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June RadfordA harbour sceneA limited edition Lino Cut, Number 4/18Together with an etching titled The Lone Pine

This lovely figurine features four baby lovebirds sitting on a branch and was part of the Feathered Beauties theme. The faceted clear crystal lovebirds are perched on a frosted three-pronged arch branch. Their Fire Opal crystal beaks add a vibrant pop of color to the flock, while their Jet black eyes on a white background convey an inquisitive charm. Designed by Adi Stocker, this piece is marked with the Swarovski acid etching for authenticity. Includes the original Swarovski box.Artist: Adi StockerIssued: 1996-2011Dimensions: 4"LCountry of Origin: AustriaCondition: Age related wear.

This lot features a limited edition book titled A Little Boy in Search of God: Mysticism in a Personal Light by Isaac Bashevis Singer and Ira Moskowitz, published by Doubleday & Company in 1976. This special edition is numbered 125/150 copies and is signed by both the celebrated author and the artist. Included is an original hand-colored etching by Ira Moskowitz, signed and numbered 125/150, depicting Jewish spiritual themes. The book offer a unique exploration of Jewish mysticism, enriched by Singer's evocative narrative and Moskowitz's intricate illustrations. Housed in a protective slipcase, this collector's edition is highly sought after for its artistic and literary significance. Issued: 1976Dimensions: 7.25"L x 1"W x 11"HCondition: Age related wear.

Sheila SLOSS (1950-2010) Transient Print, signed and inscribed, numbered 12/30, image size 25 x 36cm, 48 x 57.5cm framed. 'Printmaking is my chosen language of expression. Manipulation of the media and photographic imagery convey ideas about the process of living a life. The works are not deliberately autobiographical but symbolise many people’s views. They describe time by abstracting a related series of images: elements of a scene, a person at various ages or scraps of past and present. The majority of my recent work incorporates photo etching but I am fascinated by, and use, all printmaking techniques.'

Rachael KANTARIS (1967) Playa Coyote  Etching & aquatint, signed, titled and numbered 7/10, plate 37 x 50cm, framed 75 x 86cm.

Alfred EAST (1849-1913) St Ives Etching, plate size 30 x 37cm, 52 x 62cm framed. Shipping is available from £32.50 to a UK Mainland address.

Ian McNeil COOKE (1937) It's Spring Again Artist's proof, coloured etching, signed and titled, image size 30cm x 26cm, 49cm x 43.5cm framed. Ian was born London 1937. He attended Kingston School of Art and moved to Cornwall in 1969. Ian studied etching in St Ives with artist Roy Walker, and in 1979 purchased the former Bosullow School House, now Men-an-Tol Studio, where he set up his own printmaking studio.

Trevor PRICE (1966) The Erotic Alphabet Etching, signed and inscribed, artist's proof, 13 x 13cm, 33 x 30cm framed.

Michael FOREMAN (1938) Footprints (1990) Etching, signed, inscribed and dated '90, numbered 16/75, plate size 15 x 20cm, 37 x 43cm framed.

Geoffrey Sneyd GARNIER (1889-c.1971) Breakfast Etching in colour, signed and titled, plate 5.5cm x25cm, 13cm x 34cm framed; together with a William Hogarth print 'The Cock Pit' 33.5cm x 38cm framed.

Edward Bouverie HOYTON (1900-1988) Summer Day, St Ives Etching, signed in graphite to margin, 25cm x 35cm, 43cm x 52cm framed. Shipping is available from £32.50 to a UK Mainland address.

Sheila OLINER (1930-2020) Zennor (1990) Etching, signed, inscribed and dated '90, numbered 16/75, plate size 15 x 20cm, 37.5 x 42.5cm framed.

June HICKS (1935) Quayside Etching, edition 6/25, signed, plate size 20cm x 25cm, 44cm x 46cm framed.

Roy RAY (1936) Peninsula (1990) Etching, signed, inscribed and dated '90, numbered 16/75, plate size 15 x 20cm, 37 x 42.5cm framed.

Various Artists Five limited edition prints MIchele Wright, The Company of Gulls, etching 27/40, plate size 16cm x 26cm, 33.5cm x 44cm framed; Sheila Stafford, Smudge on the Ocean, etching, 20/100, plate size 12cm x 15cm, 32.5cm x 27.5cm framed, together with a further etching 'The Blue Table, byt the same artist; Tim WAYNE (1950) Tell Me A Secret, edition 8/365, signed and titled, 34cm x 34cm framed; together with an Ian Laurie etching. (5)

Goya 'The Disasters of War, 85 Etchings' Masters of Etching- 'Rembrandt' and 'Nevinson' The Great War- Fourth Year by Nevison, modern paintings by Monroe Wheeler, Cezanne, Brugel, Toscana, Edward Burra, Bosch:- One Box.

