We found 44423 price guide item(s) matching your search

A mid 18th Century walnut longcase clock, the arched dial and silvered chapter ring engraved "James Joyce, Whitchurch", decorated with spandrels and sunburst motif, fitted an eight-day movement, the hood with arched pediment and ebonised pilasters, the feather banded panelled door below, raised on bracket feet, 18.5in. x 74in. high.

A 20th Century oak longcase clock with arched dial and silvered chapter ring fitted roman numerals, with continental chain driven movement striking on eight gongs, the glazed panel door below enclosing three brass-cased weights, raised on bracket feet, 15.5in. x 77in. high.

An oak eight-day longcase clock, the arched painted dial with subsidiary second dial and date aperture with a strike silent dial to the arch, the arched hood with three painted wooden orbs, turned columns, trunk with an arched door and bracket feet, 32in. (234cm) high.

A late 18th Century oak eight-day longcase clock with an arched silvered dial inscribed ''Jas Scott, Leith'' with a subsidiary second dial, date aperture, the arch with a painted oscillating peacock and with acanthus painted decoration to the spandrels, the hood with a broken arch pediment, cylindrical mahogany columns, the trunk with an arched door and on bracket feet, 87in. (221cm) high.

EDWARD MARTIN, Dover. A mahogany longcase clock the eight day striking movement with 12 inch silvered arched dial with engraved decoration, Roman numerals, subsidiary seconds dial and date aperture the arched hood with reeded pilasters the case enclosed by a shaped panel door with quarter reeded and brass filled columns on a panelled base with bracket feet, 82inches

A 19TH CENTURY NORTH COUNTRY MAHOGANY LONGCASE CLOCK, with arched painted dial, signed in script Cheadle, painted with a desert scene over, having cross banded and boxwood line inlay to the case

An 18th Century Longcase Clock with square brass dial inscribed Fras Redshall, Overton, 30 hour movement, in oak case

An antique Longcase Clock with eight day movement, brass and silvered dial, date aperture and moon movement by John Lawson, in oak case with corner pilasters, stepped square hood and vase finials

A George III longcase clock, John Taylor, Petworth, the hood with glazed door and column sides, the trunk with plain door on square base, the 10in square brass dial with single hand and silverised chapter ring with Roman numerals and urn and flower spandrels, the centre engraved with four flying birds, the thirty hour movement striking on a single bell, 213cm high

A Georgian style miniature mahogany longcase clock, 19th century and later, the painted arch dial over arched door, with inlaid boxwood stringing, on stepped base bracket feet (a/f) fitted with modern quartz movement, 68 cm tall.

A Georgian mahogany longcase clock, later shortened and adapted to a wall clock, the swan neck pediment over glazed door enclosing painted white circular dial, with door to pendulum below, 125cm tall x 43cm wide.

A longcase clock, by Thomas Best, Lewes, the later carved 18th century oak case with a eight day rack striking movement, the brass break arch dial with a boss in the arch portraying a ship with engraved name plinth to the matt centre, 220cms high.

An early 19th century oak and mahogany longcase clock by John Matthews, Leighton, the hood with swan neck pediment and turned columns, flanking a square dial with eight day rack striking movement, (205cms high).

An early 19th century mahogany longcase clock by Cassera, Stowbridge, the hood and tray with reeded columns, the painted enamel dial with an eight day rack striking movement, 235cms high.

George IV mahogany longcase clock, the arched hood with swan neck pediment flanked by spiral columns, above a single moulded panel door and bracket feet with shaped frieze, the painted dial with Roman numerals and subsidiary seconds dial and with two train striking movement

George II walnut longcase clock, the broken arch hood with broken pediment above a rectangular panelled door with glass bull's eye above a conforming plinth base, the gilt brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture with strike silent selector in the arch, signed Francis Wells, London. The two train movement with anchor escapement striking on a bell

A mahogany longcase regulator clock, the 8 day striking movement with a dead beat escapement to a square brass dial, with subsidiary seconds dial and date aperture, the chapter ring inscribed Brownless Staindrop, the hood with turned columns, a waist door housing the wooden shafted pendulum, the base on bracket feet, 5ft 8.25in (173. 5cm) high.

An early 19th century oak and mahogany banded longcase clock, the 8 day movement striking on a bell to a painted 12in square dial with subsidiary seconds dial and calendar aperture inscribed W. Stephenson, Dorchester, (one hand broken), the hood with a swan neck pediment turned columns waist door, the base with a shaped apron and bracket feet, 6ft 8in (203cm) high

A 19th century mahogany longcase clock, the 8 day movement striking on a bell, to a painted arch dial with a European river landscape, churches and houses, a subsidiary seconds dial (no hand) and a date aperture, inscribed Stevenson, Leicester, the arched hood and case veneered and inlaid stringing, canted corners to the trunk, the base on bracket feet, 7ft 1in (216cm) high.

A walnut veneered longcase clock, the 8 day movement striking on a bell to a arched brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, inscribed Joseph Stephens, London, the boss engraved a bird, urn and griffin corner spandrels the case with a glazed lenticle to the waist door, the base crossbanded, 6ft 11in (211cm) high.

