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Click here to subscribeA Victorian walnut Davenport with a leather inset writing surface opening to reveal a maple lined interior with three opening and three blind drawers, pen drawer to side above a panelled cupboard door enclosing four further graduated drawers with knob handles, carved scrolls to front and bun feet, 24in. (61cm) wide.
A Pair of 18th Century French Standing Corner Cupboards stamped Mondon. The slightly swept serpentine doors veneered in diamond panels of rosewood with herringbone panels to the sides, opening to reveal shaped internal shelves with geometric banding to the door backs. The Breche d'alep marble tops with moulded fronts, standing on bracket feet.
A 19th century oak longcase clock, moulded swan neck pediment with urn finial, above an arched brass dial with painted moon phase and cast spandrels, the silver chapter ring with black Roman and Arabic five minute division numerals, the milled centre with subsidiary seconds and date dials inscribed 'Iohn Watson', moulded arched door on plain base, shaped apron and bracket feet
A late 18th century oak longcase clock with caddy top, above a square brass dial with cast spandrels, the silvered chapter ring with black Roman numerals and subsidiary five minute divisions, the milled centre with calendar aperture, inscribed 'Tho.s Higdon East Pennard', rectangular long door, the whole later profusely carved with lunettes, Yorkshire rose and scrolls, on bracket feet
A Charles II style oak Grandmother clock, arched top hood with barley twist supports, brass dial with cast spandrels and black Roman numerals and inscribed 'Tempus Fugit', above geometrically moulded rectangular door and similar panelled base on bun feet, 8 day movement quarter hour striking on gongs, 163cm (64.25")
An early 19th century oak longcase clock, the later hood with swan neck pediment and brass eagle and ball finial, arched dial painted with a study of Melrose Abbey and with black Roman numerals, inscribed 'M. & J. Spiegelhalter', Malton, stepped arched moulded door within mahogany canted angles, crossbanded plinth base, shaped apron and bracket feet, 30 hour movement striking on a bell
An early 19th century pine longcase clock, square hood with stepped moulded cornice and plain frieze, square brass dial with black Roman and five minute Arabic numerals within cast spandrels, the milled centre with draught turned detail and calendar aperture inscribed 'Stonehouse Whitby', stepped arched door, on a skirted base, the whole chinoiserie decorated
An early 19th century mahogany longcase clock, the hood with pierced swan neck cresting, brass eagle and ball finial, on ring turned brass capped supports, the arched dial painted with rural scenes, black Arabic numerals and fifteen divisions, subsidiary seconds and date dials, inscribed 'D. Robinson Newcastle', the arched door enclosed by canted angles, the whole outlined with boxwood
A 19th century mahogany crossbanded oak longcase clock with arched swan neck pediment on ring turned columns, the arched painted dial with moon phase and animal spandrels, black Roman numerals, subsidiary seconds dial and calendar aperture, inscribed 'G. Slater Burslem', serpentine door inlaid with specimen wood vase of flowers, enclosed by reeded quarter columns, the panel base
An early 19th century oak longcase clock, swan neck pediment with triple brass eagle and ball finials on reeded tapering columns, the arched dial painted with a ship above shell spandrels, black Roman numerals with subsidiary seconds dial and calendar aperture, shaped crossbanded door enclosed by reeded canted angles, plain base with shaped apron and bracket feet, 8 day movement
A Victorian lady's figured walnut writing desk, the raised back with pierced brass three quarter gallery, above five compartments and four long drawers, enclosed by a pair of doors, the projecting base with single frieze drawer, revealing adjustable inset tooled writing surface and pen tray above a single door enclosing three shelves, the whole outlined with boxwood geometric stringing
A George III mahogany bureau bookcase, stepped cornice above three adjustable shelves and four short drawers, enclosed by a pair of astragal moulded glazed doors, the slope fall front revealing an interior with arrangement of four recesses with six short and five long drawers of satinwood banded cupboard door with four pilasters decorated with pen work
A Queen Anne style walnut bedroom suite, comprising wardrobe with arched top and fitted interior enclosed by three arched moulded burr panels, 153cm (60"), a similar two door wardrobe with plain interior, 125cm (49"), bow front tallboy with two cupboard doors and brushing slide above four long moulded drawers, 77cm x 136cm (30.25" x 53.5"), bow front kneehole dressing table, 117cm (46")
An Edwardian walnut wardrobe with stepped moulded cornice and plain frieze, the fitted interior with four drawers enclosed by carved and twin rectangular panel moulded centre door, with two shaped bevelled mirror panel outer doors, the base with three short drawers above two long moulded panelled drawers, on shaped bracket feet, 193cm x 247cm (76" x 97")
An Edwardian mahogany china cabinet, the raised back with moulded pediment, the chequer banded frieze inlaid with ribbon tied floral drapery, the glazed door applied with lozenge and oval, enclosed by two bow glazed panels, the panelled lower sections inlaid with bell flower ovals and drapery, the whole outlined with satinwood banding and boxwood stringing, shaped apron,
A late Victorian mahogany display cabinet, the moulded top with acanthus carved pierced swan neck cresting, the velvet lined interior with two shelves enclosed by a scroll decorated glazed door, with reeded projecting columns, shaped apron and on outsplayed moulded supports with scroll and pointed toes, 84cm x 174cm (33" x 69")
A GEORGE III MAHOGANY LONG CASE CLOCK having an arched engraved steel dial with moon phase, High Water At Portsmouth, strike/silent and date aperture, signed William Avenell, Portsmouth Common, the case with brass ball finials, raised pediment with blind fretwork and dentil cornice, fluted columns and arched panel door, foliate carved surround on bracket feet, 88"high.
