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Mackenzie THORPE (1956) Best Car in the World Photo-lithograph, signed and titled, edition 520/600, COA verso, Washington Green blind-stamp seal, 27cm x 40.5cm, 53cm x 66cm framed.

Terry FROST (1915-2003) Red black white, 2013 Lithograph (reproduced and published by the Royal Academy 2013), signed and inscribed 'To John who saved the day! (Mom) lots of love Anthony Frost 2013' to verso, 20 x 25cm, framed 34 x 39.5cm Together with a mixed media offcut work - reportedly from the studio of Terry Frost circa 1970/80, 20 x 29cm, and a framed reproduction Frost print, frame size 35 x 47.5cm Provenance - From the estate of John Warren (Terry Frost's gardener and friend)

including a lithograph self portrait and a lithograph of a letter, as well as two colour prints 'Women with Fish Baskets' and 'Seated Boy in a Doorway' all unframed the largest 40cm x 31cm Provenance: Studio of Alberto Morrocco Note: This lot is offered without reserve

YUE MINJUN (Né en 1962)Untitled (Smile-ism No.2) (2006)Lithographie en couleur sur papier.Signée et numérotée. Ed. 45 exemplaires.110 x 89 cmColour lithograph, signed and numbered on 45 exemplaries.

ZHANG XIAOGANG (Né en 1956) My Dear Friends 02, 2002. Lithographie sur papier vélin Lana.Edition de 99 exemplaires. Signé et numéroté. Editée par la Kwai Po Collection, Hong Kong. Colour lithograph on Velin Lana Paper Edition of 99. Signed and numbered. 64 x 51 cm.

YUE MINJUN (Né en 1962)Untitled (Smile-ism No.18) (2006)Lithographie en couleur sur papier.Signée et numérotée .Ed. 45 exemplaires.110 x 89 cmColour lithograph, signed and numbered on 45 exemplaries.

ZHANG XIAOGANG (Né en 1956) My Dear Friends 03, 2002. Lithographie sur papier vélin Lana.Edition de 99 exemplaires. Signé et numéroté. Editée par la Kwai Po Collection, Hong Kong. Colour lithograph on Velin Lana Paper Edition of 99. Signed and numbered. 64 x 51 cm.

ZHANG XIAOGANG (Né en 1956) My Dear Friends 06, 2002. Lithographie sur papier vélin Lana .Edition de 99 exemplaires. Signé et numéroté. Editée par la Kwai Po Collection, Hong Kong. Colour lithograph on Velin Lana Paper Edition of 99. Signed and numbered. 64 x 51 cm.

YUE MINJUN (Né en 1962)Untitled (Smile-ism No.26) (2006)Lithographie en couleur sur papier.Signée et numérotée .Ed. 45 exemplaires.110 x 89 cmColour lithograph, signed and numbered on 45 exemplaries.

Drawing by Jungmann, lithograph by M. Jaroczyński in Poznań, published by T. Działyński.2 pieces, different.Stains along the edges.Overall condition visible in the photos.Dimensions: 54 cm x 43.5 cm, 53.5 cm x 68 cm.

ARR AFTER MARC CHAGALL (1887-1985) *ARR'Adam and Eve and the Forbidden Fruit' lithograph for Verve, pub by Mourlot 1960,34.5 x 25.5cm.

ARR AFTER MARC CHAGALL (1887-1985) *ARR'Angel with Sword' from the Bible series, lithograph, bears label and receipt from the Goldmark Gallery, Uppingham,34 x 25.5cm.

Nina Sten-Knudsen (Danish 1957-): Geometric Patterns, limited edition lithograph signed numbered 169/300 and dated '93 in pencil, 38cm x 59cm

Håkan Thorsén (Swedish 1923-1982): Birches by a River, limited edition lithograph signed and numbered 83/310, 63cm x 44cm

* EDWIN LA DELL ARA (BRITISH 1914 - 1970), CLARE GATE, CAMBRIDGE limited edition lithograph on paper, signed, titled and numbered 42/50mounted, framed and under glass image size 33cm x 48cm, overall size 49cm x 65cm Label verso: The Heffer Gallery, Cambridge

A framed lithograph Concord Queen of the skies by Phillip E West, limited edition 50/400. Signed by the artist and pilot Barbara Harmer, size 81 x 53cm.

