We found 78678 price guide item(s) matching your search

Antoni Clavé - Signes, 1976Etching and carborundum on wove paper, signed in pencil and numbered 152/170. Good condition, 65.5 x 50 cm.Eau-forte et carborundum sur papier vélin, signée au crayon et numérotée 152/170. Bon état, 65,5 x 50 cm.

Y Property from the Estate of an Edinburgh Collector: Ru Van Rossem (Dutch, 1924-2007), De Heilige Koe, signed in pencil, dated (19)86, titled and ed. 22/35, etching in colour, framed. 70cm by 49.5cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Philip Reeves P.P.R.S.W., R.S.A. (Scottish, 1921-2017), The Drop Gate, signed, titled and inscribed "with acknowledgement to John Sell Cotman", ed. 4/6, etching, framed. Sheet 34cm by 51.5cm. Note: this lot may be subject to A.R.R.

Property from the Estate of an Edinburgh Collector: Cornelis Bloemaert (Dutch, 1603-84?), after Abraham Bloemaert, Pastoral Scene (from The Leisure Series), etching, second quarter 17th century, framed. 11cm by 15.5cm. Provenance: Christopher Mendez, Jermyn Street, London, gallery label verso. Literature: Hollstein 212-215.

Y Property from the Estate of an Edinburgh Collector: Freya Payne (British, b. 1968), ....Tears, signed, indistinctly titled and numbered in pencil, ed. 13/15, etching, framed. Plate: 29.5cm square. Provenance: Flowers Gallery, London. Note: this lot may be subject to A.R.R.

Property from the Estate of an Edinburgh Collector: Sir David Wilkie R.A. (1785-1841), Reading the Will, etching, initialled and dated 1819 in the plate, framed. Plate: 9cm by 12cm. Provenance: The Fine Art Society, Edinburgh.

Y Property from the Estate of an Edinburgh Collector: Philip Sutton R.A. (British, b. 1928), Self-Portrait, signed, dated and titled in pencil, Artist's Proof, etching with colours, framed. Plate 20cm by 25cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Peter Howson O.B.E. (Scottish, b. 1958), Cleansed, signed, dated (19)94 and titled in pencil, ed. 8/50, etching, framed. Plate 17.5cm by 12.5cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh collector: Lucian Freud (British, 1922-2011), Head of a Girl I, (Hartley 11), signed with initials, ed. 14/16, etching on wove paper, framed. 11cm square. Note: this lot will be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Bill Jacklin R.A. (British, b. 1943), Woman in a Chair, etching, Artist's Proof, signed, titled and inscribed in pencil, framed. Plate17cm by 13.25cm. Provenance: with Morgan Boyce Gallery, Marlborough, Wiltshire. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Barbara Rae C.B.E., R.A., R.S.A., F.R..SE. (British, born 1943) Ploughmarks - Castelfiorentino, signed, titled and numbered in pencil, ed. 15/15, etching with colours, framed. Plate 39.75cm by 50cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Barry Flanagan (Irish/Welsh 1941-2009), Stepney Green, signed and numbered in pencil, ed. 44/46, etching, framed. Plate: 17cm by 21.5cm. Note: this lot may be subject to A.R.R.

Property from the Estate of an Edinburgh Collector: Dame Laura Knight RA. RWS. RE. RWA. PSWA. DBE (1877-1970), Salt n' Saucy - Circus Elephants 1923, signed in pencil, etching, framed. Plate 20cm by 27cm. Note this may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Bill Jacklin R.A. (British, b. 1943), Inside Grand Central, signed dated (19)98 and titled in pencil, ed. 26/40, etching, framed. Plate 36cm by 45cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Dame Elizabeth Blackadder D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt. (Scottish 1931-2021), Fred, signed and inscribed "Artists Proof" in pencil to margin (from an edition of 80 with three artist's proofs), etching, framed. 8cm by 13.5cm. Provenance: Royal Scottish Academy exhibition label verso. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Kathleen Frances Barker (British, 1901-1963), The Morning Walk, signed in pencil, etching, framed. Plate 25.25cm by 19.75cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Alison Watt O.B.E., F.R.S.E., R.S.A. (Scottish, born 1965), Medlar, signed, dated '93 and titled in pencil, Artist's Proof, etching with aquatint, framed. Plate 19.5cm by 20cm. Note: this lot may be subject to A.R.R.

Property from the Estate of an Edinburgh Collector: Arthur Luiz Piza (Brazilian, 1928-2017), Untitled, signed in pencil, artist's proof, etching with aquatint, framed. 26cm by 20cm.

