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A 20th Century Mahogany Double Corner Cupboard, the upper part with moulded cornice and blind fret frieze above a single astragal glazed door, the projecting lower part with similarly glazed door, on bracket feet. Width 28". Height 72"

A George III Style Cross Banded Mahogany Bowfronted Sideboard of small proportions with a central cockbeaded drawer above a shaped arch flanked by a cupboard door and a celleret drawer, both simulating two cockbeaded drawers, on four square tapered legs. Width 42". Height 36"

An Edwardian Art Nouveau Oak Wardrobe with central mirrored door enclosing hanging space, flanked by copper repousse panels, the lower part with a single long deep drawer. Width 48". Height 77"

A MID 19TH CENTURY WELSH TUNBRIDGEWARE INLAID MAHOGANY LONGCASE CLOCK with two train, eight day movement, the painted dial with revolving phases of the moon within the arch, the spandrels with architectural paintings, with roman numerals, seconds dial and calendar aperture, inscribed "I M Moses & Son, Swansea", the hood with swan neck pediment and baluster turned angle pillars, the trunk with short shaped door and angle pillars, the base on bracket feet. Dial Width 14". Width 19"

An Early 19th Century Oak Longcase Clock, the thirty hour movement having a square painted dial with arabic numerals, seconds dial and calendar aperture, inscribed with illegible makers name ".......Porth", the hood with swan neck pediment and fluted angle pillars, the trunk with long rectangular door and canted angles, the base plain. Dial Width 11.5". Width 13.5". Height 83". Lacking feet

A Late 19th Century American Ansonia Clock Co. Walnut Wall Clock with eight day, hour striking movement, the case with octagonal moulded and ebonized dial surround, the tapered trunk having a glazed door with "Kattenbach Llanelly" in gold capitals, the interior with Ansonia trade labels. Height 32". Diameter 12"

AN EDWARDIAN MAHOGANY DISPLAY CABINET, inlaid, single lead glazed door, width 62cm

A George III mahogany and boxwood inlaid and crossbanded longcase clock, late 18th century, the broken scroll swan neck pediment applied with stamped brass urn terminals, over foliate gilt painted glass panels, above an arched glazed door flanked by fluted gilt brass capped pilasters, enclosing a white painted 13" enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked R. Webster, Salop, gilded foliate corners and rolling moon phase with galleon and pastoral scene in the arch, 8 day movement striking on a bell above a fluted frieze centred by a boxwood oval patera over a shaped top crossbanded trunk door flanked by fluted quarter columns above an ogive moulding and crossbanded base board between canted angles, lacking feet, distressed, 86" high

A George III mahogany and inlaid longcase clock, circa 1800, the broken scroll pediment with replacement gilt brass paterae over a dentil moulding and open foliate fretwork border over a blind fretwork frieze and further dentil moulding and chevron strung arched glazed door, flanked by ropetwist gilt brass capped corinthian columns and glazed sides, enclosing a 14" arched silvered dial marked Thos Nevill, Bristol, within an engraved garland and below clouds holding Mercury, the Winged Messenger aloft, the corners engraved with figural representatives of the seasons, the dial with roman numerals, brass hands and replaced seconds hand, date aperture and a later painted rolling moon phase in the arch, engraved "High water at Bristol Key" the five pillar 8 day movement with dead beat escapement striking on a bell and with Nevill maintaining power above a dentil moulded and blind fret carved frieze and elaborately shaped door flanked by fluted gilt brass capped corinthian quarter columns over a cushion moulding and shaped base board between blind fret carved canted angles and raised on later ogee bracket feet, with restorations, 103" high

A walnut and boxwood inlaid longcase clock, the case 20th century, the movement 18th century, with pierced gallery caddy top boxwood inlaid with flowers above an arched glazed door applied with half round gilded columns, enclosing a 12" arched brass dial with roman numeral chapter ring, subsidiary seconds dial and calendar dial and moon phase in the arch, crown and cherub pierced spandrels, dolphin spandrels in the arch, three train musical movement playing on a carillion of eight graduated bells and a striking bell, above a rectangular cockbeaded trunk door inlaid with shell urn and foliate motifs, over a cushion moulding, the base board inlaid with a boxwood conch shell motif and raised on a plinth and bracket feet, 93" high

