We found 78681 price guide item(s) matching your search

"French Shop", etching, signed proof by David Hockney, no. 281 from an edition limited to 500, 1971.

A Scottish glen, mezzotint, signed proof, by Frank Short, after J.M.W. Turner, 1888; and a river bridge, etching, signed proof, by Oliver Hall. (2)

"Female nude and flowers", etching, signed proof by Douglas Portway, no. 28 from an edition limited to 50.

"Lynmouth, the Cottages", etching, signed proof by Walter H. Sweet; and two other etchings, various. (3)

A sailing smack, etching, and a Continental coastal scene, drypoint etching, indistinctly signed. (2)

"Angers", drypoint etching, signed proof, by D. Stuart.

"Bathing Place, Bordighera, Italy", etching, signed proof, by Martin Hardie, 1922, dedicated with inscription "To Malcolm Salaman".

"Whitley Sands, Northumberland", etching, signed proof, by George Horton.

Venice from the Lagoon, etching, signed proof, by W. Fairclough, 1981.

Salvador Dali - Three horses and riders in a landscape with mountains; hand-coloured etching, signed and numbered 250/400 in pencil, 56.3x44.8cm: Ronald Brooks Kitaj- Albyn or Scotland and the Future; lithograph, signed with initials and numbered 62/150 in pencil: together with a reproduction print after Helen Bradley, signed in pen, titled 'Hollinwood Market', 1972, (3), (unframed)

Jack Coutu - 'Jungle'; etching with drypoint, signed, dated '65, titled and numbered 9/60 in pencil, 38.5x60cm: Dolf Rieser- 'Tower of Babel'; etching with drypoint printed in pink, signed, titled and numbered 8/50 in pencil, 53x19.6cm., (2)

Graham Sutherland - 'Orpheus', no. 7 from 'Le Bestiare' by Apollinaire; etching with aquatint, signed and numbered 66/75 in pencil, 48.2x75.3cm.

Ernst Fuchs - Mythological figure with a reclining man; etching, signed in pencil, 40x31.5cm

Peter Blake, R.A. - 'So Alice picked hill up very gently; serigraph, signed and numbered 14/100 in pencil, 24.3x17.7cm: Ken Wishart- 'Clifford Loves You'; etching with aquatint, signed and numbered 41/75, 39.2x29.5cm., (2)

William Lionel Wyllie - Two fishing vessels and a steamship in choppy seas; etching, signed in pencil, bears Stacey Mark's framers label verso, 19x24.2cm

William Lionel Wyllie - The entrance to a busy harbour; etching, signed in pencil, 28.2x47.4cm

20th Century School c1980 - Abstract composition with astrological inspired symbols; etching with aquatint, signed and titled indistinctly, and inscribed A/P in pencil, 60.2x78.3cm

James Alphege Brewer - 'Leon Cathedral' after Henry C. Brewer; etching with spots of hand-colouring, signed twice and titled in pencil, 60.3x42.4cm

Attributed to Berthe Morisot - Fillette au Chat; etching with drypoint, 14.6x11.5cm

Samuel Palmer (1805-1881) 'THE SLEEPING SHEPHERD-EARLY MORNING' 1857 (Lister 6) An etching signed in the plate (?) and inscribed 5

William Lionel Wyllie R.A., R.W.S. (1851-1931) THE TOWER OF LONDON Etching, signed and inscribed in pencil, 25 x 25cm

William Lionel Wyllie R.A., R.W.S. (1851-1931) A DUTCH CANAL Etching, signed in pencil, 16 x 46cm

Dame Laura Knight (1877-1970) VIEW OF SPANISH DANCERS Etching and aquatint, signed in pencil, 29 x 24cm

Clyde from Old Kilpatrick, etching after W. DOUGLAS MACLEOD, signed, 23cm x 35cm.

Dutch Windmill, an etching After MATHEW HENDERSON, signed and inscribed, 15cm x 12cm.

Auld Brig, Ayr, an etching and a further etching of Arran After D.Y CAMERON. (2)

The Old Mill, an etching After G. BROUET, signed in pencil, 16cm x 20cm, an etching of a Bruges scene After A.H. HAIG and a further coloured engraving of an ornate archway. (3)

A 19th Century etching depicting figures promenading with classical buildings beyond, 28cm x 58cm.

Fontaine De L'Observatorie, an etching After J. Knight, signed, 18cm x 23cm.

Louis Icart (1888-1950), Hoopla (HCI 440), etching with aquatint and drypoint, 1935, signed in pencil, unexamined out of frame.

Louis Icart (1888-1950), Frolicking (HCI 117), etching with aquatint and drypoint, 1920, signed and indistinctly numbered 1/6 in pencil, unexamined out of frame

Louis Icart (1888-1950), Love's Blossom (HCI 465), etching with aquatint and drypoint, 1937, signed and indistinctly titled l.r. in pencil, unexamined out of frame

Louis Icart (1880-1950), Lassitude (HCI 185), etching and drypoint, circa 1923, signed, numbered '35/50' and entitled 'Lassitude' l.r. in pencil, unexamined out of frame

Louis Icart (1888-1950), Solitude (HCI 183), etching with drypoint, circa 1923, signed, numbered '25/50' and entitled 'Reverie' l.r. in pencil, unexamined out of frame

Louis Icart (1888-1950), In the Trenches (HCI 80), etching with aquatint and drypoint, circa 1917, signed and numbered 104/150 in pencil, inscribed 'Avant L'Attaque' in pencil l.r., unexamined out of frame

