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A striking black-and-white etching by Leonard Baskin depicting a portrait of the influential British designer, poet, and socialist William Morris. Rendered in Baskin's signature linear and expressive style, the piece captures Morris with his distinctive full beard and flowing hair, created through an intricate network of interwoven lines. The etching is signed in pencil by Baskin, accompanied by his characteristic monogram, and numbered 146/175, indicating its place in a limited edition. Baskin, known for his powerful depictions of historical and literary figures, brings a sense of gravitas to the subject, emphasizing both Morris's intellectual presence and artistic legacy. A compelling work for collectors of 20th-century printmaking, literary portraiture, or those with an appreciation for the Arts and Crafts movement. Artwork can be unframed and rolled for shipment.Artist: Leonard Baskin (American, 1922-2000)Issued: 1969Dimensions: 11.25"L x 14.25"HCountry of Origin: USACondition: Age related wear. Glass missing from frame.

Wilhelm Friedrich Gmelin (1760-1820) etching Italian landscape, Veduta principale delle grandi e piccole Cascatelle di Tivoli, e loro Adiacenze 1808, 45 x 56cm, with gilt and black surround and ornate decorated gilt wood frame

Dame Laura Knight (1877-1970) etching Stella, portrait of a woman, signed lower right 33 x 28cm, in gilt frame

Dame Laura Knight (1877-1970) etching Susie, portrait of a girl, signed lower right 28 x 38cm, in gilt frame

Kurt Meyer (1895-1977) aquatint etching Two Terriers Begging depicting two dogs or puppies, signed in pencil lower right, 38 x 30cm, in gilt frame

Dame Laura Knight (1877-1970) etching Country Girls, portrait of three women, signed lower right and titled to lower margin, 26 x 20cm, in gilt frame

Dame Laura Knight (1877-1970) etching Merry Go Round, signed lower right 31 x 23cm, in gilt frame

Andrew Fairbairn Affleck (1874-1935) Etching Figures by a carved stone doorway, signed in pencil lower right, framed and glazed, mount aperture 65cm x 34.5cm, together with two further etchings by the same hand 'Burgos Cathedral' and a cathedral interior, both signed, framed and glazed (3)

Susan Moxley (21st century)  Etching and aquatint in colours  Untitled, composition with abstract figures and birds in landscape, no.20/20 in pencil, signed and dated 1998 lower right, 15cm x 52.5cm 

Douglas Macleod (1892-1963) Etching on paper Antwerp, signed in pencil lower right, labelled verso, 15.5 cm x 28.7cm (unglazed)

Marigold Halse (XX) Roland Morris collection Mousehole Rocks-Low-Tide, watercolour on paper, signed, 23.5cm x 33cm together with an etching of St Michaels Mount, 12cm x 17cm. (2) Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.

Collection of 11 interesting jazz vinyl LPs viz:- Eddie Henderson Inside Out Capricorn Records K57504 A1/B1 Curried Jazz, Indo-British Ensemble MFP1307 A1-G/B1, original inner sleeve  Atlantic Bridge, Atlantic Bridge, gatefold sleeve, DNLS3014 A2*T/B1*T  Joe Harriott Quintet and Sextet, JLP9375, black Jazzland label (JLP12 937B/937A)  Laurie Holloway, Cumulus, Hobo Records HO503 (HO+503+A, HO+503+B)  Milt Jackson and John Coltrane, Bags and Trane SD1368, Atlantic Records, Stereo, Japanese release with inner sheet (P6098 A2/?)  Zoot Sims, Cookin! FJL123 (683 273 JCL) run out etching 683723 1420 Michael Garrick Quintet featuring Joe Harriott and Shake Keane, October Woman DA 33 Mono, yellow labels with silver printing (ARG 2688-1K, 2687-1K), cellophane wrapper still present, round green sticker covering another label on front cover  Duke Pearson, Angel Eyes, 583 723, run out etching 583 723 A//1, B//1, a Jazz Art recording  Nancy Wilson/Cannonball Adderley, a program of vocals and instruments by ......, SM1657, Capitol Records with special import sticker on cellophane wrapper (SM-1-1657-H12, SM-2-1657-H10)  Graham Bond, Jack Bruce, Ginger Baker, Dick Heckstall-Smith, John Hiseman and John McLaughlin, "Solid Bond", Warner Records WS3001 stereo, double album in gatefold sleeve, run-out etching WS3001 A1/B2/A2/B1 *T Stereo Condition ReportLaurie Holloway LP - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges. No splits to spine, wear to the plastic coating on back of sleeve. The vinyl with minimal and very light surface scratches, too light to be felt with a finger. LP sits flat with no warping. The label on one side has two brown spots. General wear and tear. Atlantic Bridge - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, Vinyl in good condition, no deep scratches, LP sits flat with no warping. Solid Bond - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. Inside Out - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. Angel Eyes - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. General wear and tear on all, see photos.

