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English School monochrome watercolour, landscape, unsigned, 23 x 31cm, bearing label verso, together with another monochrome watercolour seascape, 24 x 35cm

Ben Bullock, oil on canvas study of a seascape

H. MORRIS, A SEASCAPE OIL ON CANVAS, depicting sailing boats and a single rowing boat, signed bottom right and dated 14/5/16, back on canvas is stamped indistinctly, approximate size 18cm x 25.5cm, frame size 31cm x 38cm (1) (Condition Report: painting appears in good condition, corners of frame a little marked/chipped, paper on back of frame is torn revealing canvas

A Highland Stoneware seascape plate and two other items.

Two abstract seascape prints by Jonathan Shaw, signed lower right 84cm x 45cm

A modern oil on canvas seascape in heavy gilt frame

A pair of framed and glazed seascape watercolours signed B McDermott. COLLECT ONLY.

A gilt framed over painted print seascape.

A pine framed and glazed watercolour seascape signed and dated 1903. COLLECT ONLY.

A SEASCAPE WITH OCEAN SHIPS OIL ON CANVAS IN A GOLD ORNATE FRAME

A group of pictures, comprising Barbara Rawcliffe. Seascape, watercolour, signed and dated 85, 25cm x 32cm, together with an engraving titled Beach Signals, initialled HC, limited edition number 37/90, 15cm x 17cm, photographic print of Lindisfarne Castle, singed Lowe, 9cm x 14cm, and photographic print of Mother Teresa bearing signature, 18cm x 12cm. (4)

R KENNY - WATERCOLOUR - SEASCAPE 33 X 20CM

Attributed to Arthur BURGESS (1879-1957) Seascape Oil on canvas, lined, signed and dated '53, 29x39cm and 35x46cm overall. Shipping is available from £25.22 to a UK Mainland address.

Manchester Ship Canal Together with a Cornish Seascape ink M. Anstee (XX), Manchester Ship Canal, oil on board, signed, titled and further signed verso, 36.5cm x 33cm, 39.5cm x 36cm, together with an indistinctly signed ink on paper, possibly titled Pordenack Point, Cornwall, 23cm x 16cm, 36cm x 44cm framed (2) Shipping is available from £25.22 to a UK Mainland address.

Large Scale photographic Seascape print on canvas, framed, 120 x 120

JOHN HOWARD LYON (1870-1921) untitled seascape with boats, oil on board, framed, inscribed verso, 75 x 55cm

UNTITLED MID CENTURY SCOTTISH SCHOOL SEASCAPE, oil on canvas, framed, 88 x 57cm

GERALD CARSON (Irish 1924/25 - 2014) "Rugged seascape with figures in foreground" oil on canvas, signed bottom right, 41 cm x 52 cm (ARR)

ROBERTSON, SEASCAPE oil, signed and dated 1972, framed, along with an oil on canvas depicting a harbour scenethe seascape - 59.5cm x 49cm overallQty: 2

Original oil on canvas of an Autumn forest scene by German landscape and seascape artist Gerold Eggert who combined richly mixed colors. Signature on lower right: G. Eggert. Engraved plaque reads: G. Eggert. Housed in a wooden frame covered with an ecru linen border. Artwork dimensions: 23"L x 19.50"H. Frame size: 25.50"L x 21.75"H x 1.50"W. Artist: Gerold J. Eggert (German b. 1921)Issued: c. 1960Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.

Original serigraph on paper entitled A Cup of Joe... by American Expressionist artist R. J. Hohime who used pastel colors and scarlet red, and navy blue for contour lines to depict a woman reminiscing in front of a tropical seascape poster while drinking coffee. Signature in graphite on lower right: R. J. Hohimer. Title on lower center: Cup of Joe... Numbered on lower left: 113/300. Housed in a black frame with a turquoise mat. Sight size: 24"L x 19.50"H. Frame size: 31"L x 26.50"H x 1"W. Artist: Rickey Jewell Hohimer (American 1946-2021)Issued: c. 1980Edition Number: 113 of 300Country of Origin: United StatesCondition: Age related wear. Minor color bleed on edges.

H Gailey sunset lit seascape, signed lower right corner, label to verso 61x91.5cmx, framed and Jannison Winter, River landscape with cabin, trees and mountains beyond, signed lower right corner, label to verso 61x92cms framedLocationIf there is no condition report shown, please request

SIGNED WATERCOLOUR SEASCAPE

CLAIRE EAKIN OIL ON CANVAS SEASCAPE 28 X 28CM

GARETH HUGH DAVIES (British 1962) oil on canvas - 'The North Wales Coast, c1930', 39.5 x 60cms, a large unsigned oil on canvas of a seascape, 49.5 x 99cms and a smaller watercolour of a coastal scene, 14 x 21.5cmsProvenance: private collection DenbighshireComments: framed

After G.A. Napier - Seascape, oleograph, 29 x 39cm

A quantity of Watercolours to include St. Just Church by Moonlight by Walter Williams, "Old Cottages" Betchworth, Surrey, signed Clifford Nickson, seascape signed lower left and a river landscape signed Ian Harrison.

M SWANN. BRITISH 20TH CENTURY. A coastal seascape. Signed. Oil on canvas 10" x 14".

JOSEPH HENDERSON RSW (SCOTTISH 1832 - 1908), AYRSHIRE SEASCAPE oil on canvas, signed framedimage size 67cm x 100cm, overall size 96cm x 123cm Note: Joseph Henderson was born on 10 June 1832 in Stanley, Perthshire, He was the third of four boys. When he was about six, the family moved to Edinburgh and took up residence in Broad Street. The two older boys joined their father, also Joseph, as stone masons. Joseph’s father died when Joseph was eleven leaving his mother, Marjory Slater, in straightened circumstances. As a result, Joseph and his twin brother, James, were sent to work at an early age and the thirteen-year-old Joseph was apprenticed to a draper/hosier. At the same time, he attended part-time classes at the Trustees’ Academy, Edinburgh. At the age of seventeen, on 2 February 1849, he enrolled as an art student in the Academy. From the census of 1851, Marjory, Joseph and James were living at 5 Roxburgh Place, Edinburgh. Marjory was now a ‘lodging housekeeper’ with two medical students as boarders. James was a ‘jeweller’ while Joseph was a ‘lithographic drawer’. In the same year Joseph won a prize for drawing at the Academy enabling him, along with fellow students, W. Q. Orchardson, W. Aikman and W. G. Herdman, to travel to study the works of art at the Great Exhibition in London, which he found to be a very formative experience. He left the Academy about 1852-3 and settled in Glasgow. He is first mentioned in the Glasgow Post Office Directory for 1857-8 where he is listed as an artist living at 6 Cathedral Street. Joseph Henderson’s first exhibited work was a self-portrait which was shown at the Royal Scottish Academy (RSA) in 1853. He painted several portraits of friends and local dignitaries including a half-length portrait of his friend John Mossman in 1861. His painting, The Ballad Singer established his reputation as one of Scotland`s foremost artists when exhibited at the RSA in 1866. Throughout his career he continued in portraiture. He executed portraits of James Paton (1897) a founder and superintendent of the Kelvingrove Art Gallery and Museum (this portrait was bequeathed to Kelvingrove in 1933) and Alexander Duncan of the Faculty of Physicians and Surgeons of Glasgow. He also painted Mr. Scott Dickson, Sir Charles Cameron, Bart., DL, LLD (1897) and Sir John Muir, Lord Provost of Glasgow (1893). His portrait of councillor Alexander Waddell (1893) was presented to Kelvingrove in 1896. However, it is probably as a painter of seascapes and marine subjects that he became best known. His picture Where Breakers Roar attracted much attention when exhibited at the Royal Glasgow Institute (RGI) in 1874, ‘as a rendering of angry water’. Henderson was in part responsible for raising the profile and status of artists in Glasgow and was a member of the Glasgow Art Club (he was President in 1887-8), the Royal Glasgow Institute of the Fine Arts (founded 1861) and the Royal Society of Painters in Watercolour. Between 1853 and 1892, he exhibited frequently at the RSA and at the RGI and between 1871 and 1886 he had twenty pictures accepted for the Royal Academy in London. In 1901 he was entertained at a dinner by the President and Council of the Glasgow Art Club to celebrate his jubilee as a painter. He was presented with a solid gold and silver palette. An inscription on the palette read: ‘Presented to Joseph Henderson, Esq., R.S.W. by fellow-members of the Art Club as a mark of esteem and a souvenir of his jubilee as a painter, 8th January 1901’ Joseph Henderson was married three times. On 8 January 1856 he married Helen Cosh (d. 1866) with whom he had four children including a daughter Marjory who became the second wife of the artist William McTaggart. On 30 September 1869 he married Helen Young (d. 1871) who bore him one daughter and in 1872 he married Eliza Thomson with whom he had two daughters and who survived him. Two of his sons, John (1860 – 1924) and Joseph Morris (1863 – 1936) became artists; John was Director of the Glasgow School of Art from 1918 to 1924. By 1871 he had moved with his family; wife Helen, daughter Marjory and sons James, John and Joseph and his mother Marjory from Cathedral Street to 183 Sauchiehall Street. He also employed a general servant. He is described in the census as a ‘portrait painter’. In 1881, Joseph was living at 5 La Belle Place, Glasgow with Eliza, two sons and four daughters. He later moved to 11 Blythswood Square, Glasgow. In the 1901 census he was still at this address with his wife Eliza, sons John and Joseph and daughter Mary and Bessie. His occupation is ‘portrait and marine painter’. Joseph Henderson painted many of his seascapes at Ballantrae in Ayrshire. At the beginning of July 1908, he again travelled to the Ayrshire coast. However, he succumbed to heart failure and died at Kintyre View, Ballantrae, on 17 July 1908 aged 76 and was buried in Sighthill cemetery in Glasgow. A commemorative exhibition of his works was held at the RGI in November of that year. A full obituary was published in the Glasgow Herald. As well as his devotion to art, Joseph Henderson was a keen angler and golfer. A contemporary account states that he was ‘frank and genial, with an inexhaustible fund of good spirits and a ready appreciation of humour, of which he himself possesses no small share’. Thirty-six of his paintings are held in UK public collections.

PETER GRAHAM RA ARSA (SCOTTISH 1836 - 1921), SEA CLIFFS oil on canvas, signed framed image size 71cm x 101cm, overall size 91cm x 117cm Note: Graham's Seascape paintings celebrate the romantic character of the Scottish Highlands and it’s coastline. He trained at the Trustees' Academy in Edinburgh under Robert Scott Lauder and at first worked on figure subjects. From 1859 he began to concentrate on landscape and seascape painting after an inspiring holiday in Deeside. Graham chose to paint on a scale which emphasised the awe-inspiring magnificence of the scenery. His response to the landscape was also influenced by the paintings of Horatio McCulloch and the poetry of Sir Walter Scott. He enjoyed great success at the Royal Scottish Academy and from 1866, at the Royal Academy, London.

Seascape oil on canvas signed Ambrose 68x58cm

Royal Interest - Thomas Goode & Co Ltd, London - Very limited edition (29/37) engraved glass tyg made to commemorate the (cancelled) Coronation of Edward VIII. Acquired by a family member of the seller from Thomas Goode and Co who had purposely broken this and other unsold copies upon the announcement of the abdication. The body engraved: 'Speech is a wind too often for tempest and sorrow but strength brings peace, happiness and prosperity,' the foot engraved: 'To commemorate the coronation of Edward VIII King Emperor the friend of his people' and the base engraved: 'Only 37 of these cups have been made, Thomas Goode & Co Ltd, This cup is No 29 copyright Herbert Goode 1937' and each handle engraved: 'Dei Gratia'. Further engraved decoration including EVIIIR under a crown flanked by flags of the home nations, a seascape, townscape and roses, shamrocks, leeks and thistles. H 14cm.

Attributed to Willhelm Hanken (1866-1953) 'Stormy seascape', oil on canvas, signed 'Willy Hanken', and dated 1907 lower left, 65cm x 99cm Wear from a previous frame, possibly once had a gilt slip over the top which has transferred slightly to the canvas. The canvas is thin and loose in places. Otherwise seems ok.

N Bradley-Carter, oil on canvas, seascape 

J. Morris (English School, fl. 1898) Seascape and Castle Ruin signed, oil on canvas, 34cm x 45cm

I S JOHNSTONE, SEASCAPE mixed mediaframed31cm high x 39.5cm wide overall

Taxidermy: A Cased Pair Leach's Storm Petrels (Hydrobates leucorhous), circa early 20th century, by Henry Murray & Son, Naturalists & Taxidermists, Bank Buildings, Carnforth, a high quality pair of full mount adults, each perched upon floating simulated seashore rockwork, set against a watercolour painted stormy seascape back drop, enclosed within a later oak framed wall hanging five-glass display case, 33.5cm by 9cm by 26.5cm excluding outer frame, bearing reproduced taxidermist's paper trade label to verso and interior upper rightRestoration carried out by A.J. Armitstead, Taxidermy, Darlington, replacement case, glass, and reproduced trade labels, original groundwork - and bird specimens.

FREDERICK CALVERT (1785-1845); oil on canvas, expansive seascape with various boats and coastline to the right, signed and dated 1844 lower left, 39 x 100cm, framed.Condition Report: Appears to be in overall good condition, apart from from one small pressure point from the reverse lower right.

John Knapp-Fisher 1931-2015, small pencil signed etching dated 1972, 636/850, depicting seascape with cliffs, plate 13cm x 55cm 

F.T. Coplestone, abstract seascape, mixed media, initialled T.C. to bottom right, 14cm x 15cm 

Ernest Stuart (British, late 19th/early 20th century), 'Clearing After a Storm', watercolour, seascape with waves and sea birds, 87.5 x 29.5cm, signed to lower left, gilt frame, 106cm x 48cm.

Ernest Stuart (British, late 19th/early 20th century), watercolour, seascape with breaking waves and sea birds, 52.5 x 24cm, signed to lower right, framed and glazed, 74cm x 46cm.

A 19th century oil on canvas seascape, featuring a 46 gun Seringapatam class frigate of the Royal Navy’s Red Squadron, giving chase to two similar sized French Frigates. The red ensign flag, or ‘red duster’ was in use by the Royal Navy from 1801-1864, before it was allocated for use as a merchant vessel ensign. Unsigned English school. Approximately 42 x 51.5cm Further details: cleaned, relined and re-framed  Condition: generally good. Some crazing to the surface, but nothing that detracts.

SIGNED LEIGHTON JONES - SEASCAPE 120 X 75 CM POSSIBLY BARRY LEIGHTON JONES

A pair of oils on canvas, seascape and a hilly landscape, signed A H Livens (?) in gilt frames. H.33 W.53cm (each)

A gilt framed oil on canvas seascape study, signed to bottom right

19th/20th C. Seascape PaintingOil on Canvas. Signed lower left.Sight Size: 12 x 15.5 in.Overall Framed Size: 22 x 25 in. - Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.

A gilt framed oil on canvas seascape, COLLECT ONLY.

A framed oil on board seascape.

3 Artworks;Mixed media - Seascape unsigned.T.S Halliday - Watercolour titled ''Off Arran'', signed.David Keith - oil on canvas titled ''Thurso'', unsigned.

T. Carlaw19th Century oil on board seascape, signed.[Frame 43x53cm]

Joseph AustenSmall oil on board ''Seascape'', within a gold moulded frame and signed.[23x25cm]

Isle of Wight studio glass 'Seascape' collection by Timothy Harris to include tall vase 23cm h signed to base (2012), small scroll topped vase 11cm h signed to base (2012) and a small rectangular vase 15cm h with black label no date. (3).

Timothy Harris- Isle of Wight - Seascape Collection. An open bowl with stemmed base 11cm h x 19cm diameter and a signed and dated round paperweight 2012. No labels.

An Isle of Wight Glass, tall rectangular vase from the Seascape Collection, 38cm h with original label.

Isle of Wight studio glass 'Seascape' collection by Timothy Harris to include a large lollipop 23cm h signed to base (2012) and small lollipop 16cm h signed to base (2012). (2)

An Isle of Wight Glass tall cylindrical vase from the 'Seascape Collection', with original label, 35.5cm h.

Timothy Harris - Isle of Wight - Seascape Collection.A pedestal dish 10cm and a round vase 10cm The vase signed and dated to base. Date illegible.

Michael Harris Isle of Wight Glass large 'Seascape' vase 20cm d x 21.5cm h. With original label.

Isle of Wight studio glass 'Seascape' collection by Michael Harris to include small globe vase 10cm h with gold label, large flask perfume 15cm h with gold label, tall perfume bottle 18cm h with black label, perfume bottle 10cm h with gold label and limited edition 66/500 perfume bottle 10cm h. with black label. (5)