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A mixed lot To include: [a] British, 19th Century A pair of hunting scenes Oil on board [b] Charles Joseph Hullmandel (British, 1789-1850) The Aquaduct of Cairo Inscribed 'On Stone by J. C. Bourne from a Drawing by Rob. Hay Esq' (lower left), 'Printed by C Hullmandel' (lower centre), 'THE AQUADUCT OF CAIRO AND PART OF MASR-EL-ATEE KAH FROM THE ISLAND OF ER RODAH' (lower right) Inscribed and dated on glazing 'PRESENTED TO LORD SELSDON BY MEMBERS OF COMET 26 MARCH 1986' [c] Frank Harding (British, 1935-1990) Blackfriars Bridge Etching on paper Signed and titled lower margin [d] British 20th Century Near Barmouth, North Wales Watercolour on paper Signed 'Lee L' (?) lower left Inscribed 'near Barmouth, North Wales, 13' (verso) Property of a Lady To be sold without reserve Dimensions: [a] (Frame) 12 in. (H) x 29.75 in. (W) (Board) 9.25 in. (H) x 27 in. (W) [b] (Frame): 18 in. (H) x 25.5 in. (W) (Image): 10.5 in. (H) x 18.5 in. (W) [c] (Frame) 15 in. (H) x 22.25 in. (W) (Paper) 13 in. (H) x 20.25 in. (W) [d] (Frame) 16.5 in. (H) x 20.75 in. (W) (Paper) 9 in. (H) x 13.5 (W)

Pierre-Auguste Renoir (French, 1841-1919)Danse a la Campagnec.1890Soft ground etching, second plate Signed lower right, 'Renoir'Provenance:Ludwig SchamesDimensions:(Frame) 18 in. (H) x 14 in. (W)(Image) 8.5 in. (H) x 5.25 in. (W)

Bartolomeo Biscaino (Italian, 1632-1657) The Holy Family with the Young John the Baptist Etching on paper Published by Daman, (French, active 19th century) Property of a gentleman  Dimensions: (Frame) 16 in. (H) x 13 in. (W) (Paper) 10.25 in. (H) x 7.75 in. (W)

ARR AFTER DAVID HOCKNEY (b.1937) *ARRThe Enchantress in Her Garden, from illustrations for the six Fairy Tales from the Brothers Grimm, etching and aquatint, unsigned, inscribed G.M 6770 A.P. verso,31.5 x 30.5cm with margins. Unframed.

ARR AFTER JOHN BRUNSDEN (1933-2014) *ARR'Llansannan', etching and aquatint, No 124/150, signed and titled, bears 'Christie's Contemporary Art' label verso.37 x 43cm.

Victorian etching of old Weymouth town scene by William Pye

James Jacques Joseph Tissot (French 1836-1902) Etching ''Paris 1877'', signed. [Frame 60x47cm]

Fred SlocombeAntique Etching ''Bridge View'', dated 1886.[Frame 82x58cm]

After Leslie Ward, a trial proof etching 'The Old Cottage', framed

‡DAVID CARPANINI (b.1946) limited edition (3/20) etching - entitled verso, 'High Street, Abergwynfi' on Attic Gallery label, signed, 36 x 49cmsProvenance: private collection PembrokeshireComments: framed, glazed

‡ DAVID CARPANINI (b. 1946) limited edition (artist's proof) etching - entitled verso 'First Snow' on Attic Gallery label, signed, 32 x 23cmsProvenance: private collection Pembrokeshire

EDGAR HOLLOWAY (1914-2008) limited edition (29/50) etching and sandpaper aquatint - entitled, 'Self Portrait No.28', signed and dated verso 1998, 30 x 22cmsProvenance: private collection, consigned via our Mid-Wales officeComments: framed and glazed, ready to hang

Jenny Montigny (1875-1937): 'Hyde Park', etching, ed. 23/50, dated 1916Work: 29,5 x 19 cm Frame: 45 x 34 cm Signed and numbered in pencil in the lower left corner. Signed in the plate in the lower right corner.

