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Full title: An interesting and extensive collection of books about Belgian art, 20th C.Description:Various formats. David Sylvester: 'Magritte', Antwerp, Mercatorfonds, 1992; Jon Thompson and Panamarenko, 'Panamarenko: for clever scholars, astronomers and doctors', Brussels, Ludion, 2001; Francine-Claire Legrand: 'Ensor: naargeestig en charmant', Antwerp, Mercatorfonds, 1993; Serge Goyens de Heusch: 'Het impressionisme en het fauvisme in Belgie', Antwerp, Mercatorfonds, 1998; Octave Landuyt and Philippe Roberts-Jones: 'Aurum Flandriae', Zellik, Roularta Art Books, 1994; Anne Adriaens-Pannier: 'Leon Spilliaert', Antwerp, Pandora Publishers, 1998-1999; Aug. Taevernier: 'James Ensor', Ghent, N.V. Erasmus Ledeberg, 1973; Barbara Emerson: 'Delvaux', Antwerp, Mercatorfonds, 1985. Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

René Magritte - Comte de Lautréamont (Isidore Ducasse). Les Chants de Maldoror. Illustrations de René Magritte. Brüssel, La Boetie 1948. Mit 76 Strichätzungen nach Zeichnungen, davon zwölf blattgroß auf Tafeln, sechs als Initialen. Illustrierte Originalbroschur.Erste Ausgabe mit diesen Illustrationen. - In nummerierter Auflage erschienen. - René Magritte (1898-1967) war nach Schließung der Surrealisten-Galerie »Le Centaure« 1930 wieder nach Brüssel gezogen. In den Folgejahren entstanden Freundschaften zu André Breton, Paul Éluard, Joan Miró, Hans Arp und später auch zu Salvador Dalí. - »Das am aufwendigsten illustrierte Buch des Malers« (Lang, S. 63).25 : 19 cm. 190, [10] Seiten, 12 Tafeln. - Umschlag mit kleinen Läsuren am Rücken. Der Buchblock vom Umschlag gelöst und unprofessionell mit Klebeband fixiert.Monod 6900. - Lang, Surrealismus 66

Ladislav Postupa (1929 Tschechien - 2016)2 s/w Photographien. 1960er Jahre. Je Vintages, Silbergelatine auf Photopapier. Maße von 18,6 x 18,9 cm bis 20,3 x 19 cm. Verso signiert. - Vereinzelt schwach griffspurig. Insgesamt sehr gut. Kontrastreiche Abzüge der sinnlich-spielerischen Akt-Kompositionen. Der gelernte Graphiker und Designer Ladislav Postupa eröffnete in den frühen 1960er Jahren sein erstes Photostudio. Er wurde stark von französischen Surrealisten wie Breton, Magritte und Teige beeinflusst. Seine Werke wurden weltweit ausgestellt, u.a. in Hongkong, Johannesburg, Lissabon, Edinburgh, Budapest, Bangkok und Tokio, und befinden sich u.a. in den Sammlungen des Museums für Kunst und Industrie, Prag und des Victoria and Albert Museum, London. 2 b/w photographs. Each vintages, silver gelatin on photographic paper. Each signed on the verso. - Occasional faint traces of handling. All in all very good. High-contrast photos of the sensual and playful nude compositions. - The learned graphic artist and designer Ladislav Postupa opened his first photo studio in the early 1960s. He was strongly influenced by French surrealists such as Breton, Magritte and Teige. His works have been exhibited worldwide, including Hong Kong, Johannesburg, Lisbon, Edinburgh, Budapest, Bangkok and Tokyo, and are in the collections of the Museum of Art and Industry in Prague and the Victoria and Albert Museum in London, among others.

Alli Eynon Ceci ñ'est pas un chien (1) Dry point and chine collé print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Alli works with Sculpture and Print. Inner worlds and Relationships - real or imagined- are predominant themes. Education Dartington Hall School. Middlesex University - BA Hons 3/D Design - 1st class Select Exhibitions/Awards Royal Academy Summer Show 2023, Woolwich Contemporary Print Fair 2022 &2023, RWA Open Bristol 2018 &2022 Statement about AOAP Submitted Artwork The title "Ceci ne pas un chien" plays homage to Renè Magritte. The Mask represents the imagined inner world of the subject! "Bird on hand" is simply about connection.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Alli Eynon Ceci ñ'est pas un chien (2) Dry point print and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Alli works with Sculpture and Print. Inner worlds and Relationships - real or imagined- are predominant themes. Education Dartington Hall School. Middlesex University - BA Hons 3/D Design - 1st class Select Exhibitions/Awards Royal Academy Summer Show 2023, Woolwich Contemporary Print Fair 2022 &2023, RWA Open Bristol 2018 &2022 Statement about AOAP Submitted Artwork The title "Ceci ne pas un chien" plays homage to Renè Magritte. The Mask represents the imagined inner world of the subject! "Bird on hand" is simply about connection.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Alli Eynon Bird on the hand Carborundum print and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Alli works with Sculpture and Print. Inner worlds and Relationships - real or imagined- are predominant themes. Education Dartington Hall School. Middlesex University - BA Hons 3/D Design - 1st class Select Exhibitions/Awards Royal Academy Summer Show 2023, Woolwich Contemporary Print Fair 2022 &2023, RWA Open Bristol 2018 &2022 Statement about AOAP Submitted Artwork The title "Ceci ne pas un chien" plays homage to Renè Magritte. The Mask represents the imagined inner world of the subject! "Bird on hand" is simply about connection.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

