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Frank Brangwyn (1867-1956, Welsh); Tramps Resting; black etching on paper; pencil signed; framed; 63cm x 68cm Artist resale rights may apply

Frank Brangwyn (1867-1956, Welsh); Tower Bridge; etching on paper; pencil signed; 65cm x 53cm Artist resale rights may apply

Frank Brangwyn (1867-1956, Welsh); Unloading Wine, Venice; etching on paper; pencil signed; framed; 53cm x 61cm Artist resale rights may apply

Frank Brangwyn (1867-1956, Welsh); figures outside building; etching on paper; pencil signed; 64cm x 69cm Artist resale rights may apply

A 17th Century oak framed etching and inscription of Charles I in three different profiles.

CUNDALL, H.M. Birket Foster R.W.S. London: Adam and Charles Black, 1906. Limited edition, this being number 94 of 500 and signed by the publisher to the limitation page, 4to. Original etching by Birket Foster 'Sheep Feeding', to the front, colour plates with captioned tissue-guards and numerous uncoloured plates and illustrations in the text. original cream cloth decorated in red and greensome stains to boards dusting, tear to lower spine end.

Vinyl - Godspeed You Black Emperor! – F♯ A♯ ∞ LP on Constellation – CST 003, Canadian pressing, Band name, album title and image frame debossed on front cover. Cover has a print glued in place, Hand-drawn cross & catalogue number and Constellation logo stamp on back cover. inserts include: A black locomotive etching on dark orange paper. An envelope (with nothing written on it). The credit sheet with "The story thus far" on the back. A handbill from a previous show. A blueprint of "faulty schematics for ruined machine”.And a Canadian cent flattened by a train. Sticker on plastic slipcover :godspeed you black emperor! f#a#∞, original 1997 lp. EX+

M J PLEDGER "Mallard male", pencil sketch, signed and dated "1981" lower right and bearing "Kings Street Galleries" label verso, 17.5 cm x 24 cm, PAYNE "Barn owls", limited edition etching, indistinctly signed, dated "82" and No'd. "50/50", titled to the margin, 12 cm x 18 cm, MARION ADNAMS "Birds nest", pencil study, signed and dated "53" lower right and titled, named and dated in pen verso, 14 cm x 15 cm (3) CONDITION REPORTS PLEASE NOTE THAT P CALDY "Study of cats", has been withdrawn from this lot

"Frigate and hulk", black and white etching, titled and inscribed "Plymouth 1837" to the lower mount, image size 12 cm x 17.5 cm, two decorative prints "More" (Oliver Twist) and "Betsy Prigg and Mrs. Camp" (Martin Chuzzlewit), colour prints, 36 cm x 23.5 cm and AFTER SNAFFLES (Charles Johnson Payne) "January to December", twelve colour prints, each depicting month of the year, mounted as one, size including frame 86 cm x 85 cm, each month 16.5 cm x 23 cm (4)

AFTER JACKSON SIMPSON "Setters", etching, signed and titled in pencil to lower margin, bears blind studio stamp and "Robert Bunting" label verso, 16.5 cm x 24.5 cm

AFTER L S LOWRY "Northern river scene", colour print, 40 cm x 60 cm, two early 20th Century watercolours of "Gibraltar", unsigned, one 10 cm x 15 cm, the other 9.5 cm x 15 cm, various Spy and Vanity Fair prints, AFTER HENRY ALKEN "Symptoms", coloured engraving, depicting various shooting scenes, 21 cm x 24 cm and another depicting "Fight" and "Horses and Riders", 19.5 cm x 24 cm, AFTER JAMES B LEE "Bedern York", etching, 22 cm x 17.5 cm, etc. (2 boxes plus 1 loose)

AFTER JOSEPH HECHT (1891-1951) "After the flood" animals leaving Noah's Ark, etching, signed and inscribed "edn d'artiste" in pencil to the lower margin, 29 cm x 39 cm

Jurgen Gorg (German b.1951) Comedia, signed and dated ’89, etching, limited edition 6/100, 35 x 27cms, 57 x 47.5cms in frame. Notes: Gallery label for CCA Galleries to back of the frame.

James McBay (1883-1959) “Repairing a barge at Bermondsey”, signed and dated in plate May 1914, signed in pencil to margin, etching, plate 21.5 x 16.5cms, in mount 45.5 x 30.5cms.