AN 18TH CENTURY SOUTH GERMAN WALNUT VENEER BUREAU CABINET in three parts, the interior of the top half fitted an arrangement of drawers enclosed by a concave panel door surrounded by twelve short and one long drawer, with fall front three long drawers below, gilt metal eschutcheons and handles, crossbanded and line inlay and on a shaped moulded base, 75" high and 46"wide.
A black-japanned longcase clock, the eight-day two-train movement with anchor escapement, and rack-strike on a bell, the brass arched dial with silvered chapter ring, Roman numerals, Arabic five miniute divisions and subsiduary seconds and date dials, inscribed Thomas Reynolds OXON, the arch with 'strike/silent' dial, the case gilt with Chinoiserie vignettes, the shaped door applied with a printed panel of a music lesson, the domed hood with three gilt ball finials, height 240cm.
An oak long case clock, the eight day four-pillar two-train movement with anchor escapement and rack strike on a bell, the arched 12inch brass dial with Roman numerals, date aperture and subsidiary seconds dial, the arch with an automaton of Time, within foliate spandrels, inscribed T Downs Louth, the plain case with arched door, the hood with plain pillasters and broken pediment, 213cm high.
A 19th century oak and mahogany longcase clock, the thirty hour movement with anchor escapement and striking on a bell, the arched and painted dial with Roman numerals and spandrels of bowls of fruit, the arch painted with a shooting scene, the plain case with shaped door, the hood with broken pediment, height 208cm (some damage and repairs to the hood).
A mahogany longcase clock; the eight day two-train movement with anchor escapement and rackstrike on a bell, the arched dial painted in black with scrolling foliage, with subsidiary seconds and date dials, within a silvered chapter ring with Roman numerals, inscribed Edm. Wills, Salisbury, the plain case with shaped door, the hood with broken pediment, height 234cm, the case circa 1800.
A 19th century oak longcase clock, the eight day movement with anchor escapementand rack strike on a bell, the arched brass 12in. dial with Roman numerals and foliate spandrels, inscribed within the arch ROSS EPWORTH, the case with fluted pillasters, the hood with broken pediment and an anthemion finial, 214cm high (the hood lacks glazed door).
Paul Garnier, Paris; an engraved brass-cased carriage clock, no. 2270, the eight day two-train movement with later (??) lever escapement, striking the hours and half hour pass-strike, the back-plate numbered beneath the bell and stamped PAUL, GARNIER HER DU ROI, the white enamelled dial with Roman numerals and bearing maker's name as before, the case with canted corners, the back door with shuttered winding holes, engraved en rocaille with scrolling foliage, 15cm overall (some polished wear to the case).
A late 19th century Gillow & Co mahogany corner cabinet, the superstructure with spindle gallery, bevelled mirror and burr-walnut and ebonised panels, the shaped base with central frieze drawer above a panelled door with a central carved foliate panel, flanked on either side with three triangular shelves, on turned supports, 146 high x 55 deep x 78cm wide, stamped 'Gillow & Co, Lancaster.
A Victorian burr walnut Davenport with a pierced brass three-quarter gallery and an inset slope top, enclosing a cedar lined interior with four drawers, above a panelled base with a door and sliding trays to one side, on plinth with scroll carved brackets and turned feet, the back veneered, 59cm wide (some fading).