We found 44424 price guide item(s) matching your search

A MAHOGANY LONGCASE CLOCK dial: cream painted with subsidiary seconds ring and calendar crescent, signed W. Sully, Langport, a riverside scene to the arch, case: the arched hood flanked by spiral twist pillars, the waist door also with spiral twist pillars, 80in. (203cm.) ++Restorations

Thomas Ross, Hull early 19th century mahogany longcase clock, the shaped top hood with central finial and plush upholstered panel, arched moulded cornice and glazed door flanked by turned tapered fluted columns with brass Corinthian capitals, the painted dial with ship automaton to the arch, a subsidiary second dial and aperture and eight day movement, the trunk with a shaped top door abovefluted canted corners and a crossbanded boxwood strung base with bracket feet, 2.36m high

Edwardian mahogany satinwood crossbanded and marquetry inlaid longcase clock, the broken arch hood with swan neck pediment above an arched and bevelled glass door and conforming plinth base. The gilded brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and chime silent selector in the arch. The three train movement with anchor escapement striking and chiming on gongs

A George III carved oak longcase clock, by Thomas Mankes, Chesterfield, the thirty hour movement with a 26cm engraved brass dial, and subsidiary seconds dial

Philip Avenell, Farnham, 5 Pillar Movement 8 Day Striking Longcase Clock having arched brass dial with raised fish figurehead and scroll decoration with calendar and seconds dial in oak case having arched door with glass circular panel, 30cm dial, (movement completely overhauled)

A late George III mahogany longcase clock, Barry Bolton, the hood with swan neck pediment and decorated with gilt painted urn, swag and foliage, the arch glazed door with reeded side columns, the trunk door with shaped top and quarter reeded column sides, on square base, the 14in arch painted dial with phase of moon and figure spandrels and Arabic numerals, with date and seconds indicators, the eight day movement striking on a single bell, {242cm (95in) high}

A George III oak longcase clock, Richard Coles Buckingham, the hood with glazed door and trunk, with one long moulded edge door and rectangular base, the 11in square brass dial with Roman and Arabic numerals and seconds aperture, the thirty hour movement striking on a single bell, {188cm (74in)}

A 19th Century French Comptoise longcase clock by Favreau of Airvault, the 9.5ins embossed gilt brass dial centred with enamelled dial with date dial to the eight day striking movement, with bold embossed brass pendulum front, contained in grained wood and gilt decorated case with bulbous body and angled plinth, 90ins high

An 19th Century stripped pine longcase clock by William Sonning of Brandon (Suffolk), the 12ins brass square dial with wide chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day movement striking on a bell, contained in case with deep moulded cornice and plain turned columns to hood, plain trunk door, 79ins high

Late 18th Century oak 30 hour longcase clock, square dial painted spandrels and arabic numerals signed Strickland Tenterden.

George III 30-hour longcase clock, the 12' enamelled dial painted ewes and lambs, with broken swan neck hood, on mahogany crossbanded oak trunk 6'8'.

A LONGCASE CLOCK by T Humphries Barnard Castle, the eight day movement having arched dial painted with a maiden and a dog on a path the spandrels with various buildings, secondary dials, in mahogany and crossbanded case with rosewood inlay, scrolled pediment on baluster columns, arched door flanked by quarter columns, panel base and bracket feet, 89" high.

A LONGCASE CLOCK by Thomas Snow of Otley, the eight day movement with arched dial gilded with scrolling foliage centred by an urn, secondary dials, in oak and mahogany case, crossbanded with floral marquetry patera, scrolled pediment with brass finials on fluted columns, arched door, stamped T Westmorland Leeds, flanked by fluted quarter columns, panel base and bracket feet, 92" high.

A LONGCASE CLOCK by Richard Rowe London, the eight day movement with arched brass dial, rocking Father Time figure in the arch, secondary dials and calendar aperture, in green lacquered chinoiserie case with caddy top, on turned pilasters, arched door, panel base and moulded plinth, gilded with figure scenes, foliage and trellis panels, 91 1/4" high.

A LONGCASE CLOCK, the three train four pillar movement chiming the quarters, chased arched brass dial with silvered chapter ring, Westminster, Whittington and St Michael chimes, in mahogany case with arched cornice on turned quarter columns, glazed door, panel base on plinth, 20th century, 78" high.

A GILT METAL AND LEATHER MANTEL CLOCK by the British United Clock Company modelled as a longcase clock, the spring movement with gilt metal and enamel dial, turned finial on pierced and domed top, foliate edging and pierced bracket feet, 11 3/4" high.

A wall clock, angular pediment above a glazed door, square brass dial with cast spandrels and incorporating a 19th century eight day longcase clock movement, striking on a bell, dial 18cm (7" square), 38cm (15" overall).

