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Anthony Gross RA (1905-1984)Paysage du LotSigned, inscribed and numbered in Roman Numberals IV/XII, etching; together with a further work by the same artist "Stubble Field", signed and inscribed AP, 27cm by 35.5cm and 25.5cm by 31cm (2)

AFTER REMBRANDT VAN RIJN A lithograph after the etching. 4½" x 4"

Hedley Fitton: a Hogarth framed large format monochrome etching entitled 'The West Facade, Strasbourg Cathedral' - signed - sold with a framed coloured print still life

Hughes Weston: a gilt framed pencil drawing, depicting a village street view - signed - sold with Richard Beer: a framed signed limited edition coloured etching, depicting a church - titled to the margin and a David Shepherd coloured print, depicting a locomotive wheel and linkage

Stephen Whittle: a framed signed limited edition coloured etching entitled 'Paths by Fields' - 87/275

†Graham Clarke: a gilt framed artist's proof coloured etching entitled 'Cowherd' - signed in pencil and titled to the margin - image 13.5cm X 17cm

COLIN BYGRAVE (1933-2020) A framed and glazed coloured etching - 'Downs Landscape'. Pencil signed and No.3/20. Image size 27cm x 50.5cm

JANE IRONSIDE (Contemporary Norfolk based artist) A framed and glazed coloured etching - 'Puffins'. Pencil signed and No.4/20. Image size 48cm x 22cm

JULIA MANNING (XX/XXI) A framed and glazed etching with aquatint, 'Circus Ponies Winter Quarters'. Pencil signed and No.19/150. Plate size 27cm x 24.5cm

COLIN BYGRAVE (1933-2020) A framed and glazed etching, 'Ceret Pyranees, France'. Pencil signed and numbered 6/20. Palte size 26cm x 22cm

BERTRAND DORNEY (French 1931-2015) A framed and glazed etching, '437'. Pencil signed and numbered 18/30. Image size 18.5cm x 29.5cm

JULIAN TREVELYAN (1910-1988) (ARR) 'Istanbul' etching with aquatint, artists proof, pencil signed, framed and glazed. Plate size 34.5cm x 48.5cm

COLIN BYGRAVE (1933-2020) A framed and glazed coloured etching - 'Chamboulive I'. Pencil signed and No.19/90. Image size 27cm x 61cm

NORMAN ACKROYD CBE, RA (b.1938) (ARR) Unframed etching - 'The Three Sisters, Dingle'. No.15/90, pencil signed and dated '08 bottom right, titled left. Sheet 48cm x 77cmLot 9451 – The print has been kept rolled up in its postage card tube with protective paper and tissue so there are no obvious signs of damage or repair.  

DAME ELISABETH FRINK RA (1930-1993) (ARR): An etching 'Long-Eared Owl' from 'Six Owl Series', aquatint in colours, pencil signed and numbered 52/75, 53.5 cm x 45 cm, framed and glazedThe print is in its original frame which is very dusty and dirty and the frame has scuff marks around it. The print itself looks to be quite clean however and shows no obvious signs of foxing, staining or creases. 

JOHN BRUNSDON (1933-2014) A framed and glazed limited edition etching with aquatint, 'The Cobb'. Pencil signed and No.19/150. Plate size 11cm x 29cm

Goodwin Hoiman, etching, Monte Pulciano, signed in pencil and dated 1926, 12ins x 18.5ins 

Sarah van Niekerk, limited edition wood engraving, Nant Pasgan Bach, 9.5ins x 6.5ins, together with a Frank Brangwyn black and white etching and two other prints

* JACKI PARRY RSA (AUSTRALIAN/SCOTTISH b. 1941), MEMORY WEAVING limited edition artist's proof etching on paper, signed, titled and numbered mounted, framed and under glassoverall size 33cm x 44cm

* HARRY BERSTECHER (SCOTTISH 1893 - 1983), FISHING BOATS etching on paper, signedmounted, framed and under glassoverall size 58cm x 45cm

CONTINENTAL SCHOOL, ST SEBASTIAN etching on paper, signed indistinctlymounted and framedoverall size 57cm x 50cm

FILIPPA WHITFORD, PORT CHARLOTTE limited edition etching on paper, signed, titled and numbered 2/30mounted, framed and under glassoverall size 47cm x 51cm

LOUIS CONRAD ROSENBERG (AMERICAN 1890 - 1983), CAMPO DEI GESUITI, VENICE etching on paper, signedmounted, framed and under glassoverall size 35cm x 52cm

WILLIAM RENISON (SCOTTISH 1866 - 1940), BEN LOMOND etching on paper, signedmounted, framed and under (broken) glassoverall size 39cm x 51cm

* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 - 1994), UNTITLED proof etching on paper, studio stamp versoframed and under glassoverall size 43cm x 58cm