Roger Raveel (1921-2013): 'Waarom', etching in colours, ed. E.A. VII/XV, [2002]Work: 10 x 10 cmPaper: 53,5 x 39,5 cmFrame: 87,5 x 68 cm

Roger Raveel (1921-2013): 'Kunstenaar en model', etching, ed. 19/100Work: 39,5 x 29,5 cm Paper: 79 x 56,5 cm

Floris Jespers (1889-1965): Three various still lifes, oil on panel and canvas, one dated (19)43, and an etching, ed. 48/10060 x 42,5 cm (the largest work) 49,5 x 40,5 cm (the smallest work)

Pablo Picasso (1881-1973, after): 'Raphael and the Fornarina. VIII: The pope enters with a sly smile', etching, ed. 11/50, [1968]Work: 20,5 x 15 cm Paper: ca. 34,5 x 28,5 cm Frame: 57 x 51 cm

Pierre Bonnard (French 1867-1947): 'Le Graveur', etching 20cm x 11.5cm

Stanley Anderson (British 1884-1966): 'Segovia', etching ltd. ed. signed in pencil, original title label verso 37cm x 30cmProvenance: with Alex A Haworth, Blackburn, label versoCondition Report: Good original condition, some on outer edges of the margin where it touches the mount

Arthur John Trevor Briscoe (British 1873-1943): 'Burning Off', limited edition etching signed and numbered 39/75, titled and dated '30 in plate 19cm x 29.5cm

Anton Rudolf Mauve (Dutch 1838-1888): Woodcutter, etching unsigned 21cm x 12cm

William Lionel Wyllie (British 1851-1931): 'Syracuse with Malta Behind', etching signed in pencil 16cm x 38cm

John Taylor Arms (American 1887-1953): 'Old Exe Bridge', etching signed in pencil 11.5cm x 16cm

Arthur John Trevor Briscoe (British 1873-1943): Oyster Dredging, limited edition etching signed and numbered 56, 12.5cm x 17cm

Tighe O'Donoghue (American 1942-2023): 'Echoing Green', etching with aquatint signed titled and numbered 28/30, 37cm x 45cm

2 etchings, both indistinctly signed in pencil, unframedTiger etching good conditionAbstract figures - significant stains on boarder image in good condition

Andre Masson, Dame Aux Soleil, etching 1967, signed in pencil, no. 37/50, on fine Japon paper, plate 26cm x 21cm, mountedA few tiny fox marks, generally in very good condition

Anthony Gross RA, The Mule Cart, etching, 1924, signed in pencil, plate 14.5cm x 26cm, framedLight foxing

Alan Kennedy, artist's proof etching, signed in pencil 1976, and another by Christopher Penny of Dryburgh Abbey, unframed (2)

E R Nele, Couple, coloured etching, signed in pencil, from an edition of 50 copies, sheet 50cm x 65cm, mountedGood condition

Charles A Montbard Loye (1841-1905), etching on Japan paper, Moonlit night, signed in the plate, 22cm x 17cm, mounted, glazed and framed

Hollar (Wenceslaus) Dobrá kočzka která nemlsá/ Dass ist eine gǔtte Khatz, die nicht nascht. (A good cat is not greedy), etching, on laid paper affixed onto card support, image 167 x 128 mm (6 1/2 x 5 in), trimmed within the platemark, small loss to the lower right corner, small hole within the lettering in the upper centre, some spotting and minor browning, unframed, [1646]Literature:Pennington 2109; New Hollstein 910

India.- Daniell (Thomas) N.W. View of Rotas Ghur, Bahar, from Oriental Scenery, etching and aquatint with hand-colouring, on Whatman wove paper with watermark date '1794', 475 x 605 mm (18 3/4 x 23 3/4 in), under glass, some minor toning and surface dirt, [Abbey Travel 420, no. 25], framed, 1796Provenance:Thomas Agnew & Sons, London***Rohtasgarh, Bihar, the fortress stands 900 feet above a sheer precipice with superb views of the surrounding plains of the Son river which flows north to the Ganges above Patna. 

India.- Daniell (Thomas) and William Daniell. View from the Ruins of the Fort of Currah, on the River Ganges, from Oriental Scenery, etching and aquatint with hand-colouring, on Whatman wove paper 455 x 600 mm (17 7/8 x 23 3/4 in), under glass, some minor toning and surface dirt, [Abbey Travel 420, no. 97], framed, 1803Provenance:Thomas Agnew & Sons, London

John Sell Cotman (1782-1842), 'Bromholm Priory', etching, plate XVI, dated 1872, 23.5x30cm, framed and glazed.