A 19th century mahogany longcase clock, the hood with swan neck pediment on turned supports, arched dial with floral painted spandrels, black Roman numerals, subsidiary seconds and calendar aperture (defective), trunk with ivory lozenges and oval above a shaped oak door, on a plinth base with stile feet, eight day movement striking on a bell (defective), dial 47cm (18.5").

An early Victorian oak and mahogany crossbanded longcase clock, with a white arched dial, indistinctly signed Samuel Hunter, Tarporley, with subsidiary seconds dial and date aperture, with a lunar calendar in the arch painted with a masted galleon and a country house in landscape, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above fluted hood columns, the case with a short crossbanded shaped door flanked by fluted inlaid quarter columns, raised upon a plinth base with canted corners, with two weights and a pendulum.

An early Victorian oak and mahogany crossbanded 30 hours longcase clock, with a 12in. enamel dial signed Snow, Padside, with Arabic numerals, foliately painted spandrels, subsidiary seconds dial, the single train movement with outside count wheel striking on a bell, the case with a swan neck cresting, brass roundels, above fluted brass capped columns, the trunk with a door, inlaid canted quarter columns, raised upon a plinth base, 76in.

A 19th century mahogany longcase clock, with a silvered 13in. arched dial signed in the arch Isaac Sharratt, Burslem, with subsidiary seconds and date aperture, flower and leaf engraved spandrels, the arch painted with moon phases, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a broken arch pediment terminating in scrolls above a dentil frieze, brass urn finials, the hood with fluted brass capped columns, the trunk carved with a lozenge and blind strapwork, fluted brass capped columns, raised upon a plinth base, approximately 97in. high

A Victorian oak and mahogany crossbanded longcase clock, with a 14in. white dial indistinctly signed, with Arabic numerals, subsidiary seconds hand lacking pointer and date dial, the two train movement with anchor escapement rack striking on a bell with a Walker false plate, the case with a cavetto cornice above an inlaid frieze and fluted hood columns, the trunk with a short crossbanded door, fluted quarter columns, raised upon a plinth base inlaid with sunburst spandrels, lacking feet, 81in.

A black japanned longcase clock, the brass 10.75in dial with pierced mask and leaf scroll spandrels, Roman and Arabic chapter ring, matted centre with basket and stylised flowers, the arch inscribed 'Robt. Henderson, Scarbro' supported by dolphins, calendar aperture, eight day movement, striking on a bell, the arched hood with deep moulded cornice and integral three-quarter pillars, arched door to waist, the case gilt with chinoiserie scenes of figures in landscapes with bridges and pavilions, 82in high

A Scottish mahogany longcase clock, the silvered 12in dial engraved with neo-classical leaves and flower trails, Roman and Arabic chapter ring, the arch inscribed 'Jas. Gray, Edinburgh', subsidiary seconds, calendar aperture, eight day movement, striking on a bell, the arched hood with brass ball-and-spire finials, re-entrant trunk door, fluted quadrant pilasters, the bombe base inlaid with engraved leaf scrolls, on a plinth, 88in high

A fine mahogany longcase clock, the brass 13.75in dial with pierced mask spandrels, Roman and Arabic chapter ring, leaf engraved centre, the arch showing lunar phases, subsidiary seconds dial, inscribed 'Thos. Selby', three-train movement, striking on a bell and chiming on eight bells, the finely figured and carved Chippendale revival case of architectural design, the panelled swan neck pediment with rosette and leaf scroll terminals centred by a mask, urn finials above by two pairs of fluted Corinthian columns, the shaped trunk door also flanked by free-standing Corinthian columns beneath a carved frieze of shells and acanthus, the canted panelled base with gadrooned borders, acanthus clasped angles and bellflower pendants, on ogee feet, 106in high

A mahogany longcase clock, the arched 14in enamelled dial painted with a child at prayer above rustic church spandrels, Roman chapter ring, calendar aperture, twin winding holes, eight day movement, striking on a bell, the hood with carved rosette terminals to the swan neck pediment, free-standing pillars, rosewood banded throughout and outlined with stringing, inlaid oval and circular panels to the arched door and base, 86in high

A figured mahogany longcase clock, the enamelled 13in dial painted with a fox-hunting scene to arch, pheasants to spandrels, Roman chapter ring, provision for seconds and calendar dials, cut brass hands, eight day movement, striking on a bell, the hood with swan neck pediment and shell centre above free-standing turned pillars, panelled trunk door flanked by quadrant pilasters, panelled base, 89in high (case worn)