Leonard Russell Squirrell (1893-1979) Claypath, Durham, signed in pencil to margin and in plate, aquatint etching, 24.5 x 33cms, 49.5 x 57cms.

Anja Percival (Contemporary) “Interior Light II”, signed, titled and date 2004, an etching and collagraph, limited edition print 19/75, 44 x 41.5cms, 79 x 75.5cms in frame.

Francis Sydney Unwin (1885-1925) Ploughing the field, signed with dedication “To John Murray”, etching, 6.5 x 16.5cms, 27.5 x 34.5cms in frame.

Man Ray(American, 1890-1976)Electro Maggie, Electro Image (1969),signed and numbered with Roman numerals in pencil,limited edition colour etching, 23/25,plate 19cms x 14cms, frame 49cms x 39cms.

Job Nixon (1891-1938) Siena Market, pencil signed to margin and signed in plate, etching, 26 x 31.5cms, 41 x 50.5cms.

John Brunsden (1933-2014) Wilby Church, signed, aquatint etching, limited edition 68/150, 45 x 60.5cms, 65.5 x 85.5cms in frame.

Eileen Soper (British 1905-1990) Children on swings. An etching, pencil signed to margin. 19 x 24cm. S.Fletcher label verso

Pair of horseshoe fronted lamps by Marston & Co, Birmingham with decorative flower etching to glass

PALASH MODEL 1889 | GERMANY, GERMAN | Model pattern: Pattern 1889 | Country: Germany | Date: beginning of the 20th century | Marking: Ges. Gesch. (Left side of blade), Hussaren regt. Landgrave Friedrich II. Von Hessen Bamberg (2.kurhess.) No. 14 (right side of blade) | Condition: The condition corresponds to the age of the gun, with visible patina on the metal parts of the scabbard and minor wear on the hilt | Lot information | Palash model 1889, made at the beginning of the 20th century. The blade is richly decorated with etching, marked "Ges. Gesch." on the left side, while the right side bears the inscription "Hussaren-Regt. Landgraf Friedrich II. von Hessen-Homburg (2. Kurhess.) No. 14". This palash was intended for hussar regiment no. 14 of the German army. The pommel has a metal head and handle covered in ribbed black leather. The basket cover is decorated with the emblem of a double-headed German eagle with a heraldic shield. The blade is decorated on both sides with etched motifs, including floral ornaments and military symbolism. A steel scabbard with an eye for suspension is included. | Dimensions | Length: 910 mm | Blade: 775 mm | Weight: 1 kg***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

OFFICER'S SABER | GERMANY, GERMAN | Country: Germany | Date: 2nd half of the 19th century | Condition: No sheath | Lot information | German officer's saber, made in the second half of the 19th century. Remains of etching with trophies have been preserved on the blade. No sheath. | Dimensions | Length: 825 mm | Blade: 696 x 20 mm | Weight: 510 g***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

PALASH MODEL 1889 | GERMANY, GERMAN | Model pattern: Pattern 1889 | Country: Germany | Date: turn of the 19th and 20th centuries | Condition: No sheath | Lot information | German/Prussian M1889 Palasch, made at the turn of the 19th and 20th centuries. Private production, blade lightly decorated with etching. | Dimensions | Length: 967 mm | Blade: 840 x 22 mm | Weight: 640 g***IMPORTANT NOTICE*** | SHIPPING ONLY WITHIN THE EUROPEAN UNION | Bidders are obliged to inform themselves about the condition of the lots before the auction, subsequent complaints will not be taken into account.

A Rembrandt atinque drypoint etching attributed to chevalier ignace Joseph de claussin.

