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A 19th century pine longcase clock with a broken swan neck pediment above a long trunk door on a box base and bracket feet, the 28cm brass dial with Roman numerals, a seconds subsidiary dial and a calendar aperture inscribed "C Vaughan Pont Pool", the 30 hour movement striking on a bell

A 19th century oak longcase clock, with a broken swan neck pediment above a short trunk door, box base and bracket feet, the 30.5cm dial painted with flowers to the arch with Roman numerals inscribed J Hando Brecon, the eight day movement striking on a bell

An Edwardian shop corner display cabinet with a moulded cornice above a glazed door and mirrored back on shaped legs

A 19th century oak longcase clock, with a broken swan neck pediment, long trunk door, box base and bracket feet, the 28cm square dial with Roman numerals and calendar aperture, corn stocks to the spandrels, the 30-hour movement striking on a bell

An Edwardian mahogany display cabinet with a moulded cornice above a glazed door and sides on square tapering legs and spade feet

A 19th century oak and mahogany longcase clock, the hood with a broken swan neck pediment and fluted columns above a long trunk door on a box base, the 35.5cm dial with moonphase to the arch, Arabic numerals, seconds subsidiary dial and calendar aperture, inscribed John and Joyce Ruthin, 228cm high

A 19th century oak longcase clock with a shaped top and turned finials, with an arched trunk door, box base and plinth, the 27cm square brass dial with Roman numerals and a seconds subsidiary dial inscribed "Chs Vaughan, Pont Pool" the 30-hour movement striking on a bell

An Edwardian mahogany display cabinet, with an arched top with glazed doors and sides on cabriole legs together with another Edwardian mahogany display cabinet with painted decoration, an oval glazed door and sides on square legs

A mahogany display cabinet with a gadrooned top and glazed door with glazing bars on bracket feet

A modern mahogany cased longcase clock with a silvered dial and glazed door

A Regency mahogany bracket clock, by Barraud, London, an eight-day striking movement to an 8-inch enamel dial, the lancet-shaped case with pagoda cresting, brass grille sides, Egyptian Revival inlays, and flanked by cluster columns to a plinth base, on brass lion paw feet,29cm wide19cm deep56cm highCondition ReportThere are three border chips to the dial, concealed by the brass framed glazed door when closed.There is fading to one side and evidence of old restoration to marks on the top.

An oak longcase clock, early 19th century, the painted arched dial with subsidiary seconds and date dials, the hood with fret-carved swan-neck pediment and brass finials, the case with arched door and column sides, on bracket feet,49cm wide24cm deep230cm highCondition ReportThe condition is good and working whilst being catalogued on location.There is a key, pendulum and one weight.One loose mouldimg from the hood - see photosThe central brass finial doesn't sit well in the mount which looks to have become oversized, but is present.There is a loose case panel to one side, but present

A toleware plate warmer, 19th century, the domed top over a single door decorated in gilt with fruiting vines, enclosing two shelves, the sides with ring handles and on cast scrolled legs,37cm wide30cm deep68cm highCondition ReportLargely good, some wear and losses to the finish

A grained oak clock cupboard, early 19th century, Shropshire, the panelled housekeeper's cupboard with a clock to the centre, the hood with swan-neck pediment and brass ball finials, an eight-day striking movement to a painted arched dial signed 'Edw. Glase, Bridgnorth', the cupboard with drawers to the base, on turned feet,242cm wide55cm deep267cm highCondition ReportWear to the door edges, corners of the cabinet, drawers and marks from years of use, in farmhouse condition, one end moulding is missingWeights, pendulum and key are present for the clock.

A William IV mahogany library bookcase, c.1830, with lappet-moulded and fluted columns, blind frieze drawers, and on a plinth base,244.5cm wide61cm deep243.5cm highCondition ReportOne end is more faded than the otherCorners of the middle section have small veneer losses, one end with a small piece of raised veneerThe lower section right hand door has an old repair, with an added timber section on the insideThere is a key, which opens the doors locksm but not the drawers or cupboards belowWidth is correctDepth should be 61cm Height should be 243.5cm

An oak library timepiece, 19th century, with a silvered pointed arch dial, inscribed 'Carter, 61 Cornhill, London' within engraved scrolls, the case with pierced Gothic decoration enclosing a single fusee movement and with an engraved backplate,19cm wide28cm highCondition ReportThe movement is not tested, no key, pendulum present. Locks are all present, but no door key.The movement appears very clean, it is very likely that the side panels were silked, but doesn't appear to detract.The side panels are glazed.

