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Click here to subscribe13 Re-issue Dinky Toys. 2x Porsche 356A Coupe (182), Jaguar XK120 Coupe (157), 2x Aston Martin DB3S (104 and 110), 2x Packard Eight Sedan (39A). Studebaker Coupe (39F), Auto-Union Racing Car (23D). Morris Oxford Saloon (159). Triumph TR2 Sports (111), Jeep US Army (153A). Plus a Morris Mini Traveller (197). Also an ESSO Petrol pump set, 'Poste De Ravitaillement" (49D). All boxed, one creased. Contents as new. (14) £70-90
33 Dinky Toys. Riley in green, 3x Daimler Ambulance, Fiat 600 in light green with smooth grey plastic wheels, Austin Taxi, Standard Vanguard, in blue with tan wheels, Bristol 450, AEC bus in red and cream with Dunlop each side, Telephone box, Triumph Saloon in grey, Streamline bus, NCB electric van, Triumph Herald in white and green , and others. Lot also includes a Corgi Austin Cambridge finished in grey with mechanical motor in working order. Conditions vary, some repainting, and damage or parts missing. FC-GC £60-80
LANSDOWNE, J. FENWICKRare Birds of China. London: Kennedy Fine Arts, (1992). Copy 37 of 100, with each plate signed and numbered in pencil, and the same numeration in the companion text volume. Loose sheets in the elephant folio blue fabric case of publication, the text in a companion volume in wrappers laid-in, the prospectus included; the whole protected in the canvas sleeve of issue. 32 x 25 inches (81 x 63 cm); 32 superb color collotypes after the original watercolor paintings, printed on Fabriano paper; each plate is laid into a special printed Japanese paper sleeve with the plate name. Fine; Offered with the original watercolor for the plate of the Taiwan Magpie (urocissa caerulea), plate 10 in the set. Watercolor over pencil outline on paper, approximately 28 x 19 5/8 inches (71.5 x 50 cm) sight, signed J. F. Lansdowne (l.l.) and dated 1991; framed. In immaculate condition.The watercolors by J. Fenwick Lansdowne for this work are among the highest achievements of ornithological art. The Taiwan Magpie, depicted here, is represented by a male and female specimen in their natural habitat.This elephant-folio-sized set of ornithological plates, a triumph in their artistry, follows in the tradition of the great illustrated natural history monographs of the past centuries, such as Audubon's masterpiece, The Birds of America. The artist, J. Fenwick Lansdowne, was born in 1937 in Hong Kong to British parents and grew up in British Columbia, Canada. Stricken with polio as a baby, he developed both his love of birds and his talent as a painter from a young age, holding his first museum exhibition in 1952 at the Royal British Columbia Museum when he was just fourteen years old. As one of the world's foremost wildlife painters, often referred to as Audubon's successor, he is the artist who best maintained the tradition of bird painting and publishing into the late 20th century. Similar to Audubon, he would both study his subjects in the field and use museum collections of preserved specimens to paint his highly detailed and accurate watercolors. He died in Canada in 2008.The magnificent collotype plates include the following: Impeyan Monal Lophophorus impejanus; Temminck's Tragopan Tragopan temminckii; Satyr Tragopan Tragopan satyra; Swinhoe's Pheasant Lophura swinhoei; Elliot's Pheasant Syrmaticus ellioti; Mikado Pheasant Syrmaticus mikado; Blood Pheasant Ithaginis cruentus; Brown Eared Pheasant Crossoptilon mantchuricum; Himalayan Snowcock Tetraogallus himalayensis; Taiwan Magpie Urocissa caerulea; Chinese Parrotbill Paradoxornis heudei; Siberian Crane Grus leucogeranus; Rufous-necked Hornbill Aceros nipalensis; White Stork Iconia ciconia; Crested Ibis Nipponia nippon; White Eared Pheasant Crossoptilon crossoptilon; Japanese Crane Grus japonensis; Cabot's Tragopan Tragopan caboti; Mrs. Hume's Pheasant Syrmaticus humiae; Steller's Sea Eagle Haliarrtus pelagicus; Oriental Hobby Falco severus; Chinese Monal Lophophorus ihuysii; Omei Shan liocichla Liocichla omeiensis; Silver Oriole Oriolus mellianus; Blyth's Tragopan Tragopan blythii; Firethroat Erithacus pectardens; Scaly-sided Merganser Mergus squamatus; White-necked Crane Grus vipio; Fulien Slaty Bunting Latoucheornis siemsseni; Sclater's Monal Lophophorus sclateri; Black-necked Crane Grus nigricollis; Brown Wood Owl Strix leptogrammica.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Antoine Coypel, nach1661 Paris - 1722 ebendaDer Triumph der GalateaÖl auf Lwd. 83 x 123,5 cm. Doubliert. Rest. Rahmen min. besch. (95,5 x 133 cm).Teilkopie nach einem Gemälde von Antoine Coypel, vgl. die Darstellung auf einer Radierung von Charles Simonneau von 1695 (Musée dart et dhistoire, Genf, Inv.-Nr. E 2016-1662).Provenienz: Etude Dumousset-Deburaux, Paris, Auktion 24.3.1997, Kat.-Nr. 132. - Süddeutsche Privatsammlung.
