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William St John Harper (American 1851-1910) pencil signed etching with remarque, 15.5cm x 23.5cm, unframed

Alfred Blundell (1883-1968) etching - Old Houses on the Arno, Florence, signed and inscribed, 24 x 37cm, glazed frame

Richard Beer (1928-2017) etching and aquatint. Piazza Armerina 2. Edition no. 35/100. 63.5cm x 47.5cm. In glazed gilt frame.

Frederick Landseer Griggs (1876-1938) etching - The Boot Inn 1889, signed in the plate and dated (18) 98, plate size 9.1cm x 12.7cm, in glazed frame

Sidney Tushingham (1884-1968) signed black and white etching - Continental Street, in glazed frame, 39cm x 19cm

Charles Dater Weldon (American 1855-1935) pencil signed etching with remarque, 24cm x 17cm, unframed

Glynn Thomas (b.1946) limited edition etching - Pulteney Bridge, Bath, signed titled and numbered 34/200, 29cm x 20cm, in glazed frame

Bruce Onobrakpeya (Nigerian, b.1930), deep etching, Emerako, 24.5cm x 29cm, mounted

Frederick Landseer Griggs (1876-1938) etching - The Coopers Arms 1886, signed in the plate, plate size 14.7 x 19.8cm, in glazed frame

Peter Blake (b.1932), etching and aquatint, inscribed in pencil 'Proof Portrait of Joyce by Constantin Brancusi', signed 'Peter Blake 1983', 17.5cm x13cm

Frederick Landseer Griggs (1876-1938) etching - The Market Place, signed in the plate and dated 1898, plate size 20.3 x 13.8cm, in glazed frame

Two box framed textile art pictures - one signed with initials VS, the other unsigned but probably by the same hand, the larger 8½ x 8½in (21.6 x 21.6cm), in white painted glazed frames, the larger 51.5 x 38.75cm; together with a small coloured etching of flowers, signed and numbered 72/120, 9.6 x 9.6cm, green painted metal frame (36 x 29cm). (3)

After Daniel King (d.1664), The South Prospect of the Cathedral Church of Bath, coloured etching, visible sheet 18.5 x 31cm, together with by Johann Sebastian Mueller, This View of the Right Honourable Earl of Chesterfield's House near Hyde Park, coloured engraving, visible sheet 16 x 30.5cm (2)

English School, early 20th century, nude, etching, 13 x 3cm, together with another (2)

Charles Oliver Murray (19th century), St Mary's Gate, Oxford, dated 1885, etching, 39 x 30cm, together an architectural sketch (2)

Franz Von Stuck (German, 1863-1928), Bacchantenzug or Childhood Enthusiasm, etching, 75 x 45.5cm, housed in an inlaid and dentil moulded frame

Frederick George Austin (British 1902-1990): Scarecrows and Plough in a Farmer's Barn, drypoint etching signed and dated 1939 in pencil 18cm x 15cm (unframed) Provenance: direct from the granddaughter of the artist

Frederick George Austin (British 1902-1990): 'Mill at Barnes - Suffolk', drypoint etching signed titled and dated 1927 in pencil 11cm x 18cm (unframed) Provenance: direct from the granddaughter of the artist

Frederick George Austin (British 1902-1990): The Boatyard, drypoint etching signed pencil 14cm x 16cm (unframed)Provenance: direct from the granddaughter of the artist

Oldrich Kulhanek (Czech 1940-2013): 'Mao Self-Third', triptych etching signed titled and numbered 15/30 in pencil 36cm x 46cm

Frederick George Austin (British 1902-1990): 'Santa Sabina' Interior with Nuns', drypoint etching signed and dated 1927 in pencil 18cm x 13cm (unframed)Provenance: direct from the granddaughter of the artist

Frederick George Austin (British 1902-1990): A Peasant Family in Prayer, drypoint etching signed and dated 1928 in pencil 13cm x 16cm (unframed)Provenance: direct from the granddaughter of the artist

Frederick George Austin (British 1902-1990): The Tavern Maid and Patron, drypoint etching with pencil editing inscribed '4th state' in pencil 13cm x 15cm (unframed) Provenance: direct from the granddaughter of the artist

