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An oak longcase clock, early 20th century, the domed hood enclosing a modern movement by Harlen Gong, over a single glazed door with egg and dart mouldings, flanked by large reeded pillars raised on tapering supports. 205cm tall.

Recently sold eight-day oak longcase clock with brass face by Redsham of Newcastle £1,100

A George III oak longcase clock, the caddy top hood with blind fret frieze, with half round gilt capped columns, square brass dial with silvered chapter ring, subsidiary seconds and date apertures, black Roman numerals, with Arabic five minute divisions enclosed by cast spandrels inscribed on reverse W Barnard, the moulded arched door with bullseye aperature, on a plinth base, 8 day movement striking a on bell, dial 30cm (12" square), 210cm high overall

A 1920's German oak longcase clock, egg molding on claw feet

Longcase clock, signed J Wilson of Stamford, circa 1780, eight day, arch dial painted with milk maid and ploughman

An unusual early 19th century oak cased 30 hour longcase clock, quarter chiming on two balls with subsidiary seconds, stamped on the backplate Alf Smith -1750, hand painted dial with cottages, trees and river scenes, swan neck top pediment. (quarter strike can be cancelled to chime hourly), made circa 1840 with later alterations to movement.

A MAHOGANY LONGCASE CLOCK dial: 11 1/2in. silvered chapter ring, subsidiary seconds ring, case: the rectangular hood flanked by Corinthian columns, 86in. (219cm.) high

AN OAK LONGCASE CLOCK dial: cream painted, signed R. Frances, Wymondham, 83in. (211cm.) high

AN OAK LONGCASE CLOCK dial: cream painted signed, Burgess, the arch with moving figure of Neptune, case: mahogany crossbanding, 86in. (219cm.) high

AN ASSORTMENT OF LONGCASE CLOCK PENDULUMS and a brass 30 hour movement, signed Samuel Roberts LLanfir (a lot)

AN OAK LONGCASE CLOCK the brass chapter ring signed J. Standring, Bolton, the case with mahogany crossbandings, 80in. (203cm.) high

AN OAK LONGCASE CLOCK with silvered chapter ring, signed Edward Crouch, London, the case with mahogany crossbanding, the square hood flanked by fluted pillars, 78 1/2in. (200cm.) high

An early 18th Century oak and pine longcase clock, the 12" brass dial engraved 'John Shaw, Holborn', with a subsidiary seconds dial and calendar mechanism, cherub and crown spandrals and ringed winding holes supporting a five pillar striking movement. The case now painted black and with later alterations. Case 2.46m high

A 20th Century mahogany longcase clock, in the early 18th Century style, the silvered dial with an eight day movement, a pierced spandrels and dentil cornice, over bobbin turned columns, with a circular mirror in the case door, 98cm high

A George III mahogany longcase clock, late 18th century, the broken scroll pediment above a verre eglomise panel and arched glazed door enclosing a 13" brass dial with silvered chapter ring and Roman numerals, matted centre, subsidiary seconds dial and marked 'Richard Pugh, Newtown' in the arch, pierced cherub mask and dolphin spandrels, eight-day movement striking on a bell, flanked by later fluted pilasters over a full length shaped top trunk door between quarter pilasters, ogive moulding and raised panel baseboard and on later ogee bracket feet, restorations throughout, 94" high

A mid-Victorian mahogany crossbanded longcase clock, 1840's, the broken scroll pediment above an arched glazed door enclosing 14" white painted enamel dial with rolling moon phase in the arch and marked 'J Addison, Bridgnorth', subsidiary seconds and date dial, Roman numerals and painted with representatives of the seasons in the corners, eight-day movement striking on a gong, flanked by faceted half pilasters over an arched top, crossbanded three quarter length trunk door, flanked by faceted half pilasters over a canted apron and crossbanded baseboard and on ogee bracket feet, 94" high.

