We found 74258 price guide item(s) matching your search

Nicolette Savage  Etching "Pigwig", signed in pencil lower right and numbered 45/150, 10cm x 13cm  P Thomas Black and white print "Cyclist, County Clare", signed in pencil and numbered 7/75 After Modigliani Colour print Female nude After Maud Earl Pair of colour prints  "The Long Vacation", foxhounds and gun dog and duck (5)  From the collection of the late Maurice Costley

Paul Thomas Etching "Helen and Paris" (Trojan series), signed and dated 96, 47cm x 64cm

Richard Wardle Etching Whelpstone Crag, Summer, , signed and dated 1984 lower right, 30cm x 43cm

3 VARIOUS WOODEN INLAID BOXES PHILLIPS BAKELITE VINTAGE RADIO, MAHOGANY FRAMED BAROMETER WITH PRESENTATION PLAQUE DATED 1930, FRAMED ETCHING & FRAMED OIL ON BOARD, BOX WITH VARIOUS BRASS WARE ETC 

OAK NEST OF 2 TABLES, OAK OCCASIONAL TABLE, ITALIAN ACOUSTIC GUITAR, QUANTITY OF FRAMED PICTURES, WATER COLOUR, ETCHING ETC 

2 Artworks;Etching titled ''Winter Night'', signed and dated 1985.Artist proof screen print titled ''Return to Lochinver'' signed and dated '83.

3 Artworks;Richard Shirley Smith - Etching signed and dated 1978. Copy 64/100Hilda Frank - Artist Proofs etching titled ''Apple Tree'', signed Trudi Finch - Etching of a Hen, signed.

2 Etchings:Albany E.Howarth - ''The Prentice Pillar, Roslin Chapel'', signed. Together with small etching titled ''South Door, Roslin Chapel''.

William Wilson (1905-1972)Etching titled ''The Harrow'', signed and dated 1936.[53x62cm]

Hedley Fitton [1859-1929]Etching titled ''The Apprentice Pillar. Roslyn Chapel'', signed.[65x50cm]

James Hamilton Mackenzie (1875-1926)Etching titled ''San Gioyio, Verona'', signed[48x41cm]

David Young Cameron (1865-1945)Etching titled ''The Old Revenge'', signed and dated 1889.[48x60cm]

*ROBIN TANNER (1904-1988) 'February', 1975,signed and dated in pencil to the margin, etching, the image 25.75cm x 16cm,Framed dimensions: 45cm x 34.5cm Provenance: Purchased from Robin Garton, New Bond Street, London, 17th March 1982.

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'Returning from the fields', signed and numbered 42/75 in pencil to the margin, etching, the image 20.8cm x 27.8cm, Framed dimensions: 40.7cm x 46cm

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Two Sisters',signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 56cm x 70cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

*JOHN PIPER (1903-1992) 'Alpilles', signed and numbered 51/70 in pencil to the margin, etching with aquatint, printed at the Kelpra Studio. published by Marlborough Fine Art in 1990, the image 40cm x 61cm,  Framed dimensions: 65cm x 85cmExhibited: 'John Piper Retrospective', Bridport Arts Centre, Dorset, 6th December 1993-15th January 1994, number 44, Provenance: Purchased from the above exhibition, 14th January 1994 Deceased estate, Dorset, Literature: 'The Prints of John Piper, A Catalogue Raisonné, 1923-91', Levinson, Orde, publ. Lund Humphries, number 425.

*LEON KOSSOFF (1926-2019) 'Mother', 1982, signed, dated, titled and numbered 41/100 in pencil to the margin, etching, the sheet 59.7cm x 50.2cm (unframed)

*KATHARINE CAMERON (1874-1965) 'The Mountain Fern', signed in plate lower left, signed in pencil to the margin, etching, the image 42.5cm x 19cm,  Framed dimensions: 62.5cm x 37.3cmNote: The younger sister of fellow artist David Young Cameron, Katharine Cameron RWS RE was a Scottish artist, watercolourist, and printmaker, best known for her paintings and etchings of flowers. She was associated with the group of artists known as the Glasgow Girls.

*STANLEY DONWOOD (b. 1968) 'A fucked etching that I started again', signed titled and inscribed 'St Barnabas Press, Cambridge, 2007' in pencil to the margin, etching, the image 56cm x 46.5cm, Framed dimensions: 91cm x 74cmNote: Stanley Donwood is an English artist and writer best known for his collaborations with the band Radiohead, for whom he has created all of their album covers since 1995. Donwood, born Dan Rickwood on October 29th 1968 in Essex, studied at the University of Exeter where he met Radiohead frontman Thom Yorke, beginning a creative partnership that has lasted over a quarter of a century. Yorke stated on meeting Donwood “When I met him, first day, he sat there with a book, totally aloof. I thought, I’m either really going to hate this bloke or I’m going to end up working with him forever. One of the two.”