A Regency oak cottage longcase clock, early 19th century, the arched hood and glazed door flanked by two brass capped pilasters enclosing a 12" white painted enamel dial marked I. Bright with roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and a rose spray in the arch, 8 day movement striking on a bell, with glazed side windows above an arched top trunk door, concave moulding and plain baseboard and plinth, restorations, 81" high

A George III mahogany satinwood, boxwood and harewood inlaid longcase clock, late 18th century, the caddy top surmounted by three brass eagle and ball finials, the frieze incised with a pen work leaf motif above boxwood and harewood foliate corners over a glazed door flanked by square boxwood strung tapering columns and enclosing a 13" brass dial with silvered chapter ring, roman numerals and subsidiary seconds dial and marked Martin, Crosby with an engraved diaper centre and foliate pierced spandrels with a painted rolling moon phase in the arch, 8 day movement striking on a bell above a cockbeaded and chequer strung trunk door centred by a boxwood and harewood conch shell motif between satinwood canted angles over an ogive and cushion moulding and conforming base board with fan bracket corners and raised on later ogee bracket feet, restorations, 84 high

A mahogany longcase clock, second quarter 19th century, the brokem scroll pediment above an arched glazed door flanked by turned mirrored baluster columns enclosing a 13" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and gilt painted flowers in the corners and eagle in the arch with the Latin motto 'Tempus fugit', eight day movement striking on a bell above a crossbanded frieze and shaped top crossbanded three quarter length trunk door flanked by canted half baluster columns over a cushion moulding and crossbanded base board and on bracket feet, some damage and restoration, 90" high

A George III oak and mahogany crossbanded and inlaid longcase clock, late 18th century, the broken scroll swan neck pediment centred by a gilt brass eagle and ball finial and with stamped brass terminals, above an arched glazed door with tapering square side columns enclosing a 12" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked W Edwards, Bishop's Castle, florally painted corners and rolling moon phase in the arch, eight day movement striking on a bell above an ogive moulding and ogee arched top, trunk door centred by a boxwood and harewood conch shell motif over a further moulding and crossbanded base board, distressed, 85" high

A George III mahogany longcase clock, late 18th century, the blind fret carved and arched hood with broken scroll swan neck pediment and floral terminals above an arched cushion moulded glazed door flanked by simulated bamboo pilasters enclosing a white painted 14" enamel dial with roman numerals, subsidiary seconds dial and marked F Wood, Bollington, the corners painted with rustic housing, rolling moon phase in the arch, eight day movement striking on a bell, above a Greek key moulding and blind fret carved frieze and triple ogee arch top trunk door flanked by fluted quarter pilasters on blind fret carved half columns over an ogive moulding and raised base board between reeded angles, lacking feet, the case possibly Gillows, 94" high

A George III mahogany and boxwood strung and inlaid balloon shape mantel clock, circa 1800-1810, the case surmounted by a gilt brass urn finial, the convex glass door with brass bezel enclosing a 7" white painted enamel dial with roman numerals and inscribed Barraud, Cornhill, London, above a boxwood inlaid shell motif, the movement door pierced with foliate fretwork, damaged, enclosing an eight day double fusee movement striking on a bell, the back plate with engraved border and N S pointer, the movement secured by two gilt brass brackets, screw compensated steel pendulum with compressed gilt brass engraved disc, the clock raised on four brass ball feet and conforming plinth with reeded quarter columns and door to left hand side, also on four brass ball feet, the clock 19" high, 28" overall height

A Vienna style walnut cased wall clock, late 19th/early 20th century, 5" two piece annular dial with roman numerals, eight day movement striking on a bell, grid iron style pendulum, the glazed full length door flanked by turned half pilasters, the case surmounted by a mask and rearing horse bracket, the base with suspended finials, 42" high