A mid-Victorian crossbanded mahogany longcase clock, mid 19th century, the broken scroll pediment above an arched glazed door enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture marked 'JEH Matthews, Oswestry', painted with hunting dogs and game in the corners and a huntsman and dogs in the arch, eight day movement striking on a bell, flanked by turned pilasters over a three-quarter length crossbanded shaped top trunk door, between turned half columns over a canted apron and crossbanded base board, lacking feet, 88" high

An oak and rosewood and mahogany crossbanded cottage longcase clock, early 19th century, with shaped pediment and square glazed door flanked by turned pilasters enclosing a 12" white painted enamel dial with Roman numerals, subsidiary seconds dial and marked 'Horden, Kidderminster', painted flowers to the corners, eight-day movement striking on a bell, above a three-quarter length lozenge centred trunk door over a mahogany panel, flanked by fluted quarter pilasters above a crossbanded base board and on bracket feet, distressed, 83" high

An Oak Longcase Clock, Robert Simpson, Wirksworth, the 12 3/4 inch white enamel circular dial with date aperture painted with a bird on a cherry sprig within a laurel leaf frame, 30 hour movement striking a bell, in an oak and mahogany crossbanded case with broken pediment, reeded columns and stiles, on a base with inlaid leaf motif spandrels, (201cm high)

A George III Mahogany and Brass-Mounted Longcase Clock, signed Benj'n Ward, London, circa 1780, the pagoda top hood with brass ball and spire finials, centred by a pierced sound fret, brass top fluted columns, pierced glazed side panels, break arch door with moulded surrounds, the plinth with quatreform moulded panel, 12 inch brass dial with foliate spandrels to the a Roman and Arabic silvered chapter ring, silvered centre field, signed "Benj'n Ward, London", with date aperture and subsidiary seconds, strike/silent in the arch, five pillar movement with anchor escapement, rack strike on bell, (252cm high)

An Oak White Dial Eight Day Longcase Clock, signed John Winstanley, Holywell, circa 1820, arched trunk door with central shell motif, (later) feet, swan neck pediment with central finial, 13 inch square painted white dial with painted floral decoration, date aperture, subsidiary seconds, with falseplate to the four pillar movement, anchor escapement, rack strike on bell, (210cm high)

An Oak Eight Day Longcase Clock, signed John Watson, circa 1790, the hood with a flat top, turned columns, case with (restorations), 13 inch square brass dial, silvered chapter ring signed John Watson, Blackburn, date aperture, subsidiary seconds, four pillar movement with anchor escapement, (later bell), (213cm high)

A Marquetry Eight Day Longcase Clock, the case with profuse bird and floral marquetry, the trunk door with central lenticle, (later) bracket feet, the caddy top with floral marquetry, 12 inch square brass dial, silvered chapter ring, matted centre with subsidiary seconds, date aperture, four pillar movement with anchor escapement, rack striking on bell, movement and dial associated, (244cm high)

An Early 20th Century Eight Day Three-Train Longcase Clock, the 12 3/8 inch silvered and gilt dial with elaborate piercing with seconds and subsidiaries for chime/silent and selection of three chimes in the arch, the substantial movement with dead beat and maintaining power, pendulum with steel rod and zinc bob, chiming and striking on nine tubes, in a mahogany case with astragal glazed door and break arched hood, upon panelled base, (217cm)

A Victorian Mahogany Eight Day Longcase Clock, the plinth with moulding upon bracket feet, arched trunk door flanked by reeded sides, the hood with swan neck pediment and surrounded by bell finials, 14 inch painted white circular dial, Roman numerals, subsidiary seconds, four pillar movement with anchor escapement, rack strike on bell, (223cm high)

A George III Mahogany Eight Day Longcase Clock, signed Benjamin Grant, London, the plinth with rectangular moulded panel, arched door with moulded surrounds flanked by brass capped reeded columns, the hood with pagoda top surmounted by ball and eagle finials, brass capped and fluted columns, 12 inch brass dial, chapter ring with Arabic and Roman numerals, matted centre with a brass plaque signed Benjn Grant, London, subsidiary seconds dial, date aperture, the arched chapter ring and aperture for lunar scale, five pillar movement with anchor escapement, rack strike on a bell, (250cm high)

