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Andrew Fairbairn Affleck (1874-1935) Etching Figures by a carved stone doorway, signed in pencil lower right, framed and glazed, mount aperture 65cm x 34.5cm, together with two further etchings by the same hand 'Burgos Cathedral' and a cathedral interior, both signed, framed and glazed (3)

Susan Moxley (21st century)  Etching and aquatint in colours  Untitled, composition with abstract figures and birds in landscape, no.20/20 in pencil, signed and dated 1998 lower right, 15cm x 52.5cm 

Douglas Macleod (1892-1963) Etching on paper Antwerp, signed in pencil lower right, labelled verso, 15.5 cm x 28.7cm (unglazed)

A LARGE QUANTITY OF PICTURES OF BLANDFORD, DORSETincluding a 19th century watercolour, a Wilfred Stephens etching, numerous, prints, photographs, Dorset maps and other items (some reprints)

Marigold Halse (XX) Roland Morris collection Mousehole Rocks-Low-Tide, watercolour on paper, signed, 23.5cm x 33cm together with an etching of St Michaels Mount, 12cm x 17cm. (2) Roland Morris was a well known maritime archeologist, historian, writer and entrepreneur based in Cornwall, particularly Penzance. His most famous discovery was the wreck of the Association also working on other major wrecks around the Cornish coast. He also opened the Admiral Benbow a much celebrated pub filled with nautical themed decoration.

George Crionas (American, 1925-2004), Albert Einstein, Etching on paper, Artist’s proof, Signed and titled in pencil, Framed and glazed, 19cm x 16cm, frame measures 39cm x 36cm.

Matthew Dubourg (fl. 1806-1838) after James Pollard (1792-1867) - Royal Hunt in Windsor Park; King George 3rd returning from Hunting, a pair, [London: Edward Orme, 1820], etching and aquatint, 29 x 43cm, mounted with later lettering, (2) Colouring good, some foxed portions.

Edgar Chahine (French-Armenian; 1874-1947) - Portrait of Anatole France, in his library, surrounded by antiquities and books, signed in pencil by the artist, monogrammed and dated 1900 within the plate, etching, 33 x 45cm The sheet typically foxed in places, some surface marks; broad margins.

G A Fothergill, St Cuthberts Church, Darlington, framed print of an etching, Maudlin College, Oxford, watercolour, Georgian fretwork wall mirror, along with Copeland Spode Italian jug and basin.

Pablo Picasso (1881-1973), a 20th century etching with remarques from the illustrated book titled 'Les Métamorphoses' in a glazed gilt frame with an inscribed Zwemmer Gallery label to the reverse. H.58.5 W.45cm

Hubert Andrew Freeth RA (British, 1912-1986): etching & aquatint depicting abstract figures, unsigned but from the same source as the signed examples, unframed, 48cm x 38cm

Hubert Andrew Freeth RA (British, 1912-1986): 3 coloured etching or prints, 2 of the same cuttings, yellow one titled 'French Curves' and signed by the artist in pencil, the other 2 unsigned but from the same source, unframed, largest 38cm x 38cm

Hubert Andrew Freeth RA (British, 1912-1986): etching depicting the interior of a Whitechapel betting shop, unsigned but from the same source as the signed examples, unframed, 50cm x 39cm

Hubert Andrew Freeth RA (British, 1912-1986): etching & aquatint depicting abstract figures, unsigned but from the same source as the signed examples, unframed, 47cm x 40cm

Hubert Andrew Freeth RA (British, 1912-1986): etching depicting crowds watching the Westminster Horse Guards, unsigned but from the same source as the signed examples, unframed, 41cm x 30cm

Hubert Andrew Freeth RA (British, 1912-1986): etching depicting the interior of a Whitechapel betting shop, signed & titled to bottom margin in pencil, unframed, 52cm x 35cm

Hubert Andrew Freeth RA (British, 1912-1986): etching the interior of an artists studio, unsigned but from the same source as the signed examples, unframed, 41cm x 30cm

Julian Williams (British, b.1953) - "Young Rabbit", etching, signed in pencil and numbered 14/30, 32cm x 24cm

Hubert Andrew Freeth RA (British, 1912-1986): 2 abstract etching or prints of greens/browns and blues, both titled 'Queue' and signed in pencil by the artist, unframed, largest 40cm x 35cm

