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AFTER JOHN BRUNSDON "Farm", limited edition coloured etching No'd 16/100, signed, titled and No'd in pencil to the lower margin, 25 cm x 32 cm together with AFTER JOHN BRUNSDON "Mullion Cove" limited edition coloured engraving No'd 1/50, signed, titled and No'd in pencil to the lower margin, 35.5 cm x 50 cm and AFTER JOHN BRUNSDON "View from the Campanile" limited edition coloured engraving No'd 65/150, signed, titled and No'd in pencil to the lower margin, 78 cm x 56 cm

AFTER JOHN BRUNSDON "Pastoral scene" limited edition colour print No'd 106/150, signed, titled and No'd to the lower margin, 43 cm x 49 cm together with AFTER JOHN BRUNSDON "Tangled grasses", colour etching, artist's proof No'd 1/15, signed, titled and No'd in pencil to the lower margin, 78 cm x 54.5 cm (2) CONDITION REPORTS "Pastoral scene" the mounts have some cuts to the edge of the corners presumably where cut when being made. There is a bit of damage to the frame. The print itself however has general wear and tear conducive with age and use. "Tangled grasses" print has general wear and tear, there is a small mark right at the very bottom. Frame has some gapping and knocks etc - see images for more details

AFTER AUGUSTUS JOHN (1878-1961) “Lucy” a portrait study, head and shoulders, black and white etching, signed in pencil lower right, inscribed on “William Weston Gallery” label verso - from the only edition of 25 impressions circa 1904-1905”, 15.5 cm x 12.5 cm

Fine Print of the Year: An Annual Review of Contemporary Etching and Engraving 1923-1928, 4to, Halton & Truscott, Smith Ltd; together with an almost complete run of The Print Collectors Quarterly, from 1921 to 1935; The Print Collector Quarterly Complete Index 1911-1950; and Print Quarterly December 1995, one box.

A selection of hardback books relating to etching, titles including: Salaman (Malcolm C.), The Etchings of Sir Francis Seymour Hayden, folio, quarter calf, Halton and Truscott Smith Ltd., 1923; Black (Jonathan), C. R. W. Nevinson: The Complete Prints, large 4to., cloth, Lund Humphries, 2014; Dodgson (Campbell), A Catalogue of Etchings by Augustus John 1901-1914, large 4to., cloth, Charles Chenil and Co., Ltd., 1920; Hardie (Martin), The Etched Work of W. Lee-Hankey R.E. from 1904-1920, large 4to., cloth, limited edition no. 122/350, L. H. Lefevre & Son, n.d.; and others. (8)

Frantisek Burant (1924-2001) 'Three figures', etching, numbered 10/20, signed in pencil lower right, 31cm x 31cm Provenance: From the collection of Professor John Chambers. Minimal display wear and minor marks/scuffs to the frame. Otherwise seems ok.

Bernard Kay (1927-2021)'Interior at Poitiers', trial proof, etching and aquatint, signed to the lower right, unframed, 34cm x 48.5cm; together with copper plate for the print, 34.5cm x 49cm and Épreuve d'artiste (Artist's proof), signed and dated '54 to the lower right, 47.5cm x 55cm, with corresponding copper plate, 33.5cm x 31.5cm (4) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Michael Rees (b.1962)'Fisherman's family', crayon sketch, dated 89, signed in pencil lower left, 13cm x 22cm, another by the same artist 'Study of a figure', watercolour, dated 1996, signed in pencil lower left, 21cm x 15cm and one other also by the same artist 'Man against blue', etching and aquatint, dated 99, signed in pencil lower left, 16.5cm x 22cm (3) Provenance: From the collection of Professor John Chambers. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Robin Tanner (1904-1988)'White Violets', etching, numbered 149/150 and signed 'Robin Tanner fec et imp.' to the margin, 14cm x 11cm Print is slightly cockled.

Stanley William Hayter (1901-1988)'Le Couple', etching, limited edition 9/200, signed and dated '52 to the lower right of the margin, with 'ARC' watermark, 56cm x 38cm overall Unidentifiable foreign objects behind the glass. Fabric mount with time/UV fade. Frame with signs of wear consistent with age and use.

