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Marc Chagall (1887-1985) lithograph David et Absalom (David and Absalom) 1956, with certificate of authenticity from Park West Gallery, Michigan, 26 x 34cm, in ornate gilt frame

WAYNE HEALY (SCOTTISH CONTEMPORARY)  LOS MUERTOS DEL NORTE  Lithograph, signed lower right, dated (19)96, P/P inscribed, 77 x 57cm  Together with a similar by the same hand titled 'Euro 96' (2) Condition Report:Available upon request

PHILIPPE SUTTON RA (ENGLISH b.1928)  JACOB  Lithograph, signed lower left, numbered 45/75, 61 x 45cm Condition Report:Available upon request

RICK ULMANN (CONTEMPORARY SCHOOL)  MOTIFS  Lithograph, 81 x 53cm Condition Report:Available upon request

Humber (William). A Practical Treatise on Cast and Wrought Iron Bridges and Girders, As Applied to Railway Structures..., 1st edition, London: E. & F. N. Spon, 1857, tinted lithograph frontispiece and 57 (of 58) lithograph plates including some double-page, occasional spotting, contemporary half calf, rubbed, folio, together with:Weale (John). Quarterly Papers on Engineering, volumes 1-3 and 5, London: John Weale, 1844-46, engraved plates including some double-page, occasional light spotting, contemporary half morocco with gilt decorated spines, extremities rubbed, 4to, Walmisley (William). Iron Roofs. Examples of Design. Description, Illustrated with Working Drawings, 2nd edition, London: E. & F. N. Spon, 1888, monochrome frontispiece, plates, diagrams and illustrations, including some double-page, modern black buckram, folio, Simms (Frederick W.). Public Works of Great Britain, Divisions 1-4, 1st edition, London: John Weale, 1838, numerous engraved plates and diagrams, modern dark blue half morocco, large folio, Phillips (Philip). The Forth Bridge in its Various Stages of Construction, and compared with The Most Notable Bridges of The World, 2nd edition, Edinburgh: R. Grant & Son, [1890], decorative title and monochrome plates, library classification stamp to verso of title, library bookplate to upper pastedown, original pictorial cloth, extremities slightly rubbed, oblong folio, plus a selection of other engineering, railway and mixed reference etc., 19th and 20th-century publications, with few related plans etc.QTY: (6 shelves)

St. John (James Augustus). Views in the Eastern Archipelago, Borneo, Sarawak, Labuan, part 1 only (of 4), 1st edition, London: Thomas McClean, 1847, tinted lithograph title, 6 tinted lithographs by J. W. Giles after Captain Drinkwater Bethune, Commander L.G. Heath and others (1 folding, each tissue-guarded), dedication leaf and accompanying text leaves present, publisher's advertisement and prospectus present (1 bound-in, the other loose), lacking list of plates, folding plate with closed repaired tear affecting image and central fold reinforced with paper, a little spotting and toning, a few small closed tears to blank margins, extremities a little chipped, original pictorial paper wrappers bound-in, modern brown cloth gilt, folioQTY: (1)NOTE:Abbey, Travel 548. Scarce in any form, especially with the original wrappers preserved. The lithographs present here consist of: Kini-Balu Mountain (Borneo); Dayak Suspension Bridge (Sarawak); View from Mr Brooke's Bungalow looking up the River Sarawak; Ceremony of Hoisting the British Flag on the island of Labuan; a folding view of Kuching and The Steamer Phlegethon repelling an attack from the forts at Borneo proper.

