We found 78389 price guide item(s) matching your search

WILLIAM LIONEL WYLLIE, RA (1851-1931) LONDON BRIDGE AND ADELAIDE BUILDING Etching with drypoint, signed in pencil, original printed label on new backboard 20 x 40cm. ++ Faint matt burn at left edge of image. Slight rubbing along platemark at lower edge. A little bloom. Not laid down. Signature fine.

HEDLEY FITTON (1857-1929) RUE BARBETTE, ORLEANS (?) Etching, signed in pencil 35 x 19.5cm. with three etchings by FREDA MARSTON ('Snowdon'); AXEL H. HAIG (Wedding in Church Interior); and SYDNEY TUSHINGHAM (London Square), each signed, various sizes. (4) ++ Each with slight light staining. Original.

HESTER, G, after Noble, J.S, 'Sympathy', etching of two hounds, 1889, framed, 38cm x 45cm

Commonplace book relating to a wide variety of subjects including recipes and general information, manuscript, in several hands, a few entries in German, c. 573pp. (including 7pp. of index), pen and ink illustrations of machines and industrial processes (including a churning machine), slightly browned, original half calf, corners bumped, spine repaired, 8th February 1787-23rd February 1834. ***Includes: "Origin of Honey Moon Bells"; "Making up Gin"; "A treatise of Dyeing Turkey Red"; preserving meat; "Martello Towers"; "Suicides"; "Livery Servants not entitled to keep their Clothes"; "Change of Climate"; "Method of Etching in Aqua Tinta"; "Excellent Tooth Tincture"; "Receipt for a Sore Throat"; "Method of preventing Vomiting in a Carriage or on the Sea"; "Profits of London Filth"; "A Cheap & Efficient method for destroying Rats and Mice"; "Receipt for making of Potted Cheese"; "Chemical Explosions"; "A Cure of the Yellow Fever"; "Political measures in England 1833-4"; "The Game of Papillon or Butterfly"; "A machine for washing goods"; "To make Scotch Bread"; "Opium Tincture"; "Experiments on the sugar extracted from the Beet Root"; "A Baltimore Clipper rapid sailing"; "Crossing Turnpike Roads"; "Observations containd in a Work titled Travels in Africa, Egypt & Syria... by W.G. Browne"; "Corn Law Tricks."

FRANK PATON, 1856-1909, ETCHING, ENTITLED MERRY CHRISTMAS, DEPICTING KITTENS IN A BASKET, with humorous seasonal designs in the margin, signed in pencil, approximately 8 1/4 ins x 10 1/4 ins, framed and glazed.

"Coursing II", colour drypoint etching, signed proof by Louis Icart, 25in. x 16in. (40.5 x 66cm), numbered 446 from an edition of 500 with artist's blindstamp, Paris 1929.

A solicitor's office, etching, signed proof by James Dobie after William Dendy Sadler, published 1894; and a similar signed proof etching after William Dendy Sadler, 1889. (2)

Farriers shoeing a horse, etching, signed proof by Abel Mignon after E. Meissonier, published 1899; and another signed proof etching after Meissonier, 1891. (2)

"Montparnasse - Moderne", limited edition, colour etching, signed proof by Frank Martin; and "Wentworth Street, London E1 - evening", limited edition, colour photolithograph, signed proof after John Allin. (2)

A fisherboy on a beach, etching by Otto Leyde; and three other etchings. (4)

"Woodcock Shooting", etching with hand colouring, published by Ackermann, 1810; a humorous equestrian scene, colour woodcut c.1870. (2)

"Salmon Fishing" - colour etching, signed proof by Henry Wilkinson, numbered 13 from an edition of 250.

"Trout Fishing", colour etching, signed proof by Henry Wilkinson, numbered 19 from an edition limited to 250.

"Evening in Berkeley Square", etching, signed proof by Joy Girvin, number 5 form an edition of 15, 1986.

A gypsy's horse, etching, by John Atkinson.

"The cornfield", etching, signed proof by John Atkinson.

Two horses in a stable, etching, signed proof by John Atkinson.

"Yorkshire farmyard", etching, signed proof by John Atkinson.

A boy and two draught horses on a coastal path at sunset, colour etching, signed proof by Joseph Kirkpatrick.

Military aeroplanes on a World War I airfield, etching, signed proof by W. L. Wyllie, unframed.

"On South Shields Bents", etching, signed proof by George Horton.

"On South Shields Sands looking to Tynemouth", etching, signed proof by George Horton.

Boats in a harbour, drypoint etching, signed proof by Roland Langmaid.

"Golden Cockerel", colour etching, signed proof by Rosamund C. Jones, unframed.