James Lewis-Stant (1905-1964) 'The Streets of Saint Ives', a folio of six etchings produced by the artist in 1952, this being number ten in the edition of fifty, titled 'Fish Street', 'Barnoon Hill', 'From the Slipway', 'Bethesda Hill', 'Porthmeor Square', 'The Oldest House', unframed, each etching signed in pencil, 23cm x 18cm (6) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Robin Tanner (1904-1988)'Weeds', etching, circa 1987, monogrammed to the lower middle of the margin, 17cm x 14.5cm Glass with some inclusions. Glass and frame with some signs of wear consistent with age and use.

Bernard Kay (1927-2021)'Stonehenge', etching and aquatint, proof, signed in pencil lower right, unframed, 46.5cm x 58cm; together with corresponding copper plate, 33cm x 46cm (2) With overall wear, marks, signs this has not been framed. Wear to the edge could easily be concealed when framed. Slight discolouration/dirt in places, otherwise seems ok. Plate with signs of wear consistent with age and use, as expected. Plate with areas of discolouration.

Bernard Kay (1927-2021) various nude pencil studies, on tinted ingres paper, within a spiral bound sketch book, the first study dated 18.12.60; together with 'Chartres', etching and aquatint, artist's proof, signed to the lower right, with personal message 'For Dear Mam, All good wishes for Christmas & New Year with love ever - Bernard', 12.5cm x 9cm; an abstract etching, signed and dated '54 to the lower right, with personal message 'To My Dear Mam + Dad, With Love and Best Wishes for Christmas and The New Year. Bernard. PARIS. 14.12.54.'; a pencil study of Stonehenge, unsigned, 20.5cm x 25.5cm; a pencil and pen study of a church interior, unsigned, 21cm x 30cm and a watercolour study of various figures, unsigned (6) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Attributed to Eszter Gyory (b.1942) 'Outlaw world', etching and aquatint, numbered 75/200, signed in pencil lower right, 27.5cm x 23cm At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Susie Perring (Contemporary) 'Tapas', etching and aquatint, numbered 65/120, signed in pencil lower right, 44cm x 43cmProvenance: With 'The Wiseman Gallery, 40-41 South Parade, Summertown, Oxford' receipt, dated 10/04/01. Minor display wear and scuffs to the frame. Some foreign objects under the glass over the mount in places. The etching itself appears ok.

Jan Montyn (1924-2015) 'Blue abstract', etching and aquatint, signed and dated in pencil lower right, 11.5cm x 36cm Minimal display wear, marks and some scratches to the frame. Minimal wear and folds to the edges of the paper itself, otherwise seems ok.

Bernard Kay (1927-2021)'Malvern College', etching and aquatint, artist's proof, signed to the lower right, unframed, 30cm x 60cm; together with matching copper plate, 30.5cm x 61cm and a further copper plate, circa 1950s, 33.5cm x 47cm (3) Print with creasing outside the plate. Has been written on in pencil outside the plate by a separate hand to Kay's. Copper plates with signs of wear consistent with age and use as expected. Copper plates with areas of staining.

Paul Drury (1904-1987)'September', etching, signed to the lower right of the margin, 12.5cm x 15cm Print is slightly cockled.

After Augustus John (1878-1961) 'Self Portrait, 1906', etching, unsigned, 21cm x 18cmProvenance: Russell Barnes Esq, with 'Liss Fine Art' label to the reverse. Literature: Campbell Dodgson, Catalogue Raisonne, No 9. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Bernard Kay (1927-2021)'Stonehenge', etching and aquatint, proof, signed in pencil lower right, unframed, 46cm x 57.5cm and a collection of smaller studies by the same artist, also unframed (6) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