A small green lacquer chinoiserie longcase clock, the brass 7in dial with pierced mask and leaf spandrels, the arch inscribed 'Tempus Fugit', silvered Roman and Arabic chapter ring, leaf chased centre, eight day movement, striking on a bell, the bell shaped hood with brass ball-and-spire finials above free-standing baluster pillars, door to trunk, on ogee feet, decorated throughout with Chinese figures in lakeside gardens with flowers, fir trees, bridges and pavilions beneath birds in flight, 77in high overall, c.1930's

An oak longcase clock, the enamelled 12.5in dial painted with neo-classical fan paterae spandrels and rose bouquet to arch, Roman chapter ring, calendar aperture, thirty hour movement, striking on a bell, the hood with brass mounted swan neck pediment and flanked by plain free-standing pillars with brass capitals and bases, the canted trunk with shaped mahogany banded door, on an arched plinth, 88in high

An oak longcase clock, the square 12in enamelled dial painted with flower and grape spandrels and bird to centre, Arabic chapter ring, calendar aperture, inscribed 'Wainright, Nottingham', thirty hour movement, striking on a bell, the hood with swan neck pediment and brass mounted fluted free-standing pillars, mahogany banded and boxwood and ebony strung throughout, the arched door and base inlaid with harewood navette shell paterae, 85in high

An oak longcase clock, the square 11in enamelled dial painted with floral spandrels, Arabic chapter ring, inscribed 'Robt. Tyler, Melton', calendar aperture, thirty hour movement, striking on a bell, the square hood with fretwork cresting and free-standing brass mounted pillars, arched trunk door, 85in high

An oak longcase clock, the enamelled 11.5in dial painted with floral spandrels beneath an oval with shepherdess garlanding a lamb, calendar aperture, Roman chapter ring, thirty hour movement, striking on a bell, swan neck pediment and inlaid keystones, brass mounted free-standing plain pillars, the trunk with arched door and quadrant pilasters, outlined throughout with mahogany bandings, on a plinth, 85in high

AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK having an arched brass dial, painted subsiduary dial and figure decoration, second and minute hands, signed Moore of Cheltenham, the case with break arch pediment, spiral column support and line inlay, 83"high.

An early 19th Century Scottish longcase clock, the hood with swan neck pediment enclosing an arched painted enamel dial with Roman and Arabic numerals, subsidiary seconds and calendar dials and 8 day movement by Robert Menzies of Perth, with painted gilt scrolling spandrels, contained in a waisted oak case, 81 1/2" high (some alterations to case) (DI).

A George III longcase clock, the hood with caddy shaped top enclosing a square brass dial with Roman and Arabic numerals, moon phase, calendar aperture and 8 day movement by Barlow of Ashton, contained in a waisted oak and mahogany case with quarter-fluted pillars, on later ogee bracket feet, 83 1/2" high (alterations) (DI).

A modern mahogany effect eight day chiming longcase clock with a 9 1/2" arched brass dial and exposed pendulum

A Georgian oak 30 hour longcase clock with the swan neck pediment above a square door flanked by round columns over a crossbanded trunk door raised on bracket feet the 12 inch enamelled and painted dial having seconds and a date aperture signed John Morse, Malmesbury height 6'8"

An oak and mahogany 30 hour longcase clock with a 13" painted arch dial with calendar, the hood having turned reeded columns over a shaped trunk door flanked by canted sides on replacement feet 7'4" tall

An 18th century oak 30 hour longcase clock, the 11" brass dial having roman and arabic numerals, seconds hand and calendar aperture, signed Richard Luscombe, the hood having a dentil cornice above column supports and a shaped trunk door height 7'9"

A 20th century Italian mahogany ormolu and marquetry inlaid longcase clock the gilt dial having enamelled roman and arabic numerals above a glazed trunk door all raised on paw feet height 6'11"

A 30 hour longcase clock dial and movement A/F

18th century oak longcase clock, the case profusely carved in the 19th century with scrolls, mask and foliage, brass and silvered dial with second hand and date indicators, eight day striking movement, by Samuell Heptinsta Snaith, 79".

18th century oak longcase clock, the hood with side columns and gilt metal mounts, brass arched dial with flowers, scrolls and foliage in the spandrels, subsidiary calendar ring, the centre engraved with flowers, foliage and 'George & Jane Barkafs, Jan 20th 1785'. The arch with painted seascape and moving three masted sailing vessel. Eight day striking movement by John Walker, Newcastle, 80" high.

18th century oak longcase clock with damaged and incomplete hood, 12" painted dial with a figure and sheep in the arch, flowers and fruit in the spandrels. Second-hand and date indicators, eight day striking movement, no pendulum or weights, 78" high.