A walnut cased and gilt metal mounted mantel clock, late 19th/early 20th century, with concave pagoda top and foliate finial above an arched glazed door enclosing a silvered chapter ring with roman numerals and slow/fast dial in the arch, matted centre and pierced foliate spandrels, eight day fusee movement striking on a gong with urn and foliate pierced side grilles and foliate cast plinth raised on gilt metal bracket feet, 13" high

A Victorian walnut and simulated rosewood display cabinet, circa 1870, the bevelled rectangular top above a faux fluted freize and glazed door revealing two velvet lined shelves, flanked by faux fluted uprights, raised on a canted plinth, 30" wide, 11.5" deep, 38.5" high

A George III mahogany satinwood and inlaid secretaire cabinet, circa 1795, the broken scroll pediment inlaid with harewood and with a leaf border above a faux fluted ogive cornice and two foliate carved and ribbed glazed doors enclosing three shelves with shelf stops, over two satinwood panel and harewood inlaid cupboard doors enclosing a central short door and amaranth crossbanded cupboard door revealing another short drawer flanked by four pigeon holes and four short drawers, flanked by boxwood and harewood inlaid scroll brackets terminating in flowerhead, over a rectangular top with concave corners and pull-out secretaire drawer enclosing a baize lined hinged writing surface flanked by sliding ink and pen trays above a false drawer front with stamped gilt brass oval swing handles and raised on six square tapering collared legs, 31" wide, 20" deep, 75" high

A George III mahogany satinwood and ebony strung linen press, early 19th century, the ogive cornice above two ribbed panel doors and two short and two long cockbeaded drawers with canted gilt brass swing handles over a shaped apron and on splay bracket feet, door panel cracked, restorations, 50" wide, 24" deep, 79" high

A Welsh joined oak press cupboard, second quarter 18th century, and associated later canopy, the ogive cornice above a three panel back, slatted sides and ring turned balusters over a plain frieze and ring turned pendant finials, above a fielded arch drop-down panel door enclosing four short drawers, the lower section with three canted moulded short drawers above two arched fielded panel doors enclosing a single shelf and raised on extended stile feet, restorations, 54" wide, 20.5" deep, 77" high

A reproduction beech, walnut veneered and gilt metal mounted vitrine, 20th century, in Louis XV style, the glazed door enclosing a glass shelf and lined interior above a panel painted with pastoral lovers and raised on slender gilt metal mounted cabriole legs, 27" wide, 14" deep, 58" high

A George I walnut kneehole desk circa 1720, the rectangular bevelled top with re-entrant front corners and herringbone stringing, later inset with a baize lined writing surface, above a bevelled herringbone banded drawer, shallow grooved apron drawer and recessed crossbanded cupboard door enclosing a single shelf, and flanked by six crossbanded and herringbone strung pedestal drawers and raised on a moulded plinth and shaped bracket feet with later castors, the oak back panel 19th century, old veneer repairs, moulding losses, replaced gilt brass swan neck handles, hinges and escutcheons, 27" wide, 19.5" deep, 30" high

An oak and mahogany crossbanded and inlaid bureau, 19th century, in George III style, the bevelled fall-front centred by a boxwood and harewood conch shell motif within fan bracket and chequer strung borders, enclosing a conforming conche shell inlaid cupboard door and short drawer, flanked by letter slides, pigeon holes and short drawers above four long graduated drawers with gilt brass swing handles and raised on shaped bracket feet, sides cracked, 42" wide, 21" deep, 43" high

A mahogany satinwood and brass strung display cabinet. German or Austrian, late 19th century, the broken architectural pediment centred by a compressed ball and spire finial, the break top glazed door enclosing a lined interior and two shelves, over a breakfront lower section, glazed door enclosing a single lined shelf and rosewood veneered interior, glazed side panels, raised on a concave plinth and circular inlaid bracket feet with bevelled brass borders throughout, 39" wide, 90" high, 19" deep

A Victorian figured walnut and boxwood strung music cabinet circa 1880, with gilt brass gallery rail above a glazed door enclosing music sheet shelves and divisions between canted angles raised on a plinth base and ceramic castors, 21"wide, 14" deep, 37" high