Molly Bullick (Irish, 20th century) Etching aquatint "The Blue Hare", limited edition, signed, dated '81, titled and numbered 5/35 within margin, framed and glazed, mount aperture 55.5cm x 33.5cm, together with a colour lithograph by the same hand "Seascape I", signed, titled, numbered 7/20, dated '79, framed and glazed, mount aperture 35cm x 46cm, a lithograph by Sheila Croacher, rural scene with dwellings, signed lower right, and an etching by Maggie Rowe of sheep in a field, signed and numbered 16/25 within margin, framed and glazed, mount aperture 16.5cm x 17.5cm (4)

18th century charade fan, The New Charade Fan for the Year 1798, the central panel with an etching the Marquis Cornwallis, surrounded by with a number of panels containing charade riddles, mounted on wooden sticks, H26cm, W45cm

J Kirkpatrick, The Keep, Porchester, aquatint, signed in pencil, 28 x 29 cm, gallery label verso, F Harding, Christchurch Priory, dry point etching, signed, unframed, 27 x 36 cm, and Branksome Tower, engraving, 17 x 29 cm (3)

L M Ward, At Vauxhall, drypoint etching, signed in pencil, 23 x 19 cm

Coloured etching by Henry Wilkinson of Border Terriers limited edition 9/100

CHARLES WILLIAM CAIN (BRITISH 1893 - 1962), THE FORFAR FERRY etching on paper, signedmounted, framed and under glassoverall size 42cm x 57cm

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921), ROBERT LOUIS STEVENSON etching on papermounted, framed and under glassoverall size 31cm x 24cm

Salvador Dali (1904-1989)-Graphic, Don Quijote. Colour etching on paper. Prabably hand signed and numbered 79/300. 75 x 54 cm.

Salvador Dali (1904-1989)-Graphic, colour etching on paper. Numbered 19/300, probably hand signed. 75 x 55 cm.

Salvador Dali (1904-1989)-Graphic, l'art d'aimer l'ovide, colour etching on paper. Probably hand signed and marked E. A. 55 x 75 cm.

Salvador Dali (1904-1989)-Graphic, Giraphe in fire. Colour etching on paper. 75 x 55 cm.

Salvador Dali (1904-1989)-Graphic, paranoid town. Colour etching on paper. 56 x 76 cm.

Salvador Dali (1904-1989)-Graphic, atomic Leda. Colour etching on paper. Numbered and probablly hand signed. 75 x 55 cm.

Salvador Dali (1904-1989)-Graphic, Don Quijote Battle of the Mill, colour etching on paper. Probably hand signed and marked E. A. 76 x 54 cm.

Salvador Dali (1904-1989)-Graphic, in search of the fourth dimension. Colour etching on paper. Probably hand signed. Marked. 55 x 75 cm.

After Malcolm Patterson : Fishing boats in a harbour, dry point etching, signed in pencil, 11 cm x 10 cm.

Danish School : Concrete house, pen and ink with watercolour, 37 cm x 52 cm, together with a further hand coloured etching titled 'Two Palms'.