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Mowing Machine', 1928, signed and titled in pencil to the margin, etching, the image 16cm x 23.75cm, Framed dimensions: 36.5cm x 42.5cm

*DAME ELISABETH FRINK (1930-1993) 'Bull', 1986, signed and numbered 35/100 in pencil to the margin, etching with aquatint in grey, printed at Kelpra Studio and with their blindstamp, on Velin Arches paper, 29.8cm x 27.4cm (sheet), Framed dimensions: 37.5cm x 36cmpublished by Harpvale Books as the frontispiece for the 1984 deluxe edition of 'Elisabeth Frink: Sculpture', a copy of which is included in this lot, signed to the frontispiece and further inscribed "Brian and Dorothy, with love from Alex and Lis" to the flyleaf, both in the hand of the artist (2), Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024)Literature: 'Elisabeth Frink, Original Prints, Catalogue Raisonne', Caroline Wiseman, 1998, number 136

*NORMAN STEVENS (1937-1988) 'Orchard Gate', 1976, signed, dated, titled and inscribed "For Brian with best wishes" in pencil to the margin, etching, the image 11.4cm x 16.1cm,  Framed dimensions: 45cm x 39cmProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Lifelong friends with David Hockney, Norman Stevens was described as "one of the most particular and distinguished painters and printmakers of his generation" by William Packer. His prizewinning prints were the focus of solo exhibitions at the Arnolfini and Tate during the 1970s, and a posthumous retrospective was held at the Royal Academy of Arts in 2014.

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The New Rick', signed and numbered 56/75 in pencil to the margin, etching, the image 19.5cm x 25.5cm, Framed dimensions: 39cm x 44cm

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Bragg Apartment, New York City',signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Singing Ploughman', signed in pencil to the margin, etching, the image 20cm x 27.6cm, Framed dimensions: 40cm x 46cm

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Drone Attack', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm, Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

*JAMES MCINTOSH PATRICK (1907-1998) 'Cottages in the Snow', signed in pencil to the margin, etching, the image 14.75cm x 21.25cm, Framed dimensions: 31.2cm x 36.9cm

*ROBIN TANNER (1904-1988) 'The Hazel Copse', 1986, stamped initials to the margin, apparently number 2 from the edition of 25, etching, the image 17cm x 15cm, Framed dimensions: 43.5cm x 33.5cmNote: This work was Tanner's last completed etching.

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Old Quarry Road', signed and numbered 20/75 in pencil to the margin, etching, the image 22.1cm x 30.3cm, Framed dimensions: 42.4cm x 48.8cm

*ROBIN TANNER (1904-1988) 'Flowers of May', signed in pencil to the margin, etching, the image 26.75cm x 18.7cm,Framed dimensions: 46.8cm x 37cm Provenance: Purchased from Robin Garton, New Bond Street, London, 17th March 1982.

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Riot', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 52cm x 69.5cm,Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Cassandra', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Lakeside Cabin', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 56cm x 70cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Sidewalk Cafe', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Statue of Liberty', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

*PAUL DRURY (1903-1987) 'September', signed in pencil to the margin, numbered "47/100 pbld edtn" in pencil lower left (under mount), etching, the image 10cm x 13cm,  Framed dimensions: 29cm x 31.8cmProvenance: Purchased from Garton & Cooke, New Bond Street, London, 17th November 1987

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Dad's Restaurant',signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

*ADRIAN BARTLETT (1939-2024) 'Café Lepetit', signed and numbered 7/75 in pencil to the margin, etching and aquatint, the image 45.5cm x 30cm, Framed dimensions: 84.8cm x 64.2cm

§ Patrick Procktor RA (1936-2003) Cat Isigned 'Patrick Procktor' (lower right); numbered 4/13etching and aquatint29.5 x 36cmExhibited:London, Royal Academy of Arts, Summer Exhibition, 1995

§ Anthony Gross CBE, RA (1905-1984) The Valley 2, 1959signed 'anty gross' (lower right); numbered 40/50etching42 x 54cmThe largest of the two pictures has discoloured and the other one has slightly discoloured

§ Julian Trevelyan RA (1910-1988) St James' Parksigned 'Julian Trevelyan' (lower right); artist's proofetching and aquatint41.5 x 54cm

§ Richard Bawden RWS, NEAC, RE (1936-2024) The Parloursigned 'Richard Bawden' (lower right); numbered 24/85etching with aquatint43.5 x 61cmNot examined out of the frame, outermost margins are obscured by the mount so not available for inspection. Perhaps some slight acid mat burn where the margins meet the mount board, some slight discolouration commensurate with age and use, otherwise in very nice and presentable condition.