Roscoe (Thomas). The London and Birmingham Railway; with the Home and Country Scenes on each side of the line; including sketches of Kenilworth, Leamington, Warwick, Guy's Cliff, Stratford, &c., London: Charles Tilt; Birmingham: Wrightson and Webb, [1839], folding engraved map, 15 engraved plates, lithograph plan, wood-engraved vignette illustrations, occasional light dust-soiling, contemporary half calf, rebacked preserving remnants of original spine with recent red morocco title label, 8vo, together with:Edwards (Percy J.). London County Council. History of London Street Improvements, 1855-1897, London: London County Council, 1898, folding lithograph map, numerous lithograph single-page plans, some toning to margins mostly at front and rear, contemporary navy cloth, rebacked preserving original spine, folio,Brathwaite (Richard). Drunken Barnaby's four Journeys to the North of England. In Latin and English metre..., new edition, London: T. and J. Allman, 1822, 4 lithograph plates, occasional spotting, contemporary quarter vellum, dust-soiled and some marks, 8vo,Nicholls (Thomas). The Steam-Boat Companion, or Margate, Isle of Thanet, Isle of Sheppy, Southend, Gravesend, and River Thames Guide, with Biographical Incidents and Topographical Remarks, with concise descriptions of every island, village, dock, gentleman's seat, church, ruin, obelisk, remarkable place, &c., on each side of our noble river, from the Custom-House to Margate, and on to Broadstairs, Ramsgate, &c., London: Thomas Hughes, 1823, 2 hand-coloured linen-backed maps, initial leaves detached, edges untrimmed, original green cloth, upper board detached, wear to extremities, 12mo, plus other British topography related, 19th-century publicationsQTY: (27)

Simms (Frederick W.). Public Works of Great Britain, Divisions 1-4, 1st edition, London: John Weale, 1838, engraved title, numerous engraved plates and diagrams (including few folding and double-page), some scattered spotting, bookplate of Hutton House Transport Collection Library to upper pastedown, hinges broken, contemporary dark green half morocco, covers loosening, large folio, together with:Adams (George & Jones, William). Plates and Index to Lectures on Natural and Experimental Philosophy, volume 5 only, 2nd edition, London: printed by J. Dillon and Co., for W. and S. Jones, 1799, 40 folding engraved plates only (of 44), several plates torn with loss and few with some ink staining, contemporary speckled calf, gilt decorated spine, 8vo,Newbigging (Thomas & Fewtrell, W. T.). Treatise on the Science and Practice of the Manufacture and Distribution of Coal Gas, 3 volumes, London: W. B. King, 1878-82, chromolithograph frontispiece to volume 1 (spotted), numerous lithograph plates and wood-engraved illustrations, occasional scattered spotting, contemporary half morocco (vol. 3 without gilt line decoration to spine compartments), extremities rubbed, 4to, French (James Weir). Machine Tools commonly employed in Modern Engineering Workshops, together with a series of sectional models illustrating the arrangement of the parts and the details of some typical tools, 2 volumes, Gresham Publishing Company, [1911], 10 sectional models with overlays, printed in colour, numerous monochrome illustrations, original decorated cloth (in the style of Talwyn Morris), folio, plus other miscellaneous books including engineering and few railway related, etc.QTY: (3 shelves)

[Gray, James]. Life in Bombay, and the Neighbouring Out-Stations, 1st edition, London: Richard Bentley, 1852, half-title, 12 tinted lithograph plates (a few small marginal repairs), occasional light offsetting and toning, top edge gilt, contemporary half calf gilt by Hatchards, some fading to spine, joints and edges a little rubbed, 8voQTY: (1)

Brees (Samuel Charles). Railway Practice. A Collection of Working Plans and Practical Details of Construction in the Public Works of the most Celebrated Engineers..., series 1-4 and Appendix, London: John Williams, 1837-39, numerous lithograph plates and diagrams, including some double-page and folding, occasional spotting, volume 1 in modern cloth, volume 2-4 in original cloth (vol. 2 cloth torn to spine with loss), appendix in modern half cloth, 4to, together with: Dempsey (George Drysdale). The Practical Railway Engineer: A concise description of the Engineering and Mechanical Operations and Structures which are combined in the Formation of Railways for Public Traffic; embracing an Account of the Principal Works executed in the Construction of Railways to the Present Time; with Facts, Figures, and Data, intended to assist the Civil Engineer in Designing and Executing the important details required for those great Public Works, 4th edition, greatly extended, London: John Weale, 1855, engraved portrait frontispiece and 71 double-page engraved plates, modern dark brown buckram, large 4to,Weale (John). Quarterly Papers on Engineering, volumes 1-3 and 5 part II, London: John Weale, 1844-46, engraved plates including some double-page, occasional light spotting, volumes 1-3 in contemporary half morocco with gilt decorated spines, volume 5 part II in near contemporary half calf, each rubbed to extremities, 4to,[Townsend, Richard Edward Austin]. Visions of the Western Railways. Dedicated to Sir Charles Lemon, Bart., M. P. for the Western Division of Cornwall. (Printed for private circulation), London: Samuel Bagster, 1838, title inscribed by the author (recipient's surname name rubbed out with consequent paper thinning), original cloth, later label to spine, upper joint split and spine torn, slim 8voQTY: (11)