LUBBOCK, J. G. Landfall, presentation copy inscribed by the artist, limited edition, [one of 100], facsimile of the artist's handwritten text and paintings, quarto, [24pp.], blue paper-covered boards, internally fine, boards marked, [Woodbridge, Suffolk: J. G. Lubbock, 2013]. Together with Reflections from the Sea, 4pp. prospectus, [1971], housing two SIGNED trial proof colour etchings of sea, sand and mountains, 33cm x 50cm, prints very good & bright, prospectus scuffed/marked, and a SIGNED trial proof etching of waves, 33cm x 56cm, with some toning and tape residue verso

Giovanni Battista Piranesi (Italian, 1720-1778) - Spaccato interno della Basilica S. Paolo furoi delle Mura - Etching on laid paper - 40 x 60cm - 63 x 83cm framed - Signed in plate lower right

Rowland Langmail (British, 1897-1956) -London Bridge andSt Pauls from the South Side -Pair of drypoint etchings -Each plate approximately 12.5 x 24cm -Each signed in pencil to the lower margin -Together with a signed etching of the Trafalgar Square, 10 x 18.5cm (3)

5 Thornton Abbey original pictures - Watercolour of the Chapter House Ruins unsigned - 'Thornton college' pencil and wash drawing circa 1840 of the ruins of the south-east chapel  of the south transept of Thornton  Abbey initialed RF - early 19th century watercolour of the Gatehouse and Barbican circa 1823 unsigned - unsigned watercolour with oval mount and Harold Astwood 1945 etching 

5 church pictures includes William Fowler of Winterton engraved, coloured and published from a drawing by his son Joseph Fowler - West view of the remains of the monastery of Thornton upon Humber Lincolnshire 76cm x  57cm - Maughan watercolour of St Peters Barton-on-Humber signed lower left with clear date to tombstone 1892 - oil on board Angel from 2021 St John's Church unsigned sticker to rear L.Houghton - sepia watercolour view of 'interior of Tattershall Church, drawn by Thomas Espin from a sketch made by himself August 1817 (as inscribed on the reverse) - St Guthlac Market Deeping Lincolnshire, restored 1878 J.Fowler A.R.I.B.A Archt Louth etching, John J Cresswell Aug 1879 

▲ Henry Moore OM CH FBA (1898-1986) ‘Mother and Child X' (CGM 680)etching and aquatint, 1983, signed 'Moore' in pencil l.r., and numbered 'PL X 1/65', printed by James Collyer and John Crossley, London, published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadhamplate 23 x 37.5cmCondition ReportFramed: 62 x 70cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.

▲ Graham Sutherland OM (1903-1980) Cudham, Kent (Tassi 15)etching, 1924, signed 'Graham Sutherland' in pencil l.r. and inscribed with title l.l., from the edition of 42 published by Twenty-One Gallery, London, also stamped 'S' l.l.plate 7.5 x 10cmCondition ReportSheet: 11 x 14.5cm On laid paper. The sheet edges have been trimmed unevenly and the margins are different sizes. A slight paper loss in the top left-hand corner. The printed area appears crisp with good depth. Faint dirty marks and smuges to the margins. Appears to be stuck down in the corners. Well presented and ready to hang. Not viewed out of glazed frame.

Louis Icart (French, 1888-1950) 'Vitesse' (Speed II), 1933etching with aquatint and drypoint in colours, signed 'Louis Icart' in pencil and inscribed '105', with artist's blind stampplate 39.5 x 65.5cmProvenance: Bonhams, Knightsbridge, 'Old Master, Modern and Contemporary Prints', 21 September 2011, lot 298.Condition ReportFramed: 66.5 x 89cmA little time staining. Some small spots of foxing starting to emerge. Two small black spots in the margin in the lower right corner. An extremely faint, small brown mark to the margin in the upper right. Not viewed out of glazed frame.

▲ Tracey Emin RA (b.1963) 'Out Cold', 2014polymergravure etching, signed and dated 'Tracy Emin 2014' in pencil l.r., inscribed with title and numbered '32/100', a limited edition print from the Royal Academy Summer Exhibition 2014sheet 37.5 x 43cm, unframedCondition ReportAppears to be in good condition.

▲ Ben Nicholson OM (1894-1982) 'Ronco' etching, signed and dated '68' in pencil l.r., numbered '23/50', published by Leslie Waddington Prints, London, printed by François Lafranca with blind stampsheet 37.5 x 44cmProvenance: Bonhams, Knightsbridge, 'Prints and Multiples', 29 November 2017, lot 27.Condition ReportFramed: 61.5 x 67.5cmA little cockled. Appears to be in otherwise good condition and ready to hang. Not viewed out of glazed frame.

▲ Graham Sutherland OM (1903-1980) 'Clegyr-Boia 1, Landscape in Wales', 1936etching and aquatintplate 20 x 15cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportSheet: 29 x 22cmTime staining with a little foxing starting to emerge. Light creasing to the margins and corners. Diagonal folds to the lower corners.

