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Click here to subscribethree original René Magritte black and white "Einmalige Auflage für die Griffelkunst 1984" photos - with numbers on the back stamped by Georgette Magritte || MAGRITTE RENÉ (1898 - 1967) drie originele zwart/wit foto's : "Einmalige Auflage für die Griffelkunst 1984" - n° 236A - 2613 - CXXXVII - 3 - n° 236A4 - 2613 - CXXXVII - 3 - n° 236A5 - 2613 - CXXXVII - 3 met stempel van Georgette Magritte uit de vroegere collectie van Leo Dohmen - Antwerpen
MICHAEL COOPER - PHOTOGRAPHS, ten copies of original photographs of eight named and two un-named celebrities from the 1960's, photograph 1) Andy Warhol, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 41.1cms x 30.3cms, photograph 2) Roman Polanski, stamped Michael Cooper Collection 2002, the limited edition print from this collection is 1/25, outer print dimensions, 41.1cms x 30.7cms, photograph 3) Twiggy, pictured standing against a Carousel, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 30.1cms x 41.1cms, photograph 4) Rene Magritte wearing a bowler hat, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions 40.3cms x 30.2cms, photograph 5) Rene Magritte's finger pushing his doorbell, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 40.4cms x 30.3cms, photograph 6) Marcel Duchamp, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 50.7cms x 41cms, photographs 7,8, unknown personality being photographed in a car, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 50.7cms x 41.2cms and 40.3cms x 30.3cms, photograph 9, unknown female in box hat, partial silhouette, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 30.2cms x 40.4cms, photograph 10) unknown personality behind film camera, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 40.5cms x 30.2cms (Artist resale rates may apply)
MANUEL TERÁN (Chile, 1974)."Tribute to Kusama and Velázquez".Oil on masonite.Signed in the lower right corner. Signed, dated and titled on the back.Size: 108,5 x 108,5 cm; 131 x 130 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
ATTRIBUTED TO LISA SOTILIS, AN ANTIQUE STYLE FRINGE NECKLACE The shaped front piece with wire decoration, suspending a gold coloured bar swag, with various antique style bead drops with and intaglio glass panels of Classical scenes Size/dimensions: 50cm long Gross weight: 140 grams Known in Art circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939, first studying in Athens, then at the Academy of Arts in Milan, Italy. Sotilis was at first an artist and sculptor, and when finding no jewellery to her taste, she embarked on designing and making her own jewellery. She was somewhat of a child protégé and after a first solo exhibition at the age of 16 in Milan, and then her first international exhibition at 18 years old in Berlin, she was noticed by the pioneering taste setter of 20th century art and world leading art dealer and gallery owner, Alexander Iolas. Sotilis began exhibiting at Iolas' top international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her works were collected by the surrealist Salvador Dali, and other pinnacles of the elite society. In 1970 she was contracted exclusively with Cartier to design watch faces and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests. She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She is reported to have said of her artistry 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: There is a lot of solder visible, this is possibly from construction, there are possibly beads and sections missing, some decoration may have come off, or it could be the design of the piece. Condition Report Disclaimer
Three boxes of books relating to art and photography, to include:-Rewald, Sabine "Paul Klee, the Berggruen Collection", inspiring reform - Boston Arts and Crafts Movement, Richard HamiltonDoisneau, Robert"Syler"Warhol, Lucien Le Long, Roy Lancaster, Magritte, Bert Stern, Tim Davis, etc (3 boxes)
