterae in the corners, 30 hour movement, striking on a bell above a crossbanded trunk door with canted top corners, ogive moulding and plain baseboard with fan inlaid top corners raised on shaped apron and bracket feet, restorations, 82" high

An oak and mahogany crossbanded and inlaid cottage longcase clock, second quarter 19th century, the broken scroll swan neck pediment above an arched glazed door, flanked by fluted brass capped pilasters enclosing a 12" white painted arched enamel dial with Roman numerals and date aperture, marked 'Thomas William Hay, Shrewsbury', painted with flowers to the corners and a hunt in full cry to the arch, 30 hour movement, striking on a bell above an ogee arched top three-quarter length trunk door inlaid with a boxwood and harewood bird motif over a tablet, ogive and cushion moulding crossbanded base and deep plinth, distressed, 80" high.

AN OAK THIRTY HOUR LONGCASE CLOCK dial: brass chapter ring and calendar aperture, signed in the arch William Kemp Lewis, the hood flanked by turned pilasters, 83in. (210cm.) high

AN OAK LONGCASE CLOCK dial: brass with subsidiary seconds ring, case: the hood with turned pillars beneath a swan neck pediment, 87in. (201cm.) high

A MAHOGANY LONGCASE CLOCK dial: signed Willm. Lunan, Aberdeen, subsidiary alarm, case: the hood inlaid with satinwood, the trunk with a crossbanded door,flanked by quadrant pilasters, 78in. (198cm.) high

AN OAK THIRTY HOUR LONGCASE CLOCK dial: silvered, signed Barton, Saffron Walden, 76 1/4in. (194cm.) high

AN OAK LONGCASE CLOCK silvered chapter ring, calendar aperture and signed on the tablet John Ismay, Wigton, a bobbing ship to the arch, case: later carved, the hood flanked by turned pillars beneath a swan neck pediment, 88 1/2in. (205cm.) high

AN OAK LONGCASE CLOCK dial: brass, signed Andrews, Dover, subsidiary seconds ring and calendar ring, case: the square hood flanked by reeded pilasters, 76in. (193cm.) high

A MAHOGANY LONGCASE CLOCK dial: the 11 3/4 inch silvered chapter ring with subsidiary seconds ring and hour ring, signed Whiteside, Davies Street, London, striking on a gong, case: circular door with square hood with an arched top, waist door glazed, all with brass fillets, 78 1/2in. (200cm.) high

A MAHOGANY LONGCASE CLOCK dial: painted, signed Jas. Melluish, Batheaston, subsidiary seconds dial and calendar crescent, shell spandrels and arch, case: the arched hood flanked by ebonised reeded pillars beneath a fluted cornice, 81in. (206cm.) high

AN OAK AND MAHOGANY LONGCASE CLOCK dial: painted with the seasons, subsidiary seconds dial, case: the hood with swan neck pediment flanked by turned Corinthian columns, 94in. (239cm.) high

AN OAK LONGCASE CLOCK dial: 11in. silvered chapter ring with subsidiary seconds ring and calendar aperture, case: now carved, the hood with swan neck pediment flanked by turned pillars, 81in. (206cm.) high

AN OAK LONGCASE CLOCK dial: cream painted, subsidiary seconds and calendar rings, signed Hofman, Tunbridge, sepia floral painted spandrels and arch, hood: arched flanked by reeded pillars, 80in. (203cm.) high

Thomas Pringle, Dalkeith, an early 19th Century mahogany longcase clock having a moulded swan neck cornice with brass orb and rosette ornament, pierced boxwood spandrels, the arched painted face with floral spray to arch and spandrel subsidiary second and date dials, eight-day movement, the glazed door flanked by fluted columns with boxwood strung case, crossbanded base on bracket feet. 2.13m.

John Barr, Port Glasgow, a Georgian mahogany longcase clock having moulded swan neck cornice carved rosettes with gilded centres, the arched brass face with main boss flanked by dolphin spandrels, silver chapter ring with eight-day movement, subsidiary second dial and date aperture with carved spandrels enclosed by glazed door flanked by columns, the trunk with moulded edge and shaped base. 2.17m. (See lot 386 for illustration).