Bob Dylan (American, b.1941) 'Woman in Red Lion Pub - Portfolio'a set of four giclée prints in colours, 2008, each signed 'Bob Dylan' in pencil l.r., and numbered '263/295', printed by GTZ Fine Art Editions, New York, on Hahnemühle 350gsm Museum Etching, published by Washington Green Fine Art in association with Black Buffalo Artworks, complete with Washington Green Fine Art blind stamps, certificates of authenticity, and in original portfolio as issuedsheet 69.5 x 55.5cm, unframed (4)Provenance: Purchased from Halcyon Gallery, London.Condition ReportPROVENANCE: With certificates of authenticity.The prints appear to be in good condition. In raking light the portfolio has a couple of very light, superficial surface scratches, and the extreme upper left corner is a little dented. The prints are unaffected. Please see additional images.

▲ Edward Bawden RA (1903-1989) 'Tortoise',etching, signed 'Edward Bawden' in pencil l.r., inscribed with title and numbered '39/40'plate 8.5 x 10.5cmCondition ReportFramed: 16.5 x 22cmA little staining to the top edge of the sheet. Small scattered spots of foxing starting to emerge to the margins. Thunderbugs trapped behind the glazing. The printed area presents well overall. Not viewed out of frame.

▲ Victor Pasmore CH (1908-1998) 'Vertical Development' (Lambertini 47)etching with screenprint, signed with initials and dated '74' in pencil l.c., numbered '41/60', printed by White Ink Studio, published by Marlborough Graphics, London sheet 91 x 65cmCondition ReportFramed: 95 x 68.5cmRippling to the sheet. A few thunderbugs trapped behind the glazing. Not viewed out of the glazed frame.

▲ Elizabeth Blackadder (1931-2021) 'Langoustine'etching in colours, 2012, signed 'Elizabeth Blackadder' in pencil l.r., and numbered '49/50', published by Glasgow Print Studio, with blind stampsheet 56 x 52cmCondition ReportFramed: 63 x 59cmVery slight rippling where stuck down in the corners. Appears to be in otherwise good condition. Well presented and ready to hang. Not viewed out of glazed frame.

▲ Julian Trevelyan RA (1910-1988) 'Buffaloes'etching and aquatint in colours, 1968, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '40/75'image 35 x 47cmCondition ReportFramed: 59 x 68cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.

Sundry pictures and prints, comprising: E. Steele “Flower Study”, signed, oil on board, 16 x 36cms, 36 x 53cms in frame; together with an etching by Louis Wherther “Durham Cathedral”, unframed; a watercolour by E. Murray “Winter Scene”, unframed; a watercolour by R. E. Jordan “Elvet Bridge, Durham”, unframed; and three unframed prints. (7)

Chris St. Clair, pencil signed coloured etching 'Moonlit Sea', 21/50

Aage Roose, pencil signed etching dated 1977

A collection of antique prints, etching, engravings, book plates and watercolours. Includes architectural, landscape, furniture, portraits etc.

Richard Bawden (1936-2024), artist's proof etching with aquatint, 'Dried plants', signed in pencil, 59 x 40cm. Condition - fair to good

A QUANTITY OF PICTURES AND PRINTS ETC, to include a watercolour of bathing huts on the Isle of wight, possiby by Ferdinand Caulkin, a watercolour landscape by Anne Cherry, a signed limited edition Hugh Casson print of Keble College Oxford, a Martin Caulkin pen and watercolour painting of a Native American Chieften, a Martin Caulkin limited edition print of a landscape, a Dennis Flanders signed limited edition print of Keble College Oxford, a Martin Caulkin open edition print of Sherrif, an Etching of Coleshill, an unsigned woodblock print of a Viking ship, assorted other pictures etc

Salvador Dali (Spanish,1904 - 1989)Passiflora Laurigera - 1968Colored Etching. Pencil signed and numbered (87/200) lower margin.From the Flora Dalinae suite.Impression Size: 23 x 15 in.Overall Framed Size: 34 x 25 in.Framed behind glass.This suite consists of ten original etchings published by Jean Schneider, Basil. Inspired by the famous Belgium painter and botanist Pierre-Joseph Redoute (1759 -1840) known for his watercolors of lilies, roses and other flowers.