A framed etching, Gents in top hats in a bar, together with a print of river tugs, both framed, mounted and glazed (2) 

After Marie Laurencin (1883-1956) "Jeune fille a la Guitarre" etching with colour, 20cm x 17cm, framed and glazed

*JASON HICKLIN (B. 1965) 'St Aldhelms Head, 1997'signed, titled, dated and numbered 15/30 in pencil to the margin, etching on Somerset watercolour paper, image size 16.5cm x 24.5cm; together with a small oil of a seascape by Esteves de Cooman, signed and dated 2014 verso, oil on canvas, 10.5cm x 15cm laid on a larger canvas 12cm x 18cm (2)

§ Paul Delvaux (1897-1994) Femme au Jardinsigned 'P.Delvaux' (lower right); numbered E/Asoft ground etching50 x 36.5cm

§ Julian Trevelyan RA (1910-1988) Duomosigned 'Julian Trevelyan' (lower right); numbered 58/100etching and aquatint38 x 50cmFrame size: 58.5cm x 58.5cm

§ Karel Appel (1921-2006) Circus Suite, no.29signed 'appel' (lower left); numbered 32/130etching74.5 x 55cmThis work has not been removed from the frame, the outermost edges are obscured by the mount and are, therefore, not available for inspection. There is some debris trapped behind the glass, including a small fly in the lower right hand corner. There appears to be some minor undulation to the sheet so it may benefit from remounting/reframing. Otherwise in nice, presentable condition.

§ Richard Bawden RWS, NEAC, RE (1936-2024) Martello Tower, Aldeburghsigned 'Richard Bawden' (lower right); numbered 27/75etching and aquatint43.5 x 59.5cm

A collection of unframed printed and original works from the Drian Gallery, to include fifteen original works by Guelfo Bianchini (1937 - 1997), various sizes; Ellen Kuhn, an indistinctly titled etching and aquatint, signed (lower right), artist's proof; Moris Gontard, Untitled, signed (lower right), numbered 26/300, lithograph; Sigmund Abeles, Self Portrait with Cats, signed (lower right), artist's proof, drypoint etching; Dora Basicio, two untitled etchings and aquatints; an etching and aquatint titled 'Hartgureter I', signed dated and numbered '5/5 GERRIT 67' (lower right); Long Thien Shih, three untitled etchings, variously signed and numbered; and Katerina Wilczynski (1894-1978) a group of eight ink studies of nudes and landscapes, mostly signed 'Wilc' (approx 32) Founded in 1957 by Halima Nalecz, the Drian Galleries played a transformative role in London’s art scene. Born in Lithuania, Nalecz fled war-torn Europe and settled in London in 1947. Initially co-founding the New Vision Centre in 1956, the following year she established the Drian Galleries as a means to support artists rejected by the elite Bond Street galleries.The Drian Galleries, located in Bayswater, became a launchpad for emerging talents like John Bellany, William Crozier, and Michael Sandle. Nalecz’s dedication to artistic innovation gave many their first major exhibitions in England, solidifying her reputation as a fearless advocate for the unconventional.

§ Walter Hoyle (1922-2000) Bright Star signed 'Walter Hoyle' (lower right); artist's proofetching and aquatint58 x 79cm

§ Dame Elizabeth Blackadder DBE, RA, RSA (1931-2021) Spider Orchid, Orchidaceae Brassia Verrucosasigned 'Elizabeth Blackadder' (lower right); numbered 6/40 etching and aquatint34 x 39cm

§ Paul Drury (1903-1987) Actor's Headsigned and dated 'Paul Drury.1925.' (lower right)etching, 1st state25 x 19cm;together with Head portrait of an Italian mansigned and dated 'Paul Drury, '28' (lower right)etching19 x 14.5cm (2)

Edgar Chahine (French, 1874-1947) 'Le Promenoir' Color Etching 1903, pencil signed lower right margin, printed signature in plate upper left, silk matted behind glass in a bronze-tone metal frame Property from: a Private Collector, Willowbrook, IllinoisFrame Size: 24 1/4 inches by 29 1/2 inches Condition: paper having undulation along upper edge, frame having light wear Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:20 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

James Jacques Tissot (French, 1836-1902) 'L'ambitieuse' Etching 1885, printed signature in plate lower left in title margin, etching and drypoint on laid paper, also known as 'A Political Woman', depicting 'An Ambitious Woman' (another alternate title) in society, matted behind acrylic in a gold-tone wood frame having a Merrill Chase Galleries COA attached to back Property from: a Private Collector, Willowbrook, IllinoisFrame Size: 28 inches by 22 inches Condition: no damage noted, frame having light wear Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:16 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

