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A seascape oil on canvas. Artist H Sopena. Framed. 62cm x 80cm.

A quantity of pictures and prints, mainly contemporary artists, to include: David Carr; Michelle Lynn (American) "Innocent child" signed and dated verso Michelle Lynn March 2007; Charles Joseph Staniland ROI RI an unframed seascape and a framed and glazed abstract with banjo; Victoria Francisco signed framed and glazed image of clowns/harlequins; "Fall & Innocent Child" by Michelle Lynn, American Artist Acrylic on canvas; "Survivor" oil on canvas by Juliet Rose; Eileen O'Mahony Dynan etc and a KC Chiefs framed pin and special edition magazine

English School (19thC). Coastal seascape with fishing and other vessels, watercolour, signed indistinctly, 24cm x 51.5cm.

Group of 10 Edward Curtis (American, 1868-1952) and Asahel Curtis (American, 1874-1941) photographs and postcards including:One framed photo, possibly depicting Mt. Rainier.One photograph of a woman inscribed along the lower right "To my little Margret."One photograph labeled "Margarite Scanwell."One photograph labeled "S. Delaney."One photograph of a seascape.One Asahel Curtis photograph of Mt. Rainer.Two postcards depicting portraits of Native Americans affixed to one sheet of paper.One postcard labeled "Excelsior Pool Yellowstone.One photogravure titled "Blackfoot Home Life."One notecard from a Mr. and Mrs. Marshal Snow to a Dr. DSH Smith.Provenance: From the Estate of Christopher Cardozo.Height ranges from 3 in to 9 in; width ranges from 3 1/2 in to 14 in.Condition: Wear associated with age and use throughout including: handling marks, creases, small tears, small losses, and toning.

Max Papart (French, 1911-1994). Large lithograph on paper depicting a composition of bright colors juxtaposed with a seascape and a musical arrangement. Pencil signed along the lower right; numbered H.C. VI/XV (6/15) along the lower left.Sight; height: 34 in x width: 27 in. Framed; height: 46 in x width: 39 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are visible tears, creases, losses, or restorations when viewed under UV light. Housed under a nonacidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Konstantin Vysotsky (Russian, 1864-1938). Oil on canvas painting titled "Seascape" depicting a figure and cow on a hill overlooking an ocean.Sight; height: 9 1/2 in x width: 13 1/4 in. Framed; height: 13 1/2 x width: 17 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no chips, losses, or restorations when viewed under UV light. Light craquelure throughout. Light wear visible along the extreme edges. The paint does not appear to extend to the edges, likely original to the artistic process. Light wear to the frame. Not inspected out of frame.

J.MCANN - OIL ON BOARD - SEASCAPE 39cm X 29cm

A.DURHAM - WATERCOLOUR - SEASCAPE 42cm x 23cm

*Annabel Greehalgh (Contemporary) -Seascape; Rock Pool -Two pastels -26 x 28.5cm -Both signed, dated 2000 and 2004 (2)

John Falconar Slater (British, 1857-1937) : Seascape, oil on board, 33 cm x 52 cm.

Five early Republic (1910-1920) Wu Jinhe famille rose square porcelain tiles, the lots to include three tiles depict a scene of a seascape, figurines, boats, two depicting a scene of herdboy and buffalo. Embossed "Wu Jin He Zao" seal on reverse. Measures approx. 13cm x 13cm x 1cm. Note： Reference sample from V and A Museum East Asia collection accession number FE.7-2014.  The tiles were made in a kiln called Wu Jinhe in Chaozhou, Guangdong province, China. Martin van Straaten, a Dutch tile dealer in London, imported Chinese tiles until their quality deteriorated in the early 1920s. 

A 19th century gilt framed oil on canvas, seascape with sail boats. Signed. Possibly EG Provan/EGP Moran. 25cm x 35cm.

