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Lot 166
RENE MAGRITTE (FRENCH 1898-1967), AFTER ONE PLATE FROM 'LES ENFANTS TROUVÉS' - 1968 Lithograph, ed. 350, initialled by Fernard Mourlot to margin, signed in plate, printed by Mourlot, Paris, published by A.C. Mazo, Paris; and the accompanying original red linen portfolio box with lithographic cover, of this image, and associated literature from the original issue (3) the image 30.5cm x 45.5cm (12in x 18in)
Lot 113
HENRY MOORE O.M., C.H. (BRITISH 1898-1986) MULTICOLOURED RECLINING FIGURE (CRAMER 99) - 1967 Lithograph, 265/380, signed and dated in plate, inscribed and numbered in blue ink to the original paper justification sleeve, published by Galerie Beyeler, Basel the sheet 36cm x 29.5cm (14.25in x 11.75in), unframed
Lot 164
After Ignatius Crausz Defeher, two lovers with the illusion of a skull, coloured lithograph published 1860. Bearing Masonic square and compass and believed to have been originally produced to raise funds for Freemasonry. The image 28x24cm approx. Gilt frame. (B.P. 21% + VAT) Some back board staining and foxing. In a gilt frame which has suffered noticeable losses.
Lot 2023
Aka Høegh (Greenlandic, b. 1947): artist signed colour lithograph, Imap Tunissutai (Gifts of the Ocean), dated 1993, with artist information affixed verso, image 34 x 47cm, overall 55 x 69cm. Høegh has worked in a variety of media, including painting, drawing, printmaking and sculpting. In her art, Høegh focuses on nationalistic expressionism, creating art which reflects local, traditional myths, and is steeped in heritage and local lore. She frequently incorporates legend, nature, and provincial mythos into her works, devising strong connections between her art and local tradition. During the 1970s, she was regularly cited as the main artist in establishing a Greenlandic artistic identity. Not available for in-house P&P
Lot 1858
A group of five paintings, drawings and prints, to include: Maud Harmsworth - Ploughing scene, watercolour, labelled verso; A Victorian still life of fruit, labelled 'L. Hatton' verso; A pastel beach scene with three ladies wearing hats, signed indistinctly in pencil lower left; together with a colour print after Myles Birket Foster and a lithograph of boats on the Grand Canal in Venice, largest frame: 37 x 48 cm (5)
Lot 1993
Don Bessant (1941-1993) - 'The Woolpack-Slad' (1978), limited edition lithograph, signed by the artist and also by Laurie Lee, with text from Cider with Rosie, 31/150, 53 x 60 cm, unframed; together with a Christie's certificate of authenticity. Provenance: consigned for sale directly from the family of Laurie Lee (1914-1997).
Lot 40
(ARR) Reg Butler (B. 1913-1981) Tower Two, 1968 Lithograph Signed, dated and numbered 6/65 Mounted, framed and glazed Reginald Cotterell Butler (28 April 1913 – 23 October 1981) was an English sculptor. He was born at Bridgefoot House, Buntingford, Hertfordshire. His parents were the Master and Matron of the Buntingford Union Workhouse. Frederick Butler, formerly a police constable, was a relative of the poet William Butler Yeats; Edith was of Anglo-French descent. Butler studied and lectured at the Architectural Association School of Architecture in London from 1937 to 1939. He was a conscientious objector during the Second World War, being exempted from military service conditional upon setting up a small blacksmith business repairing farm implements. After winning the 'Unknown Political Prisoner' competition in 1953 he became one of the best known sculptors during the 1950s and 1960s, and also taught at the Slade School of Art.Measuers approx. 65cm x 49cm (25.5" x 19") excluding frame.
Lot 43
(ARR) Anthony Southcombe Elephant Rides Offset lithograph on paperSigned & titled in pencilLimited edition number 86/250Framed & glazed Anthony Southcombe was born in Exeter, England in 1942. He studied ceramics at the Royal College of Art. Later he turned his attention to painting where he gained considerable interest in the USA and continues to exhibit in New York City and Massachusetts. His work is included in major collections throughout the United States and Great Britain. Measures approx. 48cm x 60cm excluding the frame
Lot 231
Salvador Dali (1904-1989)"Return of Ulysses", 1977From the portfolio "Homage to Homer"Lithograph on paperSigned and numbered 170/350 Published by Levine & Levine, New York(American edition of 350 plus AP, international edition of E350 plus AP, edition for exclusive distribution by the artist 125 in Roman numerals)75,8x56,5 cm (papel/sheet)Certified on the reverse by Bruce Hochman, International Fine Art Appraisers.
Lot 3
offset lithograph on paper framed and under glass image size 35cm x 27cm, overall size 50cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. The Fine Art Society, Edinburgh staged "John Byrne: In The Studio" in December 2024.
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