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*Richard Bawden (1936-2024) signed coloured etching - 'The Blue Jug', 8/85, unframed, 58cm x 51cm

Peter Partington (b.1941) signed coloured etching - Snipe, 20cm x 16cm, in glazed frame.Provenance: the artist's studio

*Richard Bawden (1936-2024) signed coloured etching - 'The Rainbow', 1/60, 53cm x 41cm, in glazed frameNot examined out of the frame. It does not appear to be laid down. Several areas of foxing more noticeable within the sky and rainbow - see close up images.

George Cruikshank (1789-1856) hand coloured etching - 'Royal Condescension', published Sept. 15th 1817 by S. W. Fores, BM 12890, 26.5cm x 39cm, in glazed frame. Note the phallic symbols within the image.

Joseph Plaskett (1918-2014) pastel - The Drachenfels on the Rhine, signed and dated '79, 30cm x 43cm, another pastel of Notre Dame, dated Nov. '69, 46cm x 59.5cm and a signed limited edition etching, 'The Yellow Rose', 90/99, dated 1999, 32cm x 31.5cm, each in glazed frame (3)All three works in good condition, some fairly minor marks to the frame.

Eileen Soper (1905-1990) etching - A Voyage of Discovery, signed, 13cm x 19cm, in glazed gilt frame

Thomas Rowlandson (1756-1827) hand coloured etching - 'Medical Dispatch or Doctor Doubledose Killing Two Birds With One Stone', 1810, BM 11638, 35cm x 26cm, in glazed frame

William Heath (1795-1840) hand coloured etching - 'An Officer of the Artillery Corps Unattached', published by McLean, c.1829, 35cm x 24cm, in glazed frame

Robert Cruickshank (1789-1856) hand coloured etching - 'Monstrosities of 1827 and 1828', published 1827 by G. Humphrey, BM 8137, 24.5cm x 34.5cm, in glazed frame

James Gillray (1757-1815) hand coloured etching - 'Delicious Dreams', published April 10th 1808 by H. Humphrey, BM 10979, 35cm x 24cm, in glazed frameWe are informed by the gentleman collector, that prior to having the collection mounted and framed, they were not laid down. The colours are good and strong with no visible defects. Ready to hang.

John Brunsdon (1933-2014) signed limited edition etching - Night March, 36/50, 65cm x 50cm, in glazed frame

Elizabeth Morris (contemporary) limited edition etching - Fisherman's Gate, 17/100, 19cm x 34cm, in glazed frame

Issac Cruikshank (1756-1810) hand coloured etching - 'The Royal Jasey', published Feb. 22nd 1797 by Fores, BM 8988, 36cm x 25.5cm, together with another 'The Fall of Phaeton - The Blow Up of the Whig Club...', published Nov. 17th 1798 by Fores, BM 9266, 35cm x 40cm, in glazed frames

Thomas Rowlandson (1756-1827) hand coloured etching - 'A Medical Inspection or Miracles Will Never Cease', published Sept. 8th 1814 by Thos. Tegg, BM 12333, 35cm x 26cm, in glazed frame

George Cruikshank (1792-1878) hand coloured etching - 'An Excursion to Ragley Hall' published Oct. 1st 1812, BM 11904, 21cm x 54cm, together with 'The Effusions of a Troubled Brain', published July 10th 1821 by C. Humphrey, BM 14196, 38cm x 27cm, in glazed frames (2)

Thomas Rowlandson (1756-1827) black and white etching - 'Smithfield Sharpers', published April 10th 1787 by Read, 35cm x 45cm, in glazed frame. (The card playing Sharper is a portrait of Rowlandson).

*Richard Bawden (1936-2024) signed coloured etching - Chrysanthemums, 24/40, 39cm x 34cm, in glazed frame

*Peter Coker (1926-2004) signed limited edition etching - Coastal Landscape, 12/15, 17cm x 19cm, in glazed frame

Harry Becker (1865-1928) etching - Sheep in Landscape, 18cm x 27cm, in glazed frame

Early 19th century hand coloured etching - 'John Bull Landed In France!!', published Aug. 29th 1803, BM 10078, 25cm x 35cm, together with another 'War in the East against the Cats, By Napoleon The Great of St. Helena', c.1815, published by Mr Clary, 23.5cm x 33cm, in glazed frames (2)

Thomas Rowlandson (1756-1827) hand coloured etching - 'The Covent Garden Night Mare', 1784, published by W. Humphrey, BM 6543, 23.5cm x 33cm, in glazed frame

William Heath (1795-1840) hand coloured etching - 'The Field of Battersea', published March 1829 by McLean, BM. 15697, 24.5cm x 35.5cm, in glazed gilt frame