An Early Victorian Mahogany Eight Day Longcase Clock, swan neck pediment, the case with turned columns, herringbone inlaid and marquetry decorated, the enamel dial with seconds dial and date aperture, painted with Shipping, Maker S. Furtwengler, Llanelly, 91ins.

JAMES WILSON ASKRIGG - 18th Century 8 Day Striking Longcase Clock having arched brass dial with calendar, having fish and figurehead spandrels in oak case with turned supports, 2m 44cm high overall

Webb & Son, Hembury, an oak and mahogany banded longcase clock, the hood with swanneck pediment, brass ball finials and fluted pillars, the trunk with inlaid canted corners, on a rectangular plinth, the retouched 12inch arched dial with floral basket painted to the arch, leaf spandrels, seconds dial and calendar aperture, Finnemore & Son falseplate, restored 8 day movement, (associated), 212cm high

An oak 30hour longcase clock, the square hood with 12inch floral painted dial, indistinctly inscribed, the trunk with quarter columns flanking the long door, the plinth with replaced skirting, circa 1800, 216cm high

Chas Cornell, Royston, a mahogany longcase clock, the hood with swanneck pediment and fluted pillars, the 12inch arched dial painted with fruit and foliage, gilt floral spandrels, Roman numerals, seconds dial, calendar aperture, with 8 day movement, Finnemore & Son falseplate, the trunk with canted corners, (striking train removed, lacks skirting) 196cm high

James Smith, Oxford Street, a George III mahogany longcase clock, the pagoda top break-arch hood with fret panel, ball finials and stop fluted columns, the 12inch brass dial inscribed above the silvered strike-silent dial, also with silvered chapter ring, seconds dial and date aperture, matted centre, rococo spandrels, the break-arch trunk door flanked by stop-fluted brass capped quarter columns, above a stepped plinth with shaped front panel and skirting, with 5 pillar bell-striking movement, 250cm high

John Heaton, Bierley, an oak longcase clock, the 12inch arched brass dial with lunar disc, silvered chapter ring and calendar dial, engraved seconds dial to the foliate scroll centre, rococo spandrels, associated 8 day movement, in a later carved oak case (faults) 222cm high

Thos Glase, Bridgnorth, a burr yew longcase clock, the hood with swanneck pediment and turned pillars, the arched 14inch painted dial with Biblical scene to the arch, foliate spandrels, Arabic numerals, seconds dial and calendar aperture above a square and compass motif, the 8 day 4 pillar movement with Wilkes & Son falseplate, the trunk with short trunk door flanked by canted corners, upon a panelled plinth with bracket feet, early 19th century, 229cm high. With original bill of Micklewright's of Ludlow (Antique Dealers) 1919 for £25

A GEORGE III MAHOGANY LONGCASE CLOCK, the 13 inch arched brass dial signed 'Taylor, Kings Street, Whitehaven', with a calendar subsidiary dial and phases of the moon in the arch, the hood with a swan neck pediment above an arched panelled door, flanked by fluted columns, on a plinth base and bracket feet, 90.5in high (230cm).

A LATE GEORGE III MAHOGANY LONGCASE CLOCK, the 12in arched painted dial signed 'Thos. Hunt, London', with calendar and seconds subsidiary dial and strike/silent in the arch, flanked by fluted columns strung in brass, the arched panelled door flanked by similar columns on a double plinth base and bracket feet, 85in high (216cm).

AN 18TH CENTURY EBONISED LONGCASE CLOCK, the 11in square brass dial with a calendar subsidiary, signed 'Turnbull, Darlington', 79in high.

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the 12in arched brass dial bearing a plaque inscribed 'John Lepper, London', with a calendar and seconds subsidiary dial above an arched panelled door, on shaped bracket feet, 87in high (220cm).

A GEORGIAN STYLE MAHOGANY LONGCASE CLOCK, the 9.75 inch arched silvered dial with three train movement and chime/silent in the arch, the movement striking on five gongs, the case with a swan neck pediment above a waisted panelled door on bracket feet, 83in high (210cm).

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the 14 inch arched painted dial signed 'Robt. Wigan, Kolne', the three train movement striking on eight bells with Westminster/Whittington and two strike/silent catches on the dial, the hood with scrolling ornament above an arch panelled door on turned feet, 93in high (236cm).

A GEORGE III MAHOGANY LONGCASE CLOCK, the swan neck pediment with Corinthian columns, the 11in arched silvered face signed 'Peter Upjohn, Biddiford', with date aperture and second dial, the corners etched with chinoiserie motifs, the roundel with tempus fugit and galleons, 91in high (231cm).

AN 18TH CENTURY OAK LONGCASE CLOCK, the arched brass dial with calendar and seconds subsidiary, signed 'Thos. Calvert, Stokesley', the hood with pierced fretwork decoration and applied dentil moulding, with an arched panelled door, on bracket feet, 89in high.

AN 18TH CENTURY BRASS 10IN SQUARE LONGCASE CLOCK MOVEMENT, signed 'Wm. Bunch, Bramshott', with single hand and weight, (repairs and restorations).