Scalextric, a group of 1:32nd scale Slot Cars to include (1) C052 Ford Escort Mexico - Special Build; (2) C117 3.0 Ford Capri; (3) C118 Ford Escort with Lights; (4) C130 Triumph TR7, not tested and not checked for completeness - all models appear to be generally Good, within Good packaging - see photo. (4)
Scalextric, a group of 1:32nd scale Slot Cars to include (1) C109 Ford Escort Mexico - Special Build, C114 Triumph TR7, C117 3.0 Ford Capri, C284 Police Rover, plus others, not tested and not checked for completeness - all models appear to be generally Good, within Fair packaging - see photo. (12)
Scalextric, a group of Slot Cars to include (1) C.053 Datsun 260Z (x 2); (2) C.114 Triumph TR7; (3) C.280 PMG Rover; (4) C.342 Ford XR3i Silver, plus others, not tested and not checked for completeness - all models appear to be Fair to Good (a little cleaning required), within Fair original packaging - see photo. (9)
Yulia Iosilzon Pond with Amanita, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yulia Iosilzon Pond, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yulia Iosilzon Pond Vol III, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Yulia Iosilzon Pond II, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Yulia Iosilzon's figurative paintings on stretched transparent fabric are portals into vivid dreamlike worlds with roots in both ancient mythologies and contemporary social concerns. Her works hint at unfolding narratives of human-animal metamorphosis. Her visual references are wide ranging; she draws on imagery from childhood cartoons and representations of paradise, as well as exploring the Jewish iconography of her heritage. This symbolic language also extends into her ceramic practice. Education 2017- 2019 MA Fine Art, Royal College of Art, London, UK 2013 - 2017 BA Fine Art, Slade School of Fine Art, UCL, London, UK Solo Exhibitions 2024 Cool Summer, De Brock, Knokke, Belgium Modus Operandi, Bertnson Bhattacharjee, London, UK 2023 Heaven's Chambers, Carvalho Park, New York, USA 2022 Frogspawn, Sapling, London, UK Yulia Iosilzon - Art Narratives, Roksanda, London, UK Amanita Muscaria, De Brock Gallery, Knokke, Belgium Nocturnal, Foundry, Seoul, South Korea 2021 Yulia Iosilzon, Art Antwerp 2021 Solo Booth presentation, De Brock Gallery, Antwerp, Belgium A Chorus of Beauty and Menace, Carvalho Park, New York, USA The Big Fish!, Berntson Bhattacharjee x Sotheby's Nordics, Stockholm, Sweden Fanfarria, Huxley-Parlour, London, UK 2020 Invisible Power, Osnova, Moscow, Russia Artist Room Solo Presentation, Columbia x Roman Road, London, UK 2019 Paradeisos, Carvalho Park, New York, USA Group Exhibitions 2025 The Threshold Beckons, Carvalho Park, New York, USA Auguries of Innocence, Cedric Bardawil, London, UK 2024 Kristian Touborg, Se Yoon Park, Yulia Iosilzon, Carvalho Park at Frieze No. 9 Cork Street, London, UK The Dimension of Feeling, Vortic x House of Koko, London, UK 2023 Hold Me Now, IONE & MANN, London, UK Luminous Terrain, Atipografia, Arzignano, Italy Processing the past and digesting the future, Badr El Jundi, Madrid, Spain L'heure du conte, Pangée, Montreal, Canada 2022 Jingle Bells VI, De Brock, Knokke, Belgium Once Upon a Time in Mayfair, Dynamisk x Phillips, London, UK The Earth has music for those who listen, Sapling, London, UK Two Sisters, Roman Road & Working Project, London, UK The Sky above the Roof, Tabula Rasa Gallery, Beijing, China 2021 All That And A Bag Of Chips, Des Bains, London, UK Unsellable, Just a Studio, London, UK Paradise Is Not Just a Place, Roman Road, London, UK The Ode to the Body, Daniel Benjamin Gallery, London, UK Selfhood, Berntson Bhattacharjee Gallery, London, UK 2020 Fight or Flight, Roman Road, London, UK Birthday, White Crypt, London, UK Begin Again, Guts Gallery, London, UK London Now, Space K, Seoul, South Korea Crowd, Hannah Barry Gallery, London, UK RedivideR, Platform Projects, Platform Southwark, London, UK 