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Edgar Degas (after) - Femme s'essuyant, 1957Lithograph enhanced with pochoir, plate signed, dry stamp "procédé Jacomet" (Jacomet process). Publisher: Atelier Jacomet, Paris, 1957. Frame dimensions: 56 x 43 x 4 cm.Lithographie rehaussée au pochoir, signée dans la planche, cachet sec "procédé Jacomet". Editeur : Atelier Jacomet, Paris, 1957. Dimensions cadre : 56 x 43 x 4 cm.

Maria Helena Vieira da Silva - Brune, 1962Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1962. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1962. Très bon état, 31 x 23,5 cm.

Andy Warhol (after) - Diamond Dust Shoes, 1999Offset lithograph on paper, not signed, not numbered. Limited edition of 3000. Published after original silkscreen by teNeues, New York, 1999. Printed in Germany. Good condition, 80 x 60 cm.Lithographie offset sur papier, non signée, non numérotée. Édition limitée à 3000 exemplaires. Publié d'après sérigraphie originale par teNeues, New York, 1999. Imprimé en Allemagne. Bon état, 80 x 60 cm.

Alexander Calder - Sala Gaspar, 1973Original lithograph on Arches paper, signed in pencil and justified "A.P." (Artist's Proof). Publisher: Galeria Joan Gaspar, Barcelona, 1973. Ref.: Obra gráfica, fig. 1 (Barcelona; Sala Gaspar, 1975). Good condition, 65 x 50.5 cm.Lithographie originale sur vélin d'Arches, signée au crayon et justifiée "A.P." (épreuve d'artiste). Éditeur : Galeria Joan Gaspar, Barcelone, 1973. Réf. : Obra gráfica, fig. 1 (Barcelone ; Sala Gaspar, 1975). Bon état, 65 x 50,5 cm.

Ping-Ming Hsiung - Nude with a mirror, 1960Lithograph on BFK Rives paper, signed in pencil and numbered 34/200. Good condition, 49.5 x 38.5 cm.Lithographie sur papier BFK Rives, signée au crayon et numérotée 34/200. Bon état, 49,5 x 38,5 cm.

Antoni Tàpies - El pa a la Barca, 1963Original lithograph & collage on Guarro paper, not signed, not numbered. Limited edition of 110. Publisher: Sala Gaspar, Barcelona, 1963. Very good condition (central fold as published), 39 x 49.5 cm.Lithographie originale et collage sur papier Guarro, non signée, non numérotée. Édition limitée à 110 exemplaires. Éditeur : Sala Gaspar, Barcelone, 1963. Très bon état (pliure centrale telle que publiée), 39 x 49,5 cm.

Franco Gentilini - Portrait de femme, 1978Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1978. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1978. Très bon état, 31 x 23,5 cm.

Man Ray - Invasion de l'espace, 1975Original lithograph on paper, plate signed, not numbered. Published by San Lazzaro, Paris, 1975. Printed by Desjobert, Paris. Ref.: Anselmino #112. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, signée dans la planche, non numérotée. Editée par San Lazzaro, Paris, 1975. Imprimée par Desjobert, Paris. Réf. : Anselmino #112. Très bon état, 31 x 23,5 cm.

JonOne - LSD - Lucy in the sky with diamonds, 2022Original lithograph on BFK Rives paper 300 gr, hand signed and numbered EP 20/30. Very good condition, 77 x 76 cm.Lithographie originale sur vélin de BFK Rives 300 gr, signée à la main et numérotée EP 20/30. Très bon état, 77 x 76 cm.

Antoni Tàpies - Nadal (El pa a la Barca), 1963Original lithograph on Guarro paper, not signed, not numbered. Limited edition of 110. Publisher: Sala Gaspar, Barcelona, 1963. Very good condition (central fold as published), 39 x 55 cm.Lithographie originale sur papier Guarro, non signée, non numérotée. Édition limitée à 110 exemplaires. Éditeur : Sala Gaspar, Barcelone, 1963. Très bon état (pliure centrale telle que publiée), 39 x 55 cm.