A Victorian walnut boxwood inlaid and gilt metal mounted side cabinet circa 1870, the rectangular top above an ogive frieze, foliate inlaid and over a glazed door enclosing a velvet lined shelf and interior, the uprights mounted with female terms and foliate scroll work and raised on a canted and shaped plinth and bracket feet, 31.5" wide, 12.25" deep, 41" high

A mahogany two door cabinet, early 19th century, the inverted breakfront top with reeded edge above two inset panel cupboard doors with beeded internal borders enclosing two shelves and raised on compressed baluster turned legs, 36" wide, 14" deep, 31" high

A Victorian black laquered and gilded Gothic display cabinet circa 1840, with crenolated frieze and turret finials above a glazed door enclosing two velvet lined shelves flanked by faceted columns over a flowerhead pierced rail above two cabinet doors applied with blind pointed Gothic arch tracery and painted with a chinoiserie pattern of birds in branches enclosing two short drawers with flush brass handles over two shelves and raised on a stepped plinth flanked by stepped square columns, the sides with blind Gothic tracery moulding, chinoiserie gilded throughout, 27" wide, 13" deep, 72" high

A mahogany sideboard, late 19th/early 20th century, in George III style, the serpentine top above a bowed cockbeaded drawer and recessed drawer flanked by a deep cellarette drawer and a cupboard door and raised on square tapering legs and sade feet, 71.5" wide, 26.5" deep, 36" high

A Regency mahogany boxwood strung and crossbanded wine cooler, early 19th century, of octagonal form, the four division interior now baize lined, lion mask brass ring handles above a canted cupboard door and raised on four reeded and shaped tapering square legs, brass cups and castors, restorations, 13" wide, 26" high

A mahogany serpentine shape display cabinet, 20th century, the ogive cornice above a foliate and shell carved frieze and shaped glazed door enclosing a lined interior and two shelves and glazed side panels above a fluted frieze and three shaped cockbeaded drawers flanked by oval ribbed cupboard doors enclosing shelves and raised on square tapering legs and block feet, 55" wide, 18.5" deep, 79" high

A 19th century mahogany longcase clock with moulded swan neck cornice, the arched glazed door enclosing a painted face with scenes of the four continents, the eight day movement with subsidiary second dial, painted spandrels, the trunk with cross banded door, the base similarly inlaid, raised on bun feet.

Late George III mahogany longcase clock with moulded swan neck cornice and arched glazed door flanked by inlaid tapered columns with brass capitals. The 8 day movement with a moon phase, the brass face with inlaid scroll decoration, subsidiary date dial and cast spandrels, the trunk with a cross banded door with paterae inlay, the base similarly inlaid with quarter paterae.

Late 19th century oak hall stand of Art Nouveau style with pierced frieze above a bevelled minor plate, the central cupboard enclosed by a panelled door flanked umbrella stands on turned supports, 1.22m.

Victorian mahogany breakfront wardrobe with central acanthus cresting above a mirror door flanked by a pair of panelled doors to either side, 184cm.

A GEORGE III OAK WALL HANGING CORNER CUPBOARD, mahogany banded, patera inlay to door, height 102cm

AN EDWARDIAN OAK SMOKERS CABINET, the single glazed door opening to a fitted interior of drawers and storage space, width 27cm

AN EARLY 19TH CENTURY MAHOGANY THIRTY HOUR LONGCASE CLOCK having a white painted dial, shell decoration, signed W Morris, East Bourn, subsiduary dials and Roman numerals, the case with break arch pediment, ball finial, panel door and bracket feet, 81"high.

A 19TH CENTURY HEAVY CAST IRON DOOR STOP in the form of a seated lion, 24"long.

A GEORGE III OAK LONGCASE CLOCK with arched painted dial signed William Preddy of Langport with bobbing sailing ship mechanism, date aperture and seconds dial, eight day movement, the case with crossbanded decoration, arched hood, urn finials and panel door, 88"high.

