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Lot 1065

Michael McVeigh (b.1957) Scottish"Cafe Royale"Signed and numbered 15/20, etching, 36cm by 28cm overall; together with a 20th century still life of fruit and flowers on a table, indistinctly signed and inscribed, possibly by Rodger Massacry, pen; together with two 20th century figurative pencil sketches, one initialled E. V., the other indistinctly inscribed (4)

Lot 668

Arnold Van Westerhout, The Descent from theCross 1740. The Descent from the Cross etching engraved by Arnoldo Van Westerhout (1651-1725) after painting by Daniele de Voltera. Printed on hand made laid paper with a fleur de-lis watermark. Sheet size 41cm x 28cm, unframedThe sheet is missing its lower left corner, about 1cm square; there is an old horizontal crease mark in sheet besides other smaller crease marks; numerous lightbrown stains on the sheet; a small 0.5 mm tear in centre of left margin. The sheet is adhered with glue at top corners to a larger sheet of wove

Lot 474

Lionel Lindsay, Casa Del Cordon Bruges, etching, signed in pencil, circa 1920, plate 25cm x 20cm, framedGood condition

Lot 644

School of Paris, original colour etching, circa 1955, 30cm x 22cm, framed

Lot 489

A group of 4 prints, Bussiere (Brunnhild litho), Boutet (etching Paulinette), Orlik woodcut seamstress studio, and a Guignebault etching, framed (4)

Lot 517

William Strang (1859 - 1921), portrait of Robert Louis Stevenson, etching, 1896, signed in pencil, plate 30cm x 20cm, framedGood condition

Lot 605

Melvyn Petterson (1947), etching on paper, Portrait of a Man, 20cm x 14.7cm, mounted, glazed and framed

Lot 640

Renoir, original etching published as New Years card by the Galerie Mouradian and Vallatton, Rue de Seine, Paris, circa 1955, 9.5cm x 6cm, framed

Lot 645

Raoul Dufy, original etching, Odalisque, c. 1930, 33.7cm x 49.2cm, signed in pencil lower right, framed

Lot 631

Rembrandt; Ignace Joseph de Classin (1795 - 1844) engraver, etching after Rembrandt drawing, etched by De Calssin in 1799 printed on handmade wove paper, consistent with the date 1799 with rich drypoint, signed by etcher in lower right corner, with Rembrandt gently etched into plate in top left corner, image 23cm x 30cm, mountedThe sheet is adhered to a large sheet, is slightly dusty, three light brown marks in the lower margin

Lot 480

Henri Goetz (1909 - 1989), abstract, etching, signed in pencil, no. 4/30, plate 16.5cm x 24cm, framedVery slight even paper discolouration

Lot 484

Leonor Fini (1908 - 1996), surreal figures, original etching, circa 1960s, no. 21/150, sheet 38cm x 25cm, framedGood condition

Lot 475

Lionel Lindsay, Street Of The Aquaduct Segovia, etching, signed in pencil, circa 1920, plate 26cm x 13.5cm, framedGood condition

Lot 476

Lionel Lindsay, Spanish House, etching, signed in pencil, circa 1920, plate 24cm x 17cm, framedGood condition

Lot 465

Signe, Petrified Embrace, coloured etching, signed in pencil, no. 6/30, plate 30cm x 37cm, framedGood condition