Sheila Denton, seascape study w/c framed and glazed

Michael John Blaker (1928-2018), four oils on board, 'Back Gardens', 'Rochester', 'Thanet Beach, Seascape', 'Park near Prague', each signed, largest 61 x 71cm, unframed. Condition - fair

A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include a Rex Preston limited edition print 43cm x 84cm, a watercolour of 'Loch Long Argyll' initialled E.O, a watercolour seascape signed and dated George E. Cole 1951, a Chris Woods steam locomotive print, a D. Keith Johnson landscape print, together with other assorted prints etc

J Ducer, early 20th century, seascape, with sailing boats, signed oil on board, 37 x 90cm, together with various pictures and prints, to include Elvis wall mirrors

Twenty-four volumes, mostly non-fiction and to include military and history: FITCHETT, W.H. - Deeds that Won the Empire (Smith Elder & Co. 1898) WOLFF, Leon - In Flanders Fields (Longmans Green 1960) FLEMING, Peter - The Siege at Peking (Readers Union 1960) FLEMING, Peter - The Sixth Column (Rupert Hart-Davis 1951) STORRS, Ronald - Orientations (Nicholson & Watson 1945) CONNELL. Brian - The Plains of Abraham (Hodder & Stoughton 1960) FARWELL, Byron -  The Great Boer War (Alan Lane 1977) BRYANT, Arthur - Years of Victory 1802-1812 (Reprint Society) OMAN, Carola - Britain Against Napoleon (Faber & Faber 1942) BARNES, J.S. - Half a Life Left (Eyre & Spottiswoode 1937) CARSON, Rachel - The Edge of the Sea (Staples Press 1955) GUEDALLA, Philip - Palmerston (Ernest Benn Ltd. 1926) Lonsdale Library Vol XVII - Sea Fishing (Seeley Service) SPENCER CHAPMAN, S. - The Jungle is Neutral (Chatto & Windus 1950) WAVELL, Archibald - Allenby in Egypt (George G. Harrap & Co. 1943) MORAN, Lord - The Anatomy of Courage (Constable 1945) (two copies) ALDINGTON - All Men are Enemies (Heinneman 1934 pocket ed.) HARRISON, William - Elizabethan England (Scott Library) DE CHAIR, Somerset - (Faber & Faber 1943) TILLOTSON, H.M. - Finland at Peace and War (Michael Russell 1993) JACKSON, Holbrook - The Complete Nonsense of Edward Lear (Faber & Faber 1952) CYPRYS, Ruth Altbeker - A Jump for Life (Constable 1997) SMART, Bolase - The Technique of Seascape Painting (Isaac Pitman & Sons 1946) JORDAN, Roger W. - Merchant Fleets 1939 (Chatham Publishing 1999)

A Dunhill Silver Plate and Lucite 'Aquarium' Table-Lighter, The Mounts Stamped 'Dunhill', Mid-20th Century, Patent Number 143752 oblong, the front decorated with three fish within an aquatic seascape, with silver plate mounts55mm wide by 70mm highProvenance:Tennants, 25 November 2016, lot 498.The hinged arm stamped 'Dunhill'. Further stamped 'Made in England' and with design registration number underneath. The mounts with tarnish and wear. There is a crack to the lucite on each of the short sides. There is some delamination of the decoration in places.

John Wilson Carmichael (1800-1868) Study for marine seascape Pencil and watercolour, together with a futher example by the same artist "North East coast at North Shields, Northumberland" and another example "Tynemouth" attributable to the artist, 7.5cm by 11cm, 6cm by 11cm and 6.5cm by 11cm respectively (3)Provenance: For Study for marine seascape and "North East coast at North Shields, Northumberland" the Jerningham Collection Dean Gallery Ltd, Newcastle Upon TyneExhibited: Dean Gallery Ltd "Christmas '99 Exhibition"

E. Boost, 11/15, a gilded framed atmospheric small Watercolour of First World War marine seascape with a lightship marked "Sunk", on rolling seas beneath a stormy sky, 5 3/4" x 13 1/4" approx.