'Rene Magritte' - Deluxe edition exhibition catalogue (Galerie nationale du Jeu de Paume, Paris, February 10-June 9, 2003), edition compiled and designed by Ronny Van de Velde, Antwerpe, Ludion 2003, the box with silver stamped, leather-bound spine, within slipcase

Oz Magazine 16 (Nov 1968) Martin Sharp's Magic Theatre cover version of Herman Hesse's Steppenwolf - Justice League of America parody. John & Yoko, Rene Magritte, Martin Sharp assembles one of the richest bank of collage images ever appearing in a magazine [fn-]

Sylvester (David, editor). René Magritte Catalogue Raisonné, 4 volumes, 1st edition, London: The Menil Foundation, 1992, numerous monochrome illustrations, original uniform cloth in dust jackets, minor rubbing to head & foot, stickers to the foot of the spines of volumes 1-3, large 4to, together with:Passantino (Erika D., editor), The Eye of Duncan Phillips, a collection in the making, 1st edition, New Haven : Yale University Press, 1999, numerous colour & monochrome illustrations, original cloth in dust jacket, minor rubbing to the head of the spine, large 4to, plusSolana (Guillermo), Gauguin and the origins of Symbolism, 1st edition, London: Philip Wilson Publishers, 2004, colour illustrations, original cloth in dust jacket and 'as new' in original plastic wrap, large 4to, and other art reference, mostly original cloth in dust jackets, some 'as new', VG, 8vo/4toQTY: (3 shelves )

"The art of conversation", 1961  Lithography, signed in facsimile and numbered 82/275. Edition by Philippe Moreno with      the authorization  of the Magritte succession. Adagp stamp. Without supervision.  Image: 60 x 45 cm.  with frame: 71 x 65 cm

“L’Entrée en Scène", 1961 "Entry into stage", 1961 Lithography, signed in facsimile and numbered 236/275. Edition by Philippe Moreno with the authorization of the Magritte succession. Adagp   stamp. 45 x 60 cm.

Typography according to the work of René Magritte,Signed in the plate15 x 18 cm

Typography according to the work of René Magritte,Signed in the board15 x 18 cm

René Magritte lithograph printed in colors after the painting from 1955 - with atelier stamp by the Succession Magritte and signed by Charles Herscovice || MAGRITTE RENÉ (1898 - 1967) kleurlitho n° 135/275 naar het schilderij uit 1955 "Le maître d'école" - 57 x 43 met atelierstempel van de Succession Magritte en paraf van Charles Herscovice

René Magritte lithograph printed in colors after the painting from 1963 - with atelier stamp by the Succession Magritte and signed by Charles Herscovice || MAGRITTE RENÉ (1898 - 1967) kleurlitho n° 127/300 naar het schilderij uit 1963 "La grande famille" - 35 x 29 met atelierstempel van de Succession Magritte en paraf van Charles Herscovice

René Magritte lithograph printed in colors after the painting from 1940 - with atelier stamp by the Succession Magritte and signed by Charles Herscovice || MAGRITTE RENÉ (1898 - 1967) kleurlitho n° 17/300 naar het schilderij uit 1940 "Le plagiat" - 29 x 35 met atelierstempel van de Succession Magritte en paraf van Charles Herscovice

René Magritte lithograph printed in colors after the painting from 1963 - with atelier stamp by the Succession Magritte and signed by Charles Herscovice || MAGRITTE RENÉ (1898 - 1967) kleurlitho n° 114/300 naar het schilderij uit 1963 "La reconnaissance infinie" - 29 x 35 met atelierstempel van de Succession Magritte en paraf van Charles Herscovice

René Magritte plate signed print with a typical composition || MAGRITTE RENÉ (1898 - 1967) print met typische surrealistische compositie met flessen - 16 x 12 getekend in de plaat

framed in the plate signed print on a silk scarf - edition of 1000 ex. by Flammarion dd 1993 || MAGRITTE RENÉ (1898 - 1967) ingekaderde print met vogels op een foulard in zijde - op 1000 ex. - 100 x 100 getekend in de plaat editie van Flammarion dd 1993

Meret Oppenheim, Simon / Gavina, Beistelltisch Modell TracciaMeret OppenheimSimon/ GavinaDesign 1936, production since 1973Beistelltisch Modell Traccia. Entwurf 1936, Ausführung ab 1973. Bronze, Holz, Blattvergoldung. 64 x 68 x 53 cm. Entworfen für die Collezione Ultramobili der Firma Simon, Dino Gavina, für die auch Entwürfe von Künstlern wie Man Ray, Sebastian Matta und René Magritte umgesetzt wurden.Literatur: Vercelloni, Virgilio, Das Abenteuer des Design: Gavina, Mailand 1987, Abb. S. 131, 139, 142.

Meret Oppenheim, Simon / Gavina, Beistelltisch Modell TracciaMeret OppenheimSimon/ GavinaDesign 1936, production since 1973Beistelltisch Modell Traccia. Entwurf 1936, Ausführung ab 1973. Bronze, Holz, Blattvergoldung. 65 x 68 x 53 cm. Entworfen für die Collezione Ultramobili der Firma Simon, Dino Gavina, für die auch Entwürfe von Künstlern wie Man Ray, Sebastian Matta und René Magritte umgesetzt wurden.Literatur: Virgilio Vercelloni, Das Abenteuer des Design: Gavina, Mailand 1987, Abb. S. 131, 139, 142.