MANUEL TERÁN (Chile, 1974)."Eclectic (Lucio Fontana)". Tribute to the Geniuses, 2021.Oil on canvas. With painted crevices.Signed in the lower right corner. Signed, dated and titled on the back.Measurements: 100 x 140 cm; 111 x 145 cm (frame).In this work we can observe Lucio Fontana's characteristic language, which approaches an aesthetic of a conceptual nature, where he introduces the intellectual necessity in the exercise of reflecting on the work and its representation. In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
original René Magritte plate signed lithograph printed in colors after a work from 1947 "Le Viol" - signed by his wife Georgette Magritte || MAGRITTE RENÉ (1898 - 1967) originele kleurlitho n° XXIII/C naar een werk uit 1947 : "Le Viol" - 56 x 43 getekend in de plaat en handgesigneerd door Georgette Magritte
"Elle danse Le Charleston" dd 1927 with cover designed by René Magritte, the score for the music by L.Th. Langlois (music) and lyrics by Fernand Servais and Fred Dolys || MAGRITTE RENÉ (1898 - 1967) bladmuziek van "Elle danse Le Charleston' dd 1927 met omslag ontworpen door René Magritte, de partituur voor de muziek van L.Th. Langlois (muziek) en teksten van Fernand Servais en Fred Dolys - 35 x 27
René Magritte color etching with a typical composition with namestamp and drystamp "Gravure Originale - Atelier Rene Magritte" || MAGRITTE RENÉ (1898 - 1967) kleurets n° 51/150 met een compositie met peer en een roos - 15,5 x 10,5 met naamstempel en droogstempel "Gravure Originale - Atelier Rene Magritte"
Surrealismus - - Maurice Tabard. (1897 - 1984). Sammlung aus 10 Arbeiten. Um 1920er-60er. Mit Vintage Argyrotypie, Braundruck, Kallitypie, Kontaktabzug und Silbergelantineabzüge (u.a. mit Solarisation und Doppelbelichtung) auf unterschiedlichen Papieren. Blattmaße von 17,7 x 12,7 cm bis 47 x 32 cm. 3 Blätter signiert, größtenteils verso mit Photographenstempel und Inventarnummer. - 4 Blätter knickspurig, 3 Blatt mit kurzen vertikalen Einrissen im Blattrand, 1 Blatt mit Fehlstellen am Rand (Motiv nicht betroffen), 1 Abzug unregelmäßig beschnitten, 3 Abzüge mit Einstichlöchlein, verso zum Teil mit Spuren der vorherigen Montierung. Reizvolle ausdrucksstarke Abzüge. Enthalten: Argyrotypie (Fechtende), Braundruck (Portrait), 5 Kallitypien (vorwiegend Modephotographien), 3 Silbergelantineabzüge (1 Kontaktabzug, im Negativ ausgesilbert, 1 Solarisation und 1 Doppelbelichtung mit Solarisation). - Beigegeben: - Portraitzeichnung 1943 - Maurice Tabard. Hg. Contrejour, Paris 1987. - Maurice Tabard (1897-1984) war seit 1922 zunächst Portraitphotograph in Baltimore, wurde 1928 Modephotograph in Paris, wo er die Surrealisten Man Ray und René Magritte kennenlernte. Er zählt heute mit zu den führendsten Photographen der surrealistischen Bewegung. Collection of 10 photographs. With vintage argyrotype, brown print, callitype, contact print and silver gelatin prints (including solarisation and double exposure) on different papers. 3 sheets signed, mostly with photographer's stamp and inventory number on verso. - 4 sheets with creases, 3 sheets with short vertical tears in the margin, 1 sheet with missing parts in the margin (subject not affected), 1 print irregularly trimmed, 3 prints with small punctures, verso partly with traces of previous mounting. Charming expressive prints. - Included. Argyrotype (fencing), brown print (portrait), 5 callitypts (mainly fashion photographs), 3 silver gelatin prints (1 contact print, silvered out in negative, 1 solarisation and 1 double exposure with solarisation). - Submitted: - Portrait drawing 1943 - Maurice Tabard. Ed. Contrejour, Paris 1987. - Maurice Tabard (1897-1984) was first a portrait photographer in Baltimore from 1922, then became a fashion photographer in Paris in 1928, where he met the Surrealists Man Ray and René Magritte. Today, he is one of the leading photographers of the Surrealist movement.