CAROLINE KALBERER, KNEELING FIGURE etching on paper, signed, dated '96 and numbered 5/25mounted, framed and under glassoverall size 53cm x 59cm

* PETER HUBY, PIER limited edition artist's proof etching on paper, signed, titled and numbered A/Pmounted, framed and under glassoverall size 42cm x 69cm

NATHANIEL SPARKS (BRITISH 1880 - 1956), CARTS AND STREETS etching on paper, signedmounted, framed and under glassoverall size 53cm x 38cm

VICTORIAN STONEWARE VASE, ALONG WITH FURTHER ITEMS the stoneware vase decorated with a figure and foliage in relief, unmarked, along with a pair of Italian ceramic figures, a decorative easel picture frame, a small etching signed D.V.H., an African figure, a white metal quaich and further itemsthe stoneware vase 25cm high

SCOTTISH SCHOOL, STUDY OF A WOMAN etching on paper, signed 'T Mackenzie'mounted, framed and under glassoverall size 41cm x 32cm

AFTER REMBRANDT VAN RIJN (DUTCH 1606-1669), SELF PORTRAIT IN A SLANT FUR CAP etching on paperframed and under glassoverall size 20cm x 14cm Scratches to the glass, damage to the frame, paper underneath is creased, marks and foxing to the paper, images of damage have been added to the website

JOHANN CARL (KARL) BODMER (SWISS/FRENCH 1809 - 1893), THE CHASE etching on papermounted, framed and under glassoverall size 33cm x 27cm

From the library of Alfred Edward Borthwick. A collection of early 20th century art reference books and artist biographies. The lot to include Anders Zorn from the Modern Masters of Etching series, Famous Watercolour Painters - Frank Brangwyn in orig. (torn) dw, Etchings of D. Y. Cameron in quarter vellum, Masterpieces of Modern Art, Drawings by the Old Masters publ. Savile Gallery 1930, a number of volumes from the Old Watercolour Society Club, Etchings of Charles Meryon and of Rembrandt, Vincent Van Gogh publ. The Phaidon Press 1936 in dust wrapper (loss to rear cover), Sir Henry Raeburn, Modern Etchings and Engravings, and other titles. A good collection with emphasis on watercolours and etching. Approx. 15 titles. Folio.

An exquisite blue cameo glass vase signed by G. Raspiller, showcasing an etched design featuring foliage and geometric patterns. The vase is crafted in frosted and vibrant blue glass, displaying the detailed artistry associated with cameo glass. The piece is signed at the base of the decorative etching, affirming its authenticity and craftsmanship.Artist: Georges RaspillerDimensions: 5"HCondition: Age related wear.

Elegant amber glass decanter featuring a finely etched design of a crane amidst reeds and foliage, complemented by additional decorative accents. The decanter includes a matching glass stopper with intricate etching to coordinate with the bottle's design. The craftsmanship suggests high attention to detail, making it a standout decorative piece or functional barware.Dimensions: 15.5"HCondition: Age related wear.

Swarovski Crystal Society (SCS) 1992 Annual Edition figurine titled Whales from the Care For Me trilogy. Designed by Michael Stamey, this exquisite piece features two gracefully sculpted crystal whales with faceted detailing, leaping over a swirling wave base. The figurine bears the SCS etching and comes with its original cylindrical packaging, enhancing its collectible appeal. A remarkable tribute to marine wildlife and Swarovski craftsmanship.Issued: 1992Dimensions: 4.25"HCountry of Origin: AustriaCondition: Age related wear.

This exquisite Swarovski Silver Crystal Mini Train Set features a five-piece locomotive and cars, crafted in stunning faceted crystal. The delicate train set is complemented by a mirrored base, enhancing its sparkling brilliance. The largest train measures 1.25"L, while the base spans 3.5" in diameter. A charming collector’s piece, it showcases Swarovski’s signature precision-cut craftsmanship and attention to detail. Includes the original box measuring 3"H x 4.25"dia. Marked with the Swarovski acid etching.Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Tracey Emin (British 1963-), 'You Forgot Who You Are', 2013, Etching in colours on Somerset wove paper, signed, dated, titled and numbered from an edition of 200 in pencil, sheet: 36.5 x 40.5cmARR sheet: 36.5 x 40.5cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.

Zara Muse (British 1971-), 'Stillness Within', 2024, hand-embellished Giclee Print on Hahnemuhle German Etching paper, signed and numbered from an edition of 5 APs; sheet: 50 x 50cmARR sheet: 50 x 50cm

Tracey Emin (British 1963-), 'Closed', 2013, etching on Somerset soft white paper, signed, titled, dated, and numbered from an edition of 200 in pencil; sheet: 38 x 36.5cmARR sheet: 38 x 36.5cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.