Louis Icart (1888-1950), Pals (HCI 118), etching with aquatint and drypoint, 1923, signed and inscribed 'artist proof 43' in pencil, unexamined out of frame

Louis Icart (1888-1950), Backstage (HCI 298), etching and drypoint, circa 1926, signed and numbered 19/50 in pencil, unexamined out of frame

Louis Icart (1888-1950), Girl in a pink dress holding flowers, etching with aquatint and drypoint, signed in pencil, unexamined out of frame

Louis Icart (1888-1950), Sleeping Cat (HCI 134), etching with aquatint and drypoint, circa 1922, signed and entitled 'La Femme au Chat' l.c. in pencil, unexamined out of frame

Louis Icart (1888-1950), Wounded Dove (HCI 386), etching with aquatint and drypoint, 1929, signed and numbered '223/500' in pencil, unexamined out of frame

After T E Neverson, pair of framed etchings 'Loch Lomond' and 'Loch Katrine', also an etching of St Paul's Cathedral from Watling Street (3)

Margaret Cane (20th century), Nude girl on a beach, etching, signed in pencil in margin, 22cm x 28cm, and a companion, a pair. (2).

Joseph Gray (1890 - 1962), Shepherd with flock in the Glen, etching, signed in pencil in margin, 17cm x 25cm.

F. Roth. (French school 20th century). Le Mont St Michaels, chromo dry point etching, signed in pencil , 21cm x 27cm.

French coloured etching, Revenge of the Dog, depicting a setter smoking a pipe and carrying a shotgun, leading a crawling hunter to the amusement of hares, signed and titled, 23cm x 32cm.

An etching by William S Coleman depicting a maiden playing a pipe, framed signed in the print WSC 30 x 17.5cm.

An etching on paper by William S Coleman depicting a female nude holding a fan, in a garden setting, framed artist monogram image 36 x 26cm.

An etching on paper by William S Coleman depicting a female nude smelling blossom, in a garden setting, framed artist signature image 36 x 25cm.

Graham Jones, Hippolyta, pastel, 38.5 x 36 cm, Derek Wilkinson, Landscape, limited edition etching and aquatint, signed and dated 1972 lower right, inscribed with title and 15/20 lower left, p. 22 x 30 cm, and Jack Cox, Beach with fishermen at daybreak, watercolour, signed lower right, 25.5 x 28 cm

George Vernon Stokes (1873-1954), A pair of terriers at the water's edge, hand coloured etching, signed within the plate lower left, signed in pencil within the margin lower centre, numbered 70/75 lower left, p. 24 x 29 cm

Sir Alfred East (1849-1913), A Pult*** River, etching, signed in pencil within the margin lower right, inscribed indistinctly with title upper left, inscribed With Sir Alfred and Lady East lower left, p. 23.5 x 17.5 cm and Ellis St. John, Millons Point from Old Railway Guards, limited edition etching, signed in pencil within the margin lower right, inscribed with title and numbered 16/75 lower left, p. 17 x 23 cm, unframed

Benjamin Williams Leader (1831-1923), Mount Channing, hand coloured engraving, signed in pencil within the margin lower left, inscribed indistinctly with title lower right, s. 47 x 74.5 cm, Henry W. Botley, A Sussex Pastoral, etching, p. 43 x 74, and another hand coloured etching

James Abbott McNeill Whistler (1834-1903), Study of a woman in regional dress, etching, signed within the plate lower left, inscribed Imp. Delatre Rue St. Jaques 171 within the plate lower centre, p. 12.5 x 9 cm

Dutch School, The Treaty of Breda, etching, s. 40 x 55 cm, unframed, and a quantity of unframed prints

English School, Meriana flore rubello: a botannical study; Lilio-Gladiolus; a botannical study, each hand coloured etching, each p. 39.5 x 25 cm, each bears label verso for The Parker Gallery, 2 Albermarle Street

Stanley Dud*** (20th century), Durer's House, Nurenberg, etching, signed in pencil within the margin lower centre right, inscribed Ed: 85 lower left, p. 30.5 x 23.5 cm, unframed

Alphonse Legros (1837-1911), Chateau des Revenants, etching, signed in pencil within the margin lower right, inscribed 500 lower left, p. 17 x 23 cm, and Auguste Louis Lepere (1849-1918), A Summer's afternoon, lithograph, signed and dated Paris 1901 within the plate lower left, s. 30 x 43 cm

Le Bas after David Teniers, L'Arc en Ciel, Second Vue de Flandres, etching, p. 30 x 37.5 cm and two unframed prints

Norman Stevens (1937-1988), Path, etching, signed and dated 80 lower right, inscribed with title lower centre, inscribed Colour Proof lower left, p. 7.5 x 7.5 cm, English School (20th century), Still life with a pomegranate, oil on board, indistinctly signed lower right, 17 x 21.5 cm, John Macallan Swan, Little fox and prey, pencil, 8.5 x 10 cm, and Iola Stafford, Oldham, pen, ink and watercolour, 29 x 52 cm

Norman Stevens (1937-1988), The Stilt Garden, Hidcote; The Fox, Knighthayes; The Egyptian Garden, Buddulph Grange, each lithograph and etching, each signed and dated 1981 and 1982 lower right, each inscribed with title lower centre and Artist's Proof lower left, each p. 37 x 52.5 cm (please also see lot 328)