John Sell Cotman (1782-1842), 'North Wales' soft ground etching, no.21 in 'Liber Studiorum: A Series of Sketches and Studies' 1838 Bohn edition, together with 'Norwich Thorpe', no.18, 1834 (originally created 1805-14), 18x11cm, 14x12cm respectively, framed and glazed (2) From Christopher Glanville RWA collection.

HERBERT THOMAS DICKSEE RE (BRITISH 1862 - 1942), ETCHING 'OH FOR THE TOUCH OF A VANISHED HAND' etching on paper, framed and behind glass, mounted with lighter wood to the frame, and adorned with a bone plaque stating 'OH FOR THE TOUCH OF A VANISHED HAND', relating to the forlorn expression of the Irish Wolfhound, clutching a much loved owner's glove50cm x 82cm Overall, good condition for the age of the lot. A good amount of surface dust etc to the frame and glass. Bone plaque in good conditon, and framing appears to be sound.

A collection of oil paintings on board including two paintings of dogs, two of birds, a framed oil painting of a sunset lake scene, a comical scene, an etching of a dog, and a large engraved print of two puppies titled 'A Cricket on The Hearth' by F. Stacpoole, largest 47 x 37 cm. (8)

A collection of unsigned artworks and prints, including a large original watercolour of religious subject matter, several prints, an etching and a oil painting of flowers in a vase, largest measures 58.5 x 42 cm.(6)

A oblong photo frame with signed etching 6 inches high Birmingham 1924

JACK CARDIFF, OBE, chiaroscuro on German etching paper, Audrey Hepburn, Icons collection, signed and numbered 7/10, image 10" x 14", framed, with certificate of authenticityGood condition

Frank Vernon Martin (1921 - 2005)"Ann Pennington", a playful study of the 1920s starlet looking cheekily towards the viewer, drypoint etching, signed by artist in graphite, 32/40, in double card mount and contemporary ebonised frame under glass, 56 cm x 74 cm overall[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]

Robert Henry Smith (active 1906-1920), 'Battle of Jutland', etching, signed in pencil on the mount, 22 x 28cm.

Julian Trevelyan (British 1910-1988) Blue Oxen (1959) signed, titled and numbered '28/50' in pencil etching and aquatint plate 38 x 49 cm, framed and glazed 67 x 81 cmProvenance: With Bohun Gallery, Henley-on-Thames. Private collection, UK.Overall in fairly good condition. Sheet is slightly undulating in mount. There is some light mount staining visible to margins. Under glass and unexamined out of frame.

William Russell Flint (British 1880-1969), 'Saddlery of the Dordogne', drypoint etching, signed in ink by the artist, further inscribed on the mount possibly by a different hand, plate size 21 x 37.5cm.

Barry Owen Jones (British 1934-2018), 'Coquelicots', etching in colours, signed, inscribed and numbered 29/75 by the artist, plate size 24 x 14.5cm, along with 'Farm Cottages, Herm', etching in colours, signed, inscribed and numbered 35/75, plate size 12 x 31cm (2).

Barry Owen Jones (British 1934-2018), 'Castle Cornet at Night', etching, signed inscribed and numbered in pencil by the artist, plate size 21 x 44cm, along with 'Passe Percee' a coastal view, plate size 8.5 x 17.5cm also by Barry Owen Jones, and 'Old Guernsey Farmhouse', etching in colours, inscribed and indistinctly signed with initials, plate size 27 x 18.5cm (3).

Wilfred Fairclough (British 1907-1996), a chamber orchestra in the interior of San Giorgio Maggiore, etching, signed in pencil, plate size 25 x 28cm.

Graham Clarke (British b. 1941), 'Are They?', a Christmas Eve scene, etching and aquatint, inscribed and numbered by the artist, plate size 34 x 41cm, along with 'Journeyman' and 'Tom Tinker', etchings and aquatint, signed, inscribed and numbered, plate size 22.5 x 26.5cm (3).

William Walcot (British 1874-1943), 'Egyptian Palace', etching, signed in pencil, plate size 24 x 30cm.