Andrew Scott (British), 'Splash', 2024, Giclée on 315gsm Etching Cotton Rag hand finished with paint, signed and numbered from an edition of 250 in black ink to the frame verso; 44.5 x 33cm inc frameARR 44.5 x 33cm inc frame

José Parlá (American 1973-), 'One Eighty Fourth Street', 2009, Giclee print overlayered with one handprinted silkscreen on 310gsm Hahnemuhle German Etching Paper, signed, titled, dated, and numbered from an edition of 100 in pencil, published by Elms Lesters; sheet: 137.5 x 73cm (Framed)sheet: 137.5 x 73cm (Framed)In very good condition No visible knocks, tears or creases to the sheet This work has been framed in a white frame with a white mount This work has not been examined outside of the frame.

Tracey Emin (British 1963-), 'No Substitute For Your Love', 2003 soft-ground etching on Hahnemühle paper, signed, dated, and numbered from an edition of 300 in pencil, published by Counter Editions; sheet: 46.6 x 50.3cmsheet: 46.6 x 50.3cmIn good condition No knocks or tears to the sheetVery light handling crease to lower section, visible in raking light There are some light handling marks to upper left hand corner/left hand edge of the sheet, visible upon close inspection Deckled edges in good condition This work has been stored flat and has not been framed.

Bob Dylan (American 1941-), 'The Beaten Path, The Complete Collection', 2016, a complete collection of 15 Giclée prints on 350gsm Hahnemühle Museum Etching paper, all signed and numbered from an edition of 295 in pencil, comprising the 'Standard Format Boxed Set' of 10 limited edition prints, the 'Medium Format Portfolio' of 4 limited edition graphics, 1 'Large Format Graphic', Standard: 76cm x 58.5cm, Medium: 101.5cm x 76cm; Large: 127cm x 95cm (15)Footnote:Standard Format Boxed Set of 10 includes: 'Amusement Park Alleyway', 'Bandera Texas', 'Brooklyn Heights', 'Donut Shop', 'East LA Side St.', 'Florida Country', 'Midnight Caller', 'Theater, Downtown LA', 'Vine St. West LA', 'Wilton Iowa Farmyard'. Medium Format of 4 includes: Holbrook, Arizona', 'Classic Car Show, Cleveland, OH', 'Little Italy, Lower Manhattan', 'Manhattan Bridge, Downtown New York'. Large Format Graphic includes: 'Endless Highway'. Standard: 76cm x 58.5cm, Medium: 101.5cm x 76cm; Large: 127cm x 95cm (15) In very good condition No knocks or tears to any of the sheets Very minor crease to the upper right hand corner of the Holbrook Arizona (medium) sheet and some very light markings/rubbing to the upper edge of the sheets white border, visible upon close inspection There is minor creasing/edgewear to the lower left hand corner/edge of the Endless Highway (large) sheet, visible upon close inspection All small format prints have been stored flat inside their original presenation box All medium format prints have been stored flat inside their original portfolio case Large print has been stored rolled The works have not been framed.

Zara Muse (British 1971-), 'Timeless Mystique', 2024, Giclee Print in colours on Hahnemuhle German Etching paper, signed and numbered from an edition of 10; sheet: 50 x 50cmARR sheet: 50 x 50cm

Lucian Freud (1922-2011)Esther (Hartley 43)Etching with a delicate veil of plate tone, 1991, initialled in pencil, numbered from the edition of 25, printed by Studio Prints, London, co-published by James Kirkman, London and Brooke Alexander, New York, on wove paper, with full margins, sheet 428 x 387mm (16 5/8 x 15 1/4in)

Rembrandt Harmensz. van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, but a later impression of New Hollstein's first state (of three), on laid paper without watermark, a slightly slipped impression with signs of wear in the densely cross hatched areas, thread margin outside lower edge platemark, otherwise trimmed to or just within the platemark, minor spotting, sheet 158 x 138 mm (6 1/4 x 5 3/8 in) (unframed)Provenance:Émile Amédée Théophile Thomassin (c. 1808-1867) [Lugt 184]

René Magritte (1898-1967) after. Homme au Chapeau Melon, from Le Lien de Paille  (Kaplan & Baum 19) Etching with pale ochre platetone, 1969, with the artist's signature stamp and 'Gravure Originale Atelier Rene Magritte' blindstamp, inscribed 'H.C' in pencil, aside from the edition of 150, printed and published by Georges Visat, Paris, on BFK Rives paper, with full margins, sheet 280 x 226mm (11 x 9in)