REMBRANDT HARMENSZOON VAN RIJN (DUTCH 1606-1669) THE THREE TREES (B., HOLL. 212; NEW HOLL. 214; H. 205), 1643 etching with engraving and drypoint, on laid paper, watermark Foolscap with five-pointed Collar (Hinterding A-a-a), New Hollstein's only state, a brilliant, early impression of this highly important subject, printing very richly and darkly, with intense contrasts and bright highlights, the burr and sulphur tinting in the sky very pronounced, with small margins the sheet 21.8cm x 28.3cm (8 ½in x 11in) Christiaan Josi (1768-1828), Amsterdam and London (see Lugt 573, without mark); his posthumous sale, Christie's, London, 18-21 March 1829, lot 83 'Most Brilliant Impression' (£12; to Seguier)William Seguier (1771-1843), London (Lugt 2277), acquired at the above sale, with his pencil signature verso; his posthumous sale, Christie's, London, 29 April - 3 May 1844, lot 431 (£23-12-6; to Hawkins)John Heywood Hawkins (1803-1877), London and Bignor Park, Sussex, his purchase price inscribed in Greek letters (see Lugt 3023); acquired at the above saleProbably with Colnaghi & Co., London; acquired from the aboveWalter Francis Duke of Buccleuch (1806-1884), London and Dalkeith, Scotland (Lugt 402); probably acquired from the above, with his collection ink mark verso; his posthumous sale, Christie's, London, 19-22 April 1887, lot 1954 ('from the Seguier and Hawkins Collections') (£165; to Meder)With Louis Gerhard Meder (1848-1924) (of Amsler & Ruthardt), Berlin; presumably acquired on behalf of the belowSammlung der Königlichen Museen, Berlin, dated 1887 (Lugt 1610); presumably acquired from the above; with their de-accession stamp verso (Lugt 2482); their sale, Amsler & Ruthardt, Berlin, 6 March 1899 (and following days), lot 1600 ('Die Gewitterlandschaft mit den drei Bäumen. S. 212. Des Meisters Hauptblatt unter den Landschaften; das prachtvolle Exemplar der Sammlung Buccleuch, auf Schellenkappenpapier und mit 3 mm Rand ringsum. Exemplare von der Schönheit und vortrefflichen Erhaltung des vorliegenden sind von höchster Seltenheit und Kostbarkeit.')Dr Julius Elischer von Thurzóbánya (1846-1909), Budapest (Lugt 824, stamped twice); probably acquired at the above saleWith Kennedy Galleries, New York, with their stock number a48042 in pencil versoRobert Woods Bliss (1875-1962) and Mildred Barnes Bliss (1879–1969), Dumbarton Oaks, Washington, D.C. (Lugt 2004a); presumably acquired from the aboveDumbarton Oaks Research Library and Collection, Washington D.C; presumably part of the donation from the aboveWith R. M. Light & Co., Santa Barbara, CaliforniaPrivate Collection, acquired from the above on 31 January 1980; then by descentChristie's London, Old Master Prints, 9 December 2021, lot 126Acquired from the above by Hugo Burge Literature: Bartsch, Hollstein 212; New Hollstein 214; Hind 205Cynthia P. Schneider, Rembrandt’s Landscapes – Drawings and Prints, National Gallery of Art, Washington, D.C. (exh. cat.), 1990, no. 75, pp. 240-42 (another impression illustrated)Erik Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Fondation Custodia, Paris, 2008, no. 167, pp. 390-93 (another impression illustrated)Nicholas Stogdon, A Descriptive Catalogue of the Etchings by Rembrandt in a Private Collection, Switzerland, privately printed, 2011, no. 93, pp. 158-9 (another impression illustrated)The Three Trees is Rembrandt’s largest and most elaborate landscape etching and is considered a masterpiece within his oeuvre.  

PHIL GREENWOOD (WELSH B.1943) DUSK LIGHT etching and aquatint, 70/75, signed and inscribed with title and dated '72 to margin 39.5cm x 48cm (15 ½in x 18 ¾in)

SIR DAVID MUIRHEAD BONE HRSA HRWS (Scottish 1876-1953) Autumn Evening Lowestoft 1934 Etching, pencil signed lower right and signed to the plate, 20cm x 32cm, frame 43cm x 53cm.  Label verso 'The Fine Art Society'.

Coloured etching of a German Tavern 63x50cm

Y PABLO PICASSO (1881-1973)La Magie Quotidienne, signed in pencil in the margin lower right, edition HC 4/5, etching, 9" x 12 1/2" (PL), framed and glazed (Illustrated) (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Good condition

AN 1822 PATTERN INFANTRY OFFICER'S SWORD with 32" curved and pipe backed blade, remnants of etching including George IV cypher, brass hilt, shagreen grip and leather scabbard with brass mounts inscribed "GILPIN & CO. NORTHUMBERLAND ST. LONDON", 38 1/8" long (Est. plus 24% premium inc. VAT)Condition Report: Some oxidation to blade and wear to etching. Flattening to hand guard and wear to scabbard foot where it has been dragged during active use. Scabbard flexible but not bent.