A George III Mahogany Longcase Clock, signed Jas Cawson, Liverpool, circa 1780, inlaid case on shaped bracket feet, rectangular panel to the plinth, shell motifs, flame veneered shaped trunk door flanked by reeded inset columns, hood with swan neck pediment above glass insets, reeded columns, 13 inch brass dial, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds, inner date ring with corresponding central date hand, the painted arch with automaton rocking ship, four pillar movement with anchor escapement, rack strike on a bell, (240cm high)

An 18th century oak longcase clock, the hood with broken swan neck pediment and Ionic columns above an arched trunk door and box base, the brass dial with strike silent ring to the arch and seconds subsidiary dial with Roman and Arabic numerals, bearing a plaque 'John Robinson, Westminster', the 30 hour movement, striking on a bell.

A Victorian mahogany longcase clock, the arched hood above a short trunk door and rope twist columns, above a box base and bracket feet, the arched dial painted with a landscape scene to the top and castle spandrels with Roman numerals, inscribed 'David Thomas, Sea Queen', with an eight day movement.

A 19th century mahogany longcase clock, the moulded cornice above a short trunk door and box base, on square legs, the 36 cms dial painted with a young girl and rabbit to the arch, inscribed Cheetham, Pudsey, the eight day movement striking on a bell.

A 19th century satin walnut longcase clock, the broken swan neck pediment above a long trunk door, box base and bracket feet, the 31 cms dial with moonphase to the arch, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell.

An oak cased longcase clock, the 30 hour striking movement to an 11. 25in square painted dial inscribed Dawson, Thorp above date aperture, the hood with a pediment (inj) above a waist door and plinth base (inj) 6ft 7in (200.7cm) high.

An oak and mahogany veneered longcase clock, the 30 hour striking movement to an arched brass dial, with date aperture and engraved a bird within foliage, the lunette inscribed Worswick Lancaster, above a painted townscape, the hood with turned columns above a triple arched waist door, the base on bracket feet, 7ft 6in (228.6cm) high.

A mahogany longcase clock, the 8 day striking movement to a painted arched dial with subsidiary seconds dial and date aperture, inscribed Roberts, Bath, (one hand missing, the other broken) the veneered and banded case inlaid stringing, with turned and ebonized columns to a plinth base, 7ft 4in (223.5cm) high.

A mahogany longcase clock, the 8 day movement striking on a bell to a brass arched dial with a silvered chapter ring, seconds dial and date aperture, the boss inscribed Jno. Rowning, Newmarket, cast spandrels, the hood with an urn finial arched trunk door to a shaped base, 7ft 3in (221cm) high.

A mahogany longcase clock, the 8 day movement striking on a bell to an arched brass dial, with silvered chapter ring, subsidiary seconds dial and date aperture, the arch boss engraved a figure of Father Time and inscribed Tempus Fugit, the hood with a pagoda front top, reeded columns, arched waist door to reeded sides, the framed base to a shaped apron, 7ft 1.5in (217.2cm) high.

Oak and mahogany longcase clock, the two train movement striking the hour on a bell, painted square face with subsidiary seconds and date aperture, "Jas Topham, Nantwich", in a swan's neck hood on broad trunk with reeded side columns.

Early 19th century mahogany longcase clock, painted arched dial with floral spandrels, subsidiary seconds and date dials, marked Newport (?) hood disassembled, lacking side pieces.

Early 19th century oak longcase clock, 30 hour movement with shell and bird painted square face.

Cornish 30 hour longcase clock by Richard Broad of Bodmin, painted casing and floral painted square face.

Oak longcase clock, having nine inch square brass dial with Queens head spandrels and silvered chaptering with roman numerals, quarter hour devisions bearing makers name John Washborn, the 30 hour movement set in hood with swan-neck pediment flanked by columns and standing on bracket feet, 214cm high.