René Magritte, Belgian 1898-1967 - Deux Feuilles & Poisson, circa 1945; pencils on paper, two, Deux Feuilles: 14.5 x 10 cm; Poisson: 8 x 12.5cm (2) (ARR) Provenance: the remaining contents of the studio of René Magritte - The property of the late Georgette Berger, the widow of René Magritte, Sotheby’s, London, 2 July 1987, lot 854 (part of a lot); Sotheby’s, London, 25 October 1989, lot 217; Private Collection, Japan; Bloomsbury Auctions, 25 June 2009, lot 365 (part of a lot); private collection
After René Magritte (Belgian, 1898-1967)L'Art de Vivre; La Folie Almayer and L'Homme au Chapeau, from 'Le Lien de Paille' (Kaplan/Baum 16, 18, 19) Three etchings with aquatint in colours, 1968, on BFK Rives wove, with the artist's stamped signature as issued, numbered 82/150, 123/150 and 122/150 in pencil respectively, published by Georges Visat, Paris, with the 'Gravure Originale, Atelier René Magritte' blindstamp, with margins, 280 x 225mm (11 x 8 7/8in)(SH)(and similar)(3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Osinachi, Across the Face #408NFT (Ethereum)Contract Address 0xa1113cF12dAFE3471a4e7F281683dc98D4b1ca6eToken ID 408Token Standard ERC-721Blockchain EthereumThis Async Blueprints collection is the first generative project by cryptoart OG, Osinachi. Launched in partnership with Async Art and SuperRare, the collection uses four TYPES, each with three LAYERS and interesting STATES to create 1000 pieces, each featuring a portrait of the artist himself. Partly inspired by the work of Belgian artist, Rene Magritte. (Quelle: OpenSea)
HENRI-JEAN CLOSON (1888-1975)Contre-point 1935 monogrammé et daté 1935 ; mongrammé, titré et daté 1935 au revershuile sur panneausigned with the artist's monogram and dated 1935 ; signed with the artist's monogram, titled and dated 1935 on the reverseoil on panel 100.5 x 93 cm.39 9/16 x 36 5/8 in.Footnotes:ProvenanceCollection de l'artiste, FrancePuis par descendance au propriétaire actuelExposition Bruxelles, Musée Magritte, Henri Jean Closon : peintre belge à Montparnasse, 17 septembre 2011 au 22 janvier 2012, p. 21, illustré en couleursThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
MANUEL TERÁN (Chile, 1974)."Eclectic Lucio Fontana". Tribute to genius series, 2021.Oil on canvas.Damaged on the frame.Signed in the lower right corner. Signed, dated and titled on the back.Size: 107 x 139 cm; 114 x 142 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
MANUEL TERÁN (Chile, 1974). "Tribute to Kusama and Velázquez". Tribute to genius series, 2022.Oil on panel.Slight damage to the frame.Signed in the lower right corner. Signed, dated and titled on the back.Measurements: 101 x 82 cm; 133 x 114 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
MANUEL TERÁN (Chile, 1974)."Tribute to Picasso", Tribute to the Geniuses Series, 2020.TechniqueWork reproduced in the Catalogue of the exhibition Tribute to the Geniuses at the Antonio Saura Foundation. Casa Zavala. Cuenca. Cuenca. Spain. 2021.p.30.Signed in the lower right corner. Signed, titled and dated on the back.Measurements: 73 x 116 cm.In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
MAGRITTE RENÉ: (1898-1967) Belgian Surrealist Painter. An interesting and philosophical letter written by Magritte A.L.S., `René Magritte´, two pages, 8vo, Brussels, 25th September 1961, in French. A very good content letter where Magritte refers first to the priests´ propaganda and later to the Nothingness concept, stating in part `A la suite d´une discussion à propos de mon texte “La Voix du Mystère”, il faut craindre que le mystère don't je parle soit confondu avec celui don't les curés font leur propaganda: il m´a été dit qu´ils sauraient me convaincre que je suis “un croyant” comme ils l´entendent. Pour éviter cette erreur, cette horreur, il faudrait ajouter à mon texte: - qui ne correspond à aucune doctrine- dès le début. Nous aurons donc comme première phrase: Le mystère - qui ne correspond à aucune doctrine - n´est pas une possibilité…´ (Translation: “Following a discussion about my text “La Voix du Mystère”, it is to be feared that the mystery of which I am speaking is confused with that of which the priests make their