AFTER ANDY WARHOL (American, 1928-1987); an offset lithograph poster, 'Observer', circa 1986, 'Courtesy of Anthony d'Offay Gallery, London', signed in black marker lower right, 79 x 49cm.

AFTER DAVID HOCKNEY OM CH RA (born 1937); an offset lithograph poster, 'My Parents' (1996), signed in pencil lower right, published by Tate Gallery, 80 x 60cm.

Edward Piper (1938-1990) – 'Afternoon in Tuscany' (1989), artist's proof lithograph in colours, signed below, 50 x 65 cm, framed. With receipt of purchase

Felipe PANTONE (Né en1986) Chromadynamica P 1,2020. Lithographie sur papier, signé et numéroté par l’artiste. Edition de 30 exemplaires. 75,5 × 55,5 cm Lithograph on paper. Signed and numbered by Felipe Pantone Magnani Incisione 310 g/m2 paper. Edition of /30.

Felipe PANTONE (Né en1986) Chromadynamica P 2,2020. Lithographie sur papier, signé et numéroté par l’artiste. Edition de 30 exemplaires. 75,5 × 55,5 cm Lithograph on paper. Signed and numbered by Felipe Pantone Magnani Incisione 310 g/m2 paper. Edition of /30.

Haghe's Sketches - a Victorian folio filled with 23 lithograph prints including a wide variety of mostly church and secular building interiors. All hand coloured and set within card mounts. Measures 57 x 46cm.

Xhang Diqian (1899 - 1983), portrait of Tibetan women with bull mastif dog, print / lithograph, bearing signature and red seal mark, 49.5 x 35.5cm, framed and glazed

Sir Hugh Casson (British, 1910-1999) 'Queen Anne's Gate, from 'Hugh Casson's London' colour lithograph, signed and numbered 78/100 in pencil 10¼ x 7¾in (26 x 19.7cm), wooden frame (45.5 x 37.5cm)

Sven Drühl (deutsch 1968), Lithograph, 2011, unten rechts signiert, Maße: 50,5 x 40 cm. Guter, altersbedingter Zustand

Marc Chagall (1887-1985)Lithograph titled ''David and Bathsheba'' from the bible series, dated 1956.[60x49cm]

Marc Chagall (1887-1985) - Lithograph titled ''Moses Receives the Tablet of the Law'' dated 1956.[60x49cm]

Marc Chagall (1887-1985)Lithograph titled ''David and Absalom'', dated 1956.[60x29cm]

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), HANDS UP offset lithograph on paper framed and under glass image size 36cm x 27cm, overall size 52cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

* HANNAH FRANK (SCOTTISH 1908 - 2008), THE TALE WAS WILD AND DREAR pen and ink on paper, signed and dated 1927mounted, framed and under glassimage size 41cm x 31cm, overall size 68cm x 56cmComment: This is the original pen & ink artwork by Hannah Frank. Provenance: Private collection, Edinburgh.Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).The most recent original pen and ink drawing we've sold was lot 153 9th May 2024 which sold for £2600 (hammer).

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), BIG SELFIE offset lithograph on paper framed and under glass image size 35cm x 27cm, overall size 50cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

* CHARMING BAKER (BRITISH b. 1964), MATADOR (SATURDAY) limited edition lithograph on paper, signedmounted, framed and under glassimage size 38cm x 33cm, overall size 51cm x 65cm

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937), OLYMPISCHE SPIELE MÜNCHEN lithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesunframedoverall size 98cm x 62cm

AFTER ALBERTO MORROCCO OBE RSA RSW RP RGI LLD D Univ (SCOTTISH 1919 - 1998), FOUR PRINTS including a lithograph self portrait and a lithograph of a letter, as well as two colour prints 'Women with Fish Baskets' and 'Seated Boy in a Doorway'all unframed the largest 40cm x 31cm Provenance: Studio of Alberto MorroccoNote: This lot is offered without reserve

* PETER HOWSON OBE (SCOTTISH b. 1958), WHAM BAM limited edition lithograph on paper, signed, titled, dated '94 and numbered 23/50mounted, framed and under glassimage size 51cm x 38cm, overall size 78cm x 65cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) THE BREAKFAST TABLE limited edition lithograph on paper, signed, titled and numbered 16/30unframedoverall size 60cm x 80cmNote: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.

* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) IN A HAILUOTO HOUSE limited edition lithograph on paper, signed, titled and numbered 16/30unframedoverall size 58cm x 80cm Note: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014) MAGIC PICTURE NO. 1 limited edition lithograph on paper, signed and numbered 299/500framed and under glassimage size 55cm x 75cm, overall size 95cm x 85cm Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.

* OSKAR KOLLER (GERMAN 1925 - 2004), UNKNOWN limited edition lithograph on paper, signed and numbered 15/270mounted, framed and under glassimage size 31cm x 44cm, overall size 62cm x 77cm Note: Oskar Koller was a German artist best known for his vivid, semi-abstracted watercolors of flowers and trees. Characterized by fluid fields of color, Koller used sprays and blots of paint to create colorful, expressive images of nature. “The joy of painting made me an artist,” he explained of his practice. “I sensed the air; saw the flowers, the people, the houses. I studied their forms.” Born on October 16, 1925 in Erlangen, Germany, he studied at the Academy of Fine Arts in Nuremberg where he was a student of the painter Hermann Wilheims. In 1957, he won a scholarship to study in Paris where he was introduced for the first time to abstract art, leading to his own experimentation with non-representational forms in his work. He was awarded the Culture Prize of the City of Erlangen in 1983, the first of several national accolades, including the Friedrich Baur Prize of the Bavarian Academy of Fine Arts in 1994. In 2002, he established a foundation to preserve his work for the public. He died May 17, 2004 in Fürth, Germany, and the municipal gallery of that city went on to hold a major retrospective of his work the following year.

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), SELF PORTRAIT IN GOLD TINTED GLASSES offset lithograph on paper framed and under glass image size 36cm x 24cm, overall size 52cm x 39cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

Laurence Stephen Lowry R.A. (British, 1887-1976), St Lukes, London, signed l.r., blind stamp l.l., offset lithograph in colours, published 1973, No.449/850, 61 by 46cm, framed. Note: Artist Resale Rights apply

Henri de Toulouse-Lautrec (French, 1864-1901), Paula Brebion (1893), lithograph (olive green), from the edition of 50 published in Le Cafe Concert, 29 by 22cm, framed. Provenance: from the Collection of Ludwig and Erik Charell, Lot 19, Sotheby's, London, 27th April 1978, with catalogue and purchase invoice

Theodore Casimir Roussel (French, 1847-1926), The Reader, Lamplight, inscribed to 'Hetty' (Pettigrew) and signed with initials verso, lithograph, 23 by 19cm, framed. Note: Harriet Selina Pettigrew (1867-1953) commonly known as 'Hetty' Pettigrew was a prominent model in the London art world of the late 19th Century. She had a close relationship with the French painter Theodore Roussel who she met in 1884 and frequently modelled for him. It seems likely this print was a gift from the artist to his model and muse. Provenance: with Abbott & Holder, London

This limited-edition lithograph, displayed with a blue mat board, features the iconic 1980s environmental art installation Surrounded Islands, Biscayne Bay, Greater Miami, 1980-83. Created by husband-and-wife duo Christo and Jeanne-Claude, the project was initiated in 1980 and completed on May 7, 1983. The installation surrounded 11 islands in Biscayne Bay, Greater Miami, Florida, including locations near Bakers Haulover Cut, Broad Causeway, 79th Street Causeway, Julia Tuttle Causeway, and Venetian Causeway. A total of 6.5 million square feet of vibrant pink polypropylene fabric, cut into 79 custom patterns, extended 200 feet into the bay around each island, accentuating their shapes and creating a striking visual spectacle. The lithograph is signed and numbered in the top right corner. Christo - Surrounded Islands, Biscayne Bay, Greater Miami, 1980-83. Christo/C.V.J. Corp. Photo Wolfgang Volz. Frame size: 33"L x 1.25"W x 46.5"H. Sight size: 24.5"L x 38"H. Artist: Christo Vladimirov Javacheff (Bulgarian, 1935-2020) and Jeanne-Claude Denat de Guillebon (Moroccan, 1935-2009)Issued: 1980-1983Dimensions: See DescriptionEdition Number: 435 of 1000Country of Origin: United StatesCondition: Age related wear.

