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GRAHAM CLILVERD (1883-1959) Archway leading to the Royal Academy, London etching, 26cm x 20cm, two other etchings of Archways and an ink and wash drawing of a panelled interior, signed in pencil 18.5cm x 25.5cm

EDWARD JULIUS DETMOLD (1883-1957) Elephant and Peacock, etching, signed, 15.5cm x 29cm

FRENCH SCHOOL A Royal procession entering into Jerusalem, possibly the Queen of Sheba etching, annotated and indistinctly signed in pencil, 32.5cm x 32.5cm

WINIFRED AUSTEN (1876-1964) Studies of birds and animals collection of etchings and trial proofs. together with interesting correspondence about the artist and an etching of an owl by Alex Mackay, unframed, various sizes

John Copley (1875-1950) A Tree Sugeon. Etching. Pencil signed lower right. 53 x 41 cm

Hedley Fitton (1859-1929) - The Rialto (Venice). etching. pencil signed and titled. 34 x 38 cm

Jan Joris van Vliet (circa 1610-1637) The glaziers. Etching. ( probably 2nd state) 15 x 20 cm.

Mortimer Luddington Menpes (1855–1938). Child with umbrella. etching. pencil signed lower right. 20.5 x 15.5 cm

D M Paterson (20th century) ARR. Stormy coast. etching. pencil signed and numbered 5/50. 46 x 32 cm.

Francis Sydney Unwin (1885-1925), 'Mte Della Disgrazia', Etching. unsigned. 45 x 35 cm.

A F Bargus after Pieter Bout (17th century) The village Inn. Etching. 29.5 x 19.5 cm

Cecil Aldin (1870-1935)  Cocker spaniel in an armchair. etching, Pencil signed and numbered 6/100. 17 x 21 cm.

Edward J. Cherry (1886-1960), etching, a watermill and waterfall, framed, 27cm x 37cm overall and a shelf of various other artwork including prints, 'Sunderland Bridges' and watercolours including a Douglas West watercolour, titled 'The Time Trial'

A shelf of artwork, to include an etching, titled 'Fading Away', 43cm x 63cm and contemporary watercolours of African style with colour

CATHIE PILKINGTON (ENGLISH b.1968)  GARDEN ENCLOSED  Etching, signed lower right, dated 2017, numbered 5/40, 34 x 43cm  Together with another by Mick Rooney (2) Condition Report:Available upon request

HENRY WILKINSON (BRITISH 1921-2011)  HUNTING HORSES  Etching, signed lower left, numbered 87/150, 27 x 36cm   Condition Report:Available upon request

Aboriginal Australian Indigenous Art artist Rowena Peipei - Womens Story, acrylic on canvas on board, together with a Aboriginal smoking pipe, a Woomera, other wooden pieces, a Grainger etching of War Canoe of the New Zealanders etc Condition Report:Available upon request

JUDITH ANNA SPENCE (SCOTTISH CONTEMPORARY)  TOLEDANA VIEJA AND TOLEDANO VIEJO  Etching, signed lower right, A/P inscribed lower left, 24 x 16cm  Provenance: The Estate of the late Anda Paterson and James Spence (2) Condition Report:Available upon request

PHIL GREENWOOD (BRITISH b.1943)  WINTERGRASS  Etching, signed lower right, numbered 13/75, 40 x 45cm   Condition Report:Available upon request

JAMES SPENCE RSW RGI (SCOTTISH 1929-2016)  CATHEDRAL AND THE TAGUS, TOLEDO  Etching, signed lower right, A/P inscribed lower left, 22 x 15cm  Title inscribed to label verso Provenance: The Estate of the late Anda Paterson and James Spence Condition Report:Available upon request

LENNY NOSWORTHY (BRITISH 19th CENTURY)  THE ESTUARY LOW TIDE  Etching, signed lower right, 14 x 22cm  Title inscribed to label verso  Together with a similar by the same hand (2) Condition Report:Available upon request

An elegant and minimalistic limited edition etching by Gary Bottoms, titled Backstage. This artwork presents a delicate yet expressive linear composition featuring two women in lingerie, depicted in a moment of preparation behind the scenes. Rendered in a refined, gestural style, the etching captures the grace and intimacy of the subject, enhanced by his keen attention to posture and movement. The etching is professionally matted and framed in a dark wood frame, complementing its understated elegance. AP is on the lower left, title is at the lower center, and the artist signature is on the lower right.Artist: Gary BottomsDimensions: 19"W x 22"HCondition: Age related wear.