propaganda: I have been told that they would know how to convince me that I am “a believer” as they understand it. To avoid this error, this horror, it would be necessary to add to my text: - which does not correspond to any doctrine - from the beginning. We will therefore have as a first sentence: The mystery - which does not correspond to any doctrine - is not a possibility…”) Further and referring to Nothingness, Magritte states `Je souhaite que vous écriviez ce que vous pensez du Néant. Vous devez pouvoir en dire ce que l´on ne sait pas encore. Comment le comprenez vous et comment le comprenez vous “par rapport” au mystère? Il s´agira peut-être de distinguer le Néant de celui qui sert à la propagande des curés de l´Orient? (Le Nirvana). Mais cette question est difficile, en “distingant” le Néant, on le determine déjà, on lui donne une forme qu´il ne saurait avoir étant le Néant? Je crois que ce que l´on ne sait pas encore du Néant nous est nécessaire´ (Translation: “I want you to write what you think of the Nothingness. You must be able to say what we do not yet know. How do you understand it and how do you understand it “in relation” to the mystery? It will perhaps be a question of distinguishing the Nothingness from that which is used for the propaganda of the priests of the East? (Nirvana). But this question is difficult, by “distinguishing” the Nothingness, we already determine it, we give it a form that it could not have, being the Nothingness? I believe that what we do not yet know of Nothingness is necessary for us”) VG
ERWIN STOLZ* (Kyselka 1896 - 1987 Wien)Jüngling auf LichtungTusche/Papier, 21,5 x 17 cmProvenienz: Nachlass des Künstlers, Privatbesitz WienSCHÄTZPREIS °€ 800 - 1.500STARTPREIS € °€ 800Erwin Stolz erhielt eine Ausbildung zum Agraringenieur, doch in seiner Freizeit beschäftigte er sich intensiv mit der Malerei. Während des Ersten Weltkrieges diente er als Offizier und kam als Kriegsgefangener nach Italien. Nach Kriegsende widmete er sich ganz der Malerei. Anfangs als Schildermaler, Industriegraphiker und Zeitungszusteller tätig, besuchte er zahlreiche Kurse, um sich künstlerisch weiterzubilden. Er hatte Kontakte zu Gustav Karl Beck, Erich Mallina, George Kenner, Alexander Rothaug und den Künstlern des Hagenbunds. Stolz war auch mit dem Komponisten Josef Matthias Hauer befreundet, einem Musiker und Musiktheoretiker aus dem Umfeld von Arnold Schönberg, der unter den Nazis als entartet galt. Im Schaffen von Stolz finden sich Einflüsse von Jugendstil (Gustav Klimt, Carl Moll, Koloman Moser, Otto Wagner, Joseph Maria Olbrich, Josef Hoffmann, Art Déco (Wiener Werkstätte), Neuer Sachlichkeit (Carry Hauser, Franz Lerch, Sergius Pauser, Franz August Sedlacek, Ferdinand Bruckner, Robert Musil, Franz Nabl, Robert Michel, Robert Neumann, Joseph Roth), Symbolismus (Léon-François Comerre, Eugen Bracht, Arnold Böcklin, Edward Burne-Jones, Pierre Puvis de Chavannes, Mikalojus Konstantinas Čiurlionis, Lovis Corinth, Henry Cros, Tivadar Kosztka Csontváry, Jean Dampt, Jean Delville, Maurice Denis, Francisco Durrio de Madrón, James Ensor, Johann Heinrich Füssli, Akseli Gallen-Kallela, Paul Gauguin, Isobel Lilian Gloag, Henry de Groux, Vilhelm Hammershøi, Per Hasselberg, Dora Hitz, Ferdinand Hodler, Ludwig von Hofmann, Wjatscheslaw Iwanowitsch Iwanow, Rudolf Jettmar, Fernand Khnopff, Max Klinger, Georges Lacombe, Franz von Lenbach, Sigmund Lipinsky, Frances MacDonald McNair, Josef Madlener, Jacek Malczewski, George Minne, Gustave Moreau, Edvard Munch, Michail Wassiljewitsch Nesterow, Max Nonnenbruch, Odilon Redon, Auguste Rodin, Félicien Rops, Sascha Schneider, Giovanni Segantini, Leon Spilliaert, Franz von Stuck, Per Adolf Svedlund, Jan Toorop, Adolfo Wildt, Jens Ferdinand Willumsen, Michail Alexandrowitsch Wrubel) und Surrealismus (André Breton, Louis Aragon, Philippe Soupault, René Magritte, Salvador Dalí, Joan Miró, Frida Kahlo). Stolz war ebenso der Anthroposphie zugeneigt wie seine Zeitgenossin und Künstlerkollegin Gertraud Reinberger-Brausewetter.Bitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer von 13%, bei Fotografien 20% hinzu. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.