A bamboo and lacquered single door cabinet, 20th century, the doors fitted with oval chinoiserie panels, 45cm wide32cm deep100cm highCondition ReportThere are marks to the top and interior shelves, and a small tear in the material to one side at the base and the back.There is a mark to the fabric on the other side, but not holed.The front panels are clean and in good condition.

A late Victorian wardrobe, the single door over a base drawer, with original painted and grained decoration,105cm wide45cm deep209cm highCondition ReportGood original condition, minor wear and repairs to the door hinges, lower corner of the door on the hinge side, scratches and wear around the key escutcheon.

An original seventies poster from the Paul McCartney and Wings 1973 UK tour. It features the Fatman seaside illustration and has been signed in blue ink by Paul McCartney, Linda McCartney (who has signed first name only), Henry McCullough, Denny Laine and Denny Seiwell. The signatures were obtained after a performance at the Odeon Theatre, Edinburgh on the 23rd May 1973.Provenance: comes with a letter from the consignor which reads: ‘This is to confirm the circumstances in which I obtained the Wings signed poster and programme. It was a particularly special day in my late teens. There was no formal autograph signing so after the concert I did my very best “roadie” impersonation and found my way to the green room of Odeon. I got as far as the door of the green room, which was open, and saw that Paul, Linda, the two Denny’s and Henry McCullough were relaxing on a long settee after the concert. They were literally two yards away from me. I didn’t get into the room, but befriended one of the Brinsley Swartz band and he went to-and-fro getting my poster and program signed. I was there talking and getting the nods from Paul and a smile from Linda and Denny Laine. It was quite surreal to be that close to a former Beatle in such a relaxed setting. After about 30 minutes I bid farewell and rushed off to try and catch the last train back to Fife.’The poster measures 101cm x 71.5cm (39.5 inches x 28.5 inches). There is a large tear to the top edge which measures 10cm x 7cm along with some smaller tears. It has been folded leaving horizontal and vertical crease lines. The condition of the poster is very good minus.

An original sixties black and white snapshot photograph of John Lennon taken by a fan at John’s Weybridge home Kenwood in summer 1967. It has been signed on the front by John Lennon in blue ballpoint pen. The photograph was taken and the autograph was collected by the same avid Beatles fan who visited the group’s homes on a number of occasions in the late 1960s. The fan recalled that, ‘They were pretty relaxed about posing for photographs on their own front doorsteps, the first time one of The Beatles opened their door I nearly fainted’. The signature dates to summer 1967. The photograph measures 8.5cm x 9cm (3.25 inches x 3.5 inches). It has been trimmed very slightly on the right edge, signature is faint. The condition is very good.

This exquisite antique Asian lacquered cabinet is a remarkable example of traditional craftsmanship, featuring a meticulously designed miniature architectural interior. The black lacquer finish is adorned with hand painted gilt bamboo motifs on the exterior doors, symbolizing resilience and strength in Asian culture. When opened, the interior reveals a series of finely crafted drawers and compartments, detailed with intricate gilt designs and brass pulls, evoking the elegance of a traditional Asian home or shrine. The openwork lattice details along the top of the interior and the precision of the gilt decoration highlight the artistry of its maker. Resting on a lacquered stand with floral gilt accents, this piece is both functional and highly ornamental. Miniature cabinets like this were often used to store small personal items, writing instruments, or valuables, serving as both practical and decorative elements in affluent households. The gilt bamboo motifs and the architectural interior reflect the emphasis on nature and balance, often seen in their furniture and decorative arts. These pieces are sought after by collectors for their artistry and cultural significance.Issued: c. 19th centuryDimensions: 23.50"L x 16"W x 48"HCountry of Origin: ChinaCondition: Age related wear. Left lower part of front door needs to be adjusted. Small missing lacquer parts.

A mid 20th Century Gordon Russell oak office desk, the plain top above a bank of three drawers with brass handles to one side and a single cupboard door to the other, bearing label in knee hole, 138 cm wide x 76 cm deep x 76 cm high

A late Victorian burr walnut humidor/cabinet, the offset doors opening to reveal three drawers, the door with a Bramah lock (key missing) and various cigars, the top with engraved cartouche bearing armorial and initials "ECJ", 42 cm wide x 29 cm deep x 32 cm high

A Cornish serpentine door stop - of drop form with a brass ring handle, 27cm high.

