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Paul Rafferty (Born 1965) - 'The Field', etching, signed and titled in pencil, dated 1991, numbered 9/15, framed, 30cm x 42cm, frame size 46cm x 59cm. NB - This lot may be subject to Artist's Resale Right levy.

Kurt Meyer-Eberhardt (1895-1977) - Rabbit, etching, signed in pencil, framed 31cm x 30.5cm, frame size 66cm x 56cm.

Graham Clarke (Born 1941) - 'Fare-Ye-Well', etching with watercolour, signed and titled in pencil, artist proof, framed, 34.5cm x 54cm, frame size 55cm x 72cm, also the companion etching 'A-Rovin' by the same hand, complete with signed certificate of authenticity. (2) NB - This lot may be subject to Artist's Resale Right levy.

Graham Clarke (Born 1941) - 'Fred', etching with watercolour, signed and titled in pencil, numbered 291/300, framed, 34cm x 41cm, frame size 55cm x 63cm, also the companion etching 'Are They?' by the same hand. (2) NB - This lot may be subject to Artist's Resale Right levy.

Graham Clarke (Born 1941) - 'Snowy', etching with watercolour, signed and titled in pencil, numbered 291/300, framed, 34cm x 41cm, frame size 55cm x 63cm, also the companion etching 'Excelsior' by the same hand. (2) NB - This lot may be subject to Artist's Resale Right levy.

Meta Pluckebaum. 1876 - 1945. German School. Title: Cigarettes. Etching on paper. Dimensions: H 35 x W 27 cm. In good condition.

Henk Groen. 1907 - 1970. The Three Graces. Etching on paper. Dimensions: H 15 x W 10 cm. In good condition.

Otto Lais. 1897 - 1988. German School. Portrait of a woman. Etching on paper. Dimensions: H 50 x W 33 cm. In good condition.

Otto Lais. 1897 - 1988. German School. Image of Skeptics. Etching on paper. Dimensions: H 50 x W 33 cm. In good condition.

Otto Lais, '25. 1897 - 1988. German School. Don Quixote. Etching on paper. Dimensions: H 23 x W 33.5 cm. In good condition.

Lodewijk Schelfhout, 1921. 1881 - 1943. Bay with fortress. Etching on paper. Dimensions: H 10 - W 22 cm. In good condition.

Otto Lais. 1897 - 1988. German School. Double images in the studio. Etching on paper. Dimensions: H 50 x W 33 cm. In good condition.

Otto Lais, 1924. 1897 - 1988. German School. Nude women composition + text. Etching on paper. Dimensions: H 37 x W 26 cm. In good condition.

Otto Lais. 1897 - 1988. German School. Der Masken Händler. Etching aquatinta. On paper. Dimensions: H 32 x W 25 cm. In good condition.

Otto Lais, 1927. German School. 1897 - 1988. Don Quixote fighting a windmill. Etching on paper. Dimensions: H 27 x W 22.5 cm. In good condition.

Three pieces of crystal with silver. A flacon with etching, set on a silver round base and with a silver round sprinkle cap decorated with a floral border. 950/000, France. ø7.5x15cm. A conical cut flacon with a silver sprinkle cap, 925/000, MT.: P&W, London, jl.: K:1965. ø7x15cm. And a pear-shaped cut flacon with a silver collar and cap. 925/000. MT.: Jakob Grimminger - Schwabisch Gmund. Germany. ø8x14.5cm. In good condition.

FM Nakayama, 1962. 1898 - 1979. Number 148/210. Title: A Cosmis Garden. Etching + aquatint on paper. Dimensions: H 33 x W 44 cm. In good condition.

A striking botanical etching from Series of Flowers by Leonard Baskin, featuring a detailed depiction of a thistle rendered in green and blue ink. The composition emphasizes Baskin's signature linear technique, capturing the organic intricacy of the plant's spiky leaves and textured stems. Hand-colored elements accentuate the botanical realism of the piece while maintaining a contemporary aesthetic. Signed in pencil by the artist in the lower margin and numbered 107/120, this work was executed in 1970, reflecting Baskin's continued exploration of nature as a subject. Known for his mastery in printmaking, sculpture, and illustration, Baskin's works are held in major museum collections worldwide. His botanical etchings stand out for their precision and reverence for natural forms, making this a compelling addition for collectors of fine prints and works on paper.Artist: Leonard Baskin (American, 1922-2000)Issued: 1970Dimensions: 23.50"L x 29.50"HCountry of Origin: United StatesCondition: Age related wear.