After Henry Cave (British 1779-1836): 'South East Prospect of York', mid-19th century lithograph with hand-colouring pub. c.1840, 35cm x 56cm

Kerry Lee (British 1902-1988): 'Cambridge', pictoral colour lithograph map pub. c.1947, 44cm x 58cm

Sir William Gore Ouseley (British 1797-1866): 'Views in South America, from original drawings made in Brazil the River Plate, the Parana, &c', folio containing twenty six (26) tinted lithograph plates with lithographed titled and plan, dedication to Prince Albert with list of plates on verso, pub. London: Thomas McLean 1852, bound in oxblood leather and brown cloth

Edward Bawden (1903-1989) The Queen's Garden, 1983 14/160 artist's proofs, signed, titled, and numbered in pencil (in the margin) lithograph 63 x 77cm, unframed. Generally good condition with light toning to the paper.

Laurence Stephen Lowry (1887-1976)Berwick on Tweed, 1976signed in pencil (in the margin), Fine Art Trade Guild blindstampfrom an edition of 650offset lithograph on wove paper42 x 32cm. Colour and print appear very bright and in good condition. Evidcence of very slight toning to the margins. Glass in need of a good clean and some marks to the mount and frame.

Keith Vaughan (1912-1977)The Woodman (Blue Boy), 1949signed in pencil (lower right)lithograph published by the Redfern Gallery, London50 x 36cm.  Generally good condition with slight creasing to the paper notable in the top right and bottom left. Slight toning to the paper. Minor foxing notable for the margins. Surface dirt to the mount and dents nicks and scratches to the frame.

John Piper (1903-1992)Vaux le Vicomte (Levinson 208), 197249/70, signed and numbered in pencil (in the margin)lithograph published by Marlborough Fine Art, London70 x 102cm.

Banksy (b.1974)Peckham Rock, 2018offset lithograph on boardproduced by the British Museum with the permission of Pest Control18 x 12cm, framed.

Joan Miró (1893-1983)Original Lithograph III, 1977lithograph published by Maeght33 x 26cm.

David Hockney (b.1937)David Hockney Paper Pools, 1980the blue linen-covered book contained within the original card slipcase, both stamp-numbered 372 from an edition of 1000published by Thames & Hudson, London, 1980signed by the artist, 28 x 25cm (missing the lithograph).

David Hockney (b.1937)Igor Stravinsky, 1981for the Metropolitan Opera lithograph printed by Petersburg Press97 x 43cm, unframed. Other than the bottom left corner the condition is good.  The bottom left corner with many foxing dots, and slight fold to paper.  Inscription '403' in pencil top back left corner. Two pin prick sized indents to cream. Photos added.

Howard Hodgkin (British 1923-2017) "Shutter" from 'More Indian Views' Signed and numbered on verso, with artist's blind stamp, colour lithograph. 22 x 30.5cm (framed 36.5 x 45cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

Howard Hodgkin (British 1923-2017) "Sky", from 'More Indian Views' Signed, dated 1976 and numbered 18/60 on verso, with artist's blind stamp, colour lithograph. 22 x 30.5cm (framed 35 x 43.5cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Howard Hodgkin (British 1923-2017) "Moon (Black Version)" Initialled, dated 1987 and numbered P (Proof) in pencil, printed by Solo Press Inc., New York, with blind stamp, hand embellished lithograph. 30.5 x 51.5cm (framed 45 x 64.5cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition. There are one or two slight undulations running horizontally across the sheet. The print is ornately framed and glazed. The frame has some very minor scuffs and knocks commensurate with age.

Howard Hodgkin (British 1923-2017) "Window", from 'More Indian Views' Signed and numbered on verso, with artist's blind stamp, colour lithograph. 22 x 30.5cm (framed 36.5 x 45cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

Howard Hodgkin (British 1923-2017) "Sun", from 'More Indian Views' Signed and dated on verso, with artist's blind stamp, colour lithograph. 22 x 30cm (framed 36.5 x 45cm) Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The painting is framed and glazed.