19th century French provincial fruitwood longcase clock, the slender case carved with flowers and foliage on a plinth base, the hood surmounted and surrounded by flower and foliage carving, round enamelled dial, thirty hour striking movement, 100" high .

18th century oak longcase clock, the hood with fluted column sides, brass arched dial with strike/silent in the arch, second hand and date indicators, eight day striking movement by James Walford, Great Bardfield, 87" high.

Two damaged late 18th century longcase clock movements.

An early 19th Century mahogany longcase clock, the white painted dial inscribed J. Blagburn, Gateshead, the arch painted with a shooting scene, fitted eight day movement, the arched hood with turned finials and pilasters either side of the glazed panelled door, turned pilasters below with single panel door, on crossbanded base with turned feet, 21.5in. x 96in. high.

An early 19th Century mahogany longcase clock, the white painted dial inscribed W.E. Robson, Newcastle upon Tyne, the painted arch with a figure and swans, fitted eight day movement, the hood with swan neck pediment above reeded pilasters, a single panelled door to the trunk with bracket feet, 19.5in. x 83in. high.

A Georgian oak longcase clock, the hood with ornate fret carved swan neck pediment centred by a gilt eagle-mounted finial and flanked by reeded pilasters, the glazed panelled door enclosing the square brass dial inscribed "Thomas Holme, Hexham", the silvered chapter ring with roman numerals and fitted seconds dial and date aperture, with eight day movement and striking on a single bell, 12.5in. wide, a single panelled door to the trunk, raised on a plinth base with later ogee bracket feet, 17in. x 85in. high.

A late 18th Century brass dial longcase clock inscribed "John Walker, Newcastle", strike silent to the arch with roman numerals, date aperture and seconds dial, 12in. wide, fitted eight day striking movement, the oak case with an arched glazed panelled door flanked by turned pilasters, a single panelled door below raised on a plinth base, 18.5in. x 80in. high.

A Georgian oak longcase clock with square-shaped hood and castilated cornice enclosed by glazed panelled door, flanked by turned pilasters, the square brass dial and silvered chapter ring inscribed "Joseph Atkinson", fitted subsidiary seconds dial and date aperture, 12in. wide, eight day movement striking on a single bell, the case with crossbanded panelled door and brass lock escutcheon, raised on a plinth base, 17in. x 84in. high

A tall mahogany longcase clock with swan neck pediment above an arched glass panelled door enclosing the silvered dial inscribed "Elkington", fitted gilt arabic numerals, surrounded by richly decorated gilt metal fretwork and acanthus scrolls, fitted chimes silent and chime selector dial to the arch with subsidiary seconds dial, the eight day movement striking on eight tubular gongs, the trunk with oval bevelled glazed panelled door, raised on a plinth base, 20in. x 93in. high.

A late Georgian mahogany longcase clock with white painted dial and roman numerals, seconds and date dials, decorated with painted flowers and scrolls, fitted eight day striking movement, the hood with dentil cornice above the arched panelled door flanked by reeded pilasters, an arched figured panelled door to the trunk decorated with inlaid banding and flanked by fluted pilasters, raised on bracket feet, 19in. x 87in. high.

A Georgian oak longcase clock with swan neck pediment decorated with gilt paterae and eagle motif, the painted dial below inscribed "W. Bancroft, Scarborough", decorated with painted swans and ruined buildings, fitted thirty hour chain driven movement striking on a single bell, the trunk below with a panelled door, raised on a plinth base, 17in. x 86in. high.

An early 19th Century Irish mahogany longcase clock, the white painted dial with roman numerals, faintly inscribed "Neill Bros. Belfast", the eight day movement striking on a gong, the hood with circular glazed panelled door, a single panelled door to the trunk flanked by bobbin turned pilasters, raised on plinth base, 19in. x 86in. high.

A late Georgian miniature longcase clock, the detachable hood with swan neck pediment and arched glazed panelled door enclosing the dial with roman numerals, painted Hope to the arch and decorated with fan spandrels, fitted a watch movement by Heron of Blyth, the case with arched panelled door edged with boxwood, raised on bracket feet, 35in. high.

FURNITURE - John Whitehurst I, Derby - a brass square 10in longcase clock dial and movement, with Roman and Arabic chapter ring, matted centre and urn and eagle spandrels, signed 'Whitehurst, Derby', eight day movement, striking on a bell, now on an oak wall bracket

A George III fruitwood and mahogany 30 hour longcase clock, the 10inch square brass dial with Roman numerals and date dial, signed Tho Brattell, Brenchley, 5ft 10ins

A George III mahogany 8-day longcase clock, the arched 12-inch brass dial with silvered Roman chapter ring and subsidiary seconds, signed Gudgeon, Bury, 7ft 3ins