Lot 288

Graham Clarke (British, b.1941), 'Winter Goods', limited edition coloured etching on paper, titled and numbered in pencil bottom left number 72 from an edition of 400, signed in pencil bottom right, double mounted, framed and glazed, frame 75.5cm wide, 55cm high. Artist's Resale Right fees will also apply to this lot if it sells for a hammer price of £1,000 or over.Condition: Both the print and the frame are in excellent, bright condition. Very well framed. Not examined out of the frame.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent insured with a tracked service. We do not ship without insurance. We do not use any other service such as Royal Mail, FEDEX or DHL.Please see below for estimated packing and shipping prices: UK (Estimated): £25.52 USA (Estimated): £85.00 EU (Estimated): £30.00 R.O.W. (Estimated): £69.00In addition to these packing and shipping estimates, insurance will be charged as described below.INSURANCEWe only ship with insurance. Insurance costs 1.5% of the total of the hammer price plus buyer’s premium and any applicable VAT, so you can work this cost out yourself when you have won a lot and received your invoice. As such, the price for insurance will be added to the above estimates if you request your item(s) to be shipped.HOW TO REQUEST SHIPPINGTo request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email at admin@markhillauctions.com requesting packing and shipping for your lot(s). The actual packing, shipping and insurance cost will then be added to your invoice and your invoice will be resent to you for payment.VATAll above quoted packing, shipping and insurance prices will have VAT added at 20%. IMPORTANTWhen you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.  Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we are careful and experienced and take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered by us for any loss or damage. Lots must be paid for in full before they will be packed and released. MULTIPLE PURCHASESThe estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.IMPORT DUTIESWhen your item(s) arrive in your country, import duties & taxes and other service charges may be payable before goods are released to you. These duties, taxes and charges vary for each country and are entirely your responsibility and must be paid by you. Please note that we have no way of knowing what they will be. If you do not pay these charges, your item(s) will be returned to us.

Lot 283

Henry Moore OM CH FBA (British 1898-1986), 'Child Study', 1979, (Cramer 498) limited edition etching on wove, hand numbered in pencil 39 from an edition of 50, printed by Lacourière et Frelaut, Paris, published by Raymond Spencer, London for the Henry Moore Foundation, plate 18.5 x 25cm, mounted, framed in an aluminium frame and glazed, frame 52.9cm high, 44.4cm wide.Artist's Resale Right fees will also apply to this lot if it sells for a hammer price of £1,000 or over.FOOTNOTE: Another example of this charming etching is in the collection of Tate Britain, having been dedicated to the gallery by Moore.Artist's Resale Right fees will also apply to this lot if it sells for a hammer price of £1,000 or over.Condition: Unexamined out of frame, but no apparent damage, holes, tears, or stains.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent with a minimum of a tracked service. We do not use any other service such as Royal Mail.Please see below for cost estimates, including packing: UK (Estimated Price): £21.65 USA (Estimated Price): £55.49 EU (Estimated Price): £32.93 R.O.W. (Estimated Price): £82.20In addition to these packing and shipping estimates, insurance will be charged as described below.INSURANCEWe only ship with insurance. Insurance costs 1.5% of the total of the hammer price plus buyer’s premium and any applicable VAT, so you can work this cost out yourself when you have won a lot and received your invoice. As such, the price for insurance will be added to the above estimates if you request your item(s) to be shipped.HOW TO REQUEST SHIPPINGTo request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email at admin@markhillauctions.com requesting packing and shipping for your lot(s). The actual packing, shipping and insurance cost will then be added to your invoice and your invoice will be resent to you for payment.VATAll above quoted packing, shipping and insurance prices will have VAT added at 20%. IMPORTANTWhen you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.  Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we are careful and experienced and take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered by us for any loss or damage. Lots must be paid for in full before they will be packed and released. MULTIPLE PURCHASESThe estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.IMPORT DUTIESWhen your item(s) arrive in your country, import duties & taxes and other service charges may be payable before goods are released to you. These duties, taxes and charges vary for each country and are entirely your responsibility and must be paid by you. Please note that we have no way of knowing what they will be. If you do not pay these charges, your item(s) will be returned to us.