James Jacques Tissot (French, 1836-1902) 'Promenade dans la Neige' Etching 1880, printed signature and date lower right in plate, etching and drypoint, on laid paper, the second state of three, with the artist's red chop mark (Lugt 1545) and the text from Keats in brownish-red ink, from the edition of about 100, with margins, matted behind acrylic in a gold-tone wood frame having Merrill Chase Galleries COA on back Property from: a Private Collector, Willowbrook, IllinoisFrame Size: 36 1/2 inches by 24 1/2 inches Condition: a pale spot appears in margin upper right corner, occasional minuscule dark spots in margin, frame having light wear Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:17 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

James Jacques Tissot (French, 1836-1902) 'Sunday Morning' Etching 1883, printed date and signature in plate lower right and having artist's red chop mark, etching and drypoint on laid paper, a portrait of a woman, likely the artist Berthe Morisot (1841-1895), matted behind glass in a gold-tone gesso on wood frame having a Stair Galleries, Hudson New York label on back Property from: a Private Collector, Willowbrook, IllinoisFrame Size: 25 3/8 inches by 17 inches Condition: mat burn, felt fibers throughout background resulting from artist's process, frame having light wear and chips, backing board showing moisture damage Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:18 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

20th century school Watercolour drawing Shooting scene with figures and dogs, unsigned, framed and glazed, mount aperture 23.5cm x 18.5cm, together with an etching of a spaniel's head by Robert Linnell Armitage (1898-?) entitled "A Loyal Friend", signed and titled within margin, framed and glazed, mount aperture 19cm x 14cm (2)

Giovanni Battista Piranesi Another view of Trophy, etching from Ornamenti Antichi, published 1778in a later black and gilt frame56 x 41cm

A small group of jewellery, including a Victorian brooch with swallow and foliate etching, marked to verso 'Real Silver', sun symbol, diameter approx. 3.2cm, 6.5grams; a Scottish Luckenbooth double heart brooch, marked Sterling, Scotland, other indistinct marks, length approx. 3.5cm, 5.4grams; a pair of openwork triangular shaped articulated drop earrings, each with a 'gold' lined panel to the bottom, post & butterfly fittings, UK hallmark 925, makers mark CE, length approx. 3.2cm, 5.5grams; and a double row of small faux pearl beads to a paste set clasp, clasp unmarked, length approx. 31.0cm, (4).

20th century etching titled 'Pranic Tube', indistinctly signed 'Nicole...' and titled in pencil below, 21 x 29 cm, framed

A group of 18th-20th century prints, to include: bookplates, engraved views, aquatint by David Smith; After Thomas Rowlandson - 'Taunton Vale - Somersetshire', aquatint; James Robert Granville Exley (1878-1967) - 'Dark Brahma Cocks' etching; Prospective View of the City of Bristol; A group of illustrations of items from the Splitzer collection; Bookplates illustrating a Roman bronze found in Suffolk, with other illustrated Roman mosaics, a Queen Anne indenture and others

Andrew Watson Turnbull [b.1874]Original etching titled " Liathach from Loch Clair" Frame- 37.5x47.5cm.

Donald Mackenzie Original etching artist Proof titled "Mountain landscape with melting snow". Frame- 30x40cm.

Vintage framed etching from the picture of Guercino at Bologna

Six pictures and prints, signed etching etc

ROWLAND LANGMAID "Calm at the Nore", etching, signed in pencil lower right and titled on "Deighton's Strand Gallery" label verso, 8.5 cm x 17 cm, together with "Green Hithe - Training ship Worcester", etching, signed in pencil lower left, bears title on "Deighton's Strand Gallery" label verso, 8.5 cm x 17 cm (2)

Willy van Riet (1882-1927), by and after Dutch Canal and Spire signed, numbered 134/350, coloured etching, 28cm x 32cm

*Augustus John (1878-1961) etching - Rambling by the Lake, signed in pencil, 18cm x 12.5cmProvenance: purchased by the Viscountess Blakenham from Admiral Sir Caspar John, circa 1968

*Salvador Dali (1904-1989) drypoint etching - Nude, 1967, from Apollinaire - Poèmes Secrets, edition of 380, 18cm x 8cm, in glazed frameProvenance: Goldmark Gallery, Uppingham and Hayletts Gallery, Maldon

Frank Brangwyn (1867-1956) etching - Barnard Castle, c. 1905, signed with initials to plate, 37cm x 30cm, in glazed frame