Thomas Rowlandson (1756-1827) hand coloured etching - 'The Cobblers Cure for a Scolding Wife', published Aug. 4th 1809 by Thos. Tegg, BM 12148, 33cm x 24.5cm, in glazed frame

George Soper (1870-1942) etching - Autumn Ploughing, The Four Seasons, signed below in pencil, 18cm x 30cm, label verso, in glazed frame

Robert Cruikshank (1789-1856) hand coloured etching - 'Reflection, To be or not to be?', published Feb. 11th 1820, BM 13661, 35.5cm x 25cm, in glazed frame

H.H.R., hand coloured etching - 'The Real Blue Collar In London!!!' Published Aug. 6th 1832 by W. H. Isaacs, 24cm x 34cm, in glazed frame. (Peel's Metropolitan Police Act of 1829 established the modern police force in London)

Eileen Soper (1905-1990) etching - Mac's Portrait, signed, 13cm x 18cm, in glazed gilt frame

George Cruikshank (1792-1878) hand coloured etching - 'A Nice Gentleman', published Sept. 12th 1818 by Fores, BM 13056, 35cm x 23cm, 'A Doubtful Case', c.1820, 35.5cm x 24cm and 'Exquisite Admiration', c.1820, 30.5cm x 23cm, in glazed frames (3)

Elizabeth Morris (contemporary) signed artist's proof etching - 'Seaside Window', inscribed verso 'Gates & Ironwork at Aldeburgh, Suffolk', 21cm x 11cm, in glazed frame

From the library of Alfred Edward Borthwick. A collection of late 19th and early 20th century art reference books and painter's biographies, many regarding the theory and practice of art. The lot to include titles such as Half Hours with Natural History, Practical Perspective by A. Cassgne and Murray Wilson, Studies in Plant Form and Design by W. Midgley and A. E. V. Lilley, The Story of Art Throughout the Ages by Reinach, The Painter's Method and Material & two others in the New Art Library Series, The Materials of the Artist and their Use in Painting by Max Doerner, The Royal Academy by W. R. M. Lamb, The Etcher's Handbook third edition by P. G. Hamerton, Etching Craft by W. P. Robsin, The Print Collector's Handbook by Alfred Whitman, and others. All in the publisher's original full cloth bindings or publisher's wraps, many with ownership inscription of A. E. Borthwick, some shelfwear & bumping, generally a smart collection. Largest folio.

George Cruikshank (1792-1878) etching of the Marquis of Anglesey ' A Sketch in the Island of Anglesey', 1820, together with a satirical portrait of James Scarlett, 1st Baron Abinger, in wig and gown, c. 1825, after Bentivoglio, both pub. George Humphrey London and two other 19th Century anthropomorphic lithographs by J. J. Grandville (4)

John Duffin (b. 1965) etching - London from Primrose Hill, signed titled and numbered 29/150, 40cm x 60cm, unframedApart from two small ink or stain spots to margin, faint thumbprint smudge to margin, masking tape along top edge verso, in good condition. Additional photos online.

Richard Beer (1928-2017) etching and aquatint. Village 1, edition no. 16/100. 47.5cm x 62cm. In glazed gilt frame.

Luigi Rossini (1790-1857) etching with engraving - Veduta della Gran Mole Adriana e Ponte Elio, Roma 1821, 42.5cm x 55cm, unframed

P. Mendoza, early 20th Century etching - The Call of the Drums, signed, titled and dated 1920, 30cm x 20cm, unframed

Sir Frank Brangwyn (1867-1956) etching, 'Albi', signed and dated '26, signed, 35 x 55cm, glazed frameFoxing throughout, otherwise intact. Additional images available online.

After Alberto Giacometti, etching - Dans L’Atelier, 1965, edition of 150 unsigned prints, 25cm x 19cm, glazed frame Provenance: Jonathan Poole Gallery, Woodstock, 1989

John Duffin (b. 1965) etching - Night Tube, signed titled and numbered 8/150, 60cm x 45cm, unframedSmall smudge verso but condition as new.

Leonard Russell Squirrell (1893-1979), signed etching - A Road near Dovedale, 18cm x 24.5cm, signed and dated 1933, inscribed, unframed.

John Duffin (b. 1965) etching - West End Rain, signed titled and numbered 4/10, 61cm x 45cm, unframedIn good condition. Masking tape verso to top edges.

John Duffin (b. 1965) etching - Tunnel of Love, Artist's Proof, signed and titled, 40cm x 53cm, unframedOne horizontal crease to the very top right hand corner of the paper, otherwise in good condition. Additional image online.