2019 Bloomberg New Contemporaries, South London Gallery, London, UK Detritus, Wells Projects, London, UK Lacuna, Sottosale Projects, London, UK Velvet Ropes, House of Vans, London, UK Bloomberg New Contemporaries, Leeds Art Gallery, Leeds, UK Library, Triumph Gallery, Moscow, Russia RCA Graduation Show, RCA, London, UK Varieties of Disturbance, Shelf Spanish City, Newcastle, UK Wolves by the Road, Assembly House, Leeds, UK Rub The Bronze Dog's Nose, Moscow Museum of Contemporary Art, Moscow, Russia Splodge, Hockney Gallery, London, UK We Can Only Have Fun on Certain Days, Warbling Collective, London, UK Nourishment, Guests Space, London, UK AWB, Herrick Gallery, London, UK 2018 Something Else, Triumph Gallery, Moscow, Russia UJS Exhibition, London, UK More Life, Hockney Gallery, London, UK The Origin of Who, Kvadrat 16 Gallery, Copenhagen, Denmark Thumbnails, Hockney Gallery, London, UK We Are the Ones Vol I, Group Exhibition, Copenhagen, Denmark Visions, Triumph Gallery, Moscow, Russia 2017 Slade Degree Show, Slade School of Fine Art, London, UK Awards 2019 Bloomberg New Contemporaries 2016 Audrey Wykeham Prize Gallery Representation Carvalho Park (New York, USA) Public Collections Roberts Institute of Art (London, UK) HSBC Art Collection (London, UK) Xiao Foundation Museum (Rizhao, China) Nanjo Museum (Nanjo, Japan) X Museum (Beijing, China) Sixi Museum (Nanjing, China) Statement about AOAP Submitted Artwork This is a body of work about scenic environments in which the anthropomorphic creatures find themselves in their natural habitat - a pond. These environments are inhabited by dynamic, changing entities with hybrid anatomies that mix delicately featured human faces with bulbous animal bodies. These creatures move through a colorfully flecked, luminous matter that supports and harmonizes their existence, like an extracorporeal amniotic fluid. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
1962 Triumph 3TA 21Registration number YVU 876Frame number H27260Engine number 3TA-H27260Present owner for 54 yearsOriginal unrestored machine, dry storedMatching numbersComplete service in 2024Fitted new oil pump, new battery and tyresReliable and no oil leaksAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith old buff log bookThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
1971 Triumph Blazer 250Registration number OEU 167JFrame number BE06552T25SSEngine number BE06552T25SS4,029 recorded milesPurchased 2009Professionally repainted in the correct colour otherwise original conditionLast used 2021Started regularlyGood conditionFor sale due to advancing yearsAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, owner’s manual, Haynes manual and spare keysThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
1958 Triumph Speed TwinRegistration number 679 CCVFrame number H5848Engine number 3TA-H23248Mileage showing 21,000Purchased 2022Starts and runs well but intermittent when hotMechanically good but has oil leak and clutch dragsNew battery fittedAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5CThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
1971 Triumph T120R BonnevilleRegistration number NLM 78KFrame number GE28073Engine number GE2807312,345 recorded milesMatching numbers machineExtensive engine rebuild in 1991Not used from 1991 to 2010Cosmetic restoration, hand made mudguards, exhaust and seatLess than 100 miles covered since that timeElectronic ignition and oil filter mods, rev counter cable missingNo oil leaksWith video of the bike runningAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions View videoThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