Louis Icart (1888-1950) Elegant Lady Alighting from a Carriage, signed lower right, blind stamp lower left, etching aquatint, 44.5 x 32 cm (PL), 54.5 x 44 cm (SH) Previously sold at Christies 19-02-2013 lot 485

TEMPLE BAR 1876 ETCHING SIGNED GW 19CM X 27CM - FRAMED 33CM X 43CM

Heidi Konig (German b.1964) New Start, a limited edition artist proof etching, 19/150, framed

Helen Frank (b.1930) Canal Street, hand coloured etching, limited edition 20/185, signed, unframed

Helen Frank (b.1930) Great Hall MET, hand coloured etching, limited edition 7/150, signed, framed

AFTER SIR EDWIN LANDSEER. BRITISH 1802-1875 Odin-Bloodhound. Signed by etcher Rosetta Husiot. Etching 19" x 24"

AFTER MIKE BERNSTEIN Burlesque dancer on a stool. Signed, dated 88 and numbered 82/200. Etching 16" x 11"

*GRAHAM CLARKE (b. 1941) 'The Nasty Tern' 1980, signed, titled and numbered 145/250 in pencil to the margin, hand-coloured etching, printed on Barcham Green paper by the Ebenezer Press, 64cm x 91cm (sheet)Provenance: Acquired from Christie's Contemporary Art and with their Certificate of Authentication.

*JOHN BRUNSDON (1933-2014) 'Snowdonia' signed, titled and numbered 5/75 in pencil to the margin, etching and aquatint, the image 45cm x 60cm

*PATRICK PROCKTOR (1936-2003) 'Sarum' 1974, signed and numbered 77/150 in pencil to the margin, etching and aquatint, printed on R.K. Burt waterleaf paper by J.C. Editions, 59.5cm x 79cm (sheet)Provenance: Acquired from Christie's Contemporary Art and with their Certificate of Authentication.

*KEITH MURRAY (1892-1981) 'Florence' canal scene with gondolier, signed and dedicated in pencil to the margin, monogrammed in plate lower right, etching, the image 12.5cm x 13cm; together with four further prints by Murray (5) (all unframed)Note: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.

*JULIAN TREVELYAN (1910-1988) 'The Ram' 1978, signed, titled and numbered 23/50 in pencil to the margin, etching and aquatint on paper, the image 35cm x 48cmProvenance: Acquired from Freya Mitton 20th Century British Art.

*JOHN BRUNSDON (1933-2014) 'Primeval' signed, titled and numbered 8/75 in pencil to the margin, etching and aquatint, the image 45cm x 60cm

*GRAHAM CLARKE (b. 1941) 'Four Horsemen wondering whether to have an Apocalypse' signed and titled in pencil to the margin, artist's proof hand-coloured etching, 43cm x 63.5cm (sheet)

*JOHN BRUNSDON (1933-2014) 'Dusk (Dorset)' signed, titled and numbered 9/100 in pencil to the margin, etching and aquatint, the image 45cm x 60cm

CHARLES HOLROYD (1861-1917) Mediterranean landscape with trees and bushes amongst rocky outcrops, signed in pencil lower right, etching, 20cm x 23cm

§ Fred Schimmel (South African 1928-2009) Turn Left at Thursdaysigned and dated 77 (lower right); A/Petching62 x 44cmwith a further signed landscape watercolour by Michael Chapman, dated 1992, 70 x 49cm (2)Largest frame size: 90cm x 66.5cm

Chrissy Norman (Modern Contemporary) A Curious Pathsigned 'Chrissy Norman' (lower right)etching - numbered edition 42/7019 x 19cm;together with Trees and Ditchessigned 'Chrissy Norman' (lower right)etching and aquatint - numbered edition 31/7011 x 11cm (2)

An early 19th century satirical print, 'New London Cries or All the Talents making themselves Useful', hand-coloured etching, published by Walker, 1807, 33 x 48cm

§ Claire Dalby (1944-) From the Grove, Nettlecombe, signed and dated 1982 (lower right), numbered 59/100, etching, 8 x 11cm; together with Michael Middleton, The hottest day, July, signed and dated 84 (lower right), numbered 20/175, etching, 11 x 22cm (2)

§ Terry Wilson (British, b. 1948) 'A Part of Lifes Rich and Varied Tapestry'hand-signed in pencil lower rightartist's proof etching75 x 56cm