Magritte, René. L'ombre et son ombre. Silbergelatine. 1930, späterer stark vergrößerter Abzug, um 1950. 40 x 29,7 cm. Flächig auf Trägerkarton montiert (52 x 41,5 cm).Stark vergrößerter und seitlich beschnittener Abzug des berühmten Photos von René und Georgette Magritte aus dem Jahr 1930 (8,5 x 8,7 cm). - Kanten leicht bestoßen, leicht fleckig, stellenweise ausgesilbert, gleichmäßiges Krakelee, Trägerkarton stark fleckig und etwas bestoßen.

Magritte, René. Sammlung von 6 Bromsilbergelatineabzügen auf Agfa-Barytpapier. Ca. 1928-47/Spätere Abzüge von 1984. Blattgröße: 40,3 x 30,2 cm.Griffelkunst 236 A2-3, A 5-6 und 237, B2 und B 6. - Abzüge von Photographien aus dem Nachlass. - Verso mit dem Stempel der Griffelkunst und faksimilierter Signatur von Georgette Magritte. - Vorhanden sind die Arbeiten: Gott Am Achten Tag; Königin Semiramis; Abstieg vom Gitter; Wahrsagerinnen; Liebe: Georgette und René Magritte; Stelldichein. - 1 Blatt mit kleiner Randknickspur, sonst sehr gut erhalten.

Magritte, René - - Mesens, Édouard Léon Théodore. Poèmes 1923-1958. Mit 10 Tafeln mit Illustrationen von René Magritte. Paris, Le Terrain Vague, 1959. 186 S., 2 (1 weiß) Bl. 19 x 14 cm. Englische Original-Broschur (braunfleckig, unteres Kapital leicht eingerissen).Eins von 1050 handschriftlich nummerierten Exemplaren. - Unbeschnitten. - Innen gut erhalten. - Provenienz: Nachlass Rudolf Rieser.

After Rene Magritte, a limited edition coloured etching, titled L'Art de Vivre, numbered 44/150, signed in pencil lower right with a blind stamp, unframed, 28cm x 22.5cm, together with The Graphic Work of Rene Magritte, by Gilbert E. Kaplan and Timothy Baum (2)

Kyrill. sign. Pammo, russischer Surrealist Ende 20. Jh., Komposition mit Anleihen an Dali und Magritte, Öl auf Karton, u. li. kyrill. sign. u. dat. (19)96, verso kyrill. bez., an den Rändern best., 70 x 80 cm

4 x Grafik vom Calder, Magritte & JoopAlexander Calder, 1898 Lawntown, PA- 1976 New York, Composition V, Farblithographie, aus Derrière le miroir No.173, 1968, 38 x 28 cm, auf Karton hinter P.p.; René Magritte, 1898 Lessines-1967 Brüssel, "La grande guerre", Farblithographie, 69 x 50 cm, 1 von 300 Exemp., drucksigniert, von 2003; René Magritte, "Le Réveil-matin" (Wecker), drucksign., num. LII/C bez.Georgette Magritte, Farblithographie. Ed. 1979, 42 x 51 cm; Wolfgang Joop, *1944 Potsdam, Modedesigner, Maler u. Bildhauer, "Mackie Messer", Farboffsetlithographie, 50 x 31,5 cm, Sign. u. num. 106/195, mit Zertifikat, verso Klebeband-Spuren, nicht sichtbar

Paul Delvaux, Ohne Titel, signierte Lithographie von 1976Paul Delvaux, 1987 Wanze - 1994 Veurne, belgischer Maler des Surrealismus, Sitzende Frauenrunde an einer langen Tafel mit einem Halbakt im Vordergrund, surreal-realistische Szenerie, 30,5 x 60 cm, signiert, datiert 1976, o. Rahmenpaul Delvaux studierte ab 1918 Malerei an der Akademie der schönen Künste in Brüssel bei Constant Montald. Nachdem er die Werke von René Magritte und Giorgio de Chirico gesehen hatte und mit Magritte 1936 im Brüsseler Palais des Beaux-Arts ausgestellt hatte, schloss er sich 1937 der surrealistischen Bewegung an. Seine charakteristischen Werke fallen auf durch realistisch gehaltene Hintergrund-Landschaften, vor denen unbekleidete Frauen das Bild dominieren.

Ephemera - modern art - a fine collection of catalogues for art exhibitions and sales, with considerable colour reproductions and details. Artists include Graham Sutherland, Rose Wylie, Caroline Ayles, Martin Mooney, James McIntosh Patrick, Peter Williams, Allen Gwynne Jones, John Piper, David Jones, Henry Moore, Magritte and others. Approx 40 in all. A fine collection providing considerable reference and research information with colour reproductions for a wide variety of modern British artists