A 1920's mahogany armoire with a central mirrored door within bowed panelled doors. 86" wide (218cm)

A Mid 18th Century Blue & Gilt Lacquered Longcase Clock, with eight day movement, the brass dial with painted circular plaque within arch and with baroque spandrels, with roman numerals and brass centre inscribed "John Westoby, Londini Fecit", the rectangular hood with integral angle pillars (lacking capitals and plinths) the trunk with long arched door decorated with chinoiserie, buildings, figures etc.. Lacking dome and plinth. Dial Width 11". Width 13". Height 79".

An Early 19th Century Mahogany Longcase Clock, with eight day movement, the arched painted dial with arabic numrals and calendar aperture inscribed "Wainwright, Nottingham", the arched hood with swan neck pediment and turned angle pillars, the trunk having a long shaped door with oval central panel between canted angles, the base with similar oval panel. Dial Width 12". Width 14". Height 93".

A Victorian burr walnut Davenport, the top with hinged lifting cover, revealing fitted stationery compartment, the slope moulded front with inset gilt tooled leather writing surface with a burr maple interior, the ovolo moulded panel base with one real and one blind door concealing four graduated drawers with recessed handles, acanthus carved scroll moulded supports

An Edwardian mahogany display cabinet, the stepped moulded cornice above a single door with astragal moulded oval panel and spandrels painted with floral drapery and scrolls, the whole outlined with boxwood stringing, on square tapered supports with spade feet, 68cm x 180cm (26.75" x 71")

A George III mahogany crossbanded oak corner cupboard, dentil cornice above an ovolo moulded panelled door enclosing two shaped shelves, one real and two blind drawers below, within canted angles, 78cm x 113cm (30.75" x 44.5")

A GEORGE IV MAHOGANY TRAY TOP POT CUPBOARD with panelled door on turned legs, 15" across

A 19TH CENTURY MAHOGANY LONGCASE CLOCK with arched painted dial, by Joseph Watson of Cambridge, with painted rustic cottage panel, seconds dial and date aperture, the case with shaped hood, reeded side columns and crossbanded panel door, 77" high

AN EDWARDIAN MAHOGANY AND SATINWOOD LINE INLAID SMALL DISPLAY CABINET, the interior fitted with two shelves enclosed by glazed panel door, square tapering legs and spade feet, 26" wide

A MAHOGANY AND SATINWOOD LINE INLAID DISPLAY CABINET with central bow door, glazed sides with fitted drawer below and serpentine shelf, 53" wide

A late Victorian Sheraton revival satinwood and semi-elliptical commode, painted overall with chequer bands, swags of flowers and female figures in ovals in neo-classical style, with a frieze drawer above a central panelled door, on square tapering legs, with spade feet, 93 high x 98.5cm wide

A Victorian walnut and marquetry breakfront cabinet, with ebonised borders, boxwood strings and gilt metal mounts, the two glazed doors enclosing shelves and flanking a panelled door, on plinth base with bun feet, 111 high x 152.5cm wide (one foot detached)

A mahogany bowfronted sideboard in George III style, with turned brass rail, above two panelled drawers, with brass handles, flanked by a door and a deep drawer, on square tapering legs with spade feet, 86 high x 165.5cm wide

An oak kneehole desk, the rectangular top with moulded edge, above eight drawers with brass handles, arranged around a kneehole with a door on bracket feet, 71 high x 82.5cm wide (in part George II)

A Thornton Pickard Kay Cee No.3 plate camera, of mahogany and brass construction with turntable for tripod on underside of front door/bed, fitted with brass barrel lens marked from f8 to f64 and with speed adjustment from 1/15 to 1/90 sec.

A red-painted Edward VII cast-iron letter box, of small rectangular form with domed top and side retaining bolts, the front embossed "Letters Only" above horizontal aperture, all above door with slot for collections plate (missing) and embossed royal monogram, overall height 50.5cm

A early 20th century Chinese Door of Hope female doll, wearing a navy silk tunic and a black skirt, overall height 28cm

An Edwardian oak bedside cabinet with carved upset back and single door enclosing shelf and supported on stile feet.