Jeremy Blighton (Contemporary) - 'Over The White Horse to Dragon Hill', limited edition aquatint etching, signed, titled and numbered 27/80 in pencil below, 32 x 38 cm, frame dimensions: 53 x 61 cm

Gillray - etching, Farmer Giles and his wife… and a coloured print by Rowlandson

Nick Whistler abstract, Mortimer Menpes etching, Ely Cathedral print, Clive Beer print and After Braque, framed poster and small watercolour of an interior scene (6).

William Renison (1866-1940) signed etching in glazed ebonized frame - Italian landscape, together with two signed etchings by Wilfrid Huggins of Venice (3)

Francis Dodd - etching in glazed frame, a pair of antique engravings of The Great Exhibition, and other engravings

Glynn Thomas signed etching - Honfleur, together with other pictures and prints.

Derrick Greaves (1927-2002) etching - flowers, signed and dated '75, 6/25, 39 x 49cm, glazed frame

David Suff (b 1955) etching in colours, Paradise triptych, signed dated 1988 and numbered, image 30 x. 75cm, glazed frame

After E. Meissoneir, French, 1815-1891. Etching. Napoleon Shaking Hands, “The Two Friends”. Signed in pencil to margin. In period oak frame with gilt slip. Overall including frame 51x57.5cm. Together with: After E. Meissoneir, French, 1815-1891. Etching, 1891. Napoleon Viewing Battle Fields. Signed in pencil lower right. In period oak frame with gilt slip. Overall including frame 67.5x76cm. Together with 3 more: After E. Meissoneir, French, 1815-1891. Three 19th century etchings. Signed in pencil to margins. In period oak frame with gilt slip. Largest overall including frame 77x88.5cm. (Total 5 pictures)

(ARR) Leon Kossoff (British b. 1926-20109)Mother, 1982 Etching on woven paperLimited edition numbered 56/60 bottom leftTitled, dated and signed by artistPublished by Studio PrintsFrom the Bernard Jacobson Gallery CollectionLeon Kossoff (British, b.1926-2919) had spent most of his early life living there with his Russian Jewish parents. In 1938, he attended the Hackney Downs School in London. In 1939, he was evacuated with the school to King's Lynn, Norfolk, where he lived with Mr and Mrs R.C. Bishop, who encouraged his interest in art. During this time, Kossoff made his first paintings. When he returned to London in 1943, Kossoff went to Saint Martin's School of Art, and studied commercial art. He also attended life drawing classes in the evenings at Toynbee Hall.He spent three years in military service with the Royal Fusiliers, attached to the 2nd Battalion Jewish Brigade, and served in Italy, Holland, Belgium and Germany. After his military service, he returned to the Saint Martin's School of Art in 1949, and at Borough Polytechnic, took special classes under David Bomberg from 1950 to 1952. He was also influenced by another one of his teacher's students, Frank Auerbach. Both young artists dealt with similar emotions and subject matter in their work, and employed heavy impasto in their paintings. Kossoff chose his subject matter mostly from the area of London where he was born. From 1950 to 1953, Kossoff's studio was located at Mornington Crescent; he then moved to Bethnal Green, where he lived until 1961. Kossoff studied at the Royal College of Art from 1953 to 1956.This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.Measures approx. 30cm x 24cm (12" x 9.5")

Julião Sarmento (1948-2021)"Febre (16)"Etching on paperSigned, dated 94/95 and numbered XII/XV69,5x49,2 cm (mancha/image) 80x60 cm (papel/sheet)Galeria Pedro Oliveira, Porto, 1996.