Railwayana / Advertising:after Jeremias E Navarro (1924-1999) , LONDON BY TRAIN, circa 1953, an abstract composition depicting a Life Guard (Household Cavalry) mounted with London Skyline and the Picadilly Circus statue of Eros in the background, colour lithograph poster approx 101.5 x 36cm, published by British Railways (Eastern Region) (PP 1194), Jordison & Co Ltd, London and Middlesborough [1]

British Railways Travel Poster: after A J Wilson, designed 1958, COLWYN BAY - THE NATURAL CENTRE OF THE NORTH WALES COAST., a panoramic view of the beach, pier and surrounding area with a large rhododendron in the foreground, published by British Railways (London Midland Region) reference L.M 19458, printed by Jordison & Co Ltd., London and Middlesborough., colour lithograph poster, approx 101 x 63cm

Railwayana / Advertising:after John A Greene, designed circa 1961, LONDON MIDLAND ELECTRIFICATION - MANCHESTER . LIVERPOOL . BIRMINGHAM . LONDON "Forging Ahead" with accompanying text 'An artist's impression of an electrically-hauled express passing a local electric train between Liverpool and Crewe", the poster depicts an express passenger train with locomotive No E3005., published by British Railways London Midland Region and printed by Jordison & Co Ltd London and Middlesborough., colour lithograph Quad Royal approx 101cm x 127xm

after Sir William Russell Flinth (1880-1969) Alethea (Reclining semi nude)vintage lithograph print, titled verso, framed and glazed

Danny Markey (Born 1965) - Two early 21st century lithograph prints. Depicting a house with palm tree in monochrome. Limited edition. Framed and glazed. Measures approx: 60x70cm

After Andy Warhol (American, 1928-1987) - Orange Marilyn Published by Te Neus in 1992. Edition of 2000 Offset lithograph poster. Unframed. Measures approx. 80cm x 60cm.

COLIN DAVIDSON PPRUA (b.1968) Séamus Heaney Lithograph, 44cm(h), 38cm(w)Edition 25/50Signed, inscribed and numbered

PABLO PICASSO (1881-1973) Head of a woman (Marie Therese) Lithograph & collotype on paper 55 x 47cm Signed & numbered 94/150 Provenance: Sale, these rooms, 30 April 2019, lot 107

Harold Duke Collison Morley (British, 1877-1915), No. 6 – On the Peak Road, Lithograph, Signed in print to lower right, Litho. By South China Morning Post Copyright, Framed and glazed, 26cm x 46cm, frame measures 40cm x 61cm.

Mid-twentieth Century, Seated female nude, Lithograph on paper, Indistinctly signed to lower right,Similar to Berenice Sydney (British, 1944-1983), Framed and glazed, 39cm x 30.5cm, frame measures 53cm x 44cm.

Pete McKee (b. 1966) - Nesh Dog, signed, titled and numbered 58/100 in pencil by the artise, lithograph, 42 x 41cm Good condition

LYNNE MOORE (b. 1944), POOL AT CANNES1970, signed, titled and numbered 9/10 in pencil, lithograph, 79 x 56cm

19th CENTURY SCHOOL, A STUDY OF TROPICAL BIRDS: 'HESPERIPHONA LATERIOIDES'coloured lithograph, published by Hull Mandel, in a wood frame; and mixed other pictures of parrots, with botanical studies

SAMUEL& NATHANIEL BUCK: THE SOUTH VIEW OF SHERBORNE CASTLEin the County of Dorset, engraving, with 'Bingham Melcombe, Dorsetshire, Lithograph (2)

After A Kemp Tebby : Wealth is Not All, colour lithograph, 38 cm x 59 cm.