18th century stained country made longcase clock, painted dial with shells and flowers in the arch and patterned decoration in the spandrels, second hand and date indicators, eight day striking movement, 82" high

A Mahogany Clock Bracket, and a group of longcase clock finials (box)

Robinson (Tom) The Longcase Clock, illustrated, Tribe and Whatmore-Dorset Clocks and Clock Makers, and other volumes on clocks (box)

An Early 20th Century Dwarf Longcase Clock, the silvered dial with Arabic numerals, fitted an 8 day Westminster chime movement, in a black lacquer case with chinoisserie decoration, 131 cm

A 19th Century Regulator Longcase Clock, the circular silvered dial signed "SIMMONS COLEMAN Stt LONDON" with subsidiary dials the hours and seconds, and minute markings around the circumference, the substantial heavy plated five pillar movement with deadbeat escapement and maintaining power, the steel pendulum supported from a brass holding bracket mounted on the case back board, in a mahogany case, the hood with shallow dome top, the trunk door with a bevelled glass panel, on a plinth base, 197 cm

A George III Longcase Clock, the 36 cm arched square painted dial with subsidiary seconds and calendar dials, painted the four seasons to the spandrels, and a hare and a hound in a rural scene to the arch, fitted an 8 day movement, in a mahogany case with boxwood stringing, 226 cm

A 19th Century Longcase Clock, the 32 cm arched square painted dial signed "A &W Marshall Wishaw" with Roman numerals, subsidiary seconds and calendar dials, the arch painted workers resting, with the four seasons to the spandrels, fitted an 8 day movement, in a mahogany case with a swan neck pediment, 217 cm

A 19th Century Lignum Vitae Handled Longcase Clock Key, and other keys and items (box)

An antique mahogany longcase clock having arched enamel 33cm dial, eight day by Edwin Wakefield, Gateshead, the case flanked by pair of turned columns, 206cms.

An antique oak longcase clock having square enamel 30cm dial, eight day by R Summerhayes, Taunton, with seconds and calendar, swanneck pediment above inlaid door, 198cms.

An antique oak longcase clock having square brass 25cm dial, 30hr with calendar by W Todd, Scarborough, 191cms.

Hardy, Nottingham. A 30hour oak and mahogany longcase clock, the hood with swan neck pediment above shaped top trunk door, with 33cm (13inch) arched painted dial (worn), and bell-striking movement, 222cm high

Bagnall, Dudley. A George III oak longcase clock, the hood with broken pediment, three gilt urn finials and reeded pillars, above banded rectangular trunk door, on a reduced plinth, the circular 13cm engraved brass dial with seconds dial and calendar aperture, 213cm high

William Gregory, Odiham. An 18th century oak longcase clock, the 30.5cm (12inch) square brass dial with scroll engraved centre, Rococo spandrels, date aperture, replacement hour hand, with posted frame 30hour movement, contained in a plain oak case, 204cm high

Richd. Reed Chelmsford. An oak longcase clock, the break arch hood with three brass ball finials and fluted pilasters, with arched floral painted dial having seconds dial and five pillar bell-striking movement, raised on a stepped plinth, late 18th century, 214cm high

Giscard, Ely. A late 18th century mahogany longcase clock, the hood with swan neck pediment above painted arched dial with subsidiary seconds dial and calendar aperture, with four pillar eight day bell-striking movement, the trunk with quarter reeded pilasters, on a panelled plinth (some damage to case), 211cm high

Fulcher Acle. An 18th century oak eight day longcase clock, the finial mounted pagoda top cornice above a break arch glazed door flanked with fluted columns enclosing a 12inch painted arch dial with rocking ship, Owen falseplate, seconds dial and date aperture, signed Fulcher, Acle, with four pillar bell striking movement above a long arched trunk door, standing on a plinth base with replacement skirting, 225cm high

Thomas Ulting Yarmouth. An 18th century black lacquer and gilt decorated longcase clock, the 12inch square brass dial with silvered chapter ring, seconds dial and date aperture, gilt mask spandrels, with four pillar bell-striking movement, plinth reduced, the hood partially rebuilt and re-gilt, 210cm high

An 18th century mahogany cased eight day longcase clock, the finial mounted pierced pediment above an arch glazed door flanked with brass capped reeded columns enclosing a 12inch brass arch dial with silvered chapter ring, subsidiary seconds dial and date aperture, signed John Wise, London, with four pillar bell striking movement above a marquetry inlaid arched long trunk door, standing on a similarly inlaid plinth base with bracket feet, 249cm high