An early 20th century teak cabinet - with a glazed panel door enclosing a shelf, 37 x 26 x 56cm.

A Cornish serpentine door stop - of drop form with a brass ring handle, 26cm high.

A Victorian ebonised, walnut and gilt metal mounted credenza - the rectangular top above an inlay frieze and central door flanked by two mirrored doors and columns, raised on a shaped plinth base, 156 x 40 x 106cm.

A Triang tin plate pull-along train - red with chrome fittings and with a black boiler door, 52cm long.

Franz Hermle; A German mahogany cased chiming mantel clock, with a glazed hinged door protecting a silvered chapter ring featuring Roman and Arabic numerals and a brass centerpiece engraved with florals, on raised bracket feet, striking on five gongs, H-42cm. Condition: It is chiming on the hour, on the half and on the quarter. There are some paints marks to the wood. There is minor splitting.

T. Martin & Co., London, a late 19th century brass striking carriage clock, the white enamel dial with Roman numerals, platform escapement signed, the movement striking the hour and half on a gong, key, 12 x 8 x 7.5cm.Movement in need of an overhaul, not working, balance spins freely, back door glass broken.

A Kienzle mahogany cased chiming bracket clock, with a bevelled edged glass door protecting a silvered chapter ring featuring Roman numerals and two subsidiary dials 'Chime, Silent' and 'Fast, Slow', raised on bun feet, striking on five gongs, H-37cm. Condition: It need of attention, no functions are operational.

An Edwardian mahogany inlaid display cabinet, having single beaded glazed door opening to fitted shelves, raised on square tapered legs, H137, W60, D35cm.

An Edwardian inlaid mahogany and satinwood display cabinet, having single glazed door opening to fitted shelves, with lower shelf beneath, raised on tapered legs, H129, D36, W64cm.

A gilt brass strut clock, in the style of Thomas Cole, late 19th/early 20th century, the rectangular floral engraved silvered dial with blued steel fleur-de-lys hands, numbered 505, rectangular scrolling floral engraved case, surmounted by an undulating pierced crest and suspension loop, the plain back with easel strut and winding hatch door for a Swiss eight day movement, lacking the turnbuckle foot, 13 x 10 x 2.5cm. Cole started numbering all of his clocks at 500 in about 1846/47 and ended at about 1900 in 1864. See "Carriage Clocks" by Charles Allix, pages 238/241 and "Thomas Cole & Victorian Clock-Making," by J. B. Hawkins, for more information. The clock winds, sets and is ticking, although we cannot guarantee its fully functional.We are happy the movement is original to the case, we have found others with the same movement

Oak cased wall clock with glazed door

Early 19th c. mahogany two-door corner cupboard enclosing shaped shelves

A longcase clock, the brass dial signed F Van Spicht, Amsterdam with a silvered chapter ring, a subsidiary second dial and date aperture, fitted an eight day movement striking on a bell, in a marquetry inlaid case, 218 cm highpreviously restored, 218 cm high, door hinges changed, door lock loose, four pillar movement, two weights, pendulum, winding key, a nice looking clock

A oak side table, with 1 cupboard door, 78 cm highvariation of colour, some ring marks, one of the top planks are slightly loose but feels secure

An early 19th century bracket clock, the 20 cm diameter painted dial with Roman numerals, fitted an eight day single fusee movement, in a mahogany case, 42.5 cm high, with an associated bracket (2)Brass and glass door loose, with a pendulum and keys, slight loss to the case

A 19th century mahogany chest, having a central cupboard door, flanked by four short drawers, above three long drawers, on a bracket base, 108 cm high x 82 cm wide

A mahogany corner cabinet, with a single glazed door, 72 cm wide

An 18th century Italian collector’s cabinet, with geometric and other inlaid decoration, the arrangement of ten Boulle work drawers, with turned ivory handles, flanking a central section of two drawers and a cupboard door, with ivory, stained bone and tortoiseshell inlay, the door revealing geometric inlaid fitted interior of five drawers and a secret drawer, 66 cm high x 99 cm wide   Ivory Exemption Registration Number LDG48QCQVarious loss, some splits and cracks, see images, 99 cm wide x 65.5 cm high x 44 cm deep, no key

A Polished Brass Auto "Minimax" Hand Pump, type D Major, together with one other hand pump and a pair of brass door pulls (4):- One Box.

Set of Eight Victorian Polished Brass Door Pull Handles, on back plate:- One Box.

Early XIX Century Walnut Bedside Cupboard, with a panelled door and plinth base together with a XIX Century mahogany bow fronted corner washstand (2).