λ&nbspPAVEL TCHELITCHEW (RUSSIAN 1898-1957) GROUP OF EASTERN FIGURES Ink, watercolour and gouache Signed and dated 39 (lower right) 32 x 40cm (12½ x 15½ in.) UnframedProvenance: Private Collection, Edward James, West Dean Sale, Christie's, London, A Surreal Legacy: Selected works of art from The Edward James Foundation, 15 December 2016, lot 46 (part lot)Together with a further similar study of the same subject, 27.5 x 37.5cm, also unframed. (2)Edward James came into his significant inheritance of the West Dean estate in Chichester in his twenties. He used much of his wealth to support the arts and was a key patron of Surrealism, in particular of Salvador Dali, Rene Magritte, Leonora Carrington and Pavel Tchelitchew. In 1964, he established the Edward James Foundation, a charitable educational trust for the promotion of music, craft and the fine arts. Condition Report: Work signed and dated 39 - Unframed. Glue residue to lower edge. A small stain to the upper left corner. Fading to the sheet throughout. A couple of small stain marks to the lower left quadrant.  Unframed. Sheet stuck down to brown paper. Water damage down the left side of the sheet and another patch to the lower right quadrant covering the majority of the lower edge. A tear with associated loss to the upper edge. Numerous small tears and losses to the edges. The largest tear to the centre of right edge. Upper right and left corner missing. Lower right corner is stuck underneath brown paper.  Condition Report Disclaimer

λ&nbspPAVEL TCHELITCHEW (RUSSIAN 1898-1957) BIRDS IN FLIGHT Ink and wash Signed and dated 42 (lower right) 27.5 x 21.5cm (10¾ x 8¼ in.) UnframedProvenance: Private Collection, Edward James, West Dean Sale, Christie's, London, A Surreal Legacy: Selected works of art from The Edward James Foundation, 15 December 2016, lot 40Edward James came into his significant inheritance of the West Dean estate in Chichester in his twenties. He used much of his wealth to support the arts and was a key patron of Surrealism, in particular of Salvador Dali, Rene Magritte, Leonora Carrington and Pavel Tchelitchew. In 1964, he established the Edward James Foundation, a charitable educational trust for the promotion of music, craft and the fine arts. Condition Report: Unframed. Very slightly rounded corners to upper right and lower right corner. Overall appears to be in good original condition.   Condition Report Disclaimer

λ&nbspPAVEL TCHELITCHEW (RUSSIAN 1898-1957) THEATRE DESIGN FOR THE FIRST ACT OF 'L'ANNONCE FAITE A MARIE' BY PAUL CLAUDEL Ink, wash and coloured pencil Signed and dated 1947 (lower left); titled and inscribed à mon cher Edward pour Noël 1947 (lower right) 29.5 x 33cm (11½ x 12 in.)Provenance: Private Collection, Edward James, West Dean Sale, Christie's, London, A Surreal Legacy: Selected works of art from The Edward James Foundation, 15 December 2016, lot 46 (part lot)Edward James came into his significant inheritance of the West Dean estate in Chichester in his twenties. He used much of his wealth to support the arts and was a key patron of Surrealism, in particular of Salvador Dali, Rene Magritte, Leonora Carrington and Pavel Tchelitchew. In 1964, he established the Edward James Foundation, a charitable educational trust for the promotion of music, craft and the fine arts.

Rene Magritte, female nude with grapes, circa 1940s, two works, recto and verso, each pencil, 21 x 17.3cm, glazed to both sides.  Provenance: Sotheby's, The Remaining Contents of the Studio of Rene Magritte, London, 2nd July 1987, Lot 831. 

René Magritte (1898-1967) after.Une Jeune Femme, plate VI from Les Enfants TrouvésLithograph printed in colours, 1968, signed in pencil by the publisher, from the edition of 320, printed by Mourlot, published by A.C Mazo et Cie, Paris, on wove paper, with full margins, sheet 440 x 600mm (17 3/8 x 22in)

René Magritte (1898-1967) after.Un Bombardon libere son Bouquet de Flammes, plate X from Les Enfants TrouvésLithograph printed in colours, 1968, signed in pencil by the publisher, from the edition of 320, printed by Mourlot, published by A.C Mazo et Cie, Paris, on wove paper, with full margins, sheet 440 x 600mm (17 3/8 x 22in)

René Magritte lithograph printed in colors - with atelier stamp from the Succession Magritte - signed by Charles Herscovice - with dedication ||MAGRITTE RENÉ (1898 - 1967) kleurlitho n° 232/300 met een surrealistische compositie - 50 x 64 met atelierstempel van de Succession Magritte en getekend door Charles Herscovici en met dedicatie

Leon Denoël signed lithograph printed in colors with an hommage to Magritte ||DENOËL LEON (° 1934) kleurlitho n° 226/250 : "Hommage aan Magritte" - 40 x 60 getekend

lithograph printed in colors after a work by René Magritte - with atelier stamp, stamp of the Succession Magritte and signed by Charles Herscovici ||MAGRITTE RENÉ (1898 - 1967) kleurlitho n° 209/275 naar een werk uit 1969 : "L'art de la conversation" - 38 x 45 met een atelierstempel, stempel van de Succession Magritte en een paraf van Charles Herscovice

René Magritte lithograph printed in colors after a work from 1947 - signed by Georgette Magritte ||MAGRITTE RENÉ (1898 - 1967) kleurlitho n° XXIII/C naar het werk "Le Viol" uit 1947 - 56 x 43 getekend door Georgette Magritte

After Rene Magritte (Belgian, 1898-1967) - La Magie Noire - an offset lithograph poster print. Depicting a surrealist nude female against a sea and skyscape, her top half fading to pale blue. Printed by the Musee Magritte Museum, Brussels 2019 after the 1945 oil on canvas Black Magic. Measures approx. 69cm x 51cm. 

Rene Magritte (Belgian, 1898-1967) - The Son of Man - a vintage offset lithograph poster print. Depicting the artist's iconic surrealist painting, depicting a gentleman in a bowler hat and black overcoat with a leafy apple in front of his face. Measures approx. 69cm x 51cm.