After Piranesi, Veduta interna del Panteon volgarmente detto la Rotonda' mounted and in a gilt frame, engraving, 59.5 x 83cm overall, and 'Napleon a Eylau', after Louis Stanislas Marin-Lavigne (1797-1860), lithograph, in a gilt frame, with laurel wreaths to the corners, 70.5 x 53.5cm, two mezzotints after Thomas Burke, framed, 54 x 44cm, and another in a verre eglomise frame, 29 x 29cm (5)Condition ReportWith knocks and wear. Good labels, frames with wear.

Glynn Boyd Harte (1948-2003), a 20th century limited edition lithograph, still life scene of a kitchen table, signed to the lower right in a glazed frame with a gallery label to the reverse. H.78 W.93cm

AUDREY BEARDSLEY LITHOGRAPH A/F 37.5CMS (H) X 29.9CMS (W) INNER FRAME APPROX

HENRI MATISSE (FRENCH 1869-1954) 'NU BLEU SERIES X', a 1954 edition lithograph depicting a standing female figure, initialled in the plate, Goldmark Gallery labels verso, approximate size 34cm x 24cm, Condition Report: incorrect series to the label, confirmed with Goldmark that it is Series X, discolouration to the paper, some frame damage

HENRI MATISSE (FRENCH 1869-1954) 'NU BLEU SERIES VII', a 1954 edition lithograph depicting an abstract female form, initialled in the plate, Goldmark Gallery labels verso, approximate size 34cm x 24cm, Condition Report: incorrect series to the label, confirmed with Goldmark that it is Series VII, discolouration to the paper, some frame damage

Six mixed prints including Victorian lithograph. Not available for in-house P&P

Molly Bullick (Irish, 20th century) Etching aquatint "The Blue Hare", limited edition, signed, dated '81, titled and numbered 5/35 within margin, framed and glazed, mount aperture 55.5cm x 33.5cm, together with a colour lithograph by the same hand "Seascape I", signed, titled, numbered 7/20, dated '79, framed and glazed, mount aperture 35cm x 46cm, a lithograph by Sheila Croacher, rural scene with dwellings, signed lower right, and an etching by Maggie Rowe of sheep in a field, signed and numbered 16/25 within margin, framed and glazed, mount aperture 16.5cm x 17.5cm (4)

Exactitude Art Deco Fix Masseau Poster designed by Fix Masseau (Pierre Felix Masseau, 1905-1994) featuring an elegant Art Deco image of a steam train pulling into a station with ETAT written on the red bumper in front of the train. Official lithograph re-issue from the 1932 original by Studio Editions, printed by Bedos, Paris. Excellent condition. Advertising Poster, France, 1982, design by Fix-Masseau, size (cm)99x62.

Original vintage sport poster for 1982 FIFA World Cup England versus Germany football game that took place at Madrid Estadio Bernabeu stadium on 29 June 1982, the poster features a dynamic illustration of football players tackling for the ball, with the surnames of the players listed below the image. England and West Germany along with the Runners-up Spain were playing in Group B of the World Cup, the game finished with a 0-0 draw result; Italy was the champion of the 1982 FIFA World Cup, with West Germany in second place, Poland in third, and France in forth place. Lithograph by Ortega S.A. Barco 14 Valencia, Spain. Very good condition, minor creasing, finger prints on bottom edge. Country of issue: Spain, designer: Donat Gouri, size (cm): 97x54, year of printing: 1982.

Original antique steel lithograph map - New Map of London divided into half mile squares & circles. Scale four inches to the mile. Drawn & Engraved by G.W. Bacon & Co 127 Strand, London. Published with Part 69 of Cassells Old & New London. Cassell Petter & Galpin La Belle Sauvage Yard Ludgate Hill, London. Horizontal. Good condition, folds, tears, creasing, small paper losses, minor staining, backed on old linen. Country of issue: UK, designer: G W Bacon, size (cm): 74x101, year of printing: 1890s.