A CARVED OAK LONGCASE CLOCK, the 11in square brass dial signed 'Geo. Green, Leicester', the eight day movement striking on a bell, within a profusely carved case, 81in high (206cm).

A GEORGE III OAK LONGCASE CLOCK, the square enamelled dial signed 'James Roe, Haslemere' with a calendar and seconds subsidiary dial, the movement striking on a bell within a case with a waisted panelled door on a plinth base, 78.5in high (199cm).

An early 19th Century mahogany longcase clock, the hood with reeded columns and gilt corinthian capitals, over a trunk with quarter reeded columns, brass corinthian capitals and a crossbanded arched door, the arched brass dial with subsidiary seconds and date rings, a disc inscribed John Bates, Kettering, and a five pillar movement. (seatboard not original) 208cm high

A 19th Century oak longcase clock having moulded swan-neck pediment, arch painted dial with eight-day striking movement, the glazed door flanked by columns, the trunk with arched top and moulded door on plinth base, 1.99m.

An early 20th Century mahogany case longcase clock having an arched moulded cornice, arched glazed door flanked by Doric columns, pierced fret sides having a brass face with eight-day mechanism, triple train eight-day movement striking on St. Michael, Westminster and Whittingham chimes having cast dolphin and mask head spandrel, the musical mechanism striking on twelve gongs, the case with astragal glazed door, canted corners, panel base on ogee bracket feet, 1.98m high.

George Pringle, Denny? An early 19th Century mahogany longcase clock having a moulded swan neck cornice, arched painted dial, the arch decorated with The Escape of Queen Mary, similarly decorated spandrels, eight-day movement, flanked by subsidiary second and date dial, the arched glazed door flanked by columns with rectangular panel door and boxwood strung base, 2.25m.

Scott, Dunning, Early 19th Century oak longcase clock having a moulded swan-neck cornice with brass rosettes and finial, boxwood blind fret decorated spandrels, the arched brass face with engraved ornament name boss, subsidiary second and date dial, eight-day movement, glazed door flanked by fluted column, the trunk with quarter columns with crossbanding and boxwood strung decoration, central paterae inlay and base on turned feet, 2.10m.

An oak 8 day longcase clock

A modern longcase clock case

A modern longcase clock case

A modern longcase clock case and associated movement

A 1930s oak 8 day chiming longcase clock Ht 5' 9

An 8 day mahogany longcase clock with a 14" painted arched dial with seconds hand and calendar contained in a mahogany case with swan neck pediment 8' tall

A mahogany 8 day moonphase longcase clock with a dentil moulded swanneck pediment above corinthian column supports and the arched 14" silvered and painted dial all over a shaped frame veneered trunk door Ht 7' 11

A crossbanded mahogany 8 day striking longcase clock with a 14" painted moonroller dial having second and calendar dials signed Vesher Wolverhampton contained in a swan neck hood with turned octagonal columns above a shaped trunk door flanked by turned octagonal columns and a canted stepped base 7' 7" tall

An oak 30 hour longcase clock the swanneck pediment surmounted by a brass finial above a square 12" painted dial with date aperture, signed Oldham Sontham over a crossbanded trunk door all raised on a shaped plinth base Ht 7'

An 18th century longcase clock with a brass arched dial signed John Troke Salisbury with seconds hand and calendar in an oak case with long door raised on a plinth base 80" high

An 8 day musical longcase clock signed John Ireland London, the brass arch dial with strike silent and seconds hand, the movement striking on 8 bells contained in a good quality oak case with swan neck pediment, the door and base with shell inlay and on bracket feet 100" tall

A late Georgian Longcase Clock with square painted dial inscribed A. Coates, Wigan, 8-day movement in oak Gillow type case with swan neck surmount, mahogany cross-banding, the hood with turned columns, raised on ogee bracket feet, 7ft 4in

An 18th Century oak longcase clock by William Womersley, the 12ins square brass dial with silvered chapter ring and dial showing phases of the moon, now with eight day two train movement striking on a bell, contained in case with deep moulded and overhanging cornice, and reeded columns to hood, shaped trunk door, 78ins high.

An early 19th Century mahogany longcase clock by William Allan of Aberdeen, the 12ins arched brass dial with silvered chapter ring, subsidiary seconds dial, date aperture and strike/silent dial to arch, the dial centre engraved with scroll work and urns, to the eight day five pillar movement striking on a bell, contained in case with arched and moulded cresting with fluted pillars to hood, arched trunk door, on turned feet, 94ins high.

A late 18th Century mahogany longcase clock by William Ing??? of London, the 12ins arched painted dial with strike/silent dial to arch (inoperative), subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded caddy top and turned, fluted and brass stopped columns to hood, figured veneered trunk door with arched and moulded top, fluted and brass-stopped quarter columns to sides, raised astragal moulded centre panel, on plinth base, 102ins high (glass cracked, fretted panel to top missing, and side fret panels broken - painted dial rubbed and chipped)

An 18th Century longcase brass clock dial inscribed Robert Moore at Bolney in Sussex 1734 with date apertures and cherub spandrels and a Sestrel 'Ships' clock.