Lot 282

Georges Rouault (French, 1871-1958), 'Ecce Homo', 1936, colour etching and aquatint on laid paper, plate six from 'The Passion' suite, published in 1939 in an edition of 270, signed 'GR36' in the plate, mounted, framed and glazed, the back with labels for Goldmark Gallery, frame 58.7cm high, 48.6 wide.FOOTNOTE: Another example of this work is in the collection of the Art Institute of Chicago. The work is numbered 263B in the artist's catalogue raisonné by Chapon & Rouault.CONDITION: Excellent condition with strong colours. Not examined out of frame or under a black light.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent insured with a tracked service. We do not ship without insurance. We do not use any other service such as Royal Mail, FEDEX or DHL.Please see below for estimated packing and shipping prices: UK (Estimated): £21.91 USA (Estimated): £65.00 EU (Estimated): £28.00 R.O.W. (Estimated): £60.00In addition to these packing and shipping estimates, insurance will be charged as described below.INSURANCEWe only ship with insurance. Insurance costs 1.5% of the total of the hammer price plus buyer’s premium and any applicable VAT, so you can work this cost out yourself when you have won a lot and received your invoice. As such, the price for insurance will be added to the above estimates if you request your item(s) to be shipped.HOW TO REQUEST SHIPPINGTo request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email at admin@markhillauctions.com requesting packing and shipping for your lot(s). The actual packing, shipping and insurance cost will then be added to your invoice and your invoice will be resent to you for payment.VATAll above quoted packing, shipping and insurance prices will have VAT added at 20%. IMPORTANTWhen you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.  Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we are careful and experienced and take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered by us for any loss or damage. Lots must be paid for in full before they will be packed and released. MULTIPLE PURCHASESThe estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.IMPORT DUTIESWhen your item(s) arrive in your country, import duties & taxes and other service charges may be payable before goods are released to you. These duties, taxes and charges vary for each country and are entirely your responsibility and must be paid by you. Please note that we have no way of knowing what they will be. If you do not pay these charges, your item(s) will be returned to us.

Lot 243

Piranesi (Giovanni Battista) Veduta di una parte de' fondamenti del Teatro di Marcello..., from Le Antichita Romane IV, etching and engraving, on thick laid paper with indistinct watermark, platemark 655 x 395 mm (25 3/4 x 15 1/2 in), sheet 700 x 525 mm (27 1/2 x 20 3/4 in), faint central horizontal crease, minor surface dirt, unframed, 1756; together with Piranesi's 'Sepolcro de' tre fratelli Curazj in Albano', and 'Veduta interna della Camera sepolcrale nell Vigna Casali a Porta S. Sebastiano', etchings and engravings, various sizes, both good impressions with wide margins, unframed, [circa 1756] (3) Literature:Wilton-Ely 500, 430, and 413

Lot 264

Satire.- Williams (Charles) Original preparatory drawing for the satirical print 'Property protected. A la francoise', pen and brownish black ink, black chalks, on laid paper with watermark date '1796', sheet 270 x 440 mm (10 5/8 x 17 1/4 in), mounted onto thin conservation tissue support, some slightly rough edges, handling creases, finger-soiling and surface dirt, mainly in the four corners, unframed, 1798; together with an impression of the published print, Property protected. A la francoise, etching with original hand-colouring, sheet 270 x 425 mm (10 3/4 x 16 3/4 in), trimmed within the platemark, handling creases and surface dirt, central vertical fold, unframed, SW Fores, 1798 (2)Literature:BM Satires 9224*** America is shown as a handsome young woman wearing quasi-classical draperies and a coronet of feathers, and is being plundered by five Frenchmen, satirising the negotiations of the American envoy in Paris, October 1797. The preliminary drawing has several additions and variations to the print, but most notably the seated John Bull on the cliffs of Dover in the background of the print, is shown with Union Jack flags and a cannon in the drawing; similarly the buildings in the lower left corner of the drawing, are replaced with the sacks of 'Private plunder for the Directors' in the print. 