Peter Cosslett (1927-2012) - Choppy seascape in the bay, oil on canvas, signed lower right, 41 x 51cm

Rowell Tyson (1926-2009) - Seascape, watercolour, signed in pencil lower right, 33.5 x 51.5cm

Rowell Tyson (1926-2009) - Moonlit Seascape, watercolour and pastel, signed in pencil lower right, 26 x 42.5cm

MICHAEL HARRIS FOR ISLE OF WIGHT An iridescent seascape lollipop vase, signed to base, 23cm high, together with four Mdina glass vases, two dated 1979, largest 28cm high Condition Report:"The iridescent IOW vase is signed Michael Harris, the other vases are not signed Michael HarrisNo chips, cracks or bruising. Some scratches"

* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), SEAGULL IN THE MIST and UNTITLED two watercolours on paper, both signedboth mounted, framed and under glass the Seagulls image size 19cm x 25cm, overall size 40cm x 45cmNote: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.

* SARAH CARRINGTON (SCOTTISH b. 1977), SEA GRASSES + THISTLES, IONA mixed media on board, titled labels verso mounted, framed and under glass image size 14cm x 20cm, overall size 34cm x 39cm Handwritten artist's label versoLabel verso: Roger Billcliffe Gallery, GlasgowNote: Sarah Carrington (b.1977) is an Edinburgh born landscape artist. She creates land and seascape paintings using acrylic, ink, emulsion, oil, sand and chalk to describe the variety of textures found at the seashore, and to evoke the mood and weather of the coastlines of Scotland and Ireland. Sarah Carrington graduated in 1999 with a sell-out degree show and an MA in Fine Art from the University of Edinburgh and Edinburgh College of Art. She began her career as a self-employed artist based in Edinburgh; her memories of childhood holidays to the west coast of Scotland and student sailing excursions around the Hebrides have a lasting influence on her sea and landscape paintings. Now based on the north coast of Ireland, she paints both the coastlines of Scotland and Ireland noting the similarities between these two Celtic lands. She has exhibited regularly throughout the UK and her works are held in public and private collections nationally. Sarah is represented by The Open Eye Gallery (Edinburgh) and the Roger Billcliffe Gallery (Glasgow). On 10th July 2022, lot 201 a large (overall size 122cm x 250cm) triptych by Carrington sold in The Scottish Contemporary Art Auction for £2600 (hammer) setting a new UK auction record for the artist.

A Halcyon Days enamel timepiece, modelled as a terrestrial globe, the hinged lid revealing quartz driven dial with enamelled seascape within compass point border, on gilt metal stem and circular foot, height 10cm, boxed.

Derek Hyatt, British 1931-2015 - Seascape; gouache on paper, 38 x 45.5 cm (ARR) Provenance: Paintings in Hospitals, London, cat. no.6023 

RufusA seascape with boats in a harbourWatercolourSigned

An oil on board depicting a seascape signed Wilson, together with a print depicting a similar scene each in an ornate moulded framesLocationIf there is no condition report shown, please request

Royal Copenhagen - 2 1950s vases each approx 19cm high - one is decorated with a boat on continuous seascape, the other a floral design, together with a Bing & Grondahl figure ‘Girl with Garland’ (2345), 14.5cm high

AN OIL ON CANVAS OF A SEASCAPE, SIGNED CLAUDE TERRAY, IN A GILT FRAME

PAT MANUS OIL ON CANVAS SEASCAPE AND COTTAGES

G.D. Storry, late 19th c - Lake Scene; Stormy Seascape, a pair, the lake scene signed twice and dated 1886, oil on canvas, 42 x 53cm, (2) Each holed to varying degrees, discolouration, wear, and some craquelure.

Jonathan Shaw (British, b. 1959), purple seascape acrylic on board. Signed to lower right, framed. 22cm x 60cm, frame measures 37.5cm x 75cm.