After Rene Magritte - L ' Heureux Donateur - a vintage offset lithograph print. Depicting the ironic Surrealist figure. Measures approx. 69cm x 51cm.

Art Déco - Kunstgewerbe - Tapeten - - UPL 1932. Katalog mit 92 teils farbigen Prägetapeten- und Lederimitatpapiermustern der Usines Peters-Lacroix in Haren bei Brüssel. Quer-Imp.-Fol. HLwd. mit Schraubbindung (bestoßen, Schrauben angerostet, Rücken u. Deckel mit Läsuren u. Fehlstellen, wasserrandig). Die Tapetenfabrik Usines Peters-Lacroix war aus der 1867 gegründeten Büttenpapierwerkstatt von Alphonse Lacroix hervorgegangen und nach dessen Tod, und nachdem das Unternehmen 1883 und 1902 niedergebrannt war, in Haren von Georges Lacroix und Yvan Peters wieder aufgebaut. Sie war als größte Tapetenfabrik der Welt weit bekannt und zählte Künstler wie René Magritte, Victor Servranckx, Oberkampt, Huet, Venet, Lafitte und Dufy zu ihren Mitarbeitern und entwickelte vielfältige Druckverfahren. - Die Muster (je ca. 44 x 53 cm) verso jeweils mit gestempelter bzw. etikettierter Signatur. - Muster anfangs mit kleineren Randläsuren, 2 Muster mit großem Ausschnitt, papierbedingt gebräunt, tls. etwas stockfleckig, sonst insg. gut erhalten. - 1 weiteres, kleineres Muster beiliegend (berieben).

XXe Siècle - - XXe Siècle. Sammlung von 47 Ausgaben in 47 Bänden. Mit über 120 Original-Graphiken und Pochoirs von und nach u.a. Picasso, Chagall, Soulages, Miró, Ernst, Poliakoff, Calder, Braque, Vasarely, Arp, S. Delaunay, Léger uvm. Paris bzw. New York, 1951-1977. 4°. Verschiedene Einbände: Ill. OKt., OLwd in ill. OUmschlag oder ill. OBroschur (teils etwas gebrauchsspurig und mit meist kleinen Defekten). Bis auf eine fehlende Original-Lithographie von Pierre Soulages in Heft 13 (Dezember 1959) vollständig. - Neben den oben genannten Künstlern desweiteren Arbeiten von und nach Kandinsky, Hartung, Alechinski, Villon, Dubuffet, Taeuber-Arp, Giacometti, Magritte, Manessier, Fontana, César, Marini, Lam, Baj etc. - Enthalten sind folgende Nummern: 1, 3, 4, 6, 7, 8, 10-22, 24-38, 41-48 sowie die Spezialausgaben ("Hommage à...") zu Marc Chagall, Max Ernst, Fernand Léger, Alexander Calder und Joan Miró. Diese bis auf die Ausgabe zu Chagall in amerikanischer Ausgabe (New York, Tudor). - Hefte 11 und 12 mit durchgehender Knickspur im oberen linken Rand. Einige sehr wenige Graphiken (insbesondere ältere Ausgaben) minimal braunfleckig oder gebräunt. Insgesamt sehr gut erhalten mit zahlreichen Original-Graphiken der bedeutendsten Künstler des 20. Jahrhunderts. Collection of 47 issues in 47 volumes. With over 120 original prints and pochoirs by and after Picasso, Chagall, Soulages, Miró, Ernst, Poliakoff, Calder, Braque, Vasarely, Arp, S. Delaunay, Léger and many more. Different bindings: Ill. hardcover., orig. cloth in ill. wrappers or ill. orig. brochure (partly somewhat worn and with mostly small defects). - Complete except for one missing original lithograph by Pierre Soulages in issue 13 (December 1959). - Besides the artists mentioned above, works by and after Kandinsky, Hartung, Alechinski, Villon, Dubuffet, Taeuber-Arp, Giacometti, Magritte, Manessier, Fontana, César, Marini, Lam, Baj etc. are included. - Included are the following numbers: 1, 3, 4, 6, 7, 8, 10-22, 24-38, 41-48 as well as the special editions ("Hommage à...") about Marc Chagall, Max Ernst, Fernand Léger, Alexander Calder and Joan Miró. These, except for the issue on Chagall, in American edition (New York, Tudor). - Issues 11 and 12 with continuous crease in upper left margin. A very few graphics (especially older issues) minimally brown-stained or browned. Overall very well preserved with numerous original prints by the most important artists of the 20th century.