Y Keith McIntyre R.S.A. (Scottish, b. 1959), Un Pecheur, signed lower right and dated (19)88 in pencil, etching, ed. 23/30. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: John Bellany C.B.E., R.A., H.R.S.A. (Scottish,1942-2013), Ornithologist from Nairn, signed in pencil, etching, 1986, framed. Plate 32cm by 42cm. Provenance: Open Eye Gallery, Edinburgh (label verso). Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Alan Davie C.B.E., R.A., H.R.S.A. (Scottish, 1920-2014), Alter Mann (2003), etching and chine colle, signed in pencil, ed. 2/12, framed. Plate 32cm by 26cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Freya Payne (British, b. 1968), Stranger Song, 2006, signed, titled and numbered in pencil, ed. 14/15, etching, framed. Plate: 29.5cm square. Provenance: Flowers Gallery, London. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Frank Auerbach (1931-2024), Ruth, 2001 (pub. 2002), signed in pencil, ed. 19/35, etching on Somerset white paper, framed. Plate 14.5cm by 11.5cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Jacqueline Morreau (American/British, 1929-2016), "Aftermath...Psyche Awake, Eros Asleep", signed and titled in pencil, ed. 7/40, etching, framed. 24.5cm by 30cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Victoria Crowe O.B.E., F.R.S.E., R.S.A., R.S.W. (Scottish, b. 1945), Drawn from Nature: Ouzo-Drinking Butterfly and Wasps, signed and titled in pencil, ed. 12/30, etching, framed. Plate 18.5cm by 25cm. Note: this lot may be subject to A.R.R.

After Pierre-Auguste Renoir (1841-1919), Portrait of Berthe Morisot, etching, signed in the plate, framed. Plate 11cm by 9cm.

Y Property from the Estate of an Edinburgh Collector: Norman Ackroyd C.B.E., R.A. (British, 1938-2024), Study of Sunlight - Co. Galway, signed, titled and numbered in pencil, ed. 11/90, etching with aquatint, framed. 19.25cm by 23cm. Note: this lot may be subject to A.R.R.

Ronald Basil Emsley Woodhouse (1897-1987) - Lone terrier, etching, signed in pencil to the margin, 12.5 x 12.5cm

Tom Whitehead - The Dancer, etching, 18.5 x 21cm

John Taylor Arms (American 1887-1953) - From Knoedler's window MCXXXV, etching, signed and dated 1936 in pencil to the margin, 14 x 13cm

Henry Wilkinson (British, 1921 - 2011), study of two working dogs, hand coloured limited edition drypoint etching, signed in pencil lower left and numbered lower right 58/100, 30 x 40cm, framed and glazed

Frank Paton (1856-1909), 'Rough and ready', etching, signed, frame 40.5 x 45.5cm, and an engraving of a hunting dog finding a dead bird, frame 61 x 51cm.(2)

Gerald Leslie Brockhurst (British, 1890-1978), "The Two Melisandes", signed in pencil in the margin, etching, 17 x 10.5cm overall

Pamela Kay (British, b.1939), "Strawberry Tea", signed in pencil in the margin, offset lithograph, 50.5 x 67cm overall; George Soper (1870-1942), "The Plough Team", signed in pencil in the margin, etching, 20 x 31cm overall, and another similar etching, (both mounted but unframed, a/f). (3)

A St Pancras etching, a railway print and a LNER decorative mirror.

An unframed etching of the inside of a Cathedral by W.V. Collette, two black and white prints of Holmbrook, Cumberland and Wast Water, by H. Stubbs.

An Anne Bulitis etching "Raphaelite Girls".

A hand coloured framed Etching by Percy W.I. Buckman R.M.S, (1865-1935), painter, etchers and miniaturist of a moonlit river, 11 3/4" wide x 15 3/4" high, plus a framed coloured Engraving of St. Michaels Mount, after J.M.W Turner, published 1885, 16 1/4" x 13 1/2".

John Taylor Arms (American 1887-1953): 'Old Exe Bridge', etching signed in pencil 11.5cm x 16cm

‡RAY RICHARDSON (b. 1964) artists proof etching with colour - 'The Italian Job', signed and dated '93/05, (I) 10 x 29cmsProvenance: private collectionComments: box framed ready to hang

AFTER REMBRANDT VAN RIJN (Dutch, 1606-1669) etching - The Card Player, later state from the plate created in 1641, from the Millennium edition of 2500, (PL) 9 x 8.2cmsProvenance: private collection GwentComments: box framed ready to hang, overall 54 x 63cms

AFTER FRANCISCO DE GOYA (1746-1828) drypoint etching and aquatint - Pobrecitas! (Poor little girls!), plate 22 from Los Caprichos (The Caprices), later state from the plate created in 1799, in an edition of 210, (PL) 21 x 15cmsProvenance: private collection GwentComments: box framed ready to hang, overall 71 x 65cm

SALVADOR DALÍ (1904-1989) drypoint etching with colour - Femme-Feuille, from the Venus Aux Fourrures suite, in an edition of 150, signed in pencil over embossed signature, titled and dated 1969 on gallery label verso, (PL) 31 x 23cmsProvenance: with Goldmark Gallery, Rutland; private collection GwentComments: box framed, ready to hang.