19th century mahogany cased longcase clock, the swan neck pediment hood flanked with two half columns mirrored below in the case, pointed broken arch dial deocrated with man o'war in seascape and castles, 220cm high 

M J RENDELL OIL ON CANVAS - MOONLIGHT SEASCAPE 49.5CMS (H) & 74.5CMS (W) INNER FRAME APPROX

THOMAS BARRETT (BRITISH, 1845-1924) (2)Seascape signed and dated 'T. Barrett 1893' (lower right) oil on board 24 x 34cm together with another oil on board of a seascape by the same hand, signed and dated '1894', 24 x 40cm (2)

John Shapland RA (1865 - 1929) Seascape artist from South West England who also lived in Exeter, 'Watergate Bay, Newquay', circa 1930, signed and inscribed, 54 x 19cm, F & G and another signed coastal watercolour inscribed verso 'No.45 Coast Near Bude Cornwall', 47 x 29cm, F & G

David Smith (British, 1930-1999), impasto oil on board, Seascape, signed and dated 1964, 95 x 117cm. Condition - fairProvenance; from the artists' studio. David Smith was born in Lowestoft and exhibited around the world. He wrote several books and travelled as an artist on the QEII, with the British Antarctic Survey and painted the lighthouses for Trinity House.

M. Ladd, Contemporary oil on board, Seascape with fishing boats, signed, 19 x 24cm, gilt framed. Condition - good

Robert Borlase SMART (1881-1947) Seascape Oil on canvas, signed, 40 x 50cm, framed 56 x 66cmThe estate of Sir Geoffrey & Lady HollandThis work is in very good condition, however, there is a degree of surface dirt throughout - a light clean will lift and transform this piece.

NAPOLEON ALEKOV (BULGARIAN 1912 - 1998) Seascape, oil on board, signed in corner, 42 x 25cm, unframed

CHINESE QIANLONG STYLE VASE, 20TH CENTURY decorated with a continuous seascape, bearing red character mark to base28cm high

Pair of seascape prints in modern frame

An oil on canvas seascape depicting sailing boats on a rough sea, inscribed 'Richard Henry Nibbs' to the reverse, 47cm x 27.5cm, the frame 64.5cm x 44cmIf there is no location report shown, please request

A Highland Stoneware lamp decorated with a snowy mountain landscape, a limited edition plate decorated with silver birches, a seascape decorated plate, a mountainous landscape plate and a tea pot stand Condition Report:Available upon request

Lilian Strang Neilson – Seascape, 20th century oil on board, 8cm x 27.5cm, mounted onto hardboard. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956–60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Michael Wishart – ‘Small Seascape’, oil on canvas, signed with initials recto, titled Michael Parkin label verso, 19cm x 19cm, within a silvered frame.

Circa 17th-18th century A.D.. Comprising various coloured glazed and featuring floral and vegetal motifs, figural scenes, animals and landscape/seascape compositions. 5.33 kg total, 13 x 13 - 13.5 x 13.5 cm (5 1/8 x 5 1/8 - 5 1/4 x 5 1/4 in.). Acquired 1990s-early 2000s. East Anglian private collection. [17, No Reserve]

English School monochrome watercolour, landscape, unsigned, 23 x 31cm, bearing label verso, together with another monochrome watercolour seascape, 24 x 35cm

Ben Bullock, oil on canvas study of a seascape

H. MORRIS, A SEASCAPE OIL ON CANVAS, depicting sailing boats and a single rowing boat, signed bottom right and dated 14/5/16, back on canvas is stamped indistinctly, approximate size 18cm x 25.5cm, frame size 31cm x 38cm (1) (Condition Report: painting appears in good condition, corners of frame a little marked/chipped, paper on back of frame is torn revealing canvas

A Highland Stoneware seascape plate and two other items.

Two abstract seascape prints by Jonathan Shaw, signed lower right 84cm x 45cm

A modern oil on canvas seascape in heavy gilt frame

A pair of framed and glazed seascape watercolours signed B McDermott. COLLECT ONLY.

A gilt framed over painted print seascape.

A pine framed and glazed watercolour seascape signed and dated 1903. COLLECT ONLY.

A SEASCAPE WITH OCEAN SHIPS OIL ON CANVAS IN A GOLD ORNATE FRAME