René Magritte was a Belgian surrealist artist known for his thought-provoking and enigmatic paintings that challenge conventional perceptions of reality and challenge the viewer's understanding of the world. He was born on November 21, 1898, in Lessines, Belgium, and he passed away on August 15, 1967, in Brussels, Belgium.Key aspects of René Magritte's life and art include:1. Surrealism: Magritte was a prominent figure in the surrealist art movement, which emerged in the early 20th century. Surrealism sought to unleash the creative potential of the subconscious mind and explore the realms of dreams and the unconscious.2. Ceci n'est pas une pipe ("This is not a pipe"): One of Magritte's most famous works is the painting "The Treachery of Images" (1929), which features an image of a pipe with the words "Ceci n'est pas une pipe" (French for "This is not a pipe") written below it. The painting challenges the viewer's perception and prompts them to question the relationship between images and reality.3. Everyday Objects: Magritte often used familiar and ordinary objects, such as bowler hats, apples, and clouds, in his paintings. However, he presented these objects in unexpected and surreal ways, creating a sense of ambiguity and mystery.4. Juxtapositions: Magritte's compositions often feature unexpected combinations of elements, challenging logical connections and creating poetic and dreamlike narratives.5. Techniques: Magritte's painting style was characterized by its precise and realistic execution, which added to the eerie quality of his surreal imagery. He often used smooth brushwork and a subdued color palette.6. Personal Mythology: Magritte's art often drew upon personal experiences, memories, and his observations of the world around him. His work delved into themes of identity, perception, and the nature of art itself.7. Later Recognition: While Magritte faced some resistance from the art establishment during his lifetime, he gained international recognition and acclaim in the later part of his career. Today, he is considered one of the most important surrealist artists and a significant influence on subsequent generations of artists.8. Legacy: René Magritte's legacy continues to resonate in contemporary art, inspiring artists across various mediums. His ability to challenge reality and explore the boundaries of imagination has made him a central figure in the history of modern art.René Magritte's surreal and thought-provoking artworks have left a lasting impact on the art world, challenging viewers to question their perceptions and delve into the depths of the unconscious mind. His paintings remain iconic examples of the power of art to transcend the ordinary and open doors to new and unexpected realms of meaning.10.6 diameter.Porcelain.

BRETON ANDRE: (1896-1966) French Writer and Poet. One of the main figures and co-founder of Surrealism. Unusual and very interesting document related to René Magritte bearing multiple annotations in the hand of Breton, one page, 4to, n.p., n.d., in French. The document relates to Magritte, to artistic concepts, to Paul Nougé and to his first work Histoire de ne pas rire (1956). Breton adds to the borders, base, and in between lines multiple and lengthy interesting annotations, stating in part `Proverbs in the Flemish painting in the XVI century…the genuine common sens, I mean the one of the great poets.. the Chirico enigma was solemnly placed in the metaphysical questioning´, also describing and explaining the difference between `Intimate and internal sense..common sense..literally..figuratively..´ and referring to objects, to their utility and to their own life `like puppets´. A very interesting content document with multiple conceptual art annotations in the hand of Breton related to Magritte. VG  René Magritte (1898-1967) Belgian Surrealist Artist. An influential surrealism figure.Paul Nougé (1895-1967) Belgian Poet. A Theoretician of surrealism. Also known as the "Belgian Breton".Giorgio de Chirico (1888-1978) Greek-Italian surrealist Painter.

Rene Magritte, French 1898-1967,Les Enfants Trouvés, 1968;3 lithographs in colours on wove from the portfolio of 12, signed with monogram in pencil (possibly posthumous), with title pages and in the original folio, published in Paris by A.C Mazo et Cie, each sheet: 44.3 x 60 cm,  (ARR) (3) 

Title: Rene Magritte (1898-1967, after): 'Lithographies IV', ten lithographs in colours, dated 2010 and 2011Description:Paper: 60 x 44,5 cm The lithographs based on the paintings by Rene Magritte and edited by Philippe Moreno, with the authorization and under control of the ADAGP, representing 'La Succession Magritte' (see also the blind stamps in the lower left and right corner). The lithographs also countersigned in pencil by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession. A proof of edition is printed on the back of each lithograph, guaranteeing its authenticity. Different editions.

Full title: Rene Magritte (1898-1967, after): 'La grande guerre' (The great war), lithograph in colours, ed. 187/275, dated 2010Description:Work: 51,5 x 38 cm Paper: 57 x 43 cm Frame: 83 x 69 cmThe lithograph based on the painting 'La grande guerre' by Rene Magritte and edited by Philippe Moreno, with the autorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the stamps in the left and right bottom corner).

René Magritte (1898-1967), ''Le rendez-vous'' (Georgette Magritte), (1938/1984), Fotografie/Agfa-Papier, verso typografisch bez. ''Originalfotografie von René Magritte einmalige Auflage für die griffelkunst 1984'', sowie Nachlaßstempel, 41 x 30 cm

René Magritte (1898-1967), ''La vertu récompensée - Belohnte Tugend'', Fotografie/Agfa-Papier, verso typografisch bez. ''Originalfotografie von René Magritte einmalige Auflage für die griffelkunst 1984'', sowie Nachlaßstempel, Ränder leicht gewellt, 30 x 40 cm

René Magritte, "Le Réveil-matin" (The Alarm Clock), Farblithographie von 1979, signiert von Georgette Magritte, gerahmtRené Magritte, 1898 Lessines - 1967 Brüssel, "Le Réveil-matin" (The Alarm Clock), Farblithographie, 42,5 x 51 cm, Stempelsignatur, handsigniert von Georgette Magritte, num. LXXXII/C, unter Glas gerahmt

MAGRITTE RENE: (1898-1967) Belgian surrealist artist. A.L.S., Rene Magritte, two pages, 8vo, Rue des Mimosas, Brussels, 15th December 1961, to 'Chere Madame et Cousine', in French. Magritte thanks his cousin for her letter and information about her family, remarking 'J'ignorais qu'elle etait venue en Belgique lors de la revolution francaise et qu'elle s'appelait alors: Margueritte' (Translation: 'I did not know that she had come to Belgium during the French Revolution and that her name was then: Margueritte') and further reflecting on the possible reasons for desiring a change in the name. The artist also adds that he and his wife would be pleased to meet if his correspondent ever comes to Brussels, and equally they would be happy to visit her in Jumet, although this would not be possible until next January. VG