Sam Francis - Untitled SF 350, 1992Lithograph in colors on BFK Rives paper, signed in pencil and justified "A.P." (Artist's Proof). Published by Daniel Papierski, Paris, 1992. Good condition, 76 x 56 cm.Lithographie en couleurs sur papier BFK Rives, signée au crayon et justifiée "A.P." (Epreuve d'Artiste). Edition Daniel Papierski, Paris, 1992. Bon état, 76 x 56 cm.

Robert Indiana - Autoportait 69, 1973Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1973. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1973. Très bon état, 31 x 23,5 cm.

Antoni Tàpies - A Tots (El pa a la Barca), 1963Original lithograph on Guarro paper, not signed, not numbered. Limited edition of 110. Publisher: Sala Gaspar, Barcelona, 1963. Very good condition, 39 x 27.5 cm.Lithographie originale sur papier Guarro, non signée, non numérotée. Édition limitée à 110 exemplaires. Éditeur : Sala Gaspar, Barcelone, 1963. Très bon état, 39 x 27,5 cm.

Edgar Degas (after) - Etude de danseuse, 1957Lithograph enhanced with pochoir, plate signed, dry stamp "procédé Jacomet" (Jacomet process). Publisher: Atelier Jacomet, Paris, 1957. Frame dimensions: 48 x 40 x 4 cm.Lithographie rehaussée au pochoir, signée dans la planche, cachet sec "procédé Jacomet". Editeur : Atelier Jacomet, Paris, 1957. Dimensions cadre : 48 x 40 x 4 cm.

FAT - Bugs Bunny Heart, 2023Offset lithograph on 240g Fine Arts paper, hand signed and numbered /50 ex. Very good condition, 70 x 70 cm.Lithographie offset sur papier Beaux-Arts 240g, signée à la main et numérotée /50 ex. Très bon état, 70 x 70 cm.

Erró - L’ultima visita di Mao a Venezia, 2002Original lithograph on wove paper, signed in pencil and numbered 8/120. Very good condition, 59 x 34.5 cm.Lithographie originale sur papier vélin, signée au crayon et numérotée 8/120. Très bon état, 59 x 34,5 cm.

Antoni Clavé - Roi à la coupe, 1956Original lithograph on Rives paper, signed in pencil and numbered 19/95. Publisher: Galerie Creuzevault, Paris, 1956. Ref.: Passeron 25 ; Llorens 65. Good condition, 76 x 56 cm. Frame dimensions: 95 x 75 x 1.5 cm.Lithographie originale sur vélin de Rives, signée au crayon et numérotée 19/95. Éditeur : Galerie Creuzevault, Paris, 1956. Réf. : Passeron 25 ; Llorens 65. Bon état, 76 x 56 cm. Dimensions du cadre : 95 x 75 x 1,5 cm.

Maurice Estève - Face à face, 1968Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1968. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1968. Très bon état, 31 x 23,5 cm.

Joan Miró - Gat i ma, 1970Color lithograph on paper, plate signed, not numbered (from the limited edition of 1000). Publisher: Sala Gaspar, Barcelona, 1970. Good condition, 83.5 x 60 cm.Lithographie en couleurs sur papier, signée dans la planche, non numérotée (édition limitée à 1000 exemplaires). Editeur : Sala Gaspar, Barcelone, 1970. Bon état, 83,5 x 60 cm.

JR - Giants, Brandenburg Gate, September 27, 2018, 18h55Lithographie 14 couleurs sur papier BFK Rives blanc 300 grammesSignée par JR en bas à droite (tampon et mine de crayon) et numérotée en bas à gaucheEdition limitée à 180 ex, 2020Très bon état50 x 75 cm14 colors lithograph printed on white paper BFK Rives - 300 grammesSigned by JR on the right side corner (stamp and lead) & numbered on the left side cornerLimited edition of 180 ex, 2020Very good condition50 x 75 cm

Paolo Scirpa - Sun, 1968Original lithograph on paper, signed in pencil and numbered 32/100. Good condition, 59 x 39 cm.Lithographie originale sur papier, signée au crayon et numérotée 32/100. Bon état, 59 x 39 cm.