§ Anthony Gross CBE, RA (1905-1984) The Valley 1, 1956signed 'anty gross' (lower right); numbered 44/50etching45 x 64cm

Pierre-Auguste Renoir (1841-1919) Femme Nue Couchee etching 14.5 x 21cm

Lovis Corinth (1858-1925) Tanzerinnen (Dancers)signed 'Lovis Corinth' (lower right); further signed and dated 95 within the plateetching, bearing watermark of 'JW Zanders', unframed23 x 31cm

§ Gerald Leslie Brockhurst RA (1890-1978) Chiquitasigned 'GL Brockhurst' (lower right); further plate signed; unnumbered from the edition of 76etching19 x 16cmProvenance:With CCA Galleries, London

§ Evelyn Gibbs (1905-1991) Portrait of Elisabeth Vellacott, circa 1930etching14.5 x 10cmProvenance:With The Rowley Gallery, LondonThe collection of Quentin StevensonNot examined out of the frame, the outermost margins are obscured by the mount and are, therefore, not available for inspection. Under raking light there are some light handling creases to the top corners and bottom right corner. Some overall age toning, though this is uniform in appearance throughout. Otherwise in nice, clean and presentable condition.

§ Anthony Gross CBE, RA (1905-1984) Vendage a Vire signed 'ants gross' (lower right); numbered 35/50etching24.5 x 36cm'together with La Jetiesigned 'ants gross' (lower right); numbered 36/45etching21.5 x 29cm (2)etchings

§ John Piper OM, CH (1903-1992) Scotney Castle no.Isigned 'John Piper' (lower right); numbered 23/50etching24 x 42.5cmProvenance:With Goldmark Art, UppinghamDiscolouration to the mount

§ Richard Bawden RWS, NEAC, RE (1936-2024) The White Jugsigned 'Richard Bawden' (lower right); numbered 74/80etching with aquatint36 x 46cmThe margin is slightly discoloured

§ John Piper OM, CH (1903-1992) Scotney Castle no.Vsigned 'John Piper' (lower right); numbered 28/50etching24 x 42.5cmProvenance:With Goldmark Art, UppinghamGood condition

§ Stanley William Hayter CBE (1901-1988) Plate I; from the Death of Hector suitesigned and dated 'SWHayter79' (lower right); numbered 40/300etching37.5 x 27.5cm

§ Terry Frost RA (1915-2003) Arbole, Arbole [Kemp 107]; from the Federico Garcia Lorca suitesigned 'Terry Frost' (lower right), numbered 1/5etching with aquatint and hand-colouring in colours on wove paper, printed at the Print Centre, published by Austin Desmond Contemporary, London75 x 57cmProvenance: The Collection of Lord Myners, former Chairman of the Board of Trustees at the Tate

§ John Piper OM, CH (1903-1992) Gothic Folly, Stowesigned 'John Piper' (lower right); numbered 22/70etching40 x 48cmProvenance:With Goldmark Art, UppinghamWork has not been examined out of the frame, outermost margins are obscured by the mount so not available for inspection. Lightly toned throughout, though this is uniform in nature,one very slight and faded blemish to the right hand margin, otherwise in very nice, clean condition.

§ John Piper OM, CH (1903-1992) Scotney Castle no.IIsigned 'John Piper' (lower right); numbered 6/50etching23 x 41.5cmProvenance:With Goldmark Art, UppinghamFoxing to the mount, especially at the top

A coloured etching "Ocean Race" by E. Bouverie Hoyton, signed

A black and white etching depicting a street in Toledo signed by E. Howarth, framed and glazed

Daphne Skinner - watercolour"Geese from a Tomb at Medum", signed, labelled to verso, 3" x 18½"; a limited-edition etching of a farmyard scene by Barry Owen and one other limited-edition coloured print "Winter" (3)

John Copley (1875-1950)Bearers, lithograph, signed in pencil to the margin, 17.5 x 23cm (im); and an etching by the same hand - 'Trees at Noon', signed in pencil to the margin, 15 x 21cm, both unframed (2)

William Lionel Wyllie (1851-1931)'White Wings', etching, pencil signed in the margin, 18 x 23cm Prov: With A.J. Mucklow & Son