Pablo Picasso lithograph La Maja  The Artists Sketch Book, Paris 21/11/55 - IS 40cm x 25cm

Assorted prints to include topographical engraving, Mary E Taylor - botanical study, limited edition lithograph, pair Chinese character prints, etc (6)

Two Signed Lithograph Prints, Kenneth Oliver "January" 6/10 And Paul Riley 3/10 Still Life III  Riley Frame Size: 47cm x 46cm Oliver Frame Size: 51cm x 48cm

David Tindle Clipston Lithograph Print Signed LR 1985 5/75 Frame Size: 43cm x 40cm

Gillian Stein Lithograph Print 3/12 Carlton Ware Vase Frame Size: 48cm x 56cm

A pair of local interest vintage limited edition (35 of 75) framed Lithograph prints of Sidmouth. Overall size including frame 40cm x 48cm

Pablo Roig (1879-1955) SpanishCircus figuresLithograph from the circus series 1911, 38cm by 29cm; together with Peter Ford, "Kew Gardens II", etching signed and inscribed artist's proof; an Andrew Sanderson print; and two works after Wilf Lunn (5)

This notable work from 1978 is an original color lithograph on wove paper, signed and dated by Brunken. This piece exemplifies his energetic style, which some sources suggest was a channel for his frustrations, possibly related to his cerebral palsy. Lithograph is unframed and unmounted. Artwork dimensions: 22.25"L x 30"H.Artist: Glen BrunkenIssued: 1978Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Entitled Paris, Notre Dame et Les Quais, this framed lithograph on laid paper depicts the iconic Notre Dame Cathedral and the banks of the Seine River in Paris. The detailed scene is captured in muted tones, showcasing a classic Parisian view with cobblestone streets, bare trees, and a boat on the river. The piece is signed by Maurice Legendre, a recognized artist known for his evocative portrayals of Parisian city-scapes and is housed in a wooden frame with a brown mat and white border, complementing the monochromatic style of the piece. Sight size: 14.5"L x 11"H. Frame dimensions: 24"L x 20"H x 1.5"W.Artist: Maurice LegendreIssued: 1950-1970Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Spy, pseudonym of Leslie Ward (1851 - 1922), after, Alexander Meyrick Broadley,  He Defended Ahmed Urabi, 37cm x 26cm, colour lithograph, published by Vincent Brooks, Day & Son Ltd, 37cm x 21cm; another, Mr James Coates;   Mel, Taking a Night Cap, signed, dated 45, watercolour, 32cm x 21cm;   Cartoon, I Remember, I Remember, The Days When I Was Young (4)

Graham Sutherland (1903-1980), 'The Letter S', lithograph, initialed in pencil and blind-stamped, commissioned by L'Alfabeto di Bolaffi Arte, numbered 792/5000, 30x23.5 cm.

Michael Kidd, 'Knot Garden', lithograph, signed and numbered 34/175, 33x42cm, together with 'Le Manoir aux Quat'saison', 33x42cm

Jens Mathisen (Norwegian, 1926-2003), boy with flowers, lithograph, signed and numbered 130/275, 12x16cm

AFTER FRANZ HERBELOT, NOTRE DAME, PARIS lithograph on papermounted, framed and under glassoverall size 43cm x 50cm

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), SELF PORTRAIT IN GOLD TINTED GLASSES offset lithograph on paperframed and under glassimage size 36cm x 24cm, overall size 52cm x 39cm

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023) BIG SELFIE offset lithograph on paperframed and under glassoverall size 50cm x 42cm

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023) BIG SELFIE offset lithograph on paperframed and under glassimage size 35cm x 27cm, overall size 50cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. At the time of writing, The Fine Art Society, Edinburgh is staging "John Byrne: In The Studio" (until 23rd December).

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), SELF PORTRAIT IN GOLD TINTED GLASSES offset lithograph on paperframed and under glassoverall size 52cm x 39cm

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), HANDS UP offset lithograph on paperframed and under glassoverall size 52cm x 42cm

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), HANDS UP offset lithograph on paperframed and under glassoverall size 52cm x 42cm

Charles Johnson Payne “Snaffles” A signed lithograph. The Gent in Ratcatcher. I have my man cleaning my 'osses not my breeches.

Antonio Saura (1930-1998) Untitled, lithograph 102/190. | 70 x 50 cm. | Condition: not framed

Jozef Mees (1898-1987) Untitled, 1975. Lithograph. 98/200. | 67.5 x 47 cm.

Ger Lataster (1920-2012) Lithograph, untitled 112/190. | 73 x 53 cm.

Jean Hugo (1894-1984), Character in landscape, lithograph 95/300. | 46 x 40 cm.