Lot 258

Satire.- Holland (William, publisher) Truant school-boys returning to their duty!!, etching and aquatint with beautiful original hand-colouring and contemporary ink inscriptions underneath identifying persons depicted, platemark 315 x 440 mm (12 1/4 x 17 1/4 in), sheet 325 x 470 mm (12 3/4 x 18 1/2 in), central vertical fold with splitting to lower section repaired, unframed, [BM Satires 9040], 1797; together with Richard Newton's 'Retort Courteos or the Disloyal Address returned without Ceremony', etching with hand-colouring, sheet 245 x 365 mm (9 5/8 x 14 1/4 in), trimmed to or just within the platemarks, some surface dirt and damp-stains, unframed, [BM 9001], 1797 (2)

Lot 246

Satire.- American Revolution.- Darly (Matthew) and Mary Darly. A View in America in 1778, etching with early hand-colouring, platemark 245 x 355 mm (9 5/8 x 14 in), sheet 270 x 380 mm (10 5/8 x 14 7/8 in), some light toning and browning in places, marginal loss to centre right, small marginal loss and repair to the lower left corner, small split in the upper right corner, not affecting the plate, unframed, 1778Literature:BM Satires 5482*** Scarce at auction. We cannot trace any other examples sold at auction, with institutional examples held in the British Museum and Library of Congress.'Perhaps a satire on the indifference of Congress to the sufferings of American soldiers, and on the attitude to negro slavery in America, illustrating Dr. Johnson's familiar gibe, "How is it that we hear the loudest yelps for liberty among the drivers of negroes?"' [BM curator's comment from BM website]

Lot 256

Satire.- Gillray (James) Patriotic-Petitions on the Convention, etching with original hand-colouring, 280 x 407 mm (11 1/8 x 16 in), trimmed within platemark to borderline, some spotting and surface dirt, minor handling creases, unframed, Hannah Humphrey, 1808Literature:BM Satires 11048

Lot 253

Satire.- Gillray (James) Alecto and her Train, at the Gate of Pandaemonium:-or-The Recruiting Sarjeant Enlisting John-Bull, into the Revolution Service, etching with original hand-colouring, sheet 392 x 452 mm (15 3/8 x 17 3/4 in), trimmed to platemark at lower edge, otherwise small margins, marginal loss to the upper left and upper right corner, small tear in the upper centre, minor handling creases, light spotting and browning, unframed, 1791Literature:BM Satires 7889

Lot 260

Satire.- Newton (Richard) and others. Collection of 24 Georgian satirical prints, including Newton's 'The First Interview, or an Envoy from Yarmony to Improve the Breed', several caricatures by Bretherton, Carrington Bowles, John Nixon, and others, etching and engravings, some hand-coloured, various sizes between 150 x 110 mm (5 7/8 x 4 1/4 in) and 425 x 530 mm (16 3/4 x 20 7/8 in), some handling creases, nicks and tears, occasional spotting and browning, all unframed, late 18th and early 19th century (24)

Lot 255

Satire.- Gillray (James) The Funeral Procession of Broad Bottom, etching with original hand-colouring, sheet 260 x 620 mm (10 1/4 x 24 1/2 in), trimmed within the platemark, small loss to centre left, laid onto paper support, central vertical fold, unframed, Hannah Humphrey, 1807Literature:BM Satires BM 10713

Lot 228

Etching revival.- Menpes (Mortimer) Collection of 15 views of London and the River Thames, including St Pauls, the Tower of London, Westminster, and many of the River Thames and Thames barges, etchings and drypoints, all signed in pencil, various sizes between 190 x 190 mm (7 1/2 x 7 1/2 in) and 330 x 440 mm (13 x 17 1/4 in), good margins, minor surface dirt and handling creases, all unframed, [early 20th century]; and 2 others (17)

Lot 50

Karel Lek M.B.E., R.Cam.A. (Belgian 1929-2020), Male portrait, Signed and dated '75 in pencil in the margin, numbered 2/12, etching.sheet size 33 x 24cm (framed 46 x 36cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing in the margins and some spots of mould on the underside of the glass. The sheet appears to be laid down. The print is framed and glazed. The original metal frame has some minor scratches and knocks commensurate with age.

