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Paula Rego RA (1935-2022, British/Portuguese)  Lithograph  "Jane Eyre", woman seated on step, signed in pencil lower right and numbered 65/75, 37cm x 25cm, framed and glazed  From the collection of the late Maurice Costley Condition ReportThe picture appears to be in very good condition, with no apparent issues. There is some slight buckling to the paper at the sides. Floating mount.

Malcolm DaviesArtist Proof Lithograph titled ''Stoat In Ermine'', signed.[Frame 38x48cm]

*LEN TABNER (b. 1946) 'Bank Brow Quarry, Boulby', 1982, signed, titled, dated and numbered 16/18 in pencil to the margin, lithograph, the image 47cm x 70.7cmFramed dimensions: 65cm x 87cm

*LAURENCE STEPHEN LOWRY (1887-1976) 'Sailing Boats', signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 706, limited edition offset lithograph from the edition of 850 printed in 1975 by Venture Prints Limited of Bristol, the image 29cm x 34cmFramed dimensions: 55cm x 59cm

*RICHARD SMITH (1931-2016) 'Two of a Kind IVb (red x on lavender at angle)', 1978, signed, dated and numbered 40/80 in pencil, lithograph on wove, 70.5cm x 69.9cm (unframed)

*RICHARD SMITH (1931-2016) 'Two of a Kind Ia (light blue cross)', 1978, signed, dated and numbered 39/80 in pencil, lithograph on wove, 69.9cm x 76.2cm (unframed)

YOSHITOMO NARA (b.1959) x MATTHEW SWEET (b.1964) 'Kimi Ga Suki X Raifu', Off-set lithograph with red vinyl record, from the edition of 500Provenance: The Bob Cosford Collection of Contemporary and Street Art.

*JAMIE HEWLETT (b. 1968) 'Dirt Bike', 2004, offset lithograph in colours, 83cm x 59.5cm (unframed, rolled),  Provenance: Purchased from Pictures on Walls

*RICHARD SMITH (1931-2016) 'Sun Curtain', 1971, signed and dated in pencil lower left,two sheet lithograph with collage on wove, each sheet 61cm x 91.5cm (unframed)

*ROBYN DENNY (1930-2014) 'Portraits - Series A: 3', 1973, signed, dated and numbered 11/30 in pencil to the margin, lithograph in colours on wove paper, the sheet 79cm x 58cm (unframed)

*RICHARD SMITH (1931-2016) 'Chapbook', 1982, signed, dated, titled and numbered 71/75 in pencil, lithograph in colours on wove, published by Bernard Jacobson, London, the sheet 57cm x 76cm (unframed)

*RICHARD SMITH (1931-2016) 'Espalier (diptych)', 1981, signed, dated and numbered 46/100 in pencil across both sheets, lithograph in colours on two sheets of wove, each sheet 111.2 x 155.2cm (unframed)

*TOM McGUINNESS (1926-2006) 'Busty G 24's Salvage Men', 1982, signed, dated, titled and numbered 17/22 in pencil to the margin, artist's proof lithograph, the image 50cm x 40cm, Framed dimensions: 69cm x 59cm

*DAVID HOCKNEY (b. 1937) 'Pretty Tulips', 1969, signed, titled, dated '70 and numbered 28/200 in pencil to the margin, lithograph in six colours, on Crisbrook handmade paper, published by Petersburg Press, London and New York, 1970, 70.6cm x 49cm,  Framed dimensions: 73.3cm x 51.5cmProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024). Literature: 'David Hockney, Prints 1954-77', The Midland Group and the Scottish Arts Council in association with Petersburg Press, 1979, pl. 115.

*ROBYN DENNY (1930-2014) 'Portraits - Series B: 5', 1973, signed, dated and numbered 9/30 in pencil to the margin, lithograph in colours on wove paper, the sheet 79cm x 58cm (unframed)

*PATRICK HERON (1920-1999) 'Curwen Anniversary Print, 1998', signed and numbered 6/40 in pencil to the margin, lithograph, printed and published by Curwen Studio, Chilford, with their blindstamp, on the occasion of the exhibition 'Forty Years at Curwen Studio: 1948-1998', 72cm x 92.2cm (sheet), Framed dimensions: 83cm x 103cmProvenance: With The New Academy Gallery, Windmill Street, Fitzrovia, London.