1998 Triumph T 595Registration number S595 MEWFrame number SMTTE502 LGW067190Engine number 06732328,999 recorded milesOriginal unrestored machinePetrol tank completely stripped and professionally re-sprayedIndicators replaced as rubber stalks were brittleNew battery fitted in 2024, now on trickle chargeLast service at 28,000 miles in 2019Rear foot pegs, original silencer and clip-on handlebar raisers are included but not fittedThe engine starts and runs wellAll gears and clutch are in good working orderCurrent MOT expires 29/05/25Completed 39 miles since this MOTAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions With V5C and all MOT's, service book, two keysThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
1970 Triumph T100 CRegistration number EPE 522JFrame number 56280Engine number 56280Rare matching numbers machine and considered to be one of Triumph’s better modelsMost were exported to America but this one remained in the UKIn good conditionRuns and rides wellA powerful machine with good handling qualitiesComplete with barbecue grill heat shield, electronic ignition and Avon Road Runner tyresAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, large history file containing details of much spent on maintaining the bike to a high standardThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
1957 Triumph 21Registration number 277 EPDFrame number H1454Engine number 21 H1454122 recorded milesOriginal machine re-painted in blackBelieved garaged to 07/04/2003Invoices for an engine rebuildSold to the present owner in 2006Rebuilt for 2008 and new speedo fitted showing 23 milesNew rear shock, forks re-built, converted to 12 voltNew wiring harness and seat2009 MOT shows 50 miles, for 2012 76 milesRunning okayWill need re-commissioningAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, MOT for 1972 showing 28,293 recorded milesThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
* Pocket Watch. A George III pair case watch by William Edwards of Derby circa 1807, with circular white enamel dial and black roman numerals, steel hands, the silver outer case hallmarked Thomas Gaunt, London 1807, the inner case with conforming hallmarks, with brass fusee movement signed 'Wm Edwards Derby and numbered 1412, with key, together with two further pocket watches including an Edwardian silver open face pocket watch by Kay's Triumph, contained in a display case QTY: (3)
Airfix, a boxed group of plastic mainly military kits but does include others to include 903019 Mosquito, 03013 Apollo Lunar Module, 02419 Triumph TR4A and similar. Although unchecked for completeness or pre painted/pre assembled, conditions appear to be Fair to Good in generally Poor to Good boxes with old price stickers, crushing, scuffing, tape repair etc. See photos.
COROT JEAN-BAPTISTE-CAMILLE: (1796-1875) French landscape and portrait painter. A.L.S., `C Corot´, one page, 12mo, Noisy-le-Grand, n.d., in French. Corot states, 'Je vous remercie de votre douce lettre. Ça m´a surpris, mais j´en suis tout joyeux... Je me trouve bien mieux, la jambe gauche a encore un peu de peine mais enfin de la patience. Nous triompherons avec l´aide du dieu puissant. Je compte rentrer à Paris le 23...´ (Translation: "Thank you for your sweet letter. It surprised me, but I am very happy about it... I feel much better, my left leg still has a little pain but it is a matter of patience. We will triumph with the help of the powerful god. I plan to return to Paris on the 23rd...") Further Corot asks his correspondent to forward his thanks to different persons of their entourage. G to VG
Two Boxed Dinky Toys 111 Triumph TR2 Sports Cars, pink body, mid blue interior/wheel hubs, white driver RN ‘29’ in near mint original condition, correct picture box, is in excellent original condition, 2/6 in pencil and 2. turquoise body, red interior, white driver RN’25’ in good original condition, minor paint chips, original box is fair, with edge/age wear. (2 items)