Simon Bull (British 1958-): 'A Cumbrian Tup (Swaledale Ram)', artist's proof drypoint etching signed titled and dated 1982 in pencil 15cm x 19cm (unframed)

William Lionel Wyllie (British 1851-1931): The Pool of London, drypoint etching signed in pencil 14cm x 31cm

Frederick George Austin (British 1902-1990): The Carpenter and His Family, drypoint etching signed and dated 1929 in pencil 14cm x 16cm (unframed)Provenance: direct from the granddaughter of the artist

Frederick George Austin (British 1902-1990): Fishing from the Bridge, drypoint etching signed and dated 1927 in the plate, inscribed '3rd state' in pencil 9cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Frederick George Austin (British 1902-1990): A Woman on her Houseboat, drypoint etching signed and dated '30 in the plate, inscribed '1st state' 14cm x 11cm (unframed) Provenance: direct from the granddaughter of the artist

Berthe Morisot (French 1841-1895): Young Girl with a Cat, after a portrait of Julie Manet by Renoir, drypoint etching, labelled verso 13cm x 11cm

Frederick George Austin (British 1902-1990): 'The Bridge Wall', drypoint etching signed and dated 1929 in pencil 14cm x 10cm (unframed)Provenance: direct from the granddaughter of the artist

June Berry (British 1924-): 'A Stroll in the Evening', etching and aquatint with hand-colouring signed titled and numbered 22/50 in pencil 30cm x 38cm

Frederick George Austin (British 1902-1990): The Costermongers, drypoint etching signed and dated '25 in the plate 24cm x 19cm (unframed)Provenance: direct from the granddaughter of the artist

Julian Temple, (b.1953), Parrot, monochrome etching, signed and dated 1970 lower right, framed and glazed, 80 x 49.5cm.Julian Temple is a British film maker and known for The Great Rock And Roll Swindle.

Bob Dylan (American, b.1941), 2008 The Drawn Blank Series, Statue of Liberty, giclée print in colours, signed in pencil lower right, numbered 291/295 lower left, printed by GTZ Fine Art Editions, New York on Hahnemühle 350gsm Museum Etching, published by Washington Green Fine Art in association with Black Buffalo Artworks, complete with Washington Green Fine Art certificate of authenticity image 54.5 x 40.75cm, paper size 70 x 56cm, framed and glazed, 74 x 60cm.Frame and surround appear in good order. Print appears vibrant colour, no foxing or creasing to paper. No issues.

John Brunsdon (1933-2014) - Southwold, etching with aquatint, published by Christie's Contemporary Art, signed, titled and numbered 29/150 in pencil to the margin, with Christie's blindstamp and certificate, sheet 40 x 57cm

Richard Bawden (1936-2025) - The Parlour, etching with aquatint, signed and numbered 76/85 in pencil to the margin, visible sheet 47 x 64cm

Phil Greenwood (b.1943) - Leaf Fall, etching with aquatint on wove paper, signed, dated '79 and numbered 99/250 in pencil to the margin, visible sheet 47.5 x 55cm

Peggy Sutton (1887-1923) - Lady in a wide-brimmed hat, etching in colours, signed and dated '22 in pencil lower right, visible sheet 32 x 23.5xm

Valerie Thornton (1931-1991) - Etruscan Parting, etching with aquatint, signed, dated '88 and numbered 19/90 in pencil to the margin, visible sheet 29 x 41cm

John Howard (b.1958) - Cave study, Falmouth, etching, signed, numbered 3/35 and dated 2000 in pencil to the margin, visible sheet 36 x 35cm

Salvador Dalí (Spanish 1904-1989) - Don Quixote - etching, signed in the plate, bearing 'The Collector's Guild Ltd New York' label verso, visible sheet 23 x 19cmUndulation to the sheet.Staining/discolouration around mount and to areas of upper margin.A couple of very small fox marks to margin.Thunderflies beneath the glass.