A striking 1977 etching and aquatint by renowned American artist James Rosenquist, signed, titled, and dated in pencil in the lower right margin. Known for his pioneering role in the Pop Art movement, Rosenquist's work often features fragmented imagery, bold color contrasts, and dynamic compositions that reflect the consumer culture and technological advancements of the 20th century. This piece showcases his signature style, integrating vibrant ribbon-like patterns, geometric elements, and a surreal juxtaposition of abstract and representational forms. The bold use of color and line creates a sense of movement and energy, characteristic of Rosenquist's visual language. A notable example of his printmaking practice, this lithograph embodies his innovative approach to composition and narrative. Edition 78/78. Artist: James Rosenquist (American 1933-2017)Issued: 1977Dimensions: 40"L x 23"HCountry of Origin: USACondition: Age related wear.

Yellow Flags on Brown is a striking archival pigment ink print by Alex Katz, one of the foremost figures in contemporary American art. This work exemplifies Katz's signature style, featuring bold, flat fields of color and a refined simplicity that distills nature to its most essential forms. The composition presents vibrant yellow irises, or flags, set against a deep brown background, creating a strong visual contrast that heightens the work's graphic quality. Printed on Innova Etching Cotton Rag paper, the texture and depth of the print emphasize the richness of Katz's color palette. This limited edition print, numbered 39 of 150, is signed by the artist and embodies his ongoing exploration of light, form, and the beauty of the natural world. Katz's works are held in major museum collections worldwide, making this a compelling acquisition for collectors of modern and contemporary art.Artist: Alex Katz (American, b. 1927)Issued: 2023Dimensions: 37.75"L x 31.75"HCountry of Origin: USACondition: Age related wear.

This original etching by acclaimed American artist Sigmund Abeles showcases his masterful ability to capture the human form with emotional depth and technical precision. Numbered 98 of 110, this limited-edition print is a striking example of Abeles’ expressive and figurative style. Best known for his psychologically compelling portraits and figurative works, Abeles’ art is held in the collections of major institutions, including the Museum of Modern Art and the Art Institute of Chicago. Framed and matted, measuring 25"L x 18"H, this piece is a significant addition for collectors of fine prints and contemporary American realism.Artist: Sigmund Abeles (American, b. 1934)Dimensions: See DescriptionCondition: Age related wear.

Amram Ebgi's color etching of David the Shepherd presents a rich, symbolic composition depicting the biblical figure of David in a dreamlike landscape. Utilizing a vibrant color palette and intricate detailing, Ebgi blends elements of Israeli heritage, Jewish folklore, and spiritual iconography. The scene is framed by lush greenery, architectural motifs, and flocks of golden birds, creating a tapestry of historical and cultural significance. The use of deep blues, warm earth tones, and delicate textures adds to the narrative depth of the piece. Signed in the lower right, this work embodies Ebgi's distinctive fusion of mystical storytelling and fine draftsmanship, making it a compelling addition for collectors of Judaica and contemporary Israeli art.Artist: Amram Ebgi (Israeli, b. 1939)Issued: c. 1980Dimensions: 15"L x 13"HCountry of Origin: IsraelCondition: Age related wear.

This signed etching by Leonard Baskin presents a striking portrait of the French printmaker Charles Meryon. Rendered in Baskin's signature expressive and stark linear style, the composition emphasizes contrast and texture, with Meryon's facial features and beard deeply etched against a dark crosshatched background. The artist's characteristic approach to portraiture distills the essence of the subject, focusing on psychological intensity rather than strict realism. Baskin, known for his mastery in printmaking and sculpture, often depicted historical and literary figures with a sense of gravitas and introspection. This piece is hand-numbered 146/175 and signed in pencil by the artist, exemplifying his commitment to fine print editions.Artist: Leonard Baskin (American, 1922-2000)Issued: 1969Dimensions: 11.25"L x 14.25"HCountry of Origin: USACondition: Age related wear.

