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Jean Laurent seascape oil on board. Ships in choppy seas. 50 x 64cm.

Henry Barlow Carter (1803-1867) - Watercolour - Seascape below Whitby Abbey, signed  and dated 1847, 11.75ins x 17.5ins, framed and glazed

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022), ORCHIDS watercolour on paper, signedmounted, framed and under glassimage size 51cm x 65cm, overall size 76cm x 89cm Note: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work was widely exhibited but rarely appears at auction.Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022), SOFT SURGE II oil on canvas, signedframed and under glass image size 24cm x 30cm, overall size 43cm x 49cm Artist's label verso.Note: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. However, in The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil by Pam Carter sold for £2000 (hammer) and in The Scottish Contemporary Art Auction of 10th July 2022 lot 230 "Gables Geary" sold for £2600 (hammer).Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.Condition of the picture is good overall with no visible or known issues. Additional images have been uploaded to our website.

* JENNIFER IRVINE RGI RSW (SCOTTISH b. 1956), ALMS HOUSE, GRAND CANAL, VENICE oil on board, signed, titled label versoframed and under glass image size 22cm x 29cm, overall size 41cm x 47cm Handwritten artist's label versoNote: Jennifer Irvine was born in Glasgow in 1956. She studied at the Glasgow School of Art from 1974 until 1978. Jennifer's early career was spent teaching art in various Glasgow schools. Throughout this period she continued painting and exhibiting before becoming a full time professional artist in 1990. Jennifer works from her art studio in Glasgow and can also be found painting in Argyll. More recently she has also spent a lot of time in France, Spain and Italy where she has found much of her subject matter. Inspiration for her paintings is broadly based ranging from still life to seascape and townscape. There is always a strong emphasis on light, shade and pattern in Jennifer's paintings. This is particularly evident in her oil paintings of French villages and Italian townscapes. She draws on the effects of sunlight on an object, be it on a building, water or a still life subject. Her still life paintings are often flowers, fruit and drapery, portrayed in rich vivid colour with a profusion of pattern. Jennifer Irvine is a widely exhibited and well respected Scottish artist.

* JENNIFER IRVINE RGI RSW (SCOTTISH b. 1956), STREET IN LOULE oil on canvas, signed and dated '93, titled label versoframed and under glassimage size 60cm x 60cm, overall size 75cm x 75cm Handwritten artist's label versoNote: Jennifer Irvine was born in Glasgow in 1956. She studied at the Glasgow School of Art from 1974 until 1978. Jennifer's early career was spent teaching art in various Glasgow schools. Throughout this period she continued painting and exhibiting before becoming a full time professional artist in 1990. Jennifer works from her art studio in Glasgow and can also be found painting in Argyll. More recently she has also spent a lot of time in France, Spain and Italy where she has found much of her subject matter. Inspiration for her paintings is broadly based ranging from still life to seascape and townscape. There is always a strong emphasis on light, shade and pattern in Jennifer's paintings. This is particularly evident in her oil paintings of French villages and Italian townscapes. She draws on the effects of sunlight on an object, be it on a building, water or a still life subject. Her still life paintings are often flowers, fruit and drapery, portrayed in rich vivid colour with a profusion of pattern. Jennifer Irvine is a widely exhibited and well respected Scottish artist.Condition of the picture is good overall, with no visible or known issues.

Kate Malone ABSTRACT SEASCAPE Oil on canvas, unframed, initialled KM, 46 x 46cm.

Edwards - seascape just before sunset with stormy clouds and seagulls, a coastal oil painting on canvas, signed, 61cm x 91.5cm, in gilt frame Location:If there is no condition report shown, please request

AN OIL ON CANVAS OF A SEASCAPE, SIGNED A DUVAL 64CM X 44CM

FRAN FIT OIL ON CANVAS SEASCAPE 91 X 40CMS

W H BURNS OIL ON BOARD SEASCAPE 70 X 44 CMS

Robert Turnbull : Bamburgh Castle village in winter, pastel, 27 cm x 43 cm together with a seascape with Bamburgh Castle beyond painted in oils signed Bethan

Richmond W. Markes (fl. 1890-1920), watercolour, Seascape with rigged ship, 21 x 18cm. Condition - fair, discolouration and minor creasing to the corners

DAVID RIDLEY (BRITISH CONTEMPORARY), 'CALM WATERS II', an atmospheric seascape, signed bottom right, oil on canvas, approximate size 90cm x 90cm, frame size 96cm x 96cm, Condition Report: light scuff to top left corner, scratches and small chips to the frame (artist resale rights apply)

Large Chinese porcelain reticulated square vase, 44cm high with two Royal Copenhagen seascape vases, Royal Doulton 'Bon apetite' character figure HN2444 and NAO girl and doll figurine.

Two framed and mounted Prints from photographs of seascape and harbour scene.

A small unframed oil on board, depicting a river landscape, unsigned, along with an oil on board depicting a coastal seascape.

Geoffrey Chatten (b.1938), 'Seascape', oil on board, signed and dated '74,11x15.5cm, framed

Bernardo Hay (British 1864-1931): Capri Seascape at Sunset, oil on board signed 20cm x 34cm Condition Report:Overall good condition. Some light age related scuffs and marks, would benefit from a clean. No damage of note to panel. Well framed ready to hang.

A framed Henry Edward Spernon Tozer (1864-1938) oil seascape, image size 400mm x 190mm, twinned with four other paintings including two by J. Hussey, dated 1911, Windsor Castle & Pangbourne, some faults

A colonial style wall mirror together with a seascape print and a military figure on horseback print (3)

A group of three gilt framed paintings comprising: 'Morning Wreck in the Channel', a seascape, inscribed verso, 18 x 39 cm; a Dutch scene with women beside a river, oil on board, 29 x 39 cm; and an extensive landscape, oil on panel, 23 x 33 cm. (3)

LOUISA MAXWELL, IRISH WEST COAST SEASCAPE oil on canvas, signedframed 53cm x 88cm

A seascape oil painting. COLLECT ONLY.

Suzanne Caporael (America, b. 1949). Woodcut on paper titled "Refugio" depicting a geometric seascape with white-capped waves, 2006. Pencil signed and dated along the lower right; numbered 2/30 along the lower left.Height: 14 in x width: 17 3/4 in.Condition: No major tears, creases, losses, or repairs. Some light wear along the edges. The work is not framed.

A watercolour on board depicting a tidal seascape of figures, include a horse and cart unloading a ship, titled 'Early Morning', Watergate Bay Cornwall, bears a signature to the lower right, Harry Williamson dated 1877, framed and glazedLocation: RWMIf there is no condition report shown, please request

Seascape watercolour signed M. H 36x28cm

Fredrick William Meyer 1869 – 1922, seascape, oil on canvas, signed, 25.5cm x 40.5cm (A.F)

English School (19th/20thC), Coastal seascape, gouache, 29.5cm x 40.5cm.

J.GINN - OIL ON CANVAS - IRISH SEASCAPE 61cm X 46cm

Edmonson (Contemporary), oil on canvas seascape of crashing waves and flying seagulls. Signed ‘Edmonson’ lower left, framed. 49.5cm x 39cm.

Jupkjaer Olesen (Danish, 20th Century), oil on canvas seascape. Signed to lower left, framed. 31cm x 46cm.

A Clarice Cliff Fantasque ‘Gibraltar’ patter sugar shaker, circa early 1930s, decorated with a seascape with yachts and the rock of Gibraltar in the background in pinks, blue, and yellow, maker’s marks to base, 13.8cms.

A Large decorative ceramic floor-tanning twin-handled vase and cover of baluster form wit drawn neck, applied verdigris cast metal handles and mounts, decorated with printed seascape (AF) 104cm high

Small framed oil on canvas, seascape named verso Sylvia Harrison 2009

Darian oil on canvas, depicting a seascape contained in gilt frame

A collection of assorted pictures, to include Norman Scott seascape, D.Knight river scene along with similar examples and colour plate from the Hunting Qualifications series; 'A Slap at a Park Fence', by H Alken.

Hedley J Le Noury, coastal seascape with war vessels, signed oil on canvas, 50 x 74cm

An original oil on canvas of a seascape indistinctly signed

J Stafford (20th Century)"Twilight"Initialled and dated (19)76, gouache, together with a further work by the same hand of a seascape with islands on the horizon, 27.5cm by 31cm amd 59cm by 33.5 respectively (2)

A collection of various pictures including seascape by Ken Lovell, Seaton Tram by Janet C Davis, estuary view by W Bullivant and two pieces by Ann C Galloway

A Victorian gilt framed oil on canvas seascape, COLLECT ONLY.Frame 53 x 36cmImage 34.5 x 17cm

19th Century Dutch school, oil on canvas, seascape with various shipping, unsigned, 30 x 38cm, gilt framed

Early 20th century German School, oil on board, Seascape, indistinctly signed lower right, 46.5 x 66cm. Condition - poor to fair, surface dirt all over, losses to the frame

Richard Harry Carter (1839-1911), oil, Seascape with rocky cliffs, signed, 39 x 59cm. Condition - fair

Richmond W. Markes (fl. 1890-1920), watercolour, Seascape with rigged ship, 21 x 18cm. Condition - fair, discolouration and minor creasing to the corners

Outstanding realistic and detailed original oil on canvas Seascape with waves crashing on the shore by Laguna Beach, California. Anton Gutknecht beautifully conveys the sunlight falling through grey-pink clouds onto the translucence of the water and onto the white foam hitting the rocks. Housed in an imposing natural color and gilded wood frame with a raised off-white mat. Artwork dimensions: 39.75"L x 19.50"H. Frame size: 48.75"L x 28.50"H x 2"W. Artist: Anton Gutknecht (German-American 1907-1988)Issued: c. 1970Country of Origin: Germany/United StatesCondition: Age related wear.

Original oil on canvas by seascape artist Hayward who represents a fishing boat moored in a quaint harbor. He used a palette of white, light blues, pinks and browns that are applied in an impasto technique. Signature on lower left: W. Hayward. Housed in a light blue frame with an off-white border. Artwork dimensions: 11.50"L x 23.75"H. Frame size: 17"L x 29"H x 2"W. Artist: W. Hayward (American 20th-21st century)Issued: c. 1970Country of Origin: United StatesCondition: Age related wear.

20th Century School, acrylic on canvas, An idyllic winter seascape, signed Rodin to the lower right, framed, measuring 39cm x 49cm, & 46cm x 56cm overall, together with another painting of similar age, by P.Savannah (20th Century), and depicting fields in autumn (2)

R.J. Thomas, oil on canvas, A steamboat at sea, signed and dated 1991 to the lower right, framed, measuring 28cm x 38cm, & 39cm x 49cm overall, together with another maritime oil painting depicting a yacht within a sunlit seascape (2)

Chris SMITH (1950) Seascape III Collagraph, artist's proof 1/2, signed and titled, 24cm x 47.5cm, 37cm x 61cm framed. Shipping is available from £25.22 to a UK Mainland address. Trained by the renowned Plymouth figurative painter, the late Robert O Lenkiewicz, Chris worked from Studio 7, Higher Bussow Studios, Towednack, St Ives, Cornwall, and now works at Studio 5, Treriefe Park, working principally on figurative drawings and paintings but is currently expanding his repertoire to embrace the influences of the St Ives artists and stunning landscapes of the Penwith Peninsula. These influences are moving Chris's output into abstraction, landscape, and the inclusion of figurative within these genre.

A pair of antique oil on boards, seascape and landscape with a mill both unsigned.[Frame 40x47cm]

Pat Coward, four watercolour paintings, comprising a Cornish seascape, two garden studies and a still-life, signed and framed (4)

William Lionel Wyllie British 1851-1931Coastal seascape with flotilla, Etching Signed in pencil lower left beyond the press mark, 12cm x 36cm Provenance: The Walker Galleries

Sir John Crampton, Irish (1805-1886) Watercolour, ?Dublin Bay?, small seascape with boat in foreground, approx. 9 x 11cms (3«? x 4 ¬?), label on reverse.ÿ Provenance:ÿ From the Artist?s family to the present vendor.

Continental school (20th century)Heathland with trees, oil on board, 36.5 x 24.5cm; and a seascape, similarly framed, 39.5 x 31cm (2)

A framed original oil on canvas painting of a stylised abstract beach/seascape in the manner of John Miller with Bank Street Gallery, Newquay, Cornwall backstamp , indistinctly signed bottom left. 60cm x 30cm

PENELOPE GILL (XX/XXI) A framed original oil on canvas painting of a seascape, titled "Waves and Turbulence" verso, signed lower right and with Annan Gallery Glasgow label verso. Image size 24.5cm x 34.5cm

Three pieces of Isle of Wight glass including a Seascape urn vase at 5cm high, Wild Garden series bowl, 7cm high x 10cm diameter and a cylindrical Flower Garden vase at 13.5cm. Each with original box. (3)

M. Audoine, oil and collage on canvas, Surreal seascape with boats, unsigned, 61 x 76cm, unframed. Condition - fair, some paint loss and scuffs