A Quantity of Vintage Play-worn Dinky Toys, including: Boxed 785 Service Station (missing doors) unboxed: 070 AEC Mercury, 14C Fork lift truck,25e Tipping wagon,25p Aveling Barford Road roller (missing roof) 25Y Jeep, 27G Motorcart,29f Observation Coach,30e Breakdown truck, 30f Ambulance, 30j Austin Wagon, 30w Hindle Smart,31a Trojan Van Esso,33w Mechanical horse, 2 x 34C Loudspeaker Vans,35a Saloon car, 38b Sunbeam Talbot, 38e Armstrong Sidley, 40b Triumph,105e grass cutter, 113 MGB, 143 Ford Capri,147 Cadillac 62,154 Hillman Minx, 161 Austin Somerset, 170 Austin Van Shell BP, 172 Studebaker,2 x 181 Volkswagens,188 Four Berth Caravan,190 Caravan, 194 Bentley S2,215 Ford GT, 260 Royal Mail Van, 261 Telephone Service Van,263 Superior Criterion, with stretcher, 269 Jaguar Police car, 2 x 282 Leyland Tiger coaches,292 Atlantean Bus Regent, 295 Standard Atlas,320 Farm trailer, 2 x 422 Fordson,428 Trailer, 435 Bedford TK Tipper, 480 Bedford Kodak, 490 Express Dairy Van, 502 Foden 1st type flat bed, 503 Foden 1st type flatbed with tailboard,511 Guy Lorry,591 AEC Monarch, 914 Guy Van Spratts and 958 Snow Plough, all in poor to good condition. (55 items)
Vintage Corgi Toys 231 Triumph Herald Coupé gold/white with red interior, flat spun wheel hubs, in very good original condition, slight paint loss to high line on driver’s side, blue/yellow illustrated box is in very good original condition, 5/3 vintage price label to one end flap, with Corgi club leaflet.
A Quantity of Play-worn Dinky Toys, including: boxed 106 Austin Atlantic, overpainted, 172 Land Cruiser, overpainted, unboxed: 40A Riley,107 Sunbeam Alpine overpainted,154 Hillman Minx, 161 Austin Somerset, 188 Caravan (missing door) 189 Triumph Herald, 2 x 190 Caravans overpainted,197 Morris Mini Traveller, overpainted,254 Austin Taxi, 256 Humber Hawk Police Car, 2 x 260 Royal Mail Vans (one overpainted) 265 Plymouth Plaza Taxi, overpainted, 290 Leyland Bus, 295 Standard Atlas, overpainted, 452 Chivers Trojan Van,453 Oxo Trojan Van, overpainted, 455 Brooke Bond Tea Trojan,470 Austin Shell BP,492 Loudspeaker Van, 643 Army water tanker, 942 Foden 14-Ton Tanker Regent, overpainted, 753 Police controlled crossing, missing black & white box, 6 x International road signs, 755 single road lamp and two other makes petrol pumps. (35 items)
A Quantity of Playworn Vintage Corgi Toys, including 150 Vanwall, 206 Hillman Husky, 2 x 209 Riley Police Cars, 210 Citroen DS19, 211S Studebaker Golden Hawk overpainted, 215 Ford Thunderbird overpainted,216 Austin A 40, 217 Fiat 1800,219 Plymouth Sports, 222 Renault Floride overpainted,223 Chevrolet Impala State Patrol, 225 Austin Seven,229 Chevrolet Corvair, 230 Mercedes -Benz 220 SE, 231 Triumph Herald Coupe, roof repainted,237 Oldsmobile County Sheriffs car, 258 The Saints Volvo overpainted, 268 The Green Hornet Black Beauty,404 Bedford Dormobile, 414 Bedford Military Ambulance, 418 Austin Taxi,424 Ford Zephyr Estate Car, 428 Smiths Karrier Ice Cream Van overpainted,458 ERF Tipper, 464 Commer County Police Van overpainted,1128 Priestman Cub shovel,2 x 1486 Bricks loads, 4 x 1488 Cement bags loads, 447 spare original Ice cream seller, 12 x plastic figures, plus three Lone Star Roadmasters Chevrolet El Camino, Dodge Dart Phoenix Police Patrol and Rolls Royce Silver Cloud II, all in poor to good condition. (49 items including figures)
Two Boxed Dinky Toys Cars,151 Triumph 1800 Saloon, fawn body, green wheel hubs, mint original condition, picture box, with correct colour spots to end flaps is fair to good and 158 (40A) Riley Saloon, cream body, green wheel hubs, in very good original condition, rub to highline to roof, outer picture box is fair to good. (2 items)
A Quantity of Unboxed Dinky Toys Cars Post War including:23a Racing Car, silver/red,23b Hotchkiss racing car, 23c Mercedes Benz racing car, 23e Speed of the Wind racing car, 2 x 25j Jeeps 1. red 2.sky blue, 27f Estate Car, 30b Rolls Royce fawn/black, plain chassis, 30d Vauxhall, plain chassis, brown/black,36f British Salmson, with original windscreen, green/black, detailed base, 38a Fraser Nash BMW grey body,38b Sunbeam Talbot Sports, red body, 38d Alvis green, black interior (missing one tyre) 38e Armstrong Siddley, grey/dark blue interior, missing windscreen, 38f Jaguar Sports Car red body, 39b Oldsmobile six sedan car, (missing centre post in windscreen) 2 x 39c Lincoln Zephyr, 1. brown,2. overpainted, 39d Buick Viceroy, maroon, 39f Studebaker, dark blue, 139a Ford Fordor Sedan, yellow, 2 x 40a Riley Saloons, 1.green, 2. dark blue, 40b Triumph, grey body, 40d Austin Devon, maroon, 40e Standard Vanguard, all in fair to very good original condition. (26 items)