Charles Bragg's etching Beauty and the Beast is a masterful example of the artist's satirical and highly detailed illustrative style. This signed and numbered print, from an edition of 300, presents a whimsical and thought-provoking interpretation of the classic tale. The composition features a beautifully rendered woman alongside a burly, horned beast with exaggerated features, a warthog, and a cherub-like figure floating above them. Bragg's characteristic fine linework and textural detail bring the scene to life, blending elements of fantasy and caricature with a touch of humor. Known for his incisive social commentary, Bragg's work often challenges conventional beauty standards and societal norms. His etchings remain highly sought after for their artistic depth and clever narratives.Artist: Charles Bragg (American, 1931-2017)Issued: c. 1990Dimensions: 12.75"L x 9.75"HCountry of Origin: USACondition: Age related wear.

Color etching by contemporary artist Amram Ebgi, titled Children With Balloons at Safat. This highly detailed and richly textured composition showcases Ebgi's signature fusion of architecture, storytelling, and cultural motifs. The artwork features an intricate cityscape inspired by Safat, with elements of Jerusalem stone buildings, patterned windows, and lush greenery. Within this scene, two stylized figures in ornate garments float beneath a series of blank balloons, lending a dreamlike quality to the composition. Vibrant yet subdued colors, delicate linework, and symbolic imagery evoke themes of heritage, spirituality, and imagination. The lower portion of the piece incorporates a mosaic-like structure and an arched passageway with a trio of donkeys, reinforcing the artist's layered storytelling approach. Signed in pencil by the artist at the lower right and numbered 178/200 at the lower left.Artist: Amram Ebgi (Israeli, b. 1939)Issued: c. 1980Dimensions: 13"L x 15"HCountry of Origin: IsraelCondition: Age related wear.

A compelling set of three carborundum etchings on embossed paper by renowned French artist James Coignard. These pieces showcase Coignard's signature textured surface techniques, featuring deep embossing, layered pigments, and structured geometric compositions. The works incorporate elements of relief printmaking with bold black and red forms juxtaposed against an aged parchment-like background. Abstract numerals, letters, and diagrammatic structures evoke a sense of ancient scripts or architectural blueprints, adding to the intellectual depth of the compositions. The central artwork is signed and dated in pencil by the artist, underscoring its authenticity. Coignard's works are highly regarded for their blend of painting, etching, and sculptural elements, making this set particularly desirable for collectors of modern and contemporary European art.Artist: James Coignard (French 1925-2008) Issued: 2005Dimensions: 71"L x 33"HCountry of Origin: FranceCondition: Age related wear.

19th century oak and gilt framed colour tinted etching/engraving in the manner of William Herdman, depicitng St Georges Hall, Liverpool. Approx. 20 x 30cms reasonable used condition

Patrick Procktor: a signed limited edition aquatint/etching, "Sadie & Prudence", 63/75, in gilt strip frame

Wilhelm Friedrich Gmelin (1760-1820) etching Italian landscape, Veduta principale delle grandi e piccole Cascatelle di Tivoli, e loro Adiacenze 1808, 45 x 56cm, with gilt and black surround and ornate decorated gilt wood frame

Dame Laura Knight (1877-1970) etching Stella, portrait of a woman, signed lower right 33 x 28cm, in gilt frame

Dame Laura Knight (1877-1970) etching Susie, portrait of a girl, signed lower right 28 x 38cm, in gilt frame

Kurt Meyer (1895-1977) aquatint etching Two Terriers Begging depicting two dogs or puppies, signed in pencil lower right, 38 x 30cm, in gilt frame

Dame Laura Knight (1877-1970) etching Country Girls, portrait of three women, signed lower right and titled to lower margin, 26 x 20cm, in gilt frame

Dame Laura Knight (1877-1970) etching Merry Go Round, signed lower right 31 x 23cm, in gilt frame

SHONA KINLOCH (SCOTTISH b.1962)  BREAD?  Etching, signed lower right, P/P inscribed, 23 x 23cm  Together with a similar by the same hand titled 'Elsie's Hero' (2) Condition Report:Available upon request