Julian Williams (British, b.1953) - "A Gaggle of Geese in St James Park", etching, signed in pencil and numbered 7/50, 80cm x 45cm

Hubert Andrew Freeth RA (British, 1912-1986): etching & aquatint depicting the interior of a Whitechapel betting shop, signed & titled to bottom margin in pencil, unframed, 47cm x 34cm

Hubert Andrew Freeth RA (British, 1912-1986): etching depicting crowds watching the Westminster Horse Guards, unsigned but from the same source as the signed examples, unframed, 41cm x 30cm

2 modern copper plate etchings to inc Anthony Dawson "The Whale - Southwold" and Charles John Watson "The Dropped Ball", the largest approx 36cm x 22cm, Kathleen Caddick (b. 1937) - "Houghton Mill" - hand coloured etching, limited edition 8/350 and signed in pencil, approx 67cm x 54cm inc frame and Qty of limited edition prints etc to inc Jeremy King print of Cothele Quay, other limited edition prints of the Thames near Maidenhead, Marlow & Caversham and a 3d display of a Norfolk Wherry by Brian Martin, the largest approx 81cm x 61cm (9)

A qty of various pictures and prints to include Graham Clarke (b.1941) a vintage limited edition coloured etching entitled "Mon Canari" signed and titled in pencil, approx 28cm x 26cm inc frame, Sheila Stafford - 2 vintage limited edition coloured etchings entitled "River Garden I & III" signed and titled in pencil, the largest approx 33cm x 33cm inc frame, A framed watercolour of autumnal leaves, indistinctly signed and a small watercolour of foxes signed Andrew (9)

S Tushingham, pencil signed etching of Venice

A etching by Ashley Price

An etching with pencilled title dated 1986 in wooden frame

An etching of Foundling Hospital together with etching of Dickens Cottage, High Street, Hastings and a small watercolour (3)

An etching signed by Ryden

Mid to early 20th century sabre with brass hilt and scabbard, detailed blade etching.

Jacques Joseph Tissot (French, 1836-1902), etching, 'La Soeur Ainee, 1881', signed and dated in the plate, 29 x 15cm

Geoffrey Key (b.1941), etching, ‘Reclining figure’, signed and dated '77, limited edition 13/30, 13.5 x 18cm. Condition - fair

After Rosa Bonheur (French, 1822-1899), dry point etching, Two heavy horses, signed in pencil, 29 x 32cm, housed in gilt and ebonised frame. Condition - fair

JOHN BRUNSDON (1933-2014) 'BALE OAKS', a limited edition aquatint etching depicting a landscape, numbered 239/350 with Christie's Contemporary Art certificate verso, approximate size 47cm x 61cm, frame size 68cm x 82cm, Condition Report: the print is in good condition, metal frame is marked and scratched in places

TESSA BEAVER (BRITISH 1932-2018) 'TULIP TREE', a limited edition aquatint etching depicting a tree before a house, signed titled and numbered 5/125 to lower margin, approximate size 63cm x 52, frame size 70cm x 59cm, Condition Report: the print is in good condition, frame marked and scratched in places

HENRY HADFIELD-CUBLEY (BRITISH 1858-1954) 'SANDSEND, WHITBY', a row of cottages beyond a stream, signed and titled verso, oil on board, approximate size 43cm x 58cm, together with a David Mace artist proof etching 'Night Walk II', a Henry G Walker hand tinted etching and an over painted early 20th century photograph of a boxer

TWO BOXES OF ASSORTED PRINTS ETC, to include four Bernard Vogel Venetian scenes, a miniature Liz Bishop limited edition etching of Leeks, a watercolour of a river and foliage lined river bank signed A.B. Hathaway 1927, a reproduction David Cox print of the Horse Fair in Birmingham, a set of 50 John Player firefighter themed cigarette cards, Brooke Bond transport prints, poster for a John Piper exhibition etc

JOHN BRUNSDON (1933-2014) 'BEACHY HEAD', a limited edition aquatint etching depicting a coastal landscape, signed, titled and numbered 29/100 to lower margin, approximate size 40cm x 40cm including margins, Condition Report: the print is in good condition, frame is marked and scratched in places

JOHN BRUNSDON (1933-2014) 'EDALE' A PEAK DISTRICT LANDSCAPE, limited edition aquatint etching numbered 165/350,approximate size 47cm x 61cm, frame size 69cm x 83cm, Condition Report: the print is in good condition, frame marked and scratched in places