Edward Burra (1905-1976) - Drag Queen, etching on wove paper, signed and numbered 67/75 in pencil to the margin, visible sheet 31.5 x 26cm

Richard Bawden (1936-2024) - Small Dried Plants, etching with aquatint, artist's proof, signed in pencil lower right, visible sheet 19.5 x 19.5cm

Graham Clarke (b.1941) - Mullion Cove, etching artist's proof, signed in pencil to the margin, visible sheet 32 x 42.5cm

Valerie Thornton (1931-1991) - Etruscan Reunion, etching with aquatint, signed, dated '88 and numbered 19/90 in pencil to the margin, visible sheet 29 x 41cm

David Koster (1926-2014) - Greenfinches, etching with aquatint, signed and numbered 49/50 in pencil to the margin, sheet 50 x 38.5cm

George Vertue (1684-1756), after W.Greene, "The Oxford Almanack For the Year of our Lord God MDCCXLIV Being Bissextile or Leap Year", etching and engraving, circa 1743, 52x47cm, framed and glazed.

Giovanni Battista Piranesi (Italian, 1720-1778), Interior of St Peter's Basilica, etching, first state, Ref: Hind 102, 69x50cm, framed and glazed.Colgnani and Co Ltd, London.Central paper cockling with possible mildew / occurance of damp on the central composition (see images).

C.Bygrave (British, contemporary), "Tree in Sheringham Park", artist proof aquatint, signed and titled to plate margin, 44x32cm, framed and glazed.Plus, Glynn Thomas (b.1946), "Tuscan Hills", limited edition etching with aquatint, numbered 21/50, signed and titled in pencil, 9.5x7cm, framed and glazed (2)

Petrus Sanctus Bartolus (1635-1700), The Triumph of Marcus Aurelius. The Emperor on the right is seen riding a quadriga, while victory stands behind him, etching, unframed, 20.5x19cm (plate size) 47x36cm (sheet size).

Etienne Brion (French, ca.1700), after Charles Le Brun, 'La Presentation De La Sainte Vierge', etching laid on paper, dated 1724, 35.5x22cm (plate size), 46x31cm (sheet size), unframed

After Guido Reni (Italian,1575-1642), The Holy Family with an angel, etching, laid on paper with notable cropping to lower margin, 22x15cm, framed and glazed

NS Motor Corps 1933 Pattern Dagger. Rosewood Handle, with the original scabbard and belt clasp (stamped) and leather loop. Clear etching to blade. Makers stamp, Malsch & Ambrown, Steinbronn. Good example with age related wearSHIPPING £38.00 PLUS VAT (UK ONLY)

† JOHN BELLANY CBE RA (SCOTTISH 1942-2013) FIGURES AND CREATURES WITH CRUCIFIXION Etching, signed in pencil, 39.5 x 52.5cm (15.5 x 20.75") Condition Report:Good condition. Slight discolouration and minor foxing. Not examined out of frame

† SIR EDUARDO PAOLOZZI KBE RA HRSA (SCOTTISH 1924-2005) LANDSCAPE Etching, signed in pencil, dated 1990, 60.5 x 45.5cm (24 x 18"), unframed, Condition Report:Good condition. Slight creasing/marking

† RAOUL DUFY (FRENCH 1877-1953) BAIGNEUSES Coloured etching, 22 x 31cm (8.5 x 12.25") Condition Report:Some discolouration to sheet. Surface grime. Not examined out of frame

† RAY RICHARDSON (BRITISH b.1964) BEER FOR BREAKFAST Etching, signed in pencil, inscribed, dated (19)92, 20 x 25cm (8 x 9.75") Condition Report:Good condition

† ROBIN WELCH (1936-2019); ‘Untitled’, mixed media on paper, 36.5 x 23cm, framed and glazed, and 'Bowl', a small limited edition etching, edition no. 5/10, titled lower left, signed and dated 1995 lower right, signed verso, 15 x 12cm, framed and glazed (2).Provenance: Estate of Robin & Jenny Welch.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

After Herbert Alker Tripp (1883-1954)PinesLithograph; together with "The Oxford Road, The Angel at Henley-on-Thames", After Cecil Aldin, and an etching depicting a Venetian canal (3)

After Joan Miro (1904-1989) SpanishPassage of the Egyptian Woman, (one plate)Etching, numbered 45/115; together with a lithograph after Marc Chagall, Bella, numbered 141/500, 61cm by 45cm and 75cm by 55cm respectively (2)