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Printed pictures (5) including a miniature seascape by Sheila Sandford in a resin "fossil" frame, a plastic lobster and a knitted Paddington Bear

3 Artworks;Moira Maitland - Pencil drawing ''Pineapple'', signed.Oil on board Seascape, signed R.HPrint titled ''Sunbathers on the Beach, 1953, signed and dated 2010. Copy 1/10

JULIUS OLSSON (1864-1942) Seascape with gulls, inscribed "To F. Milne, Julius Olsson" lower left, oil on canvas, 51cm x 76.5cm,Framed dimensions: 71cm x 96cmProvenance: The Old Vicarage, Chideock.

Richard Bonney (1902-1984)High Tide at Treyarnon Bay, oil on canvas, signed, 49 x 75cm; and a seascape by Larry Johns (2).

John Falconar Slater (1857-1937)Moorland landscape, signed, oil on board, 18.5 x 26cm, and a seascape attributed to the same hand, oil on board. (2)

Peter Cosslett (1927-2012)Moonlit seascape, signed, oil on canvas, 29 x 39cm.

Sydney F Cook (20th Century)Seascape at Duskwith rowing boat to the foregroundsigned and dated lower right 1918oil on canvas36cm x 61cm

Dutch School, 19th Century -Seascape with shipping white cliffs beyond -Oil on canvas -29.5 x 40cm.

British School, 19th Century -Moonlit seascape -34 x 29cm.

Victor Noble Rainbird, group of three unframed watercolours, summer, seascape and ' On the Tweed '

J. Ferguson, oil on board, Rocky seascape with boats, signed and indistinctly dated, 29 x 54cm, ornate gilt framed. Condition - fair to good

Bernard Page (1927-1988), Contemporary oil on board, Seascape with sailing boats, signed, 19 x 24cm, ornate gilt framed. Condition - good

Stevens, Contemporary oil on canvas board, Seascape with crashing waves, signed, 11 x 16.5cm, ornate gilt framed. Condition - good

Ian MacInnes, (Scottish, 1922-2003), "Yesnaby, Visibility Good", (Orkney seascape), signed lower right, dated (19)96, oil on board, framed. 44cm by 59cm. Note: this lot may be subject to ARR. 

Henri Leon Thiebaut (French, 1855-1899) the Sea "La Mer", late 19th century Bronze, in the form of a Urn, with handles depicting merman and nymph to one side and a grotesque sea creature to the other, the body decorated with a seascape featuring a merman and nymph amongst waves with sea birds flying above, raised on fluted base decorated with scallops, signed to body 'H Thiebaut' and foundry mark to base 'Thiebaut Freres Paris', W 46 cm x H 67 cm x D 25 cm, Thiébaut Freres who cast this bronze was a highly productive foundry established by Henri-Leon Thiebaut in Paris and was best known for his high quality work with old lost wax casts. Thiébaut won Grand Prix medals at the International Exhibitions in Paris of 1878 and 1889. 

Taxidermy; An antique cased Diorama of Seabirds, comprising of ; a Puffin(Fratercula?), two Ducks(Anatidae?), and two others(unknown), set in seascape background, including; sand, rocks, shells, etc, W 78 cm x H 65 cm x D 25 cm, together with an antique Taxidermy cased specimen of a Herring Gull(Larus Argentatus?), also in seascape background, with sand and shells, W 69.5 cm x H 53 cm x D 23(2)

Impressionist seascape with figures bathing, oil painting, 28.5 x 41cm, gilt framed

Patrick Reyntiens (British 1925-2021): Limited edition stained glass panel 'The Silver Sea', with green, blue and yellow glass sections each painted with a continuous seascape, signed by the artist and dated 2010, numbered 23/60, H24.5cm, W34cm

David Deakins (British 1944-): Seascape with Boat, oil on board signed 28cm x 38cm (mounted)

Unclearly signed. 20th century. Seascape after 19th century example. Oil on panel. Dimensions: H 41 x W 51 cm. Paint is coming off. In reasonable condition.

Oil on canvas, 67.5 x 95 cm (unframed), 82 x 109 cm (framed). This impressive painting from the Russian school, painted around 1880, presents several variants of the work Aivazovsky produced in 1875 (sold by Christie's in 2008). The scene takes place in Feodosia, southern Crimea, by the light of a full moon. Traces of an illegible signature can be seen at the bottom left. Ivan Konstantinovich Aivazovsky, born on 17 July 1817 in Feodosia, was noted from an early age for his talents in languages, music and drawing. At the age of 16 he was admitted to the Russian Academy of Arts in St Petersburg, specialising in seascape painting, a passion that arose after taking part in training with the Russian naval fleet. In 1839 he won his first gold medal, and although he had the opportunity to study in Rome, he preferred to return to Feodosia to perfect his technique. Later, in Rome, his work The Bay of Naples in the Moonlight was praised by J.M.W. Turner. Aivazovsky travelled around Europe, taking part in exhibitions such as the Paris Salon, where he received another gold medal and the Legion of Honour in 1857. Provenance: French private collection.