SHEPARD FAIREY (b. 1970) 'Make Art Not War', 2012, signed and dated in pencil lower right, offset lithograph on cream Speckletone paper, 91.5cm x 61cm (unframed, rolled)

*LAURENCE STEPHEN LOWRY (1887-1976) 'Landscape with Farm Buildings', signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 298, limited edition offset lithograph from the edition of 850, printed in 1974 by Venture Prints Limited of Bristol, the image 40cm x 50cm, Framed dimensions: 79.8cm x 85.7cm

BENJAMIN CHEE CHEE (1944-1977) 'Friends', 1974, a study of three geese, signed and dated within plate lower right, lithograph, 50cm x 39cm,Framed dimensions: 64cm x 54.5cm Note: Benjamin Chee Chee was a self-taught Canadian artist of Ojibwa descent who is known as one of the most prominent figures of the Woodland School of Art. He was born on March 26, 1944 in Ontario, Canada. Chee Chee gained renown for his spare, elegant depictions of geese and other birds, insisting that these images did not carry symbolic meaning, describing them instead as “creatures of the present.”

*DAME ELISABETH FRINK (1930-1993) 'Man and Horse I', 1971, signed and numbered 46/70 in pencil, lithograph, on J Green mould-made paper, printed at Curwen Studio, published by Leslie Waddington Prints Ltd., the sheet 60.2cm x 79.8cm, Framed dimensions: 64.5cm x 83.5cm Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024), Literature: 'Elisabeth Frink, Original Prints, Catalogue Raisonné', Caroline Wiseman, 1998, number 50,

*RICHARD SMITH (1931-2016) 'Arbor', 1982, signed, dated and numbered 40/100 lower right, lithograph in colours, the sheet 105.4cm x 93.3 cm (unframed)

§ Ronald William Fordham Searle CBE, RDI (1920-2011) The Picnicsigned and dated 'Ronald Searle / 1971' (lower right); numbered 17/99lithograph49 x 64cmUsual light staining but overall in good condition.

§ Paul Wunderlich (1927-2010) Untitledsigned 'Wunderlich' (lower right); numbered 27/100lithograph93 x 66.5cm

§ Alan Davie (1920-2014) Celtic Dreamboat IIIsigned and dated 'alan Davie 65' (lower right); numbered 53/75lithograph57.5 x 80.5cm

§ Paul Wunderlich (1927-2010) Le Déjeuner sur l'herbesigned 'Wunderlich' (lower right); numbered 27/100lithograph66.5 x 93cm

§ Laura Knight RA, RWS (1877-1970) Pas de Deuxsigned beneath the mountlithograph52 x 67cmThis is not an original Paper is toned overall, with acid-mat burn noted beneath the mount. Toning is overall even, though there are some lighter spots. There is a large and deep dog ear crease with some cleaving over the right hand corner, some small closed tears to the top edge margin. The mount board is adhered along the bottom edge (not in contact with the lithograph) so the lower margins are not available for inspection.

§ Gertrude Hermes OBE, RA (1901-1983) Welcome to the Avocetssigned and dated 'Gertrude Hermes 1948.' (lower right); artist's prooflithograph38.5cm diameterExhibited:London, Gertrude Hermes: Wood Engravings, Colour Prints, Drawings, and Sculpture 1924-1970, 12 January-11 February, 1993, cat. no.44Not examined out of the frame, outermost margins are obscured by the mount and are, therefore, not available for inspection. The paper support has an overall undulating appearance which should be corrected by reframing. There is some very negligible foxing noted in the lower margin. There is some possible fading to the palest values in the print, otherwise appears in nice condition overall.