Edgar Degas (France, 1834-1917)"Mary Cassatt at the Louvre"Etching and aquatint in black on wove paper.Image Size: 11.75 x 5 in.Overall Framed Size: 19 x 12 in.Framed behind glass.

Vincente Arnas Lozano (Madrid. B. 1949)"Leaving the Bullpens"Etching & Aquatint. Pencil signed and numbered (XXXII/XC) lower margin.Sight Size: 12.5 x 9.5 in.Overall Framed Size: 20.5 x 16 in.Framed behind glass.

A striking Le Verre Francais cameo glass goblet vase, featuring an intricate acid-etched design of stylized floral motifs against a fiery orange and deep red background. The goblet-shaped bowl sits atop a tall, ribbed black glass stem with a swirl-patterned foot, adding to its refined Art Deco aesthetic. This exquisite piece showcases the masterful craftsmanship of Le Verre Francais line, renowned for its bold colors and intricate etching. Signed Le Verre Francais on the base.Issued: 20th centuryDimensions: 11.5"HCondition: Age related wear.

Sleek and bold, these limited edition Dita Raketo sunglasses feature a modern geometric aviator silhouette with a striking blue and titanium frame. Crafted in Japan, this model (DTS422-A-03) showcases a layered construction of titanium and acetate with signature exposed screws, giving a nod to Dita's futuristic design language. The gradient lenses offer UV protection, and the temples are made from a rich translucent blue acetate, finished with gold-tone Dita emblem on the tip. Marked "DITA RAKETO" on the lens and inner arm. Includes size markings 64 10-145 and Made in Japan etching. A premium collectible for eyewear enthusiasts.Issued: c. 2010-2020Dimensions: 6"LCondition: Age related wear.

A striking drypoint etching by celebrated French artist Paul Helleu portraying the esteemed Comte Robert de Montesquiou-Fezensac, a poet, dandy, and influential figure of the Belle Epoque. This refined profile study captures Montesquiou's aristocratic features and distinctive presence, rendered with Helleu's signature fluidity and precision. The subject's poised elegance, accentuated by his boutonniere, reflects the artist's mastery in depicting the elite of his era. Signed on lower left: Helleu. Inscribed: tirer a 10, planche detruite, signifying that only ten impressions were printed before the plate was destroyed, ensuring its rarity and exclusivity. Housed in an ornate gold-tone frame with a double mat, this exceptional portrait stands as a testament to Helleu's artistic finesse and Montesquiou's enduring legacy as an icon of refinement and literary influence. Artist: Paul Cesar Helleu (French, 1859-1927)Issued: 1911Dimensions: 30.50"L x 39"HCountry of Origin: France Condition: Age related wear.

An Arthur Tilley six string banjo Makers plate to foot, mother of pearl inlay to neck, decorative rose pattern etching to metal body, length 87cm, with battered original case.

After Louis Rosenberg (American 1890-1983) monochrome etching 'The Fountain' Aya Sophia, signed in pencil to margin, entitled to mount, within a grained wood frame, under glass 14.5cm x 17.5cm & 39.5cm x 34.5cm overall sold along with an indistinctly signed mezzotint 'Ingleboro' mounted (slipped) framed and glazed 19cm x 19cm & 42cm x 33cm overall.

Thomas Fielding (British, 1758-1820) after Henry Alken (British, 1774-1850) hand coloured etching, 'Getting Away' hunting scene, within off white washline mount and gilt frame. 33.5cm x 49cm, 51cm x 67.5cm overall.

Artist unknown, etching in colours, 'The Young Ladies Journal, New Paris Fashion May 1894' within blue mount and dark wood frame, some creases and tears. 42.5cm x 63.5cm, 66cm x 86.5cm overall.

Artist unknown, naive monochrome etching, with distorted human figures, homes and cars on a black background, within off white mount and black frame. 47cm x 65.5cm, 61.5cm x 81cm overall.

‡AUGUSTUS EDWIN JOHN RA (1878-1961) etching and dry point - entitled verso 'Ursula' on Martin Tinney Gallery label, signed and dated 1903, 18 x 11cmsProvenance: private collection Vale of GlamorganComments: framed and glazed