A c.19th century mahogany pot cupboard, having marble top & dragon carving to door

A late 19th century French armoire walnut veneer wardrobe, carved crest, single door fitted bevel plate mirror, 222cm high

A selection of carved wooden artefacts to include trays and salad spoons together with an elephant door stop

A GEORGE III MAHOGANY NIGHT COMMODEwith shaped gallery above one door with trompe l'oeil effect of two, and one drawer beneath containing chamber pot with wood cover, terminating on block feet, 76.5cm high x 53cm wide x 46.5cm deep

A 'ROLL OF HONOUR OF TWO WORLD WARS' housed in an early 20th century oak apex roofed display case with bronze verdigris crucifix beneath, the glazed door before the hand-written list of the fallen in ink on buff card, 140cm high x 70cm wide x 18cm deep

A VICTORIAN MAHOGANY WARDROBEthe moulded pediment over a single mirror panelled door opening to an interior fitted with a hanging rail, a single drawer to the base, 209cm high x 122cm wide x 50cm deep

A 'LADDERAX' TEAK AND BLACK ENAMELLED SHELVING SYSTEMmid-century modern, comprising a bureau/drinks cabinet with door and leather tab handle, 40cm high x 59cm long x 35cm deep, six ladders, 200cm high x 35.5cm wide, six ladders, 109cm high x 35.5cm wide, and two ladders, 85cm high x 20cm wide, ten support rods, seventeen wood shelves, two 90cm high x 35.5cm wide, one 59cm high x 36cm wide, two 105cm high x 20cm wide, eight 59cm x 20cm and four 74cm high x 20.5 cm wide (a lot)

A GEORGE III MAHOGANY NIGHT COMMODEenclosed by a single door and single drawer beneath, on square legs, 80cm high x 50cm high x 45cm high; together with a George III figured mahogany night table, 95cm high x 46cm wide x 46cm deep (damaged) (2)

A Heal's limed oak floor standing corner cupboard, circa 1920, with gallery back above a panelled cupboard door opening to reveal shelves within, raised on shaped legs81 x 56 x 56cm

Attributed to Arthur Romney Green (1872-1945), an oak dresser, circa 1925, with open lattice shelves or plate rack with exposed construction, above a two door cupboard base152 x 121 x 53cm

A pair of Art Deco maple bedsides, each with cupboard door opening to reveal a single drawer within64.5 x 37 x 37.5cmThe handles are intact and there does not appear to be any signs of woodworm. There are drawers at the top of the interiors. Please refer to the additional images

A substantial Arts & Crafts oak collector's cabinet, designed by J. T. McGaw and craftsman made in St Leonards Forest, Horsham (labelled to one door), the two door cupboard top opening to reveal an arrangement of shelves and drawers within above eight short graduated drawers, raised on turned baluster legs united by stretchers 155 x 139.5 x 53cmJ. T. McGaw was an artist and founder of the association of Sussex Artists in 1928 Please see further images Original condition, scuffs and splashes to the waxed finish commensurate with use and age. ink stains to the shelves of the upper section. waxed finish shows some minor splashes, and some water staining base of the feet. ball popper on right hand door is a replacement slight shrinkage to panel doors, with minor gap between join of planks. (shown) drawers have ply runners but no reason to think these are replaced general in good original condition.

A pair of Heal's limed oak bedsides, circa 1930, each with two open book shelves above a single door cupboard with panelled back, ivorine disc to door of one86 x 33 x 29cmPlease see further imagesRing/watermarks (shown) to the top of both, and lower shelves.

In the manner of Charles Bevan, a late Victorian ash triple wardrobe, the arched central mirror flanked by panel doors with parquetry inlay decoration218 x 183 x 56cmThe central and left-hand door opening to reveal three linen slides above two short and two long drawers with flush brass drawer pulls, the right-hand door enclosing single shelf above hanging rail. The oak interior has scuffs and marks from use, and patination consistent with this as a result.Please find further images

A pair of Art Deco walnut bedsides, each with single cupboard door with line inlays opening to reveal a single shelf within raised on plinth base74 x 36 x 39cmplease see further images A few knocks and surface scratches, minor bruising around the base. Some abrasion to the surface of the varnish and uneven tone (shown)Handles have scratches and marks, one has a few losses to the veneer, the black stained interior of each handle is scratched from use.Bobble pop-close to the doors, both functioning, one better than the other.Please see further images for illustration.