René Magritte - Comte de Lautréamont (Isidore Ducasse). Les Chants de Maldoror. Illustrations de René Magritte. Brüssel, La Boetie 1948. Mit 76 Strichätzungen nach Zeichnungen, davon zwölf blattgroß auf Tafeln, sechs als Initialen. Illustrierte Originalbroschur.Erste Ausgabe mit diesen Illustrationen. - In nummerierter Auflage erschienen. - René Magritte (1898-1967) war nach Schließung der Surrealisten-Galerie »Le Centaure« 1930 wieder nach Brüssel gezogen. In den Folgejahren entstanden Freundschaften zu André Breton, Paul Éluard, Joan Miró, Hans Arp und später auch zu Salvador Dalí. - »Das am aufwendigsten illustrierte Buch des Malers« (Lang, S. 63).25 : 19 cm. 190, [10] Seiten, 12 Tafeln. - Umschlag mit kleinen Läsuren am Rücken. Der Buchblock vom Umschlag gelöst und unprofessionell mit Klebeband fixiert.Monod 6900. - Lang, Surrealismus 66
René Magritte (1898-1967)Lithograph La reconnaissance infinie 1963Numbered 163/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie La reconnaissance infinie 1963Genummerd 163/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).38 x 46.5 cm
René Magritte (1898-1967)Lithograph L'Art de la ConversationNumbered 84/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie L'Art de la ConversationGenummerd 84/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).38 x 46 cm
René Magritte (1898-1967)Lithograph Ceci n'est pas une pommeNumbered 171/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie Ceci n'est pas une pommeGenummerd 171/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).38 x 47 cm
MAGRITTE, René, "Blue Box", Deluxe-Ausgabe, Ausstellungskatalog "Magritte" der Galerie National du Jeu de Paume in Paris, hrsg. von Daniel Abadie. Paris, Amsterdam, Gent, 2003, 27 x 22 (Katalog) und 37 x 30 (Kassette). Mit 3 Portfoliobeigaben mit Reproduktionen: 3 nummerierte Radierungen, 5 Farbdrucke auf Leinen, 16 Reproduktionen auf 4 Blatt selbstklebendem Papier. Katalog mit Abb., mit Schutzumschlag, Kassette mit Plexiglas auf dem Deckel, in Schuber, Exemplar nummeriert 620/950
Full title: René Magritte (1898-1967, after): 'La Géante', lithograph in colours, ed. 14/150Description:Work: ca. 63,5 x 52 cm Paper: ca. 70,5 x 55,2 cm Frame: 78,4 x 63,2 cm In the lower left corner with the following text: "Lithographie d'apres le tableau original de mon mari Rene Magritte "La Geante" tiree en 150 exemplaires numerotes et signes de ma main. Georgette Magritte" (Lithograph after the original painting by my husband Rene Magritte 'La Geante', printed in 150 copies, numbered and signed by my hand. Georgette Magritte). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
STOPPARD (TOM)Lord Malquist and Mr Moon, SIGNED BY THE AUTHOR on pasted-in slip on title-page, Anthony Blond, 1966; Rosencrantz and Gildenstern are Dead, 1967; The Real Inspector Hound, 1968; Enter a Free Man, 1968; After Magritte, 1971; Jumpers, 1972; Artist Descending a Staircase and Where Are They Now 1973, 2 copies; Dirty Linen and New-Found-Land, SIGNED BY THE AUTHOR, 1976; Night and Day, 1978; Travesties, 1975; Every Good Boy Deserves Favour and Professional Foul, 1978; Dogg's Hamlet, Cahoot's Macbeth, 1979; On the Razzle, 1981; Four Plays For Radio, 1984; Dalliance and Undiscovered Country, 1986; In the Native State, 1991; The Coast Of Utopia, 3 vol., 2002, FIRST EDITIONS or first hardback/paperback editions, second to tenth publisher's wrappers, the first and the last 10 in publisher's cloth with dust-jackets, 8vo (20)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
δ René Magritte (1898-1967) after. Le Domaine Enchanté VI, from Les Enfants trouvésLithograph printed in colours, 1968, signed by Fernand Mourlot in pencil, one of 30 artist's proofs numbered in Roman numerals, printed by Fernand Mourlot, Paris, published by Ed. A.C. Mazo et Cie, Paris, on BFK Rives paper, with full margins, sheet 445 x 600mm (17 1/2 x 23 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Dada & Surrealist Art: William S Rubin, 1969, signed copy, David Sylvester, Magritte 1969 and seven others (9) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Magritte edited by David Larkin 1973 Second Edition Softback Book published by Pan/Ballantine some ageing good condition. Sold on behalf of Michael Sobell Cancer Charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