John Brunsdon (British 1933-2014), 'Edale', etching in colour, signed, inscribed and numbered 271/350 by the artist in pencil, plate size 45 x 60cm, along with 'Dappled Horse in a Sunny Field', by Arthur Hackney (British 1925-2010), engraving, signed inscribed and numbered 28/50, plate size 30.5 x 29cm (2).

Robert Jacobsen (Danish, 1912-1993). Etching titled "Entre L'Arbre et le Mot" depicting an abstract composition of black, blue, and orange. With a poem of the same name by Jean Laude (French, 1922-1983). From "Paroles Peintes I" Paris: Editions O. Lazar-Vernet, 1962.(Print) Height: 15 1/4 in x width: 11 1/2 in.Condition: There are no rips, tears, losses, or restorations. Light wear along the edges. Some acidic burn along the interior of the poem where the print was nested. Not framed.

Salvador Dali (Spanish, 1904-1989). Etching on paper titled "St. George and the Dragon," 1947. Pencil signed and dated along the lower right margin. Ink stamped "Print Club of Cleveland" along the verso of the sheet. From an edition of 250 + 10 proofs. With a label from The Salvador Dali Society affixed to the verso of the frame.Reference: Field 15.Sight; height: 20 1/4 in x width: 13 in. Framed; height: 29 1/2 in x width: 22 1/4 in x depth: 2 1/2 in.Condition: The sheet is toned. There are no major tears, losses, or signs of restoration. Undulation to the sheet. Two minute areas of graphite transfer along the lower left margin, possibly original to the artistic process. Housed under a mat. Framed under plexiglass; light wear to the frame.

Signature of 18th President Ulysses S. Grant framed with an etching portrait of the President. The etching with "B.W. Smith N.Y." in print below bust. The ink signature on a sheet of paper with the heading "Head-Quarters Armies of the United States...186."(Signature, sight) height: 2 in x width: 4 in. (Etching, sight) height: 4 in x width: 3 1/2 in. (Framed) height: 9 1/2 in x width: 6 1/4 in x depth: 1/2 in.Condition: Thee are no visible tears, creases, losses, or repairs. Both sheets are housed under an acidic mat. Mat burn and toning to both. Framed under glass; light wear to the frame. Not inspected out of frame.

Joan Miro (Spanish (Catalan), 1893-1983). Etching with aquatint in colors on Arches paper titled "Georges Duthuit," 1976. Pencil signed along the lower right; numbered 18 H.C. / 75 along the lower left. This is an hors commerce impression aside from the standard edition of 100, published by Flammarion, Paris.Sight; height: 15 in x width: 22 in. Framed; height: 22 1/2 in x width: 31 in x depth: 1 1/2 in.Condition: The colors are bold and bright. The sheet is slightly toned. Light wear along the deckled edges, likely original to the artistic process. Four pieces of residual framer's tape affixed to the verso along the upper edge.

* ELYSE ASHE LORD (BRITISH 1900 - 1971), CHINESE limited edition hand coloured etching on paper, signed, titled and numbered 48/75mounted, framed and under glassimage size 30cm x 29cm, overall size 55cm x 47cm

AILEEN MARY ELLIOTT RMSA (BRITISH 1896 - 1966), JERUSALEM STREET limited edition etching on paper, signed and numbered 6/75mounted, framed and under glassimage size 31ccm x 21cm, overall size 53cm x 40cm

* SIR FRANK WILLIAM BRANGWYN RA RWS RBA (ANGLO-WELSH 1867 - 1956), THE TOW ROPE, BRUGES etching on paper, signed and inscribed 'no. 6', titled label versomounted, framed and under glass image size 55cm x 81cm, overall size 91cm x 116cm Label verso: Roger Billciffe Gallery, Glasgow

* ELYSE ASHE LORD (BRITISH 1900 - 1971), PHILOSOPHER limited edition colour etching on paper, signed and numbered 6/100, titled label versomounted, framed and under glassimage size 15cm x 14.5cm, overall size 38cm x 35cm Label verso: Cyril Gerber Fine Art, Glasgow

WLADYSLAW JAHL (POLISH 1886 - 1953), DON QUIXOTE etching on paper, signed and dated 1932mounted, framed and under glassimage size 18cm x 22cm, overall size 31cm x 41cm