John Duffin (b. 1965) etching with watercolour - Thames, signed titled and numbered 9/10, 75cm x 57cm, unframed

Julius Komjati (1894-1958) signed etching - The Princess's Guard', 57/75, 42cm x 30cm, in glazed gilt frame. Christie's label verso

John Duffin (b. 1965) etching - Lord’s Cricket Ground, signed titled and numbered 9/150, 60cm x 45cm, unframed

After James McNeil Whistler (1834-1903) lithograph - Gants de Suede, signed in the stone with butterfly, together with etching after Rembrandt, self portrait. (2)

Mortimer Menpes, etching of Rouen cathedral, 31.5cm x 17cm, signed in glazed frame.

John Duffin (b. 1965) etching - Thames, signed titled and numbered 4/150, 75cm x 56cm, unframed

Alfred R. Blundell (1883-1968) etching - ‘In the Breckland’, signed and titled below, 18cm x 17.5cm, unframed

Christopher Penny (1947-2001) signed artists proof coloured etching - 'Blue Vase with Daises', inscribed in pencil, 66cm x 63cm, unframed

John Duffin (b. 1965) etching - Thames, signed titled and numbered 3/150, 75cm x 56cm, unframedCondition as new.

Harold Sayer (1913-1993) signed limited edition etching - Sheepscombe (Gloucestershire), 30/200, dated 1979, 33cm x 47cm sheet size

Valerie Thornton (1931-1991) etching, signed proof, St Benoit, dated ‘89, 42cm x 33cm in glazed frame

John Duffin (b. 1965) etching with watercolour - Thames Clouds, signed titled and numbered 7/100, 75cm x 56cm, unframedVery good condition throughout.

Valerie Thornton (1931-1991) signed limited edition etching and aquatint - Compton Wynyates, 6/70, dated '72, in glazed frame, 48cm x 70cm

John Duffin (b. 1965) etching - The Primrose Hill Summer, signed titled and numbered 3/10, 40cm x 52cm, unframedHorizontal crease to top left corner, minor imperfections to margin, but in good overall condition. Additional images online.

Kenny Scharf - Flores Yellow, 2020Archival inkjet print with high gloss varnish and diamond dust on Innova Etching Cotton Rag paper, signed in pencil. This artwork is printer's proof 1 of 1 apart from the edition of 12 printed by Sawtooth Editions, Providence, RI and published by Lococo Fine Art Publisher, St. Louis. Very good condition, 95 x 76 cm.Impression jet d'encre d'archive avec vernis brillant et poussière de diamant sur papier Innova Etching Cotton Rag, signée au crayon. Cette œuvre est l'épreuve d'impression 1 sur 1 à part de l'édition de 12 imprimée par Sawtooth Editions, Providence, RI et publiée par Lococo Fine Art Publisher, St. Louis. Très bon état, 95 x 76 cm.

Roberto Matta - 4 AM from L'Arc Obscure des Heures, 1975Etching and aquatint on wove paper, signed in pencil & numbered /125. Publisher: Multiplicata S.A., Chiasso, 1975. Ref.: Ferrari 105. Good condition, 63.5 x 91.4 cm.Eau-forte et aquatinte sur papier vélin, signée au crayon et numérotée /125. Éditeur : Multiplicata S.A., Chiasso, 1975. Réf. : Ferrari 105. Bon état, 63,5 x 91,4 cm.

Jim Dine - Fo Dog in Hell, 1990Etching with roulette and hand-coloring in acrylic Rives BFK paper, signed in pencil and numbered /30. Good condition, 121 x 81 cm.Gravure à la roulette et coloriée à la main à l'acrylique sur papier Rives BFK, signée au crayon et numérotée /30. Bon état, 121 x 81 cm.

Jim Dine - Dorian Gray at Opium Den, 1968Original etching on Arches paper, signed in pencil and numbered 195/200. Publisher: Petersburg Press, London, 1968. Yellowed paper on the upper right margin (see photos), 45 x 31 cm.Eau-forte originale sur papier Arches, signée au crayon et numérotée 195/200. Editeur : Petersburg Press, Londres, 1968. Papier jauni à la marge supérieure droite (voir photos), 45 x 31 cm.

Jim Dine - Red Design for Satin Heart, 1968Original etching on Arches paper, signed in pencil and numbered 195/200. Publisher: Petersburg Press, London, 1968. Yellowed paper on the upper right margin (see photos), 45 x 31 cm.Eau-forte originale sur papier Arches, signée au crayon et numérotée 195/200. Editeur : Petersburg Press, Londres, 1968. Papier jauni à la marge supérieure droite (voir photos), 45 x 31 cm.