Rembrandt Harmensz. van Rijn (1606-1669)Self-Portrait with SaskiaEtching, 1636, but a later impression of New Hollstein's third state (of four), on laid paper with partial watermark of a jug with indistinct initials, platemark 104 x 95 mm (4 1/8 x 3 3/4), sheet 111 x 98 mm (4 3/8 x 3 3/4 in), some signs of wear in the densely cross hatched areas, sign of tissue support to sheet, platemark crudely re-impressed in the lower left corner, upper edge with restored loss and careful retouching to upper line (unframed)  Literature:Bartsch 19; New Hollstein 158 iii/iv

Helen Frankenthaler (1928-2011)Ochre Dust (Harrison 133) Etching with aquatint and lithograph printed in colours, 1987, signed and dated in ochre pencil, numbered from the edition of 44, published by Tyler Graphics Ltd., New York, with their blindstamp, on wove paper, the full sheet printed to the edges, sheet 619 x 835mm (24 3/8 x 32 7/8in)

Rembrandt Harmensz. van Rijn (1606-1669)Man Drawing from a CastEtching, circa 1641, but a later impression of New Hollstein's fourth state (of six), on cream laid paper without watermark, with some signs of wear in the densely cross hatched areas, platemark 92 x 63 mm (3 5/8 x 2 1/2 in), sheet 101 x 70 mm (4 x 2 3/4 in) (unframed)Literature:Bartsch 130; New Hollstein 192 iv/vi

Salvador Dalí (1904-1989)The Museum of Genius and Fancy, from After 50 Years of Surrealism (Field 74-L; M&L 676)Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from edition F of 195, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, and their inkstamp verso, and with the accompanying title-page, on BFK Rives wove paper, with full margins, sheet 655 x 501mm (25 3/4 x 19 3/4in)

Rembrandt Harmensz. van Rijn (1606-1669)Beggars receiving alms at a doorEtching, 1648, but a later impression of New Hollstein's third state (of five) printing with much plate tone, on 18th century laid paper without watermark, minor spotting and surface dirt, platemark 167 x 128 mm (6 1/2 x 5 in), sheet 190 x 144 mm (7 1/2 x 5 7/8 in) (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v 

Rembrandt Harmensz. van Rijn (1606-1669)Man in a Coat and Fur Cap leaning against a BankEtching, circa 1630, but a later impression of New Hollstein's final state (of three), on ivory laid paper without watermark, platemark 112 x 78 mm (4 3/8 x 3 in), sheet 118 x 82 mm (4 5/8 x 3 1/4 in) (unframed)Literature:Bartsch 151; New Hollstein 48 iii/iii

Rembrandt Harmensz. van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later impression of New Hollstein's third state (of four), on cream laid paper with possible indistinct watermark, printing with plate tone in places, signs of wear in the densely cross hatched areas, platemark 207 x 158 mm (8 1/4 x 6 1/8 in), sheet 209 x 160 mm (8 1/8 x 6 1/4 in) (unframed)Literature:Bartsch 83; New Hollstein 286 iii/iv 

Pablo Picasso (1881-1973)Famille de Saltimbanques (Bloch 163)Etching, 1933, signed in pencil, from the edition of 250, as included in La Suite Vollard, published by Ambrose Vollard, Paris, on Montval laid paper, with the Picasso watermark, with full margins, sheet 337 x 445mm (13 1/4 x 17 1/2in)

Roy Lichtenstein (1923-1997)Illustration for 'Auto Poésie: en Cavale de Bloomington', from La Nouvelle Chute de l'Amérique (Corlett 268)Etching with aquatint printed in colours, 1992, initialled in pencil, numbered from the edition of 80, as included in 'La Nouvelle Chute de l'Amérique', printed by Atelier Dupont-Visat, Atelier Dupont-Visat, l'Inéditeur, published by Les Editions du Solstice, Paris, on Arches paper, with full margins, sheet 480 x 353mm (18 7/8 x 14in)

Salvador Dalí (1904-1989) God, Time, Space, and the Pope, from After 50 Years of Surrealism (Field 74-8I; M&L 667d) Etching with drypoint and pochoir in colours, 1974, signed in pencil, numbered from edition F of 195, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, and their inkstamp verso, and with the accompanying title-page, on BFK Rives wove paper, with full margins, sheet 654 x 498mm (25 3/4 x 19 1/2in)

Pablo Picasso (1881-1973)Plate 12, from Le Cocu Magnifique (Bloch 1255; Cramer 140)Etching with aquatint and drypoint, 1966, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, on Auvergne Richard-de-Bas wove paper, with full margins, sheet 370 x 478mm (14 1/2 x 18 3/4in)

Pablo Picasso (1881-1973)Sculpteur, Modèle accroupi et Tête sculptée (Bloch 155)Etching, 1933, signed in pencil, from the edition of 250, as included in La Suite Vollard, published by Ambrose Vollard, Paris, on Montval laid paper, with full margins, sheet 324 x 246mm (12 3/4 x 9 3/4in)