William Russell Flint (1880-1969) watercolour seascape with sailing boats, islands and lighthouses beyond, possibly the Bay of Islands, New Zealand, Scilly Isles or Scotland, signed lower right, 26.5 x 35cm

An Abu Garcia Seascape 4/0 Trolling reel, together with an Ambassadeur 6500 C and a 7000.

Flaxney Stowell (1846-1916), Isle of Man seascape, watercolour, 23cm x 15cm, signed lower left, framed and glazed, 41cm x 33cm.

Flaxney Stowell (1846-1916), Isle of Man seascape, watercolour, 35cm x 23cm, monogrammed lower left, framed and glazed, 55cm x 43cm.

A Chamberlain's Worcester mug, c 1810, painted to the front with a view of the Chamberlain's China Manufactory and the Cathedral, a figure on horseback on a road to fore, in gilt and black frame reserved on a salmon pink ground with seaweed gilding, painted mark in red script, and a contemporary English porcelain mug, painted with a continuous seascape between borders of seaweed gilding, 8.2cm h, (2) The Chamberlain's mug restored, the other good.

A Royal Copenhagen cylindrical vase, 1913-1931, painted by H Henrichsen, with a continuous seascape with shipping, 32cm h, green printed mark, painted waves in underglaze blue and 1462/33.B and 170 Foot chipped, the pieces secured by adhesive coat to the interior of the vase, not cracked, no restoration

English School, 19th century - Seascape with a Paddle Steamer and other Vessels, indistinctly signed, oil on canvas, 43 x 59cm In entirely original, unrestored condition, support not lined or torn, tiny spot of flaking where medium thin in places, in what is the original ornate Victorian giltwood and composition frame

Seascape watercolour signed by J A Thelwall, some damage to frame 78w x 60h 

A Large Painting on Board, Seascape View with Figure to Foreground, Signed Michael Starkey, 77.5x51.5cms together with Volume of Ramsey Scenes from Days Gone by, Paintings by Michael Starkey with Words by Steve Skillicorn, Signed

Y Lynne Timmington (British contemporary)Untitled, 2002Oil on canvasSigned & dated to side of canvasUnframed Lynne Timmington’s powerfully expressive contemporary seascapes draw their inspiration from the natural world, specifically the vastness of the oceans and skies, the forces of nature, and the effects of light on all of these elements. Over a 30 year career Lynne has become one of Britain’s most respected land and seascape painters, and her subtle shades and distinctive textures have led to a highly recognisable style which has won her both critical and popular acclaim. Her oil paintings have been exhibited all over the country in galleries and exhibitions including a one-woman show at The Barbican, The Festival Hall and The West of England Art Academy. Winner of the Civic Award for Services to the Arts, she has also come to the notice of many collectors around the world including Olympic swimmer and TV presenter Sharron Davies, and her work has been shown in Selfridges and Liberty’s. Her journey has been a voyage of artistic discovery. Visiting the Maldives inspired a series of exotic seascapes, and the Balaeric and Greek Islands also provided some extraordinary sunlit images, while in stark contrast, a visit to Oslo offered an atmospheric skyline heavy with mist and diffused light. At present she is absorbed with scenes that tend towards the minimal, but finds herself leaning towards a more abstract style on occasion; she enjoys expressing herself with what she describes as “less detail and greater impact.”Measures approx. 122cm x 77cm (48" x 30.5")

After Peter Graham (1836-1921, British), photogravure print, 'An Easterly Breeze', a dramatic seascape, framed, mounted, and under glass, measuring 40cm x 60cm, & 56cm x 76cm overall

Three Watercolours to include; one of a seascape with harbour wall and ships at sea (no visible signature), one in a black frame of sailing boats on a lake with peaked mountains in the distance and one of a coastal village with rocky mountains in the distance (unsigned).

An oil on board seascape signed but indistinct.

An oil on board seascape with castle signed but indistinct. COLLECT ONLY.

A large gilt framed print of a seascape. COLLECT ONLY.

A gilt framed oil on board seascape, 39.5 x 33.5 cm. COLLECT ONLY

A Cork picture of a seascape, 15" x 11" plus two smaller ones.

Artist: Tom Wesselmann (American, 1931 - 2004). Title: "Seascape with Cumulus Clouds and Sky ["Seascape 1991"]". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 18 5/8 x 35 13/16 in. (473 x 910 mm).Pricing:   Starting Price: $600  Reserve Price: N.A.  Auction Sale Price Estimate: $800/1,000Lot Note(s): Signed in pencil, center right. Edition size unspecified, presumed small. Light cream heavy wove paper. Full margins. Fine impression. Fine condition. Comment(s): Generally, posters by Wesselmann are uncommon and don't often come up at auction. This particular poster, based on an editioned print from 1991, is very scarce. Only one auction record located: sale at $893 (£561) at Bloomsbury Auctions, London, March 29, 2012, lot #530. Created for the Art Miami 1992 International Art Exposition at the Miami Beach onvention Center, January 8th to 12th, 1992. Design by Claire Wesselmann. Image copyright © Licensed by VAGA, New York, NY. [28411-5-600-NA]

4 Artworks;Watercolour painting taken from a scrapbook dated 1848.Miniature framed oil paintings, unsigned.Oil onboard ''Seascape'', signed and dated.E.Farrell - Watercolour titled ''Isle of Skye'', signed.