§ HM King Charles III (1948-) Balmoral Castlesigned with initial and dated 91 (lower right); numbered p/plithograph printed in colours, printed by Curwen Studio, Chilford, published by Anna Hunter, Elstree, on Somerset wove paper24.5 x 59cmProvenance: Collection of the late Samuel Alper, OBE (1924-2002)Overall in good condition. In the right light, you can see a fait surface crease of about two inches which is in the white edge to the bottom left of the image

§ Jiří Kolář (1914-2002) Hommage a Henri Rousseausigned and dated 'J Kolar 80' (lower right)offset lithograph on cardboard, with centre fold as issued, unframed50 x 133.5cm

§ Paul Wunderlich (1927-2010) La penseuse du Printemps, 1977signed 'Wunderlich' (lower right); numbered 73/150lithograph34 x 26cm

§ Anthony Green RA (1939-2023) Garden Viewsigned and dated 'anthony Green 95' (lower right)watercolour over lithograph79 x 56cm

§ Lin Jammet (1958-2007) Horse & Hound & two Mensigned and dated 'Lin Jammet '97' (lower right); numbered PP 2/2lithograph58 x 61cmProvenance:Peter Gwyther, by whom gifted to by Kip Gresham at the Curwen PressNice condition

§ Damien Hirst (1965-) No Love Lost; a signed exhibition poster for his 2009-2010 exhibition at The Wallace Collection, Londonsigned 'Damien Hirst' (lower right); with 'Autographs of the World' certificate of authenticity to the reverseoffset lithograph81 x 57.5cm

§ Paul Wunderlich (1927-2010) Le Déjeuner sur l'herbesigned 'Wunderlich' (lower right); numbered 27/100lithograph66 x 92.5cm

§ Eileen Cooper OBE, RA (1953-) Offspringsigned and dated 'Eileen Cooper 1992' (lower right); AP ix/xxxlithograph42 x 31.5cmIn a clip frame and would benefit from reframing. Each sheet edge deckled, with two indents to each paper edge where the clip frame has been in contact with the margins. Perhaps very slightly toned, though this is even and uniform in appearance throughout.

§ Paul Wunderlich (1927-2010) Penthesilea IIsigned 'Wunderlich' (lower right); numbered 38/100lithograph82 x 62.5cm

§ Dame Elisabeth Frink CH, RA (1930-1993) Wild Boar; from the Images seriesunnumbered from the printer's proof edition of 25lithograph76 x 57cmProvenance:Peter Gwyther, by whom gifted to by Kip Gresham at the Curwen PressCondition is fine

§ Tracey Emin CBE, RA (1963-) I Promise to Love Yousigned and dated 'Tracey Emin / 2014' (lower right); unnumbered from the edition of 500offset lithograph on glossy wove paper, published by Emin International, London69 x 49cmNot removed from frame for examination, appears to have a light scratch over the 'T' in the signature, and some possible abrasions along the left hand side and lower edge.

§ Stanley William Hayter CBE (1901-1988) Plongeonsigned and dated 'S W Hayter 74' (lower right); numbered 37/50 lithograph 69.5 x 47cm

§ David Hockney OM, CH, RA (1937-) Remember That You Cannot Look At the Sun or Death for Very Longnumbered 2688/3000 to the reverselithograph printed in colours with screenprint in yellow, printed and published by Circa, London, unframed89.5 x 25.5cmProvenance:With Circa Economy, London, with the accompanying Certificate of Authenticity

§ Feliks Topolski RA (1907-1989) Englandoffset lithograph, unframed116 x 46cm

Christopher Richard Wynne Nevinson ARA (1889-1946) The Spirit of Progress lithograph 24 x 16cmLiterature: The present lot was illustrated in The Studio, April 1933, p.259

Mel Ramos (1935-2018) French Fry Girl, 2002signed 'Mel Ramos' (lower right); numbered 290/444lithograph42 x 39.5cmProvenance:Sale; Bonhams, Vision 21, 16 March, 2011, lot 180Not examined out of the frame, the outermost margins obscured by the mount and, therefore, not available for inspection. The frame with numerous white paint fleck marks to the lower edge. Some very light foxing, though this is largely localised to the right hand margin, there is some light foxing noted to the woman's arm. Otherwise appears in good overall condition. See additional images.