DAVID JOHNSTON (AMERICAN b.1933)  A COLLECTION OF ARTWORKS  To include three watercolours, six etching and six lithographs (15) Condition Report:Available upon request

*KERR   PORTRAIT OF A GENTLEMAN  Pencil, signed lower left, 30 x 15cm  Together with an etching (2) Condition Report:Available upon request

ARABELLA CRUM EWING (SCOTTISH b.1967)  ONE FOR THE SORROW, TWO FOR JOY  Etching, 46 x 60cm  Titles and signed to label verso Condition Report:Available upon request

A COLLECTION OF UNFRAMED WORKS  To include a watercolour, drawings and an etching (4) Condition Report:Available upon request

An etching of a Lion, framed and glazed 36x44cm

Clare College, Cambridge etching by M. Oliver Rae, pencil signed in margin 43x30cm

Henry Wilkinson: a signed limited edition coloured etching, Netting the catch, No.28/100

Henry Wilkinson: a signed in pencil limited edition etching, fly fishing river scene, No.2/150

Disney lot- Mickey Mouse etching, plates and cup/saucer, snow globes, Wade Wade Noddy's (one has broken foot) and Charlie Brown bird 

AR * Trevelyan (Julian, 1910-1988). Father Thames, 1969, etching with aquatint on deckle-edged wove paper, signed and numbered 57/75 in pencil, the full sheet, sheet size approximately 57.5 x 77 cm (22 1/2 x 30 1/4 ins), framed and glazed (61 x 80.5 cm)QTY: (1)

* Gillray (James). The Military Caricaturist, London: H. Humphreys, December 6th, 1799, etching on wove paper with contemporary hand colouring, trimmed to platemark, some glue and paper residue to verso, 350 x 240 mm QTY: (1)NOTE:BM Satires 9442. A caricature of Colonel of the Artillery Thomas Davies (1737-1812), an amateur landscape artist, naturalist, and caricaturist, who was supposed to have spoken slightingly of Gillray.

* Lommelin (Adriaen, circa 1637-1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), indistinct collectors ink stamp to verso, plate size 282 x 200 mm (11 1/8 x 7 7/8 ins), sheet size 305 x 220 mm (12 1/8 x 8 5/8 ins), together withJode (Petrus de, 1570-1634). Beatrice de Cusance, Princess of Cantecroix, Antwerp, circa 1645, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 250 x 200 mm (9 7/8 x 7 7/8 ins), sheet size 420 x 317 mm (16 1/2 x 12 1/2 ins),Neeffs (Jacobus, 1610- after 1660). Marie-Marguerite de Berlaymont, [Antwerp]: Joannes Meyssens, circa 1649, engraving on laid paper after Anthony van Dyck, with jester/fool watermark, plate size 278 x 202 mm (11 x 8 ins), sheet size 363 x 268 mm (14 1/4 x 10 1/2 ins),Bolswert (Schelte Adams, 1586-1659). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1677, engraving on laid paper after Anthony van Dyck from the Iconography (Icones Principum), plate size 243 x 183 mm (9 5/8 x 7 2/8 ins), sheet size 332 x 260 mm (13 x 10 1/4 ins),Bailliu (Pieter de, 1613- after 1660). Albert de Ligne, Prince of Arenberg and Barbancon, circa 1650, engraving on laid paper after Anthony van Dyck, verso strengthened at head and foot (creased at foot), trimmed to plate mark, plate/sheet size 475 x 331 mm (18 3/4 x 13 ins),Bolswert (Schelte Adams, 1586-1659). Landscape by moonlight with horse grazing, from the Small Landscapes series, circa 1650, etching on laid paper after Peter Paul Rubens (1577-1640) published by Gillis Hendricx, trimmed to plate mark and laid down on mount board, plate/sheet size 317 x 455 mm (12 1/2 x 18 ins)QTY: (6)

* Gillray (James). The Chancellor of the Inquisition marking the Incorrigibles, London: H. Humphreys, March 19th, 1793, etching on wove paper with contemporary hand colouring, large margins, light overall toning, 500 x 330 mmQTY: (1)NOTE:BM Satires 8316.Edmund Burke holds up a large sheaf of paper headed 'Black List' as he walks towards the door of the 'Crown & Anchor' tavern, the headquarters of The Association for Preserving Liberty and Property against Republicans and Levellers.