A SMALL QUANTITY OF DECORATIVE PICTURES ETC, to include a Robert Massey watercolour winter landscape, two watercolours of cottages signed Kelly, an indistinctly signed watercolour house interior, watercolour landscapes by Ken Topman and E.M Jelf, a charcoal portrait of a seated male figure signed Petra ??, a modern Rembrandt etching, an abstract wall picture composed of Carnelian and Brazilian agate on copper, two abstract mixed media pictures etc

etching on paper, signed mounted, framed and under glass image size 14cm x 10cm, overall size 38cm x 33cm

limited edition etching on paper, signed and numbered 2/100 mounted, framed and under glass image size 35cm x 38cm, overall size 56cm x 64cm

This stunning two-parts Venetian-style wall mirror captures the timeless elegance of traditional hand-crafted glasswork. Featuring intricate floral etchings and delicately hand-cut beveled accents, the mirror's design showcases a symmetrical frame adorned with raised floral motifs and polished rosettes. The ornate border is highlighted by alternating etched patterns and decorative bead-like elements, creating a harmonious blend of sophistication and craftsmanship. The top section showcases a scalloped design with a central loop, for mounting or to enhance its decorative appeal. The arching silhouette of the mirror is accented by unique floral medallions at its corners and center, while the hand-etched floral detailing evokes a refined artistry synonymous with Venetian glassmaking traditions. The decorative upper section of the mirror is characterized by its intricate design and hand-etched detailing. The centerpiece features floral etching, surrounded by curved mirrored segments adorned with repeating patterns of ovals and flourishes. Its impressive size and elaborate design make it a perfect statement piece for any space, whether used as a decorative centerpiece in a formal living room, an opulent hallway accent, or a luxurious vanity backdrop. Venetian mirrors are celebrated for their exceptional quality and meticulous craftsmanship, originating from the Murano glassmakers of Venice, Italy, dating back to the Renaissance era. This mirror's delicate floral engravings and intricate designs reflect the rich heritage of this art form. Mirror dimensions without top: 25"L x 43.50"H x 1.50"W. Top part mirror dimensions: 28.50"L x 1"W x 12.25"H.Issued: 20th centuryDimensions: In descriptionCondition: Age related wear.

Collection of 11 interesting jazz vinyl LPs viz:- Eddie Henderson Inside Out Capricorn Records K57504 A1/B1 Curried Jazz, Indo-British Ensemble MFP1307 A1-G/B1, original inner sleeve  Atlantic Bridge, Atlantic Bridge, gatefold sleeve, DNLS3014 A2*T/B1*T  Joe Harriott Quintet and Sextet, JLP9375, black Jazzland label (JLP12 937B/937A)  Laurie Holloway, Cumulus, Hobo Records HO503 (HO+503+A, HO+503+B)  Milt Jackson and John Coltrane, Bags and Trane SD1368, Atlantic Records, Stereo, Japanese release with inner sheet (P6098 A2/?)  Zoot Sims, Cookin! FJL123 (683 273 JCL) run out etching 683723 1420 Michael Garrick Quintet featuring Joe Harriott and Shake Keane, October Woman DA 33 Mono, yellow labels with silver printing (ARG 2688-1K, 2687-1K), cellophane wrapper still present, round green sticker covering another label on front cover  Duke Pearson, Angel Eyes, 583 723, run out etching 583 723 A//1, B//1, a Jazz Art recording  Nancy Wilson/Cannonball Adderley, a program of vocals and instruments by ......, SM1657, Capitol Records with special import sticker on cellophane wrapper (SM-1-1657-H12, SM-2-1657-H10)  Graham Bond, Jack Bruce, Ginger Baker, Dick Heckstall-Smith, John Hiseman and John McLaughlin, "Solid Bond", Warner Records WS3001 stereo, double album in gatefold sleeve, run-out etching WS3001 A1/B2/A2/B1 *T Stereo Condition ReportLaurie Holloway LP - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges. No splits to spine, wear to the plastic coating on back of sleeve. The vinyl with minimal and very light surface scratches, too light to be felt with a finger. LP sits flat with no warping. The label on one side has two brown spots. General wear and tear. Atlantic Bridge - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, Vinyl in good condition, no deep scratches, LP sits flat with no warping. Solid Bond - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. Inside Out - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. Angel Eyes - Sleeve with some light surface scratches, minor scuffs/wear to corners. Some creases around the edges, some light stains to interior of sleeve. Vinyl in good condition, no deep scratches, LP sits flat with no warping. General wear and tear on all, see photos.