‡SALVADOR DALÍ limited edition (62/195) etching - entitled verso, 'After 50 Years of Surrealism: The Grand Inquisitor', signed in pencil, 40 x 30cmsNote: 'The Great Inquisitor Expels the Saviour' portrays a Pope throwing a flaming giraffe from a turret window, offering a satirical take on Dalí's dramatic ousting from the Surrealist movement by André Breton, who was often referred to as the 'Pope of Surrealism.'Provenance: private collection Gwynedd, with certificate of authenticityComments: framed, glazed

Louis-Joseph Mondhare (1734-1799), Vue de la grande procession de l'autodafé où l'on voit les criminels jugés par l'Inquisition à Lisbonne, coloured etching, housed in a glazed gilt frame. Louis-Joseph Mondhare was a prolific Parisian engraver known for maps and perspectives. He published under the Chez Mondhare imprint from c. 1760 to 1784.32 x 48cm

Daniel King (died circa 1664), The South Prospect of the Cathedral Church of Bath, hand coloured etching, visible sheet 18.5 x 31cm, together with another by Johann Sebastian Mueller, This View of the Right Honourable Earl of Chesterfield's House near Hyde Park, hand coloured engraving, visible sheet 16 x 30.5cm (2)

Nicki Mcharg (Indian 1956-2000), The Maxwell House, coloured etching 10/50, signed and titled in pencil, framed. (plate 83cmx40cm)

Terry Pledge (British 1887-1992), Trafalgar Square London, drypoint etching, signed pencil bottom right, label verso, framed. (plate 19.5cmx24cm)

Sidney Tushingham (British 1884-1968), Rural Clifftop Town with men and donkeys, etching, signed pencil, framed (plate 26.5cmx32cm), Reprduction Rembrandt Self-Portrait with Saskia print, framed (12cmx10cm). (2)

A collection of loose works comprising, J Gheys, St John's Pend, Edinburgh, etching 10/70, The Royal Institution and Princess Street Edinburgh print, On The Tweet Inverleith, signed indistinctly and dated 1918 pencil, F.Robson Eastgate Chester print, The River Farm etching signed indistinctly pencil and a framed Samuel Hieronymus Grimm, Outside View of trh N.W. end of Eltham Hall, watercolour, signed and dated, etc. (alot)

Peter Partington (British 1941-), Otters, coloured etching 62/200, signed and titled in pencil, framed. (plate 12.5cmx16cm)

Andrew Watson Turnbull (1874-1957) A collection of three etchings comprising, Canongate Clock, Edinburgh, etching, signed pencil bottom right, framed. (plate 27.5cmx18cm), View from Carlton Hill overlooking Edinburgh, signed pencil bottom right, framed (plate 20cmx33cm) the other a View of Edinburgh Castle, signed pencil bottom right, framed (plate 19.5cmx33cm). (3)

William Walcot R.E (Russian/Scottish 1874-1943), Trafalgar Square, etching, signed pencil bottom right, framed. (plate 16cmx30cm)

Timothy John Greenwood (British 1947-), Grey Seal (Islay), etching, 14/100, signed and titled in pencil, framed. (19cmx21cm)

Alan Moore (Late 19thc / Early 20thc), The Grace Harwar off Gourock on the Clyde, drypoint etching, singed pencil bottom right, frame. (plate 16cmx37cm)

Wilfred Crawford Appleby (Scottish 1889-?),The British Linen Bank, etching, titled and signed in pencil, framed. (plate 22cmx22cm)

C.Bygrave (British, contemporary), "Tree in Sheringham Park", artist proof aquatint, signed and titled to plate margin, 44x32cm, framed and glazed.Plus, Glynn Thomas (b.1946), "Tuscan Hills", limited edition etching with aquatint, numbered 21/50, signed and titled in pencil, 9.5x7cm, framed and glazed (2)

Norman James, coastal city with minaret, etching 15.5 x 29cm pencil signed to margin, Lois. E. Freeman door montage, three watercolours (5).

Tom Carr (1912-1977)"Water!!"Signed, inscribed and numbered 44/75 etching with colour, 27cm by 36cm; together with a colour print of the racehorse Cotherston, Winner of the Derby Stakes at Epsom, 1843; various other sporting prints after Lionel Edwards, Robin Furness, Michael Lynne; two prints after Fred Lawson, a watercolour of Sheep on a rocky ledge signed M. Anderson etc.(qty)

Stanley Anderson RA, RE (1884-1966)Male traveller whittling and selling wooden pegs outside his caravanSigned in pencil and inscribed ED. 60, black and white etching, 17cm by 22cmOverall good condition