Boxed Dinky Toys 134 Triumph Vitesse, metallic aqua blue, red interior, white side stripe, in near mint original condition, picture illustrated box is in good original condition, missing one inner tab, 3/11 in pencil to one end flap and 198 Rolls-Royce Phantom V, two tone grey body, spun wheels, red interior, opening windows, chauffeur, good original condition, yellow/red picture box is in fair original condition, 6/11 in pencil to end flap, missing one inner tab. (2 items)
[C]V-NO, vertical ear of grain. Rev. CAR-A-T, warrior on horseback right, holding spear and shield. (ABC -; VA -; BMC -). Extremely Fine. Unique. Auctioneer’s notes: We advise prospective bidders that due to the historical and cultural importance of this piece, we believe it would be highly unlikely to receive an export license from DCMS.When it was discovered by a metal detectorist in November of 2019, the Caratacus Gold Stater caused much excitement and discussion in the world of Iron Age numismatics. Lauded by experts such as Dr Philip de Jersey, David Sear, Dr John Sils and Professor Martin Henig, the unique gold piece of perhaps Britain’s most famous Celtic Chieftain, Caratacus, was sold at a Chris Rudd Auction in 2020, where it hammered for an impressive £80,000. It remains the most valuable Iron Age British coin ever sold. While silver coins of Caratacus have been known of for centuries, this stater is the first, and remains the only, gold coin ever discovered of the Atrebatic ruler. Famous for fighting a guerilla war against Roman forces in the aftermath of the Invasion of Britain in AD 43 for nearly a decade, his forces were defeated at the Battle of Caer Caradoc in AD 50, and he was later captured. Paraded through Rome in a triumph, his courageous speech before the Senate and Emperor Claudius so impressed the Romans that he was spared. Given a house in Rome, he lived in peace for the rest of his life.This unique gold stater borrows imagery from earlier Celtic gold coins, including, most remarkably, the obverse. This design, inspired by the gold coinage of Cunobelin, confirms that Caratacus was indeed a son of the British King, with the inscription CV-NO flanking an ear of barley. Similar to the images appearing on earlier coins of Verica, the reverse depicts a warrior on horseback, crucially surrounded by the Latin ‘CARAT’, leaving no doubt as to the issuer’s identity.
Carlo Innocenzo Carlone, Italian 1686-1775- The Triumph of the Arts; oil on canvas, 86.2 x 57 cm. Provenance: Private Collection, Genoa. with Thomas Agnew & Sons, London, 1968 [no.30151]. The Collection of Professor W. M. Ballantyne (1922-2021), and thence by descent. Literature: A. Barigozzi Brini and K. Garas, 'Carlo Innocenzo Carloni', Milan, 1967, p.86, pl.67. Advertisement, Apollo Magazine, October 1968, p.lxxxi (illustrated). Exhibited: London, Thomas Agnew & Sons, '17th and 18th Century Italian Paintings', 3-26 October 1968, no.29. Note: Carlone was one of the most brilliant decorators of the 18th century. He was a master of the 'bozzetti' and this is a fine example of his firm yet intensely fiery style. He seems to have kept his 'bozzetti' and at his death some three hundred were found in his studio. The present work depicts Apollo surrounded by allegorical figures 'Justice' and 'Time' with putti holding up a mirror possibly to 'Beauty'. This sketch was possibly made for a ceiling painted during one of the artist's many trips to Germany and Austria.