Lot 200

Alan Stones (British 1947-) "Soho Square" Signed and dated 1970 in pencil within the plate, etching.plate size 38 x 30.5cm (framed 59 x 48.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are a few minor spots of browning and one or two short, faint creases found on the paper. The print is framed and glazed. The frame has one or two very minor scuffs and knocks commensurate with age.

Lot 263

Richard Fitton M.A.F.A. (British 1990-) "Head of Adam" Initialled, titled, dated 2018 and numbered AP (Artist's Proof) in pencil in the margin, etching.image size 12.5 x 10cm (framed 27 x 23.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 208

A black and white etching depicting a seated female "Figure No. 3/30", signed by John Emmanuel, framed and glazed

Lot 131

An unframed coloured etching "Composition" signed by Margaret Clegg No. 3/25

Lot 70

Brian Bennett - oil on boardExtensive country landscape, signed, 11" x 19½" and one other limited edition coloured etching by Brian Bennett "Reaching Across the Countryside" (2)

Lot 162

An Art Deco-style coloured etching "A Masked Ball in the Moonlight" signed in pencil Edgar Lander, framed and glazed

Lot 160

A black and white etching "Tuscania" with dedication and signature by H. A. Freeth, framed and glazed

Lot 130

A small coloured artist proof etching by Grace Gardner, a pair of small coloured etchings by Jenny Tapping and a framed collage by Ryman Atkinson (4)

Lot 337

Stanley William Hayter CBE (1901-1988), 'Witches Sabbath', engraving, etching, scorper, and soft-ground etching, signed and dated 58 in pencil, numbered 32/50; the plate 49x64cm

Lot 336

Eileen Cooper RA (b. 1953), 'Big Cat', coloured etching, signed, titled and numbered 11/35, the plate 20x30cm

Lot 215

William Wilson (1905-1972), 'St. Martins Bridge, Toledo', etching c.1933, signed and titled in pencil, 35x43cm

Lot 580

GEORGE HOUSTON RSW RI RSA (1869 - 1947)'Loch Awe Taychreggan', etching, signed in pencil to the margin, framed under glass, 19 x 26cm

Lot 75

Michael Ayrton (1921-75) etching (4 men) from 1972 'Femmes / Hombres' by Paul Verlaine (1844-96) ~ numbered XI/XV and frame size 34cm x 41.5cm. Stamped and annotated to the reverse.

Lot 55

Erté (Romain de Tirtoff) (1892–1990) hand signed etching (from a ltd ed of 175) of a fashion lady smelling a rose - frame 60cm x 42cm.

Lot 262A

Etchers and Etching by Ioseph Pennell, The Graphic Arts Series, Published 1920 T.Fisher Urwin Ltd, LondonGood condition

Lot 1600

†Graham Clarke: a gilt framed pencil signed and inscribed artist's proof colour etching entitled "Church Yard" - image 13.5cm X 17cm

Lot 1601

†Henry Wilkinson: a framed coloured limited edition etching, depicting a hunter with a gun and dog - signed and numbered in pencil in the margin - sold with G. Vernon Stokes: a framed coloured print, depicting a black labrador with duck in its mouth - signed

Lot 1564

A framed small format monochrome etching depicting a Pekinese dog seated on a cushion - indistinctly signed in pencil

Lot 1604

Mabel Catherine Robinson ARE 1875-1953: a gilt framed small format coloured etching, depicting a man with child pulling a toy train, passing a row of thatched cottages - signed in pencil in the margin

Lot 1623

James Cadzow: a framed monochrome drypoint etching, depicting a house in a forest setting - signed in pencil and numbered 27 in roman numerals

Lot 1552

†Michael Oelman: a gilt metal framed coloured etching entitled 'Fisherman's Bridge' (from Jacob's Ladder IV) - signed in pencil, titled and numbered - image 29cm diameter