John Simcock, an antique brass longcase clock dial with date aperture, cast spandrels, 10 inch square, also various clock and watch accessories and parts.

Andrew Dickie, Stirling, a Georgian oak longcase clock having a moulded swan neck cornice with boxwood pierced fret ornament, the arched brass dial having a name boss flanked by dolphin spandrels, silver chapter ring with eight-day movement, subsidiary date and second dials and the cast gilded spandrels with bust cartouches enclosed by an arched glazed door flanked by columns, moulded edge trunk with panel door, the base with canted corners and shaped bracket feet, 207cm. (See lot 386 for illustration).

A George III oak cased longcase clock, the 8 day striking movement (no bell) to an arched brass dial, the engraved centre with subsidiary seconds dial and date aperture, the boss inscribed Jno Swinburn, Hexham, to dolphin and scroll spandrels, the glazed hook (cracked) with a swan neck pediment above turned columns, to an arched waist door with fluted quarter pilasters, the base with a moulded plinth, 7ft 2in (218.4cm) high.

An 18th century japanned longcase clock, with chinosiere decoration, the eight day movement striking on a bell, to an arched brass dial with subsidiary seconds dial and date aperture, the boss inscribed Josh Herring, London, the glazed pagoda hood above and arched trunk door, the base with a plinth moulding, 7ft 7in (231cm) high.

A 19th century mahogany longcase clock, the 8 day movement striking on a bell to a arched dial painted a shepherd above spandrels inscribed ?ercer, Debenham with a subsidiary seconds dial, the hood with a shaped outline door with swan neck pediment with central brass ball and spire fluted pilasters, the trunk door with an ebonzied edge to fluted corners, the base on bracket feet (old restoration) 7ft 4in (223.5cm) high.

A mahogany longcase clock, the marquetry case with shaped and pillared hood and eagle and ball finials, the trunk with neo-classical designs of winged females over an arched trunk door with central vignette of a water carrying maiden and eagle, the moulded base with folite scrolling shell and urn panel,on bracket feet, the 12" brass dial having cast spandrels, 'tempest fugit' and eagle rondel to arch, silvered chapter ring and subsidiary seconds ring, having Roman hour numerals and Arabic minute and seconds numerals, matted center with date aperture, 8-day movement striking on a bell, 90" high.

A Georgian mahogany longcase clock by J Watson of Blackburn, the mahogany string inlaid case having swan-neck hood with Corinthian reeded columns, cluster column trunk with shaped full-length door, crossbanded and canted base with ogee feet, the painted 14" dial having moon roller, conche shell spandrels, Roman hour numerals, Arabic minute and the same to the subsidiary seconds and date rings, 8-day movement striking a bell, 92" high.

A George III oak and mahogany crossbanded longcase clock by John Wood Junior of Grantham, having fox painted to the swan-neck pillared hood, full-length trunk door enclosed by inset reeded columns, panel base with bracket feet, circular painted 12" dial 12" having Roman numerals and Arabic minute numerals, 88" high.

A Georgian oak cottage longcase clock with dentil moulded cornice, arch door with applied carving, 10" painted dial with floral spandrels, repainted numerals and reduced base, 30-hour movement striking a bell, 76" high.

An Edwardian miniature longcase clock with carved oak case, square brass dial with silvered chapter ring, 8-day movement striking a gong, 20" high.

Joseph Blackhurst, Weaverham A 19th century oak longcase clock, the repainted dial with a moonphase mechanism and calendar aperture, supporting an 8 day striking movement. The case with mahogany crossbanding and reeded corner pillasters, dial 34cm diameter, case 222cm high

An 18th century oak longcase clock, the 12 inch brass dial with subsidiary seconds and calendar rings, and inscribed Edward Hunsdon, Chelmsford, with a 5 pillar movement

A 19th Century mahogany longcase clock by J. Topham of Nantwich, the 14ins arched painted dial decorated with a duck hunting scene to the arch and shells to spandrels, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment and turned pillars to hood, shaped trunk door with plain cant corners, the base with raised centre panel, 89ins high (enamelled dial marked and lacking bracket feet).