Italian washerwomen at a shore with a castle in the distance; and another landscape etching, signed proofs by Percival Gaskell, unframed. (2)

An old city gate, York, etching, signed proof by Albany E. Howard; and figures leaving a cathedral, etching, signed proof by Axel H. Haig, 1919, unframed. (2)

JUDSON, L, 'The Twelve Pins of Connemark', pastel on paper, signed lower right and dated 1981, verso, 35cm x 55cm, a landscape watercolour and an etching (3)

BANWELL,A, 'Feathers Hotel, Ludlow', coloured etching, signed in pencil lower right, 30cm x 22cm, and another, 'Rowley's Mansion, Shrewsbury', 30cm x 22cm (2)

Uncoloured Etching, Tintern Abbey, indistinctly signed, 6" x 4", and a French Print, "Le Collecteur D'Estampes", 8" x 6". (2).

Peter Partington, "Hare". Uncoloured etching, No: 14 of 75. 8" x 6".

De Herain, "Le Berger Griffe au chapeau". Limited Edition uncoloured etching No: 6 of 75. 21.5" x 16".

Minoo Asaadic, 'The White House' and 'Our House at Night', two lithographs, 22 x 22cm (8 1/2 x 8 1/2in) and Gareth Jones, 'Welsh Hills' etching, signed and inscribed in margin, 34 x 41cm (13 x 16in)

Pre-History.- Alix (Pierre-Michel) [The Magic Lantern], a pair of young lovers (?Cupid and Psyche) are shown a projected image of themselves, colour etching and aquatint printed in red, blue and black after J.F.Schall, image 270 x 340mm., trimmed close, framed and glazed, 1790s.

-. Woodward (George Moutard) A New Phantasmagoria for John Bull!!, Napoleon projects an image of peace from a magic lantern, etching, 270 x 320mm., trimmed close at top, [B.M.Satires Cat.10366], Ackermann, 1805 ~ [Doyle (John)] Political Showbox, a peep-show operated by the Duke of Wellington, lithograph, 280 x 365mm., light spotting, McLean, 1840 (2).

Alken (Samuel) The Married Man, after H. Wigstead, showing a seated husband, wine glass in hand, surrounded by his doting family, etching with aquatint, in original hand-colouring, with an aquatint border and a wash border, 306 x 370mm., unexamined out of frame, trimmed just ouside wash border, some very slight creasing, framed and glazed, H. Brookes, 1786.

-. Monnoyer (Jean Baptiste) [Basket of Flowers], including full blown tulip, jasmin and honeysuckle falling on a plinth, etching and engraving, 500 x 425mm., unexamined out of frame, slight surface dirt, trimmed inside platemark along bottom and right edges, several tears into platemark, a few small losses affecting image, minor dampstain top left, framed and glazed, [Paris], c.1660-80.

Newnham (George Simon, Viscount Harcourt) [Classical Landscape] after Francesco Millet, dedicated to William Whitehead, etching, 415 x 537mm., surface dust, a few light surface creases, reduced margins, well outside plate mark, a few short tears at sheet edges, by the engraver, 1762 ~ Major (Thomas) The Sand Hill; The Gravel Pits, after David Teniers, two engravings, each 225 x 275mm., surface dust, one plate with damp stain and crease, both marginal, 1751 ~ Turner (J.M.W.) 28 plates of British coastal scenes, classical landscapes and Swiss and Italian views by various engravers, steel engravings, each c.250 x 250mm., generally good condition, one plate with marginal damp stain, various issues, [Virtue c.1870]; with two others (33).

Woollett (William) The Death of General Wolfe, after B. West, etching and engraving, 478 x 614mm., unexamined out of frame, frame obscuring top and side platemarks, a few dampstains affecting title, slight spotting, framed and glazed, Woollett, Boydell and Ryland, 1776.

Bartolozzi (Francesco) [Four Figure Studies and One Landscape], 5 plates from Eighty-Two Prints Engraved by Bartolozzi &c. from the Original Drawings of Guercino, etchings, various sizes, 290 x 400mm. to 250 x 180 mm., printed in sepia, unexamined out of frames, slight spotting, framed and glazed, [J & J.Boydell, c.1800] ~ Earlom (Richard) [Figures on Horseback in Wooded Setting], after Claude Lorrain, etching, printed in sepia, with plate tone, 205 x 255mm., surface dirt, framed and glazed, John Boydell, 1774 (6).

Hackert (Jacob Philippe) Sophora, sub-titled Sophora Japonica au Jardin Anglais a Caserte, depicting a reclining youth studying geometry, beside a sleeping dog under the huge, old tree of the title, etching, by the artist, 480 x 365mm., trimmed on, or just within, the platemark on three sides, narrow margin on the left side, slight spotting and browning, light surface dirt, a faint damp stain at the top, Naples, by the artist, 1801.

Martin (John) The Crucifixion, mezzotint with etching, 555 x 780mm., marginal surface dust, a few minor surface defects, [Campbell, C.W.91], F.G. Moon, 1834 ~ Kelly (Thomas) publisher. Truly This Was The Son of God, proof, before artist's name but with title, mixed-method engraving, 510 x 680mm., minor marginal surface dirt and abrasions, mid 19th century (2).