FAT - Snoopy, 2023Offset lithograph on 240g Fine Arts paper, hand signed and numbered /50 ex. Very good condition, 70 x 70 cm.Lithographie offset sur papier Beaux-Arts 240g, signée à la main et numérotée /50 ex. Très bon état, 70 x 70 cm.

Hans Hartung - Composition, 1973Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1973. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1973. Très bon état, 31 x 23,5 cm.

Richard Lindner (after) - Rear Window, 1971Color lithograph on paper, plate signed, not numbered. Published by San Lazzaro, Paris, 1980. Vertical fold as published, 31 x 35.5 cm.Lithographie en couleurs sur papier, signée dans la planche, non numérotée. Editée par San Lazzaro, Paris, 1980. Pli vertical comme publié, 31 x 35,5 cm.

Richard Lindner (after) - Window, 1958Color lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1980. Very good condition, 31 x 23.5 cm.Lithographie en couleurs sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1980. Très bon état, 31 x 23,5 cm.

Hobi - Paysage, ca. 1970Color lithograph on wove paper, signed in pencil, not numbered. Comes with exhibition flyer. Good condition, 38 x 28 cm.Lithographie en couleurs sur papier vélin, signée au crayon, non numérotée. Accompagnée d'un dépliant de l'exposition. Bon état, 38 x 28 cm.

Louis Toffoli - Le repas du paysanOriginal lithograph on wove paper, signed in pencil and numbered 74/300. Yellowed paper, 65 x 50 cm. Frame dimensions: 72.5 x 66.5 cm.Lithographie originale sur papier vélin, signée au crayon et numérotée 74/300. Papier jauni, 65 x 50 cm. Dimensions du cadre : 72,5 x 66,5 cm.

Antonio Saura - El patito feo (The Ugly Duckling), 1997Original lithograph on Arches paper, hand signed and numbered 194/250. Publisher: Bramsen, Paris, 1997. Ref.: Cramer n° 613. Very good condition, 65 x 50 cmLithographie originale sur papier Arches, signée à la main et numérotée 194/250. Editeur : Bramsen, Paris, 1997. Réf. : Cramer n° 613. Très bon état, 65 x 50 cm

Anna-Eva Bergman - Horizon noir, 1970Original lithograph on paper, plate signed, not numbered. Published by San Lazzaro, Paris, 1970. Printed by Mourlot, Paris. Ref.: Fondation Bergman N°245. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, signée dans la planche, non numérotée. Editée par San Lazzaro, Paris, 1970. Imprimée par Mourlot, Paris. Réf. : Fondation Bergman N°245. Très bon état, 31 x 23,5 cm.

Jean Arp - Tête, torse et nombril sur table, 1962Original lithograph on paper, plate signed, not numbered. Published by San Lazzaro, Paris, 1962. Ref.: Arntz N° 348. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, signée dans la planche, non numérotée. Editée par San Lazzaro, Paris, 1962. Réf. : Arntz N° 348. Très bon état, 31 x 23,5 cm.

Edgar Degas (after) - Jeune femme en costume de ville, 1957Lithograph enhanced with pochoir, plate signed, dry stamp "procédé Jacomet" (Jacomet process). Publisher: Atelier Jacomet, Paris, 1957. Frame dimensions: 46.5 x 40.5 x 3.5 cm.Lithographie rehaussée au pochoir, signée dans la planche, cachet sec "procédé Jacomet". Editeur : Atelier Jacomet, Paris, 1957. Dimensions cadre : 46,5 x 40,5 x 3,5 cm.