Giovanni Battista Piranesi (1720-1778), etching of an ancient Roman marble vase and pedestal from Hadrian's villa in Rome, published Rome 1778, as plate 41 from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne ed Ornamenti Antichi" (Studies of Vases, Candelabra, Funerary Monuments, Sarcophagi, Tripods, Lamps and Ancient Ornaments), 71cm x 35.5cm, framed and glazed

Rowlandson (1756-1827) & Pugin (1762/69-1832) four hand-coloured etching and aquatints, pub. R. Ackermann, c. 1809, 'Lambeth Palace', 'King's Mews, Charing Cross', 'Watch House St Mary le Bone', 'Herald's College' (College of Arms), 19cm x 25cm, in glazed frames (4)

Thomas Rowlandson (1756-1827) hand coloured etching and aquatint - 'Box Lobby Loungers', inscribed in pencil and bearing signature, laid down, 38.5cm x 57cm, in glazed frame

James Gillray (1756-1815) hand coloured etching and aquatint - 'The Landing of Sir John Bull & his Family at Boulogne sur Mer', published 31 May 1792 by Hannah Humphrey, 22.5cm x 66cm, framed

After William Bunbury (1750-1811) by Thomas Rowlandson (1757-1827) hand coloured etching - 'Patience in a Punt', 22cm x 31.5cm, in glazed frame

Of Jacobite interest: Fascinating album relating to the Erskine family - the substantial quarter calf album with marbled board ends containing various ephemera from the 16th century onwards, the majority specifically relating to the Erskine family of Cadross, including cuttings and letters relating to Lieutenant Colonel Charles Erskine of the 92nd Highlanders in Alexandria, Egypt in 1801, relating how he was injured in battle, had a leg amputated and subsequently died of his wounds, including several letters to his father from military figures including Sir Ralph Abercrombie, Commander of the British Forces in Egypt and others from well wishers including the Marquis of Huntley, Lady Perth. Then a sequence of letters and newspaper clippings relating to the rediscovery of Charles Erskine’s body in 1894, the skeleton identified through the amputation of the leg and a locket bearing the legend ‘I desire that this locket shall be buried along with me’ and the subsequent reinterment in the British Cemetery in Alexandria, with arrangements for a monumental stone. Bill for the engraved etching plate made in 1802, taken from Raeburn’s portrait of Lieutenant Colonel Charles Erskine. Then a sequence of letters from, and drafts of letters to James Stuart, the Old Pretender, and his wife Clementina in correspondence with the Countess of Bute, including letters from James Stuart and one from his wife Clementina, and various drafts of letters from the Countess of Bute, including one to the Old Pretender on the birth of Charles Edward Stuart, ‘The young pretender’ the sequence dating from 1716, one letter to John Stewart, son of James, Earl of Bute, another addressed to Mrs Broomeley, 1729, also an epitaph to John Stewart, son of James Earl of Bute, who was attached to the Court of the Old Pretender in Rome for 12 vears and who died in 1739. The album also contains two receipts from Henry Raeburn, for paintings of members of the Erskine family, 1782 garter robe order signed by George III for Thomas Baron Pelham, letters written to Lord Keith by sons of George III - William. Duke of Clarence, Edward, Duke of Kent, Frederick, Duke of York and Ernest, Duke of Cumberland, an 18th century wine bill, letters relating to the estate of Cadross, military manoeuvres in Egypt and India and various other contents

The Plate of Joseph's Bretheren - Presenting his Bloody Coat to Jacob their Father, coloured etching;  another, Dream of the Pharoh's Chief;   others, The Ancient English Wake;   etc

Three 19th century engravings to include one of Magdalen Hall, a portrait of Johannes Colet, one of Lincoln College Oxford, along with a signed etching depicting a street scene in Brugge. H.35.5 W.42cm

Three framed and glazed prints to include a signed limited edition etching with colours titled 'Beneath the Pond 2' 1980, a lithograph after Raoul Dufy signed in plate and landscape print bearing a blind stamp. H.56 W.71.5cm (largest)

A limited edition sepia etching on paper, abstract nude figure group, signed to the lower right in a glazed gilt frame. H.27.5 W.26cm

FRAMED ETCHING BY J.M.W TURNER ENGRAVED BY C.TURNER ''SCENE ON THE FRECNH COAST'' 29CM X 21.5CM - FRAMED 47CM X 32CM

BRENET DESBAINES ''THE MILL'' AFTER REMBRANT GALLERY STAMPED ETCHING ARTIST PROOF

WILLIAM LIONEL WYLIE - SIGNED ETCHING ''BARGES ON THE THAMES''

SIGNED ETCHING - BALINESE DANCER

Suffolk cornfield, pastel together with river and trees, Wittingham by Henry Ninham, etching (2)