Zwei Fotografien:a) Magritte, René: Le rendez-vous (Georgette Magritte), 1938. Gelatinesilberabzug auf Mattpapier, Abzug v. Originalnegativ für Edition Griffelkunst 1984. Verso Editions-Stempel sowie Nachlassstempel Nachlass Georgette Magritte und handschriftl. Bezeichnung. Kratzspur im Bereich der Stirn. 40,2 x 30,2 cm, hinter Glas gerahmt. b) Hausman, Raoul: Mélanographie No. 3, Gelatinesilberabzug, posthumer Abzug in einmaliger Auflage für Edition Griffelkunst, verso Editions-Stempel und Nachlass-Stempel. Ca. 39 x 29 cm (Bl), hinter Glas gerahmt. Ra. 41 x 32 cm Two photographs
Sammlung von 12 Ausgaben von XXe siècle. Mit insgesamt 26 Original-Graphiken von u.a. Henri Matisse, Marc Chagall, Fernand Léger, Max Ernst, René Magritte, Sonia Delaunay und Dalí. Enthält: Nr. 14, 1960. Mit 3 OFarblithogr. v. Alechinsky, Fiedler u. Chagall. - Nr. 20, 1962. Mit 3 OFarblithogr. v. Manessier, Ernst u. Baj. - Nr. 22, 1963. Mit 3 OFarblithogr. v. Magritte, Brauner u. César. - Nr. 23, 1964. Mit 1 Einbandlithogr. v. Ernst. - Nr. 26, 1966. Mit 2 OFarblithogr. v. Vieira da Silva u. Chagall. - Nr. 29, 1967. Mit 2 OFarblithogr. v. Chagall u. Magnelli. - Nr. 39, 1972. Mit 2 OFarblithogr. v. S. Delaunay u. Estève. - Nr. 43, 1974. Mit 4 OFarblithogr. v. Dalí, Hérold, Lam u. Lapicque. - Nr. 44, 1975. Mit 2 OFarblithogr. v. Baj u. Rosenquist u. 1 OSerigr. V. Velickovic. - Nr. 46, 1976. Mit 1 OFarblithogr. v. Miró. - Numéro spéciale 1970. Hommage à Matisse. Mit 1 OLinolschn. - Numéro spéciale 1971. Hommage à Fernand Léger. Mit 1 OFarblithogr. - Einbände teils etwas berieben. Gute Exemplare mit den vollständigen Original-Graphiken. - Dabei: Cahiers d'art. 1954, II. Mit zahlr. tls. farb. u. montierten Tafeln. S. 125-279. OBroschur (berieben und etwas verfärbt). Collection of 12 editions of XXe siècle. With a total of 26 original prints by Henri Matisse, Marc Chagall, Fernand Léger, Max Ernst, René Magritte, Sonia Delaunay and Dalí, among others. - Contains: see above. - Bindings partly somewhat rubbed. Good copies with the complete original prints. - Added: see above.
After René Magritte (Belgian, 1898-1967)Untitled (Pear and Rose), from 'Les Moyens d'Existence (Livelihood)' (Kaplan/Baum 20) Etching and aquatint printed in colours, 1968, on Japan nacré, inscribed 'P/150' in pencil, a proof aside from the total edition of 450, printed and published by Georges Visat, Paris, with the Atelier René Magritte blindstamp, the full sheet, 278 x 226mm (11 x 8 7/8in)(SH)For further information on this lot please visit Bonhams.com
René Magritte (1898-1967)Lithograph Decalcomanie.Numbered /275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie Decalcomanie.Genummerd /275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).38 x 45.5 cm
René Magritte (1898-1967)Lithograph Un peu de l'Ame des BanditsNumbered 172/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie Un peu de l'Ame des BanditsGenummerd 172/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).49 x 38 cm
René MAGRITTE (1898-1967)Lithograph 'L'Entrée en scène 1961', numbered HC 36/45 and signed.Lithografie 'L'Entrée en scène 1961', genummerd HC 36/45 en getekend.62 x 50 cm With dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).
René Magritte (1898-1967)Lithograph Le seize SeptembreNumbered 162/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie Le seize SeptembreGenummerd 162/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).50 x 38 cm
Lithograph SchéhérazadeNumbered 83/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).49.5 x 38 cmLithografie SchéhérazadeGenummerd 83/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).49.5 x 38 cm
René Magritte (1898-1967)Lithograph Le Blanc SeingNumbered 81/275 with dry stamp ADAGP and Succession Magritte.initials by Charly Herscovice (The Fondation Magritte).Lithografie Le Blanc SeingGenummerd 81/275 met droogstempel ADAGP en Succession Magritte.paraf van Charly Herscovice (The Fondation Magritte).47 x 38 cm
Postcards in two album including interesting postmarks and back stamps, GB topography, street scenes, landmarks, three reproduction Titanic cards, views and the Postbus Service, postal stationary etc. Plus an album of art cards and postcards from Old Master to Magritte, Ravillious, Bawden and Nash etc.
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