Three prints, an Owl, Mediterranean seascape and "Ian Tyson, Rocky mountains West".

Pair seascape oils signed J Hordy (2)

A 19th century seascape, oil on board, by Henry Redmore, British 1820-1887 . Signed dated lower left 1881. Frame size 57cm x 77cm

A 19th century Oriental baluster vase, the body with applied dragon in relief over a seascape with fish, on an iron red ground, gilt detailing, 34cm high

A Norman Stuart Clarke glass vase. Golden seascape pattern, etched signature and dated '96, height 8cm.No condition issues.

Limited edition. A beautiful clear crystal vase. Hand engraved intricate seascape and deep wedge wave-like cuts. Waterford acid etched marking on the underside. Certificate of Authenticity included. This item has its original box: 10.25"L x 8.75"W x 17"H. Artist: Pat BrophyDimensions: 6.5"L x 4.5"W x 11.75"HEdition Number: 632 of 2500Manufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear.

Welsh School (19th century), seascape with figures, ships and lighthouse. Probably Mumbles Swansea. Oils on canvas. Unsigned. 25x35cm approx. Black lacquered and gilded frame. Together with reproduction print of the same image. (2) (B.P. 21% + VAT)  Some cracks to oil with age, but no obvious damage. Frame is OK, some nicks and losses to t he moulding.

A pair of Royal Crown Derby waisted cylindrical vases, painted in the manner of  W.E.J. Dean, with a continuous seascape, four leafy scroll handles, 26cm high, printed marks, date code for  1897

A Royal Crown Derby coffee can and saucer, painted in the manner of  W.E.J. Dean, with sailing boats, in tones of blue, printed mark, date code for 1900;   a pair of ovoid vases, with continuous seascape, 11cm high, printed mark, date code for 1908;   another, lobed, 14cm high, date code for 1897;  etc (7)

▲ Fred Cuming RA (1930-2022) Seascape, Rye Harboursigned 'Cuming' l.l., oil on board 13.5 x 12.5cmCondition ReportFramed: 20x 19cmThere are a couple of small raised areas which appear slightly darker in the upper left quarter and it is unclear if the varnish is slightly discoloured, or if the paint is possibly slightly abraised/ rubbed (?), please see additional condition images. Overall, presents well and ready to hang. Examined under UV light no retouching shows. 

UNTITLED SEASCAPE, oil on canvas, apparently unsigned, 92 x 46cm

Printed pictures (5) including a miniature seascape by Sheila Sandford in a resin "fossil" frame, a plastic lobster and a knitted Paddington Bear

Claude Montague Hart (1869-1952) watercolour painting of a Crornish beach scene / seascape - frame 32cm x 67cm

Harry Palson, 'Seascape', oil on canvas, with signature, framed, overall size 73cm x 103cm.

Harry Palson, 'Seascape', oil on canvas, with signature, framed, overall size 88cm x 88cm.

Harry Palson, 'Seascape', oil on canvas, with signature, framed, overall size 72.5cm x 103.5cm.

JOHN JAMES BANNATYNE RSW (BRITISH 1835 - 1911), SEASCAPE oil on canvas, signedframed and under glassimage size 24cm x 34cm, overall size 48cm x 58cmNote: John James Bannatyne was a London based landscape painter and watercolourist whose subjects were mostly views of Scottish Lochs. He exhibited at the Royal Academy from 1869 until 1886 and also at Suffolk Street and the New Watercolour Society. Living as he did in the Industrial Age, Bannatyne was among the many artists who took advantage of the new railway network, which allowed him to search out new and inspirational landscapes. He was drawn to North Wales, The Lake District and Scotland. The influence of the Industrial Revolution in Britain was both economically and artistically far reaching. The North of England prospered as mill and factory owners generated a vibrant and strong economy. Many such men became great patrons of the Arts creating a huge demand for paintings by artists such as Bannatyne that were to adorn their new homes and boardrooms.

A pair of gilt framed seascape oils on canvas signed F Bovey, frame size 53 x 43cm.

AN ANTIQUARIAN, OIL ON CANVAS, IMPRESSIONIST SEASCAPE, SIGNED T WILLIAMS, 49CM X 41CM

Modern Contemporary British School A seascape, oil on canvas laid on board. 60cm x 30cm Qty: 1 In generally good condition. With some light surface dirt.