SHELLY NEWTON (XX1 CENTURY) ''SERENITY'' ETCHING 55/500 49CM X 21CM

THREE ETCHINGS OF CHELTENHAM AND ANOTHER ETCHING (4)

AFTER REMBRANDT: AN ETCHING ON PAPER DEPICTING A MAN12cm x 10cmPurchased by the vendor from Christopher Mendes.Framed and glazed 35cm x 28cm

Pencil signed etching, St Bartholomew's Gate

Didier Mazuru (French, b.1953), coloured etching, Abstract composition with geometric shapes, 28 x 21cm. Condition - good

Salvador Dali (Spanish, 1994-1989), etching, 'Petit nous, from Les amours de Cassandre', signed in pencil, limited edition 42/95, 38 x 28cm. Condition - good

Paul Noble (b.1963), etching, ‘Nobson Newtown’, signed and dated '04, limited edition 95/250, 35 x 43cm. Condition - good

A QUANTITY OF PICTURES AND PRINTS ETC, to include five Sheila Richards landscape watercolours, a Boris O'Klein signed and titled hand coloured etching 'Like our Masters', an indistinctly signed Southeast Asian coastal watercolour, a Barbara Wells watercolour of Daffodils, a Van Gogh poster print, 1985 Pirelli calendar, copies of The Times, assorted prints etc

unique hand-coloured etching, signed and titled mounted, framed and under glass image size 27cm x 33cm, overall size 58cm x 64cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. The Fine Art Society, Edinburgh staged "John Byrne: In The Studio" in December 2024.

limited edition aquatint etching on paper, signed, titled and numbered 23/200 mounted, framed and under glass image size 76cm x 60cm, overall size 102cm x 86cm Label verso: Duncan R. Miller Fine Arts, London. Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficult to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).

Giovanni Battista Piranesi (1720-1778) - Roman Scene etching, Veduta dell'Arco di Tito, translated as 'The View of the Arch from Titus' - inc frame measures 75x95cm

ROWLAND LANGMAID (British, 1897-1956), RIVER THAMES WITH TOWER BRIDGE, signed etching, framed under glass, 30 x 21cm

Norman Stevens RA 'Priory Garden, 1978' etching, aquatint and burnished aquatint limited edition 12 of 150

Rowland John Robb Langmaid R.A. 1897 – 1956. Dry point Etching of a Galleon

Salvador Dali, Don Quixote, etching, 24.5 x 19.5cm and two prints (3)

Ashevak, Kenojuak (1927 Inuit-Camp Ikirasaq - Kinngait 2013) "Owls Soliloquy", so mit Bleistift betitelt, sign. mit Inuit-Namen "Kenojuak....", dat. Dorset 2002, bez. Etching & Aquatint und Ex. 5/50. Farbradierung, li. u. mit Blindprägung des Druckers PM mit Symbolen. 25,5x 28 cm. Im verglasten Rahmen. Ashevak war eine der bedeutendsten Inuit-Künstlerinnen Kanadas.

Glass box with floral etching to the lid, together with other cut glass and collectables in four boxes

After Rembrandt (1606-1669)/ Ferdinand Bol (1616-1680) Vertumnus and Pomona Etching Inscribed in the print 'Rembrandt ft. 1640'  The original drawing was previously attributed to Rembrandt, before being re-attributed to one of his pupils, Ferdinand Bol. The drawing was sold at Christie's in 2007. Property of a Lady To be sold without reserve Dimensions: (Frame) 10.5 in. (H) x 10 in. (W) (Paper) 6 in. (H) x 6 in. (W)

Arthur Briscoe (British, 1873-1943) Flooded Decks and The Seine Net Etching on paper  [a] The Seine Net  Signed and dated, 'A Briscoe 25' 31/76 The Rembrandt Gallery label verso [b] Flooded Decks Signed and dated, 'A Briscoe 31' 49/75

Walter Greaves (British, 1846-1930) Old Chelsea, The Last Regatta Circa 1871 Oil and gouache over etching on paper mounted on original board Inscribed in pencil ''Old Chelsea's Last Regatta' / By Walter Greaves / 525 Fulham Road / Waltham Green'  Exhibited: Chelsea Reach 2010 (2)  Property of a gentleman Dimensions: (Frame) 17 in. (H) x 28.75 in. (W) (Board) 11 in. (H) x 22 in. (W)