Y GRAHAM CLARKE (b.1941)"Ye Faithful", triptych, signed, inscribed with title and numbered 318/400, etching, 10" x 23" (SH), framed and glazed (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Good condition

Eileen Soper (British 1905-1990) Children on swings. An etching, pencil signed to margin. 19 x 24cm. S.Fletcher label verso

Claude Rowbotham, signed aquatint, river estuary scene at sunset, unframed together with a Robert Linnell Armitage etching ' Old Saxon Mill, Warwick ', a Continental oil on canvas laid to board , figures in a landscape , indistinctly inscribed and dated 1909, 22cm x 29cm, and a coloured print of a lime cement factory on the Thames

James A. Brewer, etching of Tower Bridge, signed in pencil by the artist, 15 x 20cm

Framed etching of a male figure study, indistinctly, signed and inscribed, 29 x 23cm

Francis Kelly, Limited Edition signed etching, ' Games ' 4/50, 24 x13cm

John Brunsdon ARCA (1933-2014) Etching and aquatint 'Hydrangea' artist's proof no. 5/8, titled and signed in pencil to margin, image measures 30cm x 22.5cm, framed and glazed

Robin Tanner (British, 1904-1988) Etching "The Old Road: Elegy for the English Elm I", signed in pencil within margin, framed and glazed, mount aperture 32cm x 25cm

WILLIAM WYLLIE - an etching of sailing boats off The Solent - signed in pencil by the Artist to the mount - 9cm x 34cm

Louis Icart (1888-1950), an early 20th century etching with aquatint titled 'Fair Model', signed to the lower right with a blind stamp in a glazed frame. H.70.5 W.45.5cm

Philip Bawden pencil signed etching 'Boredom' 1 /40

Kenneth Bess, various sketches and an autograph book containing sketches, a quantity of watercolour and ink postcards and a pencil signed etching

Morgan Walker R.A.(British, 20th century), 'Missing Espresso Roma', limited edition etching, numbered 3/25, titled, signed and dated '97 in pencil, 26x37cm, framed and glazed.

Morgan Walker RA (British, 20th century), 'Imaginary Dog', limited edition etching, numbered 8/50, titled, signed and dated 1997 in the plate margin, 37x30.5cm, framed and glazed

Philips Fruytiers (1610-1666), Portrait of Jacob Edelheer, three quarter length, a view of Castle Sterckshof in the background, etching and engraving laid on card, circa 1650, 34x48cm and Claude Mellan (1598-1688), H. Bernardus kneeling before a cross, engraving (left side laid on card), 30x45cm (engraving), 39x56cm, unframed.

After William Lionel Wyllie (1851-1931), etching, ‘Battle of Trafalgar’, unsigned, 48 x 78cm, published by the Art Union 1905. Condition - fair

A COLLECTION OF LATER 20TH CENTURY PICTURES, to include watercolours of Steam Locomotives by Peter Annabele, P.O. Jones and J.B. Thorne, a watercolour of a Morgan Plus 6 sports car by illustrator Roy Pratt, two oil on board landscapes by Edna Wright - small one loose in frame, an unsigned Venetian watercolour possibly by Barbara Dorf, a coastal watercolour signed Craven, two Janet Beckett ink and watercolour landscapes, Venetian scene signed John Thorne, Melanie Epps etching etc, largest approximately 41cm x 48cm including frame (17)

A pair of exquisite Lalique Agne champagne flutes, featuring a breathtaking design where delicately frosted angel wings extend seamlessly from the stem into the bowl, with intricate etching enhancing their ethereal form. This masterful composition exemplifies Lalique’s renowned artistry, blending texture and transparency to create a truly sculptural glassware piece. Each flute is signed Lalique France on the base, ensuring authenticity and craftsmanship.Issued: 20th centuryDimensions: 8"HCountry of Origin: FranceCondition: Age related wear.