§ Mary Fedden OBE, RA, RWA (1915-2012) The Orange Mug, 1996signed 'Fedden' (lower right); numbered 412/550offset lithograph on wove paper, unframed26 x 30cm

After Charlie Johnson Payne (Snaffles)'Great Banks there was below in the Fields', no. 342/850, lithograph, 51 x 70cm

John Copley (1875-1950)Bearers, lithograph, signed in pencil to the margin, 17.5 x 23cm (im); and an etching by the same hand - 'Trees at Noon', signed in pencil to the margin, 15 x 21cm, both unframed (2)

After Llano FlorezFabric Design 1919, lithograph with hand-colouring, 20.5 x 20cm; and after Ford Madox Brown - Cartoon for Zachariah, print, 30.5 x 15cm (2)

Gennady Naumovich Glickman (1921 - 1991)Frans Kafka, lithograph, signed with initials and dated 1966, also inscribed with title, 49 x 33cm, mounted but unframed Provenance: From the estate of the late Francis and Larissa Haskell

After Charlie Johnson Payne (Snaffles)'The Game of Sahibs and Rajahs', pencil signed to the margin, lithograph with hand-colouring, 49 x 71cm

After James Baker PyneWindsor Castle - The Quadrangle looking east, lithograph, 32.5 x 47cmProvenance: from the Estate of Francis and Larissa Haskell.

A 19th century chromo-lithograph printed with cat and two kittens in the manner of Henrietta Ronner-Knip, 38 x 53cm

Isaac Cruikshank the elder after WoodwardA sailor at a Quaker's funeral, lithograph with hand-colouring, 23 x 33cm

After Charlie Johnson Payne (Snaffles)'Carpet Beaters V Bobbery Wallahs', lithograph with hand-colouring with further vignettes to the margin, 43 x 68cm

Italian School, 19th centuryAn Italian peasant girl drinking from a well head, chromo-lithograph in gilt frame, 26.5 x 20cm; a pair of circular stipple engravings representing Spring and Summer; and F. Bartalozzi after Rev. W. Peters – “The Apotheosis of a Beautiful Female", stipple engraving in colours 70cm x 50cm (4)

Paul HogarthBack Street Cinema, lithograph, 22.5 x 29.5cm; together with a portrait of John Henry Newman after George Richmond (2)

Allan Schmidt (Danish 1923-1989)Abstract, pencil signed in the margin and dated '66, lithograph, 35 x 48cm

λ &nbspJOHN PIPER (BRITISH 1903-1992) THORNTON ABBEY GATEWAY (GATEHOUSE) Watercolour, ink, pencil, oil and coloured crayon Signed, titled Thornhill Priory [sic] and dated 17 VII 83 (lower left) 37 x 56cm (14½ x 22 in.)The lithograph depicting Thornton Abbey was published in 1987. Condition Report: The sheet is stacked down with tape at the far left and right upper corners. The reverse of the sheet is inscribed C/9 85/9 (later inscription). There are four additional pieces of tape stuck on the reverse of the sheet to all four corners. There is some slight undulation to the sheet, some areas of cracking and loss to the oil pigments but otherwise, the work appears to be in good original condition. Condition Report Disclaimer

After Pierre Bonnard (1867-1947) Female Figure, Lithograph from Daphnis and Chloé, 15.5 x 14 cm (i), 32.5 x 25.5 cm (SH), together with three further unframed lithographs (4)

ARR James Hart Dyke (British b.1966) Figures Discussing Plans, 2011, signed lower right, numbered 334/350, lithograph, 20 x 28cm, 42 x 59.5cm (SH) Note: This print is part of the artist's project and exhibition 'A Year with MI6'. As 2009 was marking the centenary of MI6, the British Secret Intelligence Service, James Hart Dyke was invited behind their very closed doors and documented the secret world of espionage through a series of paintings and drawings.

Helen Bradley (1900-1979) We Met in the Park, signed lower right, blind stamp lower left, offset lithograph, 30 x 50 cm, frame 54 x 74 cm, together with two further signed prints by the same hand, and a copy of the publication And Miss Carter Wore Pink, (4)