Dali (Salvador) [Figure on Horseback], colour-printed etching, finished by hand, heightened with gold, 395 x 295mm., signed in pencil, lower right, numbered 167/250, lower left, with full margins, framed and glazed, c.1970s.

Picasso (Pablo) Taureau et Cheval, from Balzac's Le Chef d'Oeuvre Inconnu, etching, 195 x 275mm., unexamined out of frame, signed in ink, lower right, numbered 78/99, lower left, both slightly faded, light spotting, mounted well outside platemark, backboard bears the label of The Zwemmer Gallery, [Bloch 84; Geiser 125], framed, 1927.

-. Haig (Axel Hermann, R.E.) [A Cairo Street Scene], original hand-coloured etching with drypoint, 635 x 420mm., signed in pencil, lower right, artist's monogram and date in the plate, laid down, even browning over image, some spotting and a few small surface abrasions, minor defects at edges of wide margins, 1891.

-. Vasi (Giuseppe) Prospetto dell'Alma Citta di Roma, Visto dal Monte Gianicolo, in 11 of 12 sheets, only, unjoined, lacking lower plate 5 but supplied with a high quality facsimile on closely matching paper, etching with engraving, the six upper plates, depicting the main vista, each c.680 x 440mm., the six lower plates, bearing the title tablet, with dedication and date, also the key and some foreground detail, each c.335 x 445mm., the whole image approximately 1010 x 2600mm., if joined, a very good, richly inked, impression, occasional light surface dust and a few minor handling creases, a marginal tear to one plate, not affecting the image, a minor surface loss to one lower plate, Rome, 1765. *** This breath-taking panorama, from St Peter's to the Acqua Paola, is effectively a vertically compressed plan-view, of the type devised by Tempesta in the late 16th century, allowing the artist a certain license to emphasise buildings and monuments which would not otherwise be so obvious from the identifiable viewpoint in the gardens of the Palazzo Corsini, the residence of Vasi's early patron, Cardinal Neri Corsini.

-. Melling (Antoine Ignace) Vue ... du vallon de Buyuk-dere, from Le Voyage Pittoresque de Constantinople, etching and engraving by Schroeder, 480 x 685mm., on 2 sheets joined, a few slight defects at central join, [Paris] c.1810; with 5 mixed views of Constantinople, by or after Lebreton, Schranz and others, lithographs, one with hand-colouring, various sizes and conditions, damp-staining and occasional spotting, 19th century (6).

After Whistler "Old Putney Bridge" unframed etching, also another unframed print (2)

Norman A.W. Lindsay, Australian 1879-1969 Theatrical Seated Nude Lady holding a string of beads, Etching, 14 x 12.5cm

After J.C. MACMASTER, Loch Lomond and Loch Katrine, a pair of etchings signed in pencil in the margin, 13cm x 22cm and a further etching after A.H. GEYER of Stirling Castle. (3)

After CHRIS J. FERGUSON, The Old Bridge, Dumfries, an etching, signed in pencil in the margin, 19cm x 13cm.

After NORMAN WILKINSON, The Fishermen, an etching, signed in pencil in the margin, 23cm x 31cm.

After J.C. MOODIE, The Canal, an etching, signed in pencil in the margin and a further etching intitled 'Wet Sand'. (2)

After JAMES CADZOW, Dunsinane Woods, an etching and three further etchings, one of a lady and two of fishing boats. (4)

After MONICA HALL, Fishing boat and coastal scene, signed etching, and a framed colour print. (2)

After JOHN G. MATHESON, The Tummel Valley, dry-point etching, signed, 30cm x 22cm.

After MICHAEL FAIRCLOUGH, Ailsa Craig, a coloured etching aquatint, 48cm x 50cm.

JOHN BOWLES (PUBLISHER) THE ROYAL PALACE OF WINDSOR Etching, with hand colouring, trimmed and with part of title affixed to backboard 21.5 x 38.5cm.; with a coloured aquatint of 'Interno della Metropolitana di Sienna' by Eckerlin after Gilio, 44.5 x 33cm., margins dampstained; and a colour stipple portrait of Napoleon by Bartolozzi after Appiani, 33 x 28.5cm., fair. (3)

AFTER JAMES ABBOTT McNEILL WHISTLER (1834-1903) FULHAM Heliogravure, the original etching published 1879, unexamined out of frame 13 x 20cm. ++ Some light staining.

ANTON PIECK (1895-1987) PEACOCKS Etching printed in sepia, with plate tone, 1920, signed, inscribed and numbered 11/80 (?), unframed Image 76 x 59.25cm. ++ Light staining. 1.5cm tear extending into image lower right corner.

WILLIAM LIONEL WYLLIE, RA (1851-1931) PASS AT GLENCOE Etching with aquatint, signed in pencil, titled and numbered 23/100 by another hand, the full sheet, unframed 24 x 34.5cm. ++ A few small marks in the margin. Image good.