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Click here to subscribeDutch School, 17th century. A SEASCAPE WITH A PARTIALLY DISMASTED VESSEL IN STORMY SEAS WITH FIGURES CLIMBING ONTO ROCKS NEARBY AND OTHER WARSHIPS BEYOND, A TOWN AND HARBOUR IN THE DISTANCE. Inscribed on a plaque attached to the frame with the initials E.G.C., from James Caird July 1938, oil on panel, (56cm by 92.5cm), contained within a carved and gilded frame.
An Impressive Ebonised and Brass-Mounted Chiming Table Clock, late 19th century, the ebonised case with brass leaf mounts to four canted corners, side carrying handles above pierced sound frets, scroll feet, the bell top case with central urn finial upon bow decoration, dial with individual white enamel Roman cartouche chapters and painted seascape, the massive three train fusee and chain movement with anchor escapement, chiming on nine bells and striking on a further bell, (88cm high) (two finials lacking to case top)
A David Andersen enamelled bracelet, having four enamelled plaques in soft colours with a polar bear, elk, sleigh and seascape, alternating with square panels of blue florets, 17cm. long, (with one extra loose plaque having been removed to shorten length.), marked 'David-Andersen, Norway Sterling'
A Group of Imari Porcelain, late 17th to 19th century, two dishes decorated in iron-red and gilt, the first with bridge-posts and kiku around the rim, the second with figures in a garden and panels of cranes and birds; a pair of small dishes decorated in relief; a bowl and cover with flared and fluted rims with shishi and floral panels; a moulded dish with applied leaves on a high foot; a cup in Kakiemon enamels with a deer beneath a maple; two dishes in underglaze-blue with foliage and a seascape, From 14cm.; 5.5in. to 31cm.; 12.25in.
A pair of 19th century coloured engravings, one titled ' Ruins at Mount Edgcumbe Devon', the other 'Ruins of the Palace of Chudleigh Devonshire' ; S.S 3.75 by 2.75ins, framed and glazed; and a coloured engraving of a seascape, showing fishing vessels and fisherman, with a village in the background, titled Cullercoats; S.S 7.5 by 6.5ins, framed and glazed (3)
An Important and rare silver-gilt photograph frame, by Omar Ramsden, of triptych form with an arched pediment embellished in relief with crossed arrows and a spear, bearing the motto 'Festina Lente', a pair of hinged doors, with stylised flower and foliage mounts to the clasps the remainder of the doors having a bloomed surface, the interior of the doors with pierced foliate decoration and enclosing a beautifully executed portrait miniature of Dorothy Vaughan Tozer sitting holding her infant granddaughter Janet Elizabeth Tozer, painted in gold with initials 'D.V.T' and dated '1937' and signed by the artist 'V. B-A' and dated 1937, believed to be Violet Brunton, the portrait flanked by a panel engraved with a seascape at sunrise with clouds above, supported on ball feet and a wirework easel stand, engraved on the back 'Dorothy Vaughan Tozer of Mallards Beaulieu 1938' , 19.5cm. high, marked 'OR' with hallmarks for London 1938 and unusually engraved on the underside of base 'Frame designed and made by Omar Ramsden'
Large good quality 19th century impressive Japanese bronze jar and cover of wide baluster form and wide flaring neck and integral wave form "stand". The body profusely decorated, finely moulded in relief with crabs and turtles clambering over the body textured with sand and water. The foot of the vase naturalistically depicting frothing waves and foam, the lid again covered in a textured seascape surmounted by a large and a baby crab which form the knop, incised signature to the base, 35cm
18th century oak longcase clock, the hood with side columns and gilt metal mounts, brass arched dial with flowers, scrolls and foliage in the spandrels, subsidiary calendar ring, the centre engraved with flowers, foliage and 'George & Jane Barkafs, Jan 20th 1785'. The arch with painted seascape and moving three masted sailing vessel. Eight day striking movement by John Walker, Newcastle, 80" high.
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