MAGRITTE RENE: (1898-1967) Belgian surrealist artist. A.L.S., Rene, two pages, 8vo, Rue des Mimosas, Brussels, 7th December 1962, to his cousin, in French. Magritte thanks his cousin for her genealogical discoveries, noting that they do not definitively confirm their French origins, adding that he will be happy to come to her home on 30th December and remarking 'Le critique d'art ne sera pas decu, j'espere, de me recontrer et j'espere qu'il appartient a l'espece humaine susceptible de considerer ce qui n'est pas totalement indifferent' (Translation: 'The art critic will not be disappointed, I hope, to meet me and I hope that he belongs to the human species likely to consider what is not totally indifferent'), and further referring to an individual named Van Parys, commenting 'Si je dois dire ce que j'en pense, je dirais que V.P. est assez precieux pour animer une reunion, mais que si des problemes difficiles d'"hotellerie" se posent....' (Translation: 'If I have to say what I think, I would say that V.P. is precious enough to host a meeting, but if difficult “hotel” problems arise…..'). VG

‘inspiration is always possible – if not present – whatever happiness or unhappiness is present’ MAGRITTE RENE: (1898-1967) Belgian surrealist artist. An excellent A.L.S., Rene, two pages, 8vo, Rue des Mimosas, Brussels, 25th August 1963, to his cousin, in French. Magritte expresses his regret that he probably didn't explain himself very well in his last letter, explaining that he had thought, on reflection, 'pour obtenir un succes evident (et, helas, toujours incertain lorsqu'il s'agit d'etre apprecie pour le public des expositions et par les soi-disant critiques d'art) il aurait ete souhaitable de remettre ta premiere exposition a plus tard' (Translation: 'to obtain an obvious success (and, alas, always being uncertain when it comes to being appreciated by the public at exhibitions and by the so-called art critics) it would have been desirable to postpone your first exhibition until later') and continuing to comment 'Cela ne met pas en cause la qualite deja remarquable de tes travaux. Mais cela implique que de nouveaux travaux auriant plus de chances encore de rencontrer plus de succes……. a la reflexion j'ai pense qu'il serait souhaitable d'avoir "plus d'atouts dans tou jeu" et je devair je pense, te le dire, ne croyant pas que la date de ton exposition est absolument irrevocable. La preuve de mon interet pour les travaux me semble indiscutable' (Translation: 'This does not call into question the already remarkable quality of your work. But this implies that new works would have even more chances of meeting with more success……on reflection, I thought it would be more desirable to have “more assets in your game” and I should, I thought, tell you, not believing that the date of your exhibition is absolutely irrevocable. The proof of my interest in the works seems to me indisputable'). The artist further writes in philosophical tones, 'Pour ma part, je n'accorde aucune importance aux "consequences", le succes ou l'echecpublic......c'est uniquement de l'authenticite des oeuvres qu'il importe et celle de ton travail n'est pas douteuse pour moi. C'est en raison de cette authenticite, que l'on peut attendre de sa part une maitrise plus grande qu'a present. La partie de ta lettre relative a la joie et a la souffrance, je la comprends, je pense, tres bien. La vie n'est jamais un echec pour les imbeciles. Si tu as retenu ce que j'ai ecrit dans un catalogue, tu dois savoir que je ne confonds pas l'importance des "concourantes" avec celle de la presence d'esprit indispensable a la conception d'une oeuvre d'art: j'ai ecrit "l'inspiration est toujours possible - sinon presente -  quels que solient le bonheur ou le malheur presents"' (Translation: 'For my part, I do not attach any importance to the “consequences”, the success or the public failure……it is only the authenticity of the works that matters and that of your work is not questionable to me. It is because of this authenticity that we can expect greater mastery than at present. The part of your letter relating to joy and suffering, I understand, I think, very well. Life is never a failure for fools. If you have remembered what I wrote in a catalogue, you must know that I do not confuse the importance of “competitors” with that of the presence of mind essential to the design of a work of art: I wrote “inspiration is always possible - if not present - whatever happiness or unhappiness is present”'). A letter of fine content. VG 