A View of the Cities of London and Westminster with the Suburbs and Circumjacent Country Shewing the steeples of all the Churches and as many of the Public Buildings as are seen from the gallery of the steeple of Islington which town appears in the foreground. Etching with aquatint, Title, artist-engraver, and imprint in margin beneath the image. Accompanied by a key-block with 140 references Author: SWERTNER, Johannes. Publication place: London. Publisher: Published as the Act directs by John Swertner No. 10 Nevils Court Fetter Lane. Publication date: 1789. Size: 46.5 x 73cm Condition: Coloured. Top, Right and left margins restored, repairs to folds and other areas.

After Michael Blaker (British 1928-2018) limited edition coloured etching 'Seated Nude' numbered 37/90 entitled and signed in pencil to margin, unframed, 42.5cm x 32cm overall.

STANLEY WILLIAM HAYTER (BRITISH 1901-1988) ⊕ LA LEÇON D’ANATOMIEsigned and dated SWHayter 54 lower right; numbered 49/200 lower leftetching on wove paper40.5 x 30cm;15 3/4 x 11 7/8in65 x 49.5cm; 25 1/2 x 19 1/2 framedProperty from a Private Collector, WinchesterProvenanceJulian Raikes (acquired by the end of the 1960s) Acquired from the above by the present owner in 1978 Literature: Black & Moorhead 214There is a minor tear to the mount on the lower right vertical edge, visible only under close inspection. Otherwise, this work is in good original condition. This work is framed under glass and has not been examined out of frame.

AFTER JEAN-BAPTISTE-CAMILLE COROT (FRENCH 1796-1875) BRIDGE ACROSS A RIVER & PEASANT WOMAN IN A LANDSCAPE (I & II) each etchings on paper by Pierre Mallet each 30 x 46cm; 11 3/4 x 18in (approx) 64 x 79cm; 25 1/4 x 31in (framed) together with another etching of a view of Bruges of a similar size and also framed. (3)Property from a Private Collectionoffered for sale without reserve

AFTER GIOVANNI BATTISTA PIAZETTA (ITALIAN 1682-1754) After Giovanni Piazzetta by Marco Pitteri (1702-1786), San Jacobus Maior from The Holy Family and Apostles, engraving, 1742, on laid paper, with margins, together with Johann Christian Reinhardt (1761-1847), Nel Colosseo, from Malerisch radirte Prospekte aus Italien, circa 1792, etching on laid paper, with margins, Adam von Bartsch (1591-1666), Woman sitting in an archway, etching, 1800, on wove paper, with margins; and Robert Bénard (born 1734) after Jacques-Raymond Lucotte (1733-1804), engraving from Orfèvre Grossier (Goldsmiths’ works by Denis Diderot); and G.Silvani after C. Dolci, Santa Rosa, engraving, 19th century sheet size 55.5 x 44cm; 22 x 17 1/4in and smaller(5)Marco Pitteri (1702-1786) after Giovanni Battista Piazzetta (1682-1754), San Jacobus Maior from The Holy Family and Apostles, engraving, 1742 £50-70; Johann Christian Reinhardt (1761-1847), Nel Colosseo, from Malerisch radirte Prospekte aus Italien, etching £70-100; Adam von Bartsch (1591-1666), Woman sitting in an archway, etching, 1800; and Robert Bénard (born 1734) after Jacques-Raymond Lucotte (1733-1804), engraving from Orfèvre Grossier (Goldsmiths’ works by Denis Diderot) 5 prints 3/5 LOCATED IMCOMPLETE - POSSIBLE DUPLICATE OF LADY IN ARCHWAY - 4 images missing

ANA MARIA PACHECO (BRAZILIAN B.1943) ⊕ BANDIDOS I - LAMPIÁOsigned and dated 01 lower right; titled Bandidos I-Lampião lower centre; numbered 3/20 lower leftetching on paper67.5 x 59cm; 26 3/4 x 23 1/4in97 x 84.5cm; 38 1/4 x 33 1/4in (framed)Property from a South London Collectoroffered for sale without reserveThis work is in good original condition. Not examined out of frame. Held under perspex.