A Group Of Three Etchings to include a signed in pencil etching of Radcliffe, Wales, first state by Norman Jones (British, 1892-1980), 30.5 x 28.5cm; together with a plate signed etching after David Young Cameron, 28 x 17cm; and an unsigned etching after Sir Francis Seymour Haden, 17 x 25cm (3)

§ Valerie Thornton (British, 1931-1991) Le Bessett signed, dated '88' and numbered 67/75aquatint, 39 x 59cm with a further unsigned etching and aquatint of Churchill College, numbered edition 6/70, 39 x 57cm by the same hand (2)

Group of modern pictures to include: Patricia Carloss Irving 'Bobbie', woodblock, signed in pencil (lower right) and inscribed with title; Brenda Hartill RE (b.1943-) 'Silver Window I' and 'Silver Window II' mixed media, signed and dated 2010; Alfred Cohen 'Mouche' coloured woodblock, signed lower right in pencil and inscribed with title, edition 35/125 artist's proof; E Piper () etching titled 'Peel Fishing Smacks' signed (lower left) and inscribed with title (lower right) three others (qty)

After Edwin Longsden Long Diana or Christ? "Let Her Cast the Incense,... But One Grain and She is Free",photogravure published by Thomas Agnew and Sons, 1889,60 x 92cm Pl.; together with After Edgar Barclay,A Kabyle Fountain, Algeria,etching,60.5 x 30.5cm (2)

§ Terry Wilson (British, b. 1948) 'The Rehersal' hand-signed in pencil and dated 1975 lower rightartist proof etching59.5 x 55cm

§ Wilfred Fairclough (British, 1907-1996) Radcliffe Camera, Oxford, signed and dated 1959, etching, 30 x 33cm; together with Catedral-Basílica de Santa María de Mallorca, signed and dated 1950 (lower right), etching, 28 x 38cm (2)

Joan Hassall (British, OBE 1906-1988) A group of three woodblock prints, signed in pencil, titled 'Highland Mary, 8 x 8.5cm, 'The Highland Widow's lament' 6 x 8cm, 'Willie Brewed a Peck o'Maut', 10 x 11cm; with a further woodblock print by George Mackley titled, 'The Creek' signed in pencil, numbered edition 15/75, 9.5 x 11.5cm; and an etching by Bert Cobb of a Flat Coat Retriever with Spaniel, 30 x 25.5cm, unframed (5)

20TH CENTURY AUTOGRAPH BOOK WITH VARIOUS SKETCHES, AND A SMALL ETCHING the etching of Horse Guards, London, framed etching 19cm x 14cm

SHEILA ROBERTS, GREEN MAN etching on paper, signedframed and under glass49.5cm high x 39.5cm wide overall

TWO PICTURES, comprising an etching, depicting Puss In Boots, signed, along with printeach framed and under glasslargest 51cm high x 35.5cm wide overall

SIR DAVID YOUNG CAMERON ARSA RSW RA RSA (SCOTTISH 1865 - 1945), GRANNY GIBB'S COTTAGE, PARTICK, NO. 2 etching on papermounted, framed and under glassoverall size 29cm x 36cm

JOHN SELL COTMAN (BRITISH 1782 - 1842), MAN AND GUN etching on paper, printed before 1830, published posthumously in 1864 by Charles Muskettmounted, framed and under glassoverall size 52cm x 37cm

SIR FRANCIS SEYMOUR HADEN (BRITISH 1818 - 1910), LITTLE CALAIS PIER etching on paper, signed, titled versomounted, framed and under glassoverall size 29cm x 40cm

MARIUS ALEXANDER JACQUES BAUER (DUTCH 1867 - 1932), A FAKIR IN THE TEMPLE OF MADURA etching on paper, initialled and inscribed 'No. 66'mounted, framed and under glassoverall size 47cm x 33cm

MARIUS ALEXANDER JACQUES BAUER (DUTCH 1867 - 1932), WALLS OF HAREM etching on paper, initialled and inscribed 'No. 31'mounted, framed and under glassoverall size 51cm x 41cm

AILEEN MARY ELLIOTT RMSA (BRITISH 1896 - 1966), JERUSALEM STREET limited edition etching on paper, signed and numbered 6/75mounted, framed and under glassimage size 31ccm x 21cm, overall size 53cm x 40cm

MARIUS ALEXANDER JACQUES BAUER (DUTCH 1867 - 1932), BENARES etching on paper, initialled and inscribed 'No. 6'mounted, framed and under glassoverall size 53cm x 39cm