Otto Schade Tiger Eye, 2023 Pen and pencil on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About A native of Chile, Otto Schade took his vibrant art to England in 2005. After attaining an architecture degree in Concepción, Otto began his career as an urban sculptor. But it was his fascination with surreal art that led him toward his passion to paint. Inspired by masters of the past like Dali, Magritte, Miro, Giger, and Beksiński. Otto quickly found the local street art scene, where he painted pieces boasting a sharp and ironic twist. While communicating anti-war themes along with his trademark ribbon style, he earned a street cred name, Osch, in London's district of Shoreditch and beyond. Since then, Otto's art has gone global. He has participated in some of the biggest art festivals, including the "Upfest" in Bristol, "Sand, Sea and Spray" in Blackpool, "City of Colors" in Birmingham and "Hometown" in Berlin. As well, Otto's pieces have been exhibited in the USA, South America, Africa, Asia and many cities across Europe. The demand for Otto's unique pieces of art continues. In 2018 alone, he participated in two art exhibitions - one in Paris and one in Berlin - and had the opportunity to paint in the following cities: Miami, New York City, Denver, Lisbon, Paris, Amsterdam, Berlin, Munich and Santiago. In December, Otto was painting a mural in Jamaica. The eclectic works of Otto Schade can be found on the streets of many European cities - including Berlin, Amsterdam, Moscow, Paris, Barcelona, Porto, Luxembourg, Stockholm, Gothenburg, Brussels, and London - and can be viewed in various galleries and exhibition centres across Europe.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Otto Schade Leopard Eye, 2023 Pen and pencil on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About A native of Chile, Otto Schade took his vibrant art to England in 2005. After attaining an architecture degree in Concepción, Otto began his career as an urban sculptor. But it was his fascination with surreal art that led him toward his passion to paint. Inspired by masters of the past like Dali, Magritte, Miro, Giger, and Beksiński. Otto quickly found the local street art scene, where he painted pieces boasting a sharp and ironic twist. While communicating anti-war themes along with his trademark ribbon style, he earned a street cred name, Osch, in London's district of Shoreditch and beyond. Since then, Otto's art has gone global. He has participated in some of the biggest art festivals, including the "Upfest" in Bristol, "Sand, Sea and Spray" in Blackpool, "City of Colors" in Birmingham and "Hometown" in Berlin. As well, Otto's pieces have been exhibited in the USA, South America, Africa, Asia and many cities across Europe. The demand for Otto's unique pieces of art continues. In 2018 alone, he participated in two art exhibitions - one in Paris and one in Berlin - and had the opportunity to paint in the following cities: Miami, New York City, Denver, Lisbon, Paris, Amsterdam, Berlin, Munich and Santiago. In December, Otto was painting a mural in Jamaica. The eclectic works of Otto Schade can be found on the streets of many European cities - including Berlin, Amsterdam, Moscow, Paris, Barcelona, Porto, Luxembourg, Stockholm, Gothenburg, Brussels, and London - and can be viewed in various galleries and exhibition centres across Europe.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Claudia Bonney Mother, 2023 Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Claudia Bonney takes her subjects from myths and legends, with the heroine archetype a recurring theme. Claudia is drawn to the heroine's journey - their challenges, defiance and fight for survival. Saints and goddesses are re-imagined from a modern perspective. She works primarily in oil and influences range from Magritte, David Inshaw, Alan Aldridge, Stanley Spencer and William Blake to medieval art, religious icons and Russian art. Claudia has painted since her childhood; growing up with artist parents and a household filled with art. She went on to train at Lancaster University. For the last twenty years Claudia has painted in parallel to her work in education and therapy which strongly informs her painting. Her work has been bought by private collectors in the UK & US.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Otto Schade Lon-dress, 2023 Pen and pencil on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About A native of Chile, Otto Schade took his vibrant art to England in 2005. After attaining an architecture degree in Concepción, Otto began his career as an urban sculptor. But it was his fascination with surreal art that led him toward his passion to paint. Inspired by masters of the past like Dali, Magritte, Miro, Giger, and Beksiński. Otto quickly found the local street art scene, where he painted pieces boasting a sharp and ironic twist. While communicating anti-war themes along with his trademark ribbon style, he earned a street cred name, Osch, in London's district of Shoreditch and beyond. Since then, Otto's art has gone global. He has participated in some of the biggest art festivals, including the "Upfest" in Bristol, "Sand, Sea and Spray" in Blackpool, "City of Colors" in Birmingham and "Hometown" in Berlin. As well, Otto's pieces have been exhibited in the USA, South America, Africa, Asia and many cities across Europe. The demand for Otto's unique pieces of art continues. In 2018 alone, he participated in two art exhibitions - one in Paris and one in Berlin - and had the opportunity to paint in the following cities: Miami, New York City, Denver, Lisbon, Paris, Amsterdam, Berlin, Munich and Santiago. In December, Otto was painting a mural in Jamaica. The eclectic works of Otto Schade can be found on the streets of many European cities - including Berlin, Amsterdam, Moscow, Paris, Barcelona, Porto, Luxembourg, Stockholm, Gothenburg, Brussels, and London - and can be viewed in various galleries and exhibition centres across Europe.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Paul Delvaux, 1897 Antheit/Liège – 1994 FurnesFRAUENAKT MIT GROSSEM HUT, 1936Auf dünnem Chinapapier.17 x 13,5 cm.Rechts unten dreizeilige Beschriftung von der Hand des Künstlers. „Elle n´ouait retenant de un chapeau et des .ouliers.“Im Passepartout, verglast und gerahmt.Federzeichnung in Schwarz auf Papier. Die Gestalt steht nach rechts mit vorgeneigtem Kopf, der Blick auf den Boden gerichtet. Im Hintergrund Andeutung von Raumdekoration mit einem Pilaster und Bodensockel. Schattierungen in Schraffiertechnik bezeichnen die Körperrundungen und den Schatten am Boden. Der Künstler, der sein Studium 1918 in Brüssel begann, stellte zusammen mit René Magritte 1936 im Brüsseler Palais des Beaux-Arts aus und schloss sich der surrealistischen Bewegung an. 1959 nahm er an der documenta 2 in Kassel teil. 1982 wurde in Idesbald ein Museum für ihn eröffnet. Anmerkung:Verso auf der Abdeckung mehrerer Gummi-Rundstempel mit Umschrift „COLLEZIONE - ROVERETO - ITALIA“, darin handschriftliche Signatur, ferner: sowie Bezeichnung auf dem Aufkleber „Collezione Paolo Dal Pozzo - Paul Delvaux, Disegni, Archivo.“ und „Improvisazione Prima / Galleria d´Arte, Rovereto, Piazza Achille Leoni“ mit Angabe des Entstehungsjahres „1936“, „Catalog Improvisazione Prima, Rovereto 1977, S. 53.“A.R. (13621315) (11))