Lucas van Leyden, Dutch c.1494-1533- The Triumph of Mordecai; engraving on laid paper, signed with initial and dated 'L 1515' (within the plate, lower left), with watermark of a high crown with a cross above, bears collector's stamp for Alfred Morrison [Lugt L.151] verso, 21.1 x 28.9 cm. (unframed / mounted). Provenance: Collection of Alfred Morrison (1821-1897), according to the collector's mark. Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley).
William Holman Hunt, OM RWS, British 1827-1910- A portrait of the artist's son, Hilary Lushington Holman Hunt, in profile; coloured chalks on buff paper, signed with monogram and dated '18 Whh 97' (lower left), 53 x 37.6 cm. Provenance: (Probably) sold by the trustees of Hilary Holman Hunt by Charles Hawkins & Sons at The Rookery, Rockland All Saints, Norfolk, 5 June 1951, lot 190 (part); where purchased by Leger Galleries, London. Anon. sale, Christie's, London, 31 October 1978, lot 47. where purchased by Julian Hartnoll, London. Anon. sale, Sotheby's, Belgravia, 11 December 1979, lot 15a. Private Collection. with Southgate Gallery, Shifnal (gallery open 1979-1985) [no.9014]. Anon. sale, Christie's, London, 11 December 2018, lot 135 (part); where purchased by the present owner. Exhibited: Shifnal, 1980. Literature: J. Bronkhurst, 'William Holman Hunt. A Catalogue Raisonné', 2006, p.209, no.D426 (illustrated). O.J.W. von Schleinitz, 'William Holman Hunt (Künstler-Monographien vol. LXXXVIII)', Bielefeld and Leipzig, 1907, p.129, pl.125. W. Holman Hunt, 'Pre-Raphaelitism and the Pre-Raphaelite Brotherhood', 2nd ed., London, 1913, vol. II, p.311 (illustrated). Note: The sitter, Hilary, was the artist's son by his second wife, Edith (1846-1931), and served as the model for a number of Holman Hunt's paintings, including 'Master Hilary - The Tracer' now in a private collection, and as the Christ Child in 'Triumph of the Innocents', in the Walker Art Gallery in Liverpool [WAG 2115]. The present work is a striking example of the artist's sensitive, softly-shaded chalk portraits, much like Holman Hunt's portrait of Hilary's mother, Edith, in the collection of the Tate Galleries [T12881]. It also recalls his slightly smaller portrait of Annie Miller, also in profile, which sold at Sotheby's, London, on 5 July 2023, as lot 61 for £76,200. The sitter is shown here at the age of seventeen or eighteen and his features very much reveal his close resemblance to his half-brother Cyril.
Paolo Farinati, Italian 1524-1606- The Holy Family with Saint Catherine of Alexandria; oil on copper, bears indistinct inscription in pencil verso, 39.8 x 30.6 cm. Provenance: The Collection of John F. Hayward, the owner's grandfather, and thence by descent. Note: Farinati was active mainly in his native Verona, but also in Mantua and Venice. He was a contemporary of the prominent artist of Verona, Paolo Veronese, and was instructed, according to Giorgio Vasari, by his father and by Niccolò Giolfino, and probably also by Antonio Badile and Domenico del Riccio (Brusasorci). Vasari praised his thronged compositions and merit of draughtsmanship. His works are to be found in Venice, Verona, Padua and other towns belonging or adjacent to the Venetian territory. He is notable for having kept a detailed journal of his activities from 1573 until his death. His many drawings on handmade and prepared blue paper are also particularly noteworthy. John F. Hayward (1916-1983) was an art historian who established himself as an authority on European decorative arts. He served the Courtauld Institute, and after the war (he was a SOE) the Victoria & Albert Museum (Deputy Keeper) and Sotheby's until 1981. He published a number of books, including 'Virtuoso Goldsmiths & the Triumph of Mannerism' (1976), and was a collector of Mannerist art. We are grateful for Dr Eveline Baseggio Omiccioli for confirming the attribution of the present lot based on images.
Georg Pencz, German c.1500-1550- The Triumph of Bacchus; engraving on laid paper, signed with monogram 'PG' (within the plate, lower edge), 4.9 x 28.1 cm. (unframed / mounted). Provenance: Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley).
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