Apiary Press. Insects, Apiary Press, Northampton, Massachusetts, 1959, 11 etched plates by Helen Marie Fesenmaier, including 5 with colour backgrounds, original stitched wrappers, small etching of a spider mounted to upper wrapper, 4to, limited edition 9/10, signed by the aritst and inscribed 'Pat - you really made this possible - many thanks! 'English girl' you won't be forgotten. Helene', together with Fish's Book of Beasts, Apiary Press, 1960, title with small etching of a fish, 8 etched plates by Janet Fish, a few minor spots to Bugs plate, further plate of Bugs loosely inserted, original paper-covered boards, spine faded, one or two light marks, 4to, limited signed edition 4/25, plus Vsevolod Mikhailovich Garshin. The Red Flower, translation by Max Wei Yeh, Apiary Press, 1961, etched portrait frontispiece and 8 etchings by Carol Heimburg, original paper-covered boards, spine faded with small losses from insect predation, 4to, limited signed edition 4/30 QTY: (3)

* Sayer (James, 1748-1823). Carlo Khan's Triumphal Entry into Leadenhall Street, London: Thomas Cornell 5th December 1783, hand-coloured etching, 300 x 230 mm, mounted, framed and glazedQTY: (1)NOTE:BM Satires 6276.

Late 20th century monochrome etching depicting a spiders web. Signed in pencil by the artist and numbered 'E.A. I/III'. Unframed. Measuring approx. 40cm x 30cm.

A captivating collection of art glass and crystal decorative bowls and plates, each showcasing distinct artistry and craftsmanship. This set includes a striking red crystalline-glazed ceramic bowl, its surface adorned with exquisite floral-like formations, complemented by a translucent blue glass bowl with a rippled, shell-like texture. A clear etched glass plate features intricate floral and fan motifs, enhancing its delicate allure, while an aqua-green ruffled-edge glass dish presents a fluid, organic form. The collection embodies a diverse range of techniques, from crystalline glaze artistry to precision glass etching and vibrant color infusion. A remarkable assortment for collectors and admirers of fine glass and ceramic artistry. Largest item measures 14.75" dia.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

This exquisite Baccarat Colombine vase showcases a striking geometric design with faceted crystal details that reflect light beautifully. The sculptural form adds a modern yet timeless elegance, making it a standout decorative piece. Baccarat's signature etching is present on the base, ensuring authenticity. Measures 2.75"L x 3.5"H. A refined addition to any fine crystal collection.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

A clear crystal highball glass in the Rohan pattern, featuring densely etched scrollwork across the entire bowl. The cylindrical form rests on a thick, clear base. The detailed etching displays repeated symmetrical scroll motifs. The base is marked with the Baccarat logo. This item is housed in its original red Baccarat box.Issued: 20th centuryDimensions: 5.5"HCountry of Origin: FranceCondition: Age related wear.

FERGUS MARTIN (b.1955) Untitled Etching 1/5, 70 x 160cmProvenance: with Green on Red Gallery, label verso  ***PLEASE NOTE: THE DESCRIPTION AND ESTIMATE IS INCORRECTLY LISTED IN THE PRINTED CATALOGUE***

RONNIE WOOD (b.1947) Sir Mick Etching (Unframed), 64 x 49.5cm Artist's Proof 1/10Signed

A.R PENCK (1939-2017) Untitled Etching, 114 x 105cm Edition 1/2 Signed Provenance: Collection of the late Felim Egan

RONNIE WOOD (b.1947) Pirate Keith Etching, 64 x 49.5cm Artist's Proof 1/10 Signed (Unframed)

RONNIE WOOD (b.1947) Cotton Club Charlie Etching, 64.8 x 49.5cm Artist's Proof 1/10Signed

RONNIE WOOD (b.1947) Gypsy Ronnie Etching, 64 x 49.5cm Artist's Proof 1/10 (Unframed)