Lot 1570

†Pam Pebworth: three gilt framed medium format wood block prints including one entitled 'Lindisfarne' - all pencil signed, titled and numbered - sold with a framed monochrome pencil signed etching, depicting an elderly Tirolean gentleman

Lot 149

Jim Cott (British), 'Fountains Abbey' etching, 1969, signed, 25cm x 35cm; M Gerth, portrait in pencil, 1912, 25cm x 37cm, 42cm x 56cm max; Katie E. Thorpe, 'Font at St. Peter's Church, Market Bosworth', 1983, 41cm x 30cm, 56.5cm x 44cm max (3)Shipping £58.00 plus vat (UK Only)

Lot 114

WWI battle scene print / etching depicting officer and artillery troop loading canon, signed R.W. Folly 1915, framed and glazed, 15cm x 26cm. Dimensions including frame 38cm x 49.5cm.

Lot 976

Charles Brooke Bird (1856-1916) - 1904 early 20th century monochrome etching of Bristol Cathedral. Published in 1904 on Colston Street. Signed in pencil by the artist to the bottom right corner. Accompanied by a Victorian black and white photograph of the Tram Centre, Bristol (now Broad Quay). Both framed, glazed and mounted. Largest measuring approx. 76cm x 89cm.

Lot 167

An original etching by Italian artist Guido Colucci (1877–1949), depicting the historic Ponte Vecchio in Florence, Italy. Known for his masterful etchings of European architecture, Colucci captures the charm and detail of this iconic medieval stone bridge. The artwork is signed in pencil by the artist in the lower right corner, with the title inscribed on the left. Presented in a gold frame with black matting, the piece measures 18"L x 22"H overall. A striking collectible for lovers of fine art and Italian heritage.Artist: Guido Colucci (1877–1949)Dimensions: See DescriptionCondition: Age related wear.

Lot 148

Elegant etching and aquatint print titled Les Hortensias by renowned French artist Louis Icart, created in 1929. This delicate composition portrays a reclining woman in a flowing gown, surrounded by hydrangea blossoms, embodying Icart's signature Art Deco aesthetic. The scene is characterized by soft, ethereal shading, fluid linework, and a restrained color palette accentuated by subtle hand-applied blue tones. A prime example of Icart's romantic and whimsical portrayals of femininity, this work reflects the refined elegance and decorative appeal for which his etchings are highly sought after. Louis Icart was a celebrated French artist best known for his Art Deco etchings depicting glamorous women, often in dreamlike or romantic settings. His works, highly influenced by the Belle Epoque and early 20th-century Parisian fashion, captured the elegance and sensuality of the era. With a distinctive style blending delicate linework, soft shading, and hand-applied color accents, Icart's etchings remain highly collectible and admired for their decorative appeal. Signed and copyrighted in plate.Artist: Louis Icart (French, 1888-1950)Issued: 1929Dimensions: 31"L x 26.50"HCountry of Origin: FranceCondition: Age related wear. Frame does not include glass.

Lot 97

Marc Balakjian (1940-2017) Deadand signed, titled, and numbered in pencil etching and aquatint 25 x 31cm.

Lot 247

Elizabeth Deverell (20th century) 'Mont St. Michel', signed with initials, watercolour on ivorine, 6.5 x 9cm, another similar by the same hand - 'Bruton, Somerset', 9.5 x 7cm, and a sepia etching - 'Heifers' also by the same hand. (3) Purchased at the Armed Forces Art Society; 'Heifers' sold together with exhibition catalogue

Lot 66

Maurice Cockrill (1936-2013) Winter, 1998 signed, titled, and inscribed 'P/P2' in pencil (in the margin) etching and aquatint 70 x 55cm.

Lot 135

Emil Orlik (1870-1932) Am Felde, 1896 signed in pencil (in the margin) etching 9 x 15cm; and an etching by Jeff Clarke (2).

Lot 115

Betty Ebanja “Three Apostles” Colour Etching, Signed in pencil 12.8cm x 22.5cm

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