Marino Marini - Cheval, 1970Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1970. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1970. Très bon état, 31 x 23,5 cm.

Marino Marini - Cheval et cavalier, 1963Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1963. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1963. Très bon état, 31 x 23,5 cm.

Maurice Estève - Corne à Licou, 1965Original lithograph on paper, not signed, not numbered. Published by San Lazzaro, Paris, 1965. Very good condition, 31 x 23.5 cm.Lithographie originale sur papier, non signée, non numérotée. Editée par San Lazzaro, Paris, 1965. Très bon état, 31 x 23,5 cm.

Daniel Humair - Composition VI, 1971Original lithograph on Arches paper, signed in pencil and numbered 64/100. Published by Jacques Putman, 1971. Printed by Pierre Badey. Good condition (minor defects, stains on margins), 48 x 65 cm.Lithographie originale sur vélin d'Arches, signée au crayon et numérotée 64/100. Editée par Jacques Putman, 1971. Imprimée par Pierre Badey. Bon état (défauts mineurs, taches en marges), 48 x 65 cm.

FAT - Mickey & Minnie, 2023Offset lithograph on 240g Fine Arts paper, hand signed and numbered /50 ex. Very good condition, 70 x 70 cm.Lithographie offset sur papier Beaux-Arts 240g, signée à la main et numérotée /50 ex. Très bon état, 70 x 70 cm.

Y Property from the Estate of an Edinburgh Collector: Dame Elisabeth Frink D.B.E., R.A. (British, 1930-1993), Rejoneadora III, signed and numbered 10/72 in pencil, lithograph printed in colours, 1973, on wove, printed by Curwen Studios, Chilford, published by Waddington Graphics, London, the full sheet, 568 x 764mm (unframed). Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Dame Elisabeth Frink D.B.E., R.A. (British, 1930-1993), Rejoneadora II, signed and numbered 1/72 in pencil, lithograph printed in colours, 1973, framed (glass cracked). 555 x 760mm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Dame Elisabeth Frink D.B.E., R.A. (British, 1930-1993), Corrida I, signed and numbered 11/72 in pencil, lithograph printed in colours, 1973, framed. 568 x 764mm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Henry Moore O.M., C.H., F.B.A. (British, 1898-1986), Two Heads, signed in pencil, ed. 38/50, lithograph, framed. Image 22cm by 25cm. Provenance: Bernard Jacobson Gallery, London 2003. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Anne Redpath O.B.E., R.S.A., A.R.A (Scottish, 1895-1965), The Fruit Bowl, signed in pencil, ed. 13/50, lithograph, framed. 43cm by 65cm. Note: this lot may be subject to A.R.R.

Y Property from the Estate of an Edinburgh Collector: Dame Elizabeth Blackadder D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt. (Scottish 1931-2021), Black Cat, signed and numbered 58/75 in pencil to margin, lithograph, framed. 44cm x 60cm. Note: this lot may be subject to A.R.R.

Property from the Estate of an Edinburgh Collector: Nahum Gutman (Israeli, 1898-1980), Fruit of the Tree, signed in pencil, ed. 151/200, Mourlot Paris blindstamp, lithograph, framed. Image 49.5cm by 39.5cm

Y Dame Elizabeth Blackadder D.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (Scottish 1931-2021), Harlequin, signed and inscribed "Printer's Proof" in pencil to margin, lithograph, framed. Image 28cm by 45cm. Note: this lot may be subject to A.R.R.