BILL JACKLIN (BRITISH B.1943) ⊕ TEMPLE I - HONG KONGsigned and dated Jacklin 94 lower right; titled Temple I Hong Kong. lower centre; numbered 2/30. lower leftetching and aquatint on wove paper29.5 x 25cm; 11 3/4 x 10 in62 x 54cm; 24 1/4 x 21 1/4in (framed)Property from a Private Collector, CroydonProvenanceHong Kong Arts Centre Acquired from the above by the present owner in 1995ExhibitedHong Kong Arts Centre, Urban Portraits Hong Kong 1993-95, 1995offered for sale without reserve

ROBYN DENNY (BRITISH 1930-2014) ⊕ † GENERATION 9signed, dated and numbered 9/35 R Denny '78 lower rightetching, aquatint and watercolour wash on firm wove paper51 x 70.5cm; 20 x 27 3/4inunframed

THEODORE ROUSSEAU (FRENCH 1812-1867) CHENES DE ROCHE (Delteil no. 4) etching on chine appliqué to wove paper, 1861, the third (final) state, published by Auguste Delâtre in the Gazette des Beaux Arts; one of only four prints made by the artist12.5 x 17; 5 x 6 3/4in17.8 x 26.5cm; 7 x 10 1/2in (sheet)unframed

ROBYN DENNY (BRITISH 1930-2014) ⊕ † GENERATION 5signed, dated and numbered 21/35 R Denny '78 lower right; annotated 5 lower centreetching, aquatint and watercolour wash on firm wove paper51 x 70.5cm; 20 x 27 3/4inunframedThere are some very minor accretions, visible only under very close inspection. The edges of the paper are deckled, deemed inherent to the artist's chosen medium. Otherwise this work is in good original condition. This work is unframed.

WILLIAM FREDERICK LONGSTAFF (AUSTRALIAN 1879-1953) VIEWS OF LONDON (I-IX)each signed Longstaff lower right; each numbered lower lefteach etching and aquatint on wove papereach approximately 17.5 x 17cm; 7 x 6 3/4ineach 46 x 35.5cm; 18 x 14in (mounted)all unframed (9)Property from a West London CollectorProvenanceA gift to the present owner from her father in the 1940s

GUNTER GRASS (GERMAN 1927-2015) ⊕ SHOEsigned and dated Günter Grass 74 lower right margin; numbered 249/50 lower left marginetching on paper33 x 39cm; 13 x 15 1/2in 46 x 58cm; 18 x 22 3/4in (sheet)unframedProperty from a Private Collectoroffered for sale without reserve

EILEEN COOPER (BRITISH B. 1953) ⊕ LEARNING TO FLYsigned and dated Eileen Cooper 1989 lower right; titled Learning to Fly lower centre; numbered 4/35 lower leftetching and aquatint on paper31 x 23.5cm; 12 1/4 x 9 1/4in75.5 x 64cm; 29 1/2 x 25 1/4in (framed)ProvenanceBenjamin Rhodes GalleryAcquired from the above by the present owner in 1990

GRAHAM CLARKE (BRITISH B.1941) ⊕ RYEsigned Graham Clarke lower right; titled and numbered Rye 1/75 lower leftetching on paper15 x 18cm; 5 3/4 x 6in 27 x 30cm; 10 3/4 x 11 3/4in (sheet)offered for sale without reserveThis work is unframed. Some spots of discolouration on the reverse. Slight dogear to lower right and upper left corners. This work is in very good original condition.

AFTER JOZEF ISRAELS (DUTCH 1824-1911) AND VARIOUS ARTISTS THE BEREAVED FISHERMAN (I); OBEDIENT TO THE LAW (II); STEADY JOHNNIE STEADY (III); NEVER TELL A LIE (IV)etching by Léopold Lowenstam (i); etching by Frederick Goodall after Samuel Cousins (ii); two etchings by W. H. Simmons after Erskine Nicol (iii & iv) signed in pencil by artist and etcher (i)75 x 55cm; 29 1/2 x 21 3/4in (i)109 x 76cm; 43 x 30in (ii) 109 x 76cm; 43 x 30in - approx. (iii & iv)all unframed(4)Property from a London Collection ProvenanceAcquired by the present owner in the 1990s offered for sale without reserve