Molly Bullick (Irish, 20th century) Etching aquatint "The Blue Hare", limited edition, signed, dated '81, titled and numbered 5/35 within margin, framed and glazed, mount aperture 55.5cm x 33.5cm, together with a colour lithograph by the same hand "Seascape I", signed, titled, numbered 7/20, dated '79, framed and glazed, mount aperture 35cm x 46cm, a lithograph by Sheila Croacher, rural scene with dwellings, signed lower right, and an etching by Maggie Rowe of sheep in a field, signed and numbered 16/25 within margin, framed and glazed, mount aperture 16.5cm x 17.5cm (4)

Assorted pictures and prints, to include Stephen White - Evening across the river, colour etching; pair of satirical prints etc

A framed copper etching of a horse-drawn carriage, together with various copper printing plates depicting hunting scenes9 plates included.Largest 40cm across x 35cm height (framed)

After Pierre Bonnard (1867-1947), Lady with a dove, etching on paper, signed with monogram in the plate, 17 by 11.5cm, mounted, glazed and framed 38 by 30cm.

An etching "Entrance to a Village" indistinctly signed, and a black and white print of birds over a village or town, mount discoloured, Warwick Gallery stamp verso.

A set of five gilt framed Prints depicting Plate VII Black vase and Plate VIII Piranesi vase after an etching by Giovanni Battista Piranesi plus Roman urns, etc.

W Heaton Cooper Etching " Homage To Frink" Frame Size: 29.5cm x 37cm

A original etching by J R Hutchinson depicting Fleet Street and the law courts 37x26cm, shipping unavailable

A framed engraving of a boat signed by Colin Hunter, along with a framed etching entitled 'Off Looe' signed by Pete Grahame - largest 33.5cm x 42cm

James Gillray (British, 1756-1815) "The Gordon-Knot or The Bonny Duchess Hunting The Bedfordshire Bull" etching with hand-coloured detail dated 1797 and published by H. Humphrey, London

Edward Bouverie Hoyton (1900 - 1988) "Morwenna of Helford" coloured etching signed in pencil and numbered 4/75 - 63cm x 51cm

After Pablo Picasso (1881-1973) Spanish "Tête de femme au chapeau" Etching, 37.5cm by 28.5cm

Pablo Roig (1879-1955) SpanishCircus figuresLithograph from the circus series 1911, 38cm by 29cm; together with Peter Ford, "Kew Gardens II", etching signed and inscribed artist's proof; an Andrew Sanderson print; and two works after Wilf Lunn (5)

A collection of three art glass miniature vases, showcasing a variety of designs, colors, and techniques. The lot includes: a blue top hat toothpick holder with flared rim and smooth base, a vibrant red and yellow crackle glass vase with flared rim, a green millefiori-style vase with floral patterns and labeled Murano, and a frosted clear vase with gold floral etching and blue rim accents. This assortment highlights diverse craftsmanship and artistry in glassmaking. Largest piece 4"H.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

Signed original black and white etching At Prayer by renowned artist Joseph Margulies (1896-1984). This expressive portrait captures the contemplative moment of an elderly bearded man deep in thought, dressed in traditional Jewish prayer garments. The work showcases Margulies’ mastery in etching, with rich tonal contrasts and fine detail that highlight his classical training and deep understanding of human emotion. Hand-signed by the artist in pencil at the lower right and numbered 99/250 at the lower left. Margulies, known for his evocative portraiture and atmospheric cityscapes, studied under Joseph Pennell at the National Academy of Design and the Art Students League in New York. His works are housed in prestigious collections, including the Metropolitan Museum of Art and the Library of Congress. This limited-edition etching is presented in a simple black frame under glass with its original descriptive label affixed to the verso. Sight size: 9"L x 13"H. Frame dimensions: 14.75"L x 0.5"W x 18.75"H. Artwork can be unframed and rolled for shipment.Artist: Joseph Margulies (Austrain/American, 1896-1984)Issued: c. 1970Dimensions: See DescriptionCondition: Age related wear.

18th century charade fan, The New Charade Fan for the Year 1798, the central panel with an etching the Marquis Cornwallis, surrounded by with a number of panels containing charade riddles, mounted on wooden sticks, H26cm, W45cm