After David Shepherd (British, 1931-2017), "Tiger Fire", signed in pencil in the margin, offset lithograph, limited edition 239/850, published by Solomon & Whitehead, image 57.5 x 100cm approx., in a glazed frame, 88 x 125cm overall; "Pride", signed in pencil and numbered 30/100 in the margin, lithograph, image 16 x 24cm, (mounted, unframed, in cellophane wrapping, 34.7 x 40cm overall), and a print of a tiger and a cheetah, each signed in pencil on the mount, 22.2 x 24.2cm overall, (both unframed). (4)

After David Shepherd (British, 1931-2017), "The Sentinel", signed in pencil and numbered "174/1500" in the margin, offset lithograph, Solomon & Whitehead, image 45.5 x 76cm; "Cheetah", signed, 1358/1500, image 24 x 40.3cm, and "Cool Cats", signed, 31/850, image 22.7 x 40.3cm, each in a glazed frame. (3)

After David Shepherd (British, 1931-2017), "Grandpa's Workshop", signed and numbered "537/850" in pencil in the margin, offset lithograph, image 53 x 65.5cm, in a glazed frame, 79 x 91cm overall; "Biscuits", signed and numbered "103/1200" in pencil in the margin, offset lithograph, pub. Solomon & Whitehead, image 36.5 x 40.5cm, (unframed, 48 x 51cm overall approx.); John Mould (b.1958), “Lady in Red”, signed and numbered 324/395, offset lithograph, 49 x 77cm approx., with certificate; and a female nude, (both unframed), Darren Barker, 3 unframed prints of “Albert The Handydog”, each signed and numbered in pencil, and 3 books. (11)

Pamela Kay (British, b.1939), "Strawberry Tea", signed in pencil in the margin, offset lithograph, 50.5 x 67cm overall; George Soper (1870-1942), "The Plough Team", signed in pencil in the margin, etching, 20 x 31cm overall, and another similar etching, (both mounted but unframed, a/f). (3)

Anthony Green RA (1939-2023) - Homard Newburg, lithograph in colours, visible sheet 62 x 100.5cm, together with Richmond Hill Gallery exhibition catalogue (2)

Tadashi Nakayama (1927-2014) - Bird study, lithograph, signed, dated 1957, and numbered 17/30 in pencil, 50 x 37cm

Ilana Richardson (20th century) - The Fountain, Capezzana, lithograph, signed, titled and numbered 74/225 in pencil to the margin, 61 x 45cm

A large framed and mounted lithograph titles "To Gretna Green" initialed lower right S.P., 34" x 20 3/4".

A Simon Bull lithograph "Spartacus II.

A framed and mounted Lithograph of Haddon Hall, by F Bernard.

A framed Lithograph by W Spreat depicting St Woolas Church, Newport, Mon, 20" x 17 1/2".

A framed Lithograph of Notre Dame de Paris, indistinctly signed, along with a framed lithograph of Paris l'Eglise Sant Pierre De Montmarte, indistinctly signed.

A rare and striking piece of music history, this 1931 RCA Victor lithograph depicts Alberto Salvi, a renowned harpist of his time, playing a magnificent gilded harp. This promotional artwork was part of the Instruments of the Orchestra series issued by the Victor Talking Machine Company, later RCA Victor, to highlight the grandeur of orchestral music and its instruments. The harp, detailed with ornate carvings and exquisite craftsmanship, symbolizes the elegance and precision RCA Victor associated with its brand. The lithograph showcases Salvi seated at the harp, captured in mid-performance, with meticulous colorization and fine detailing that emphasize the instrument's towering beauty and Salvi's artistry. Alberto Salvi (1892-1980) was a virtuoso harpist whose career spanned continents, captivating audiences with his technical brilliance and emotive performances. RCA Victor, a leader in early music recording and innovation, sought to connect classical music to broader audiences through these promotional prints, making this a significant piece for collectors of music memorabilia and early 20th-century advertising art. Includes the embossed stamp of the Montclair Public Library on the lower right corner.Issued: 1931Dimensions: 13.75"L x 21.75"HCountry of Origin: USACondition: Age related wear. Tears on edges.

A black and white drawing lithograph on paper depicting one of the most famous religious buildings in the world, Westminster Abbey in London. Artists signature in plate on lower right side: B. Smith. Title in plate on lower middle edge. Housed in a black frame. Sight size: 8"L x 10.75"H. