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John Speirs, oil on canvas, Seascape, 'Thanks to the ....', signed and inscribed verso, 59 x 80cm, unframed. Condition - good

Ron Simpkins (1942-2008) Canadian ARR, Seascape and shoreline, signed, oil on canvas, 39 x 29cm.

A framed and glazed watercolour seascape signed Eric Holt. COLLECT ONLY

A framed and glazed watercolour seascape signed Gordon Ray COLLECT ONLY.

A gilt framed over painted print seascape.

A pair of framed and glazed seascape watercolours signed J Russell, COLLECT ONLY

Vivien John, a bust portrait of Brigit Macnamara, oil on canvas, signed and titled verso 51 x 40 cm, 20th century, English school, a fisherman, oil on board, initialled IW, dated '92, 20 x 15 cm, unframed, and a seascape, oil on board, 11 x 13 cm (3) Provenance: On instructions of the Executors - From the estate of the late Edward Marnier

VARIETY OF SILVER JEWELLERY To include; Two triple rope chain necklaces, identity bracelet, fish skeleton pendant, Prince of Wales link chain necklace and a shell cameo brooch depicting a seascape with erupting volcano. Total weight 100.7 grams

Maritime and Marine Interest - a model ship, The John Ormiston, set amongst a seascape diorama, glazed case, 112.5cm wide

H. Mos. Second half of the 20th century. Dutch seascape with fishing boats. Oil paint on panel. Dimensions: H 20 x W 25 cm. In good condition.

Japanese porcelain baluster vase, late Meiji period, the body decorated with Samurai holding a Yari with attendant in supplication, the rear with naval seascape, H30cm.

Original Abstract Expressionist oil painting on paper glued to cardboard. The artist used blues, coral greens, muted reds, shades of orange, black lines and whites applied with textured and smooth brushstrokes in a composition reminiscent of an abstracted seascape. Issued: c. 1970Dimensions: 17"L x 10.50"HCountry of Origin: United StatesCondition: Age related wear. Minor wear on edges.

Original oil painting on canvas that is glued to a wooden board. The artist has depicted the Chateau d'If, Marseille, France seen from the Mediterranean Sea coast in an Impressionist style. The rocky ventage point is ideal to convey the natural beauty of the blue-green water where a sailing boat is visible by the historical castle. This small study is similar to artist Otto Schlee's larger seascape painting. Issued: 20th centuryDimensions: 9.25"L x 12.80"HCondition: Age related wear. Areas of paint loss.

Giuseppe Ariglia (20th Century), oil on canvas, A continental seascape with rocks to the foreground, signed to the lower left, framed, measuring 48cm x 68cm, & 60cm x 78cm overall

Framed Modernist oil painting seascape with paddle steamer and sailboat, 46 x 36cm

Wesselmann, Tom -Seascape- 1984 Porzellan 1984, Rosenthal, Form 10094/101984, # 00121. Im original Holzkasten 55,5 x 58 cm.

After Joseph Parry, Return Of A Liverpool Privateer And Prize, a well executed watercolour seascape with two ships, after the original by Joseph Parry (1756 - 1826), scribed lower right With Grateful Acknowledgment To Joseph Parry (1744 [sic] - 1826) E Scott Jones, mounted and framed under glass in an ornate giltwood frame, approximately 28 cm x 38 cm image size. [W]

Abstract seascape, oi on wood panel, signed with monogram, 27.5cm x 36.5cm, framedGood condition, no splits in the panel, no inscriptions or labels verso

An English brass-mounted enamel writing box, late 18th century, modelled as a writing slope, with removable inset pounce pot and inkwell and hinged lid, the pink ground reserved with rococo scroll panels, the central panel to the slope decorated with a Mediterranean seascape, the surrounding panels to the top and sides decorated with English landscapes and floral sprays, interspersed with raised dots and geometric motifs in white enamel, the interior with scattered floral sprigs, 8.8cm high, 28cm wide, 22cm deepCondition Report: This smart writing box is unfortunately in fairly poor condition. The exterior pink ground and panels of landscapes and floral sprays have several losses and extensive scratches and cracks, the raised gilt scrollwork and white enamel is fairly dirty and tarnished, the gilt frame is also moderately tarnished with some dents and warping. The interior white ground is also heavily scratched. The removable pounce pot and inkwell are mildly scratched, the lids are loose, the hinges not functioning. Please see additional images for reference here: https://we.tl/t-XSctqpfaSb 

ALEXANDER JAMIESON R.O.I. (SCOTTISH 1873-1937) SEASCAPE AT SUNSET - 1920 Signed and dated lower right, signed and dated to canvas verso, oil on canvas 51cm x 66cm (20in x 26in), unframed

Taxidermy: a pair of choughs, Pyrrhocorax, mounted in a naturalistic setting, with a seascape backboard, in a turned mahogany columnar case, no label, 82cm wide 33cm deep 54cm highShipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding taxidermy prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and taxidermy due to the prohibitions, restrictions or import regulations of their country. Condition ReportSome case wear.

Alfred Herbert (1818-1861) Watercolour Seascape with steamship towing a barque, Inscribed verso "..... of the ..... steamer Brah Towing a Barque", signed and dated 1852 lower left, framed and glazed, image size 30.5cm x 38cm, bears Tamar Gallery, Cornwall label verso

A Royal Copenhagen ovoid vase, decorated with a continuous seascape, with sailing boats, 23.5cm high, printed marks, 2119/35A;  another,1484/237;  etc

A 19th cased model of a fully rigged sailing ship. Of wooden construction, with applied threads indicating the rigging, and a Union Jack flying from the topsail. The boat sits upon and moulded and painted seascape, with a painted background featuring a lighthouse. Housed in an ebonised wooden case with glazed front. No apparent dates or signature. Approximately 40cm width, 29.5cm height. Condition: some age related wear to the case. The painted finish to the case has crazed and blistered with age. The glass front is original and is undamaged. The painted ship and seascape to the inside is a little yellowed with age, but the colours are still relatively strong.

Peter Cosslett (1927-2012) -Moonlit seascape, oil on board, signed lower right, 29.5 x 39.5 cm Good condition, original frame

K Hammond, seascape with fishing vessels, signed oil on canvas, 29 x 39cm

A small watercolour 'seascape' signed W. Beakill dated 1894 [Frame- 44x36cm]

Bernardo Hay (British 1864-1931): Capri Seascape at Sunset, oil on board signed 20cm x 34cm Condition Report:Overall good condition. Some light age related scuffs and marks, would benefit from a clean. No damage of note to panel. Well framed ready to hang.

Unknown Artist, Beach seascape scene, oil on board, unsigned, in a gilt frame. (19cmx29cm)

A 19th Century Nautical Seascape after Turner Watercolour on paper. Circa 1860. Framed and Glazed 52cm x 67cm with frame.

A LARGE EMBROIDERED AND PAINTED STANDING PORTRAIT OF A GREEK EVZONOS (MEMBER OF THE GREEK ARMY LIGHT INFANTRY AND MOUNTAIN UNITS) Greece, ex-Ottoman Balkan provinces, second half 19th centuryOf rectangular shape, embroidered in polychrome cotton threads in a variety of stitches, including metal thread French knots and spangles, on a light blue silk satin ground, the face and hands oil painted on canvas and stitched on the satin ground, the mixed fabric and painting patchwork portrait depicting a Greek evzonos (also known as evzones or evzonoi) standing on top of a hill overlooking a coast-line or harbour-like seascape, wearing a traditional Balkan pleated skirt-like garment called fustanella, with an embroidered long-sleeved black vest, around his waist a belt with a pocket knife and a palaska (cartridge case), resting his right elbow on a matchlock rifle, mounted, glazed and framed, 105cm x 60cm including the frame. The fustanella dress with its typical embroidered waistcoat and jacket originates in the Balkan territories and was particularly popular among Albanians. However, in the 19th century, several other nationalities started wearing it, including the British regiment stationed in the Ionian Islands in the 1810s, as well as the revolutionary fighters of the War of Independence in Greece in the 1820s. Because of this association with Western army troops, the fustanella became a principal visual symbol of Philhellenism and resistance against the Ottomans. Consolidated as an emblem of male bravery and national heroism, the fustanella was proclaimed the official court costume and national dress in Greece in 1835 and a shorter version of it became the traditional military attire worn by ceremonial and light infantry units, such as the evzones, in 1868. 105cm x 60cm including the frame Qty: 1

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022), BIG SKY oil on canvas, signedframedimage size 29cm x 29cm, overall size 47cm x 47cmNote: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. However, in The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil by Pam Carter sold for £2000 (hammer) and in The Scottish Contemporary Art Auction of 10th July 2022 lot 230 "Gables Geary" sold for £2600 (hammer).Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.

Laurence Stephen Lowry R.A. (British, 1887-1976)Sailing boats signed and dated 'L.S. LOWRY 1922' (lower right)oil on canvas29.5 x 34.5 cm. (11 5/8 x 13 1/2 in.)Footnotes:ProvenanceThe Artist, by whom gifted to Frank Jopling Fletcher, thence by descent to the present ownerPrivate Collection, U.K.One of the earliest surviving drawings by L.S. Lowry, executed at fifteen years of age and listed as No.1 in Mervyn Levy's The Drawings of L.S. Lowry, is titled Yachts (1902) and was executed at Lytham St. Anne's, where the Lowry family often spent their summer holidays. Lowry was deeply connected to the sea, and it remained a constant throughout his career with images of pleasure boats, tankers or just open water interspersed amongst and providing contrast to the urban landscapes of his native Manchester. The sea was a calming force and provided an opportunity for reflection amidst an otherwise hectic world and as the years went on it became nostalgic and offered a degree of familiarity which Lowry craved. In a taped recording with Gerald B Cotton, Lowry talked with passion about his experience of the sea and of his time with a herring fleet seventy-five miles out into the North Sea off Peterhead and Fraserburgh, his parents waiting for him on the shore. He saw amongst the currents and waves the same struggle which occupied the people among whom he lived and worked, the 'Battle of Life' as it were, and was intoxicated by it. In his text on the artist, T.G. Rosenthal writes 'it is not mere speculation to say that the sea, wherever he found it, gave him ample opportunity to work with his beloved, and so ingeniously exploited, white paint. More than the industrials, and more than his earth-bound landscapes the views of the sea had one overpowering component which existed on a much smaller – and frequently mostly hidden – aspect, namely an uninterrupted horizon where the preponderant white sky met the edge of the sea.' (T.G. Rosenthal, L.S. Lowry, The Art and the Artist, Unicorn Press, Norwich, 2010, p.208). Sailing boats dates to 1922 making it an intriguingly early Lowry seascape and one which would have appealed to his mother who favoured these depictions of the Lancashire coast. The painting bears a debt to the artist's influential tutor, Adolphe Valette, who pioneered Impressionism in Manchester and encouraged his students to explore the variation of light and colour in their work as can be seen here amongst thick and visible brushstrokes. The inclusion of a figure in the boat located at the foreground of the present work is reminiscent of Valette's images of boats on the Manchester Ship Canal, which themselves were inspired by Monet's studies of the River Thames. L.S. Lowry met Frank Jopling Fletcher at art college, and they remained lifelong friends. Lowry later painted his portrait, which is now a part of the Salford Museum and Art Gallery collection.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Three mirrors, one in a wooden frame, on in a white frame and another in a gilt frame, also to include a seascape, a print of a landscape with a windmill and an early 20th century oil on board depicting two figures with a donkey, A/F Location: If there is no condition report shown, please request

A Calandra (born 1911 Naples), oil on canvas seascape with rocks and cliffs. 58.5 x 118 cm in gilt frame.

Whittington Press Britten's Aldeburgh [By] John Craig. Risbury: Whittington Press, 1997. Number IX of 28 deluxe copies bound by James Brockman to a design by Brockman and the artist, signed by the artist on the limitation page and including a suite of engravings also signed by the artist, folio, original half blue-green goatskin lettered in silver, concave spine, paper boards printed with seascape design beneath covering of transparent vellum, silver edges, wood-engraved illustrations throughout the text, 3 tipped-in folding linocut plates, 2 tipped-in folding wood-engraved plates, 11 additional wood-engraved plates (one in colour) each signed and dated by the artist in pencil loose in printed portfolio as issued, the book and portfolio both housed in original fleece-lined yellow buckram case with morocco spine-label, word-processed description of the binding by James Brockman laid in. Case with a little foxing along joints and foot of front cover The most exclusive of the three formats making up the entire edition of 440 copies: there were also 352 copies in half buckram, and 60 copies in half goatskin with a portfolio of the selection of the engravings.

A SIGNED WATERCOLOUR OF A LIGHTHOUSE AND SEASCAPE, A PHOTOGRAPHIC IMAGE OF A MEDITERRANEAN VILLAGE PLUS A BROCKLEHURST SILK OF LITTLE MORETON HALL

Keith Gardner RCA, seascape with yachts racing oil on board, signed, 31 x 46cm; a similar picture

A CONTINENTAL ROCK CRYSTAL, SILVER AND ENAMEL CENTREPIECE UNMARKED, PROBABLY AUSTRIAN, LATE 19th CENTURY The central support as a silver merman with enamel detail, on a rock crystal pedestal holding aloft a rock crystal orb containing an enamel seascape representing the Birth of Venus, the orb with silver and enamel mounts and a silver and enamel merman at the top 33cm (13in) high With a brown leather fitted case Condition Report: The present rock crystal base is probably a later replacement and is not original. There is significant enamel loss and damage to all enamel surfaces. The seascape in the rock crystal has come loose from its mounts and moves inside the orb at an incorrect angle. There are lead solder repairs where the merman is holding the rock crystal orb. Some chips to the glass base. Light scratches and wear commensurate with age and useCondition Report Disclaimer

three matching gilt metal rococo framed landscapes —3in. (7.5cm.) wide, an overmantel, a larger seascape and simulated bamboo frame

J N Guillou, Lighthouses and seascape, gouache, signed, 11.5x15cm. Qty: 3

Brian Giffin  Channel Chop Watercolour  Framed and Glazed 32cm x 44cm As an artist from Truro Cornwall, Brian Giffin paints seascape scenes of British beaches and harbours. This painting depicting choppy sea waters with numerous sail boats trying to stay afloat. Signed and dated 1996 to bottom corner. 

GORDON ALLEN SEASCAPE FRAMED PICTURE

Andrew Church, study of a seascape with yacht

DAVID RIDLEY (BRITISH CONTEMPORARY), 'TRANQUIL', an atmospheric seascape, signed bottom right, oil on canvas, approximate size 61cm x 122cm, frame size 67cm x 128cm, Condition Report: slight frame damage (artis resale rights apply)

English School, seascape, oil on canvas, signed indistinctly lower right, possibly Gecmm?, 19.5 x 24.5cm, gilt framed, C E Donnet, rural building, watercolour, signed lower right and dated 1905, 13 x 20cm, framed and glazed and three other pictures (5)

Arie SMIT (1916-2016), oil on canvas Median seascape, signed and dated '90Arie SMIT (1916-2016), olie op doek Middelands zeezicht, getekend en gedateerd '9039 x 46 cm

2 Artworks;Chris Meadows - Watercolour ''Seascape'', signed.J.B McNicol - Watercolour ''Neidpath Castle'', signed.

Tony Morris for Poole Pottery: A Studio Charger, circa 1962-4, painted with a seascape in orange, green and brown, painted monogram and stamped POOLE STUDIO,44cm diameter

Two oil paintings, landscape and a still life and a watercolour, seascape, all framed

A Treen darning mushroom, two inlaid cribbage boards, an auctioneers gavel 12" long, an Eastern carved folding stand, a cork seascape diorama and a satinwood needle case, etc.

Rosenthal, Studio Line, limitierte Kunstreihen: Jahresobjekt in Porzellan 1984: "Seascape" v. Tom WesselmannPorzellanrelief mit polychromer Malerei Aufglasur, sign., Form Seascape, limitierte Aufl. 446/500, inkl. Zertifikat, OVP in schwarzer Holzschatulle, Objekt ca. 45x40cm (Mont. 52x48cm), Z1.

A watercolour painting of a harbour scene (picture slipped in frame) and another watercolour of a seascape by Arthur C Palmer 93.

* CHARLES A DOWELL, SEASCAPE watercolour on paper, signedmounted, framed and under glassoverall size 47cm x 57cm

A contemporary Timothy Harris for Isle of Wight glass Sunset Isle vase, of flattened ovoid form with pulled rim, trailed blue seascape and setting sun over mottled orange ground, full signature and dated 2019, height 17cm.

A contemporary Michael Harris for Isle of Wight glass Seascape Bell vase of sleeve form, decorated with veined blue stylised waves, over an opal and gold aventurine ground, engraved signature and numbered 63.500, height 21cm.

A contemporary Isle of Wight studio glass Seascape scent bottle and stopper designed by Timothy Harris, of circular form, with striated decoration in blue tones, over a mottled opal and gold leaf ground, engraved signature, height 16cm.

Splendid original oil on canvas Seascape painted in a Realist style that depicts a setting sun reflecting on an agitated sea with waves crashing onto rocks. This splendid composition is made primarily with orange-yellows, ochres, and blue-greens and pure whites for the sea foam. Housed in an elaborate carved wooden frame that is partially gilded. It includes a dark green wood border and an ecru linen mat. Signature on lower left: Tasman ? Artwork dimensions: 35.50"L x 23.50"H. Frame size: 44"L x 32"H x 2.50"W. Issued: Early 20thCountry of Origin: United StatesCondition: Age related wear.

Original oil on Masonite artwork that depicts a Haitian seascape in a lunette with a bright blue sky partially hidden by a palm tree and greenery with mountains in the background. Etienne added colorful geometric forms with areas of paint directly applied from the tube. Signature on lower right: Etienne. Housed in solid carved dark brown frame. Written on verso in marker: Benny Yamban (?) PO Box 161 LAE. Artwork dimensions: 19"W x 15.50"H. Frame size: 24.50"W x 20.75"H x 1.75"D. Artist: Etienne (Haitian 20th/21st century)Issued: c. 1990Country of Origin: HaitiCondition: Age related wear.

Oil on canvas impressionist painting depicting a seascape at dawn with waves gently lapping a rocky shore. Signed with a monogram in the lower right corner. Encased in a gold finished frame with speckled border. Sight size: 15.5"W x 9.5"H; frame 21.75"W x 15.75"H x 3"D. Condition: Age related wear. Hole in canvas in top right quadrant.