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ERNEST STEPHEN LUMSDEN (BRITISH 1883 - 1948), LOCH TORRIDON etching on paper, signedmounted, framed and under glassimage size 23cm x 13cm, overall size 52cm x 38cm

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931), ROWING OUT TO SHIPS etching on paper, signedmounted, framed and under glassimage size 16cm x 41cm, overall size 39cm x 65cmQty: 2

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931), YACHTS RACING IN SQUALLY WEATHER etching on paper, signed mounted, framed and under glassimage size 16cm x 38cm, overall size 35cm x 58cm

* ROLAND GREEN (BRITISH 1890 - 1972), TWO BLUE TITS ON PINE BRANCHES limited edition etching on paper, signed and numbered 10/60mounted, framed and under glassimage size 28cm x 17cm, overall size 51cm x 40cm

* SIR FRANK WILLIAM BRANGWYN RA RWS RBA (ANGLO-WELSH 1867 - 1956), THE RIALTO, VENICE 1906 etching on paper, signed, titled labels versomounted, framed and under glass image size 39cm x 33cm, overall size 65cm x 55cm Label verso: Open Eye Gallery, Edinburgh

* GERALD LESLIE BROCKHURST RA (BRITISH 1890 - 1978), CORINNE etching on paper, signedmounted, framed and under glassimage size 14cm x 10cm, overall size 38cm x 33cm

* EDWARD BOUVERIE HOYTON (BRITISH 1900 - 1988), SARACINESCO etching on paper, signed, titled versomounted, framed and under glassimage size 24cm x 26cm, overall size 44cm x 54cm Label verso: Open Eye Gallery, Edinburgh

* ADAM BRUCE THOMSON OBE HRSA PRSW (SCOTTISH 1885 - 1976), A DUMFRIESSHIRE FARM etching on paper, signedmounted, framed and under glassimage size 16cm x 21cm, overall size 41cm x 48cm

* ELYSE ASHE LORD (BRITISH 1900 - 1971), KO SSI limited edition hand coloured etching on paper, signed, titled and numbered 60/75mounted, framed and under glassimage size 30cm x 31cm, overall size 56cm x 52cm

Etching on paper. Signed and dated ‘Castejón/90’ in the lower right corner. Numbered ‘64/170’ in the lower left corner.Size of plate: 85 x 59.7 cm; Total size: 100 x 70 cm

Etching on paper. Signed and dated ‘Castejón/90’ in the lower right corner. Numbered ‘64/170’ in the lower left-hand corner.Size of plate: 85 x 60 cm; Total size: 100 x 70 cm

HERBERT DICKSEE (BRITISH, 1862-1942) AFTER SIMON HARMON VEDDER (1866-1937)The Flight into Egypt signed 'Herbert Dicksee' (lower right margin) etching 47 x 72cm (unframed) Provenance Herbert Dicksee; Thence by descent to his grand-daughter Pamela Service; Sale, Bellmans, Billingshurst, 28th March 2024, lot 1360, where acquired by the present owner; Private collection, UK

WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931)Sea Scouts at Old Portsmouth signed 'W L Wyllie' (lower left margin) etching 15 x 25cm Provenance Private collection, UK

WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931)Villefranche signed 'W.L. Wyllie' ( lower left) etching 16 x 37.5cm Provenance Private collection, UK

REMBRANDT VAN RIJN (DUTCH, 1606-1669)Old Man Seen from Behind (Bartsch 143) etching 7 x 4.5cm Provenance Private collection, UKCondition reportno margin to sheet, tiny loss to lower left corner and all edges uneven; slight staining to sheet, upper left and right; framed and under glass, unexamined out of frame.

DOROTHY FULCHER (BRITISH, 20TH CENTURY)The Houses of Parliament signed 'Dorothy Fulcher' (lower right) etching 10 x 15cm Provenance Private collection, UK

WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931)Jamaica signed 'W.L. Wyllie' (lower left margin) etching 20 x 14.5cm Provenance Private collection, UK

ROWLAND LANGMAID (BRITISH, 1897-1956)The Royal Air Force Memorial, Embankment signed 'Rowland Langmaid' (lower right margin) etching 23 x 16cm ARR Provenance Private collection, UK

A mixed lot to include Alka Bavarian trinket dishes, a glass vase marked 'Glass Plant', a framed and glazed etching/engraving artist proof of a landscape scene signed 'Anne Je Minek 1981' and other itemsLocation:If there is no condition report shown, please request

William Strang A.R.A. (1859-1921), T.& R. Annan & Sons, Glasgow label on backboard inscribed "St Martin's Bridge Toledo Tr.B original etching by William Strang A.R.A.", signed artists proof, drypoint etching, 30x26.5cm, framed and glazed

William Douglas Macleod (1892-1963), "Southern Spain", etching, signed, 40x23cm, framed and glazed

William Strang RA (1859-1921), 'Doorway Santa Cruz, Toledo', etching, artist proof, signed in pencil, 32x18cm, framed and glazed

Imperial German 1st Garde Feldart Regiment Officer's sabre, sword. Good scarce example, the 80.7 cm slightly curved blade with etched decoration, the obverse with the regimental Title '1. Garde Feldart Regt.'. The reverse with an etched pannel depicting Horse Artillery mounted. The hilt with single silver plated bar guard. Housed in original black painted metal scabbard. Minor age wear, etching remains clear. Payment by Bank Transfer ONLY

Piers Browne (British born 1949), signed limited edition etching with hand finished flowers 43/50. 20 x 22 cm framed and mounted. This picture features on the front cover of Wensleydale Etchings and Verse by Piers Browne.

Charles Herbert Clark (born 1890), an etching "The Village Cricket Match", signed and numbered 82/150. 17 x 29 cm, framed.

PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) THE NIGHT CROW (ROSENTHAL 110) - 1994 Etching and aquatint, A/P, aside from the edition of 20, signed and editioned in pencil to margin, published by Curwen Press, with their blindstamp the sheet 38.5cm x 29cm (15.25in x 11.5in), unframed  Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner

HENRY MOORE O.M., C.H. (BRITISH 1898-1986) THE ARTIST'S HAND II - 1979 Etching, 6/50, signed and numbered in pencil to margin, printed by James Collyer and John Crossley, London, published by Raymond Spencer Company Ltd the image 19cm x 24.5cm (7.5in x 9.75in)

PABLO PICASSO (SPANISH 1881-1973) MÈRE ET ENFANTS (B.737) - 1961 Etching with aquatint on Arches laid paper, un-numbered impression aside from the edition of 50, signed in pencil to margin, published by Galerie Louise Leiris the plate 25.4cm x 30.5cm (10in x 12in) Sotheby's, London, Old Master, 19th and 20th Century and Contemporary Prints, 12 December 1991, lot 535; Private Collection, U.K.

SALVADOR DALI (SPANISH 1904-1989) LEVI, FROM 'THE TWELVE TRIBES OF ISRAEL' - 1972 Etching, 111/195, signed and numbered in pencil to margin, printed by Ateliers Rigal, Paris, published by Transworld Art, New York the sheet 66cm x 50.5cm (26in x 19.75in)

SIR HOWARD HODGKIN C.H, C.B.E. (BRITISH 1932-2017) INDIAN TREE - 1991 Hand-coloured etching and aquatint with carborundum, 27/55, signed with initials, dated and numbered in pencil  the sheet 91cm x 121cm (35.75in x 47.75in) Long & Ryle, London, where acquired by the current owner

PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) WENDY'S SONG (ROSENTHAL 93) - 1992 Etching and aquatint, Proof, signed, editioned and inscribed 'Colette and James . . . A Very Happy Xmas. . . love' in pencil to margin the sheet 41cm x 35cm (16.25in x 13.75in) Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner

SIR HOWARD HODGKIN C.H, C.B.E. (BRITISH 1932-2017) STREET PALM - 1991 Hand-coloured etching and aquatint with carborundum, 45/55, signed with initials, dated and numbered in pencil  the sheet 148cm x 121cm (58.25in x 47.75in) Long & Ryle, London, where acquired by the current owner

HENRY MOORE O.M., C.H. (BRITISH 1898-1986) THE ARTIST'S HAND IV - 1979 Etching, 6/50, signed and numbered in pencil to margin, with the printed portfolio details verso, printed by James Collyer and John Crossley, London, published by Raymond Spencer Company Ltd the image 22cm x 16.5cm (8.75in x 6.5in)

PAULA REGO R.A. (BRITISH/PORTUGESE 1935-2022) FAIRY TALE IV (ROSENTHAL 255) Etching and aquatint, 23/35, signed, numbered and inscribed ‘Happy Christmas’ in pencil to margin the sheet 33cm x 28.3cm (13in x 11in), unframed  Gift of the Artist to Colette Morey de Morand; and thence by descent to the current owner

SIR HOWARD HODGKIN C.H, C.B.E. (BRITISH 1932-2017) MANGO - 1991 Hand-coloured etching, aquatint and carborundum, 27/55, signed with initials, dated and numbered in pencil the sheet 75cm x 110cm (29.5in x 43.25in) Long & Ryle, London, where acquired by the current owner

Jan Lievens (Dutch, 1607-1674) Jacob Anointing the Stonesigned in the plate with intials to the stoneetching, circa 1625-6second state (of two) with publisher's name (Frans van den Wyngaerde)20 x 16cmLiterature:Hollstein 4Not laid down. On laid paper. The sheet attached along the top edge. A horizontal crease running across the centre. Some smaller creases and cockling to the paper in the top left quadrant. A small tear along the left margin and another minor nick to the top left corner. Few spots in the top left quadrant and a spot near the bottom centre edge. Not examined out of frame.

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Raising of Lazarus: Small Platesigned in the plate 'Rembrandt f.' and dated 1642 (lower left)etching with drypointthe first state (of two), a fine impression with delicate lines of Lazarus' forehead still visible15 x 11.5cmLiterature:Bartsch, Hollstein 72; Hind 198; New Hollstein 206Provenance:Monogram verso (Lugt 2420) of Thomas Thane (1782-1846);Stamped initials verso (Lugt 1375) of Henry Studdy Theobald (b. 1847),Probably one of his sales, Christie's, London, April 1910 or HG Gutekunst, Stuttgart, May 1910;Acquired in 1911 by the father of Jeremy Pemberton of Grantchester and thence by descent,Gifted by Jeremey Pemberton in 2003 to The Right Reverend Peter Walker (1919-2010), Bishop of Ely (1977-1989)The Raising of Lazarus was a particularly significant subject for Rembrandt. He first painted the scene, from the New Testament, in around 1630, early in his career when he was still in Leiden. It was the culmination of his artistic development at that point and likely inspired by the friendly rivalry with his collaborator Jan Lievens (see Lot 222), who also produced a painting of the miracle. Rembrandt retained his own version (now in the Los Angeles County Museum of Art) for most of his life until his bankruptcy sale of 1656.Rembrandt made two etchings of the same theme. The first, the 'Large Plate', was created around the same time as the painting and similarly shows a young artist experimenting overtly with the dramatic effects of chiaroscuro.The present etching, the 'Small Plate', was made a decade later and displays a more intimate and delicate rendering of the subject. Indeed, Christ himself is depicted as a serene healer, rather than the theatrical enchanter of the earlier works. The image is an altogether more personal and introspective interpretation of the subject by a mature artist now in full command of his technique.

Attributed to Giovanni Battista Cipriani RA (Italian, 1727-1785) Portrait of Frederica Augusta Schaub, Mrs William Lock, with her children William Lock the Younger and Charles Lockoil on canvas35.5 x 30.5cmProvenance:Presumably by descent through the sitter's granddaughter, Elizabeth Blake (née Lock), Lady Wallscourt (1806-1877),The Collection of Lord Wallscourt (according to a label on the reverse);With Sabin Galleries London (as Giovanni Battista Cipriani)Frederica Augusta Schaub (1750-1832) was the daughter of the celebrated 18th century diplomat Sir Luke Schaub. In 1767 she married William Lock (1732-1810), a noted art collector and patron who, before his marriage, had travelled with Richard Wilson from Venice to Rome and later employed Giovanni Battista Cipriani, George Barrett, Sawrey Gilpin and Benedetto Pastorini to decorate interiors at Norbury Park which he purchased in 1774.Indeed, the Locks were artistically very well connected and were both later painted by Sir Thomas Lawrence. It is likely that this intimate portrait was executed by a painter closely linked with the family, such as Wilson or Cipriani, who based the work on earlier Italian models of the Madonna and Child with the Infant St John the Baptist; an etching by Cipriani of that subject (see Philadelphia Museum of Art, 1985-52-14400) is close in composition to the present picture.The two children depicted are William Lock the Younger (1767-1847), who would himself become a successful artist, a pupil and friend of Fuseli, and Charles Lock (1770-1804), later the British consul-general in Naples during the Neapolitan Revolution of 1799. Both sons were also subsequently painted by Lawrence.

Edmund Blampied RBA, RE (Jersey, 1886-1966), "I love your daughter", etching, signed in ink lower left, signed, titled and dated 1934 in the plate, framed, 11¼ x 8½in. (28.4 x 21.6cm.). *Appleby & Arnold Catalogue Raisonee No.171.

Chris Orr MBE, RA (British b.1943), "The Silent ABC", coloured etching, signed and dated 1990 in pencil lower right, annotations to border, titled lower centre and inscribed "working proof (lots of alterations to come)" lower left, unframed, 47.5 x 68cm.

Chris Orr MBE, RA (British b.1943), "Art School", coloured etching, signed and dated 1995 in pencil lower right, titled lower centre, and numbered 2/30 lower left, unframed, 49.5 x 74cm.

Peter Godfrey Coker RA (British, 1926-2004), Mountain Village, coloured etching, signed in pencil lower right, numbered lower left 10/20, framed, 55.7 x 37.8cm.

Jules Jacquet (French, 1841-1913) After Richard Caton Woodville RI ROI (British, 1856-1927), Blucher at Waterloo Signed by the artist and the printmaker, etching in an impressive parcel gilt frame, 95cm x 125cm

Two similar Victorian paintings, on porcelain, etching after Percy Robertson, another after Robert Walker Macbeth. (6)

A Sudanese ( Dongola ) dagger with a curved pommel, stacked horn constructed hilt, upturned crossguard and curved blade with ricasso etching housed in a wooden scabbard with a fabric covering. Measures approx 38cm.

Napoleonic War Interest - Arthur Wellesley, 1st Duke of Wellington (1769-1852) - an etching of the Duke of Wellington drawn by R. Scanlan and engraved by H. Cook mounted along side a hand written excerpt in response to a letter to Wellington (not in his hand) together with a doudle sided framed copy of The Times dated June 22nd 1815 the day that Napoleon abdicated. Measures approx 45x55cm.

A 19th Century Syrian Jambiya / Khanjar dagger. Weighted stacked style hilt of bone and wooden bands forming a chequered face. Curved blade with some Arabic script etching housed in a wood and metal scabbard. Measures approx 20cm.

A 19th Century British 1821 Pattern Royal Artillery Officer's sword. Stepped pommel with ball final, chequered grip with wire banding, strap back and a x3 bar hilt with forward facing quillon. The ricasso with proof star and blade with Royal Artillery etching. Measures approx 105cm.If this lot is required to be posted please see sale notes regarding age verification.

Martin Leman, British b.1934 - It's Magic, 1994; oil on board, signed and dated lower right 'Leman 94' and titled and dated to the reverse, 31.8 x 26.7 cm: together with an etching on paper by the same artist (2) (ARR) Note: Martin Leman is celebrated for his naïve and gently surrealist style reminiscent of Henri Rousseau. He is particularly known for his paintings of cats and the numerous illustrated books he has made, including 'Comic and Curious Cats' which featured a text by Angela Carter, making him a natural heir to Louis Wain. 

Sir William Russell Flint (British, 1880-1969),Celindra's Precaution,dry point etching, LXIV, signed,plate 18.5 x 12cm.

After Edward Burne Jones (British, 1833-1898)Flora,etching on vellum by Eugene Gaujean, signed by artist and engraver,published 1894,plate 43x16cm.Provenance:With The Maas Gallery, acquired 2002.Condition report:We suspect that the print has been 'washed' - there is some discolouration to the paper visible top (above the copyright text) and bottom just below the signatures - the image is good, however. Modern frame. Dealer's label for Maas Gallery.

Sir William Russell Flint (British, 1880-1969), Bagno Della Marchesa,dry point etching, numbered XI, signed,plate 27 x 19.5cm.

Augustus John (British, 1878-1961),A Girl's Head,etching, signed, from an edition of 50,impression 17.2x14cm.

Julia Roberts (21st century), Anticipation,etching and aquatint, signed, titled and dated 24/40, COA verso,plate 22x22cm.

Edward Fitzgerald, Rubaiyat of Omar Khayyam, illustrated by Willy Pogany, George G Harrap & Co., London 1930, numbered edition 210 or 750 copies, signed by Pogany, twelve mounted colour plates and one signed etching, tooled leather binding in original publishers card box.

Andre Lambert (German 1884-1967),La Luxure, (from the set of The Seven Deadly Sins),etching with aquatint, artist's proof, signed,impression 47x35cm.

Assorted loose book plates and engravings, including:Willy Pogany, Lohengrin, etching, signed in pencil image 19.5x13.5cm;Patten Wilson, Rustum and Sinoorg, dated '97, 20x12cm;Frederick Hammersley Ball, Ophelia, 20x12cm;Paul Balluriau, Crepuscue, lithograph 1897, publishers blind stamp,and others

Andre Lambert (German 1884-1967),L'Orgueil, (from the set of The Seven Deadly Sins),etching with aquatint, artist's proof, signed,impression 47x34.5cm.

Edgar Chahine (French, 1874-1947),Mitsou, (woman in a robe),drypoint etching, unsigned,impression 22x16cm.

Arthur Turrell after John Melhuish Strudwick,A Love Story,etching, signed, published 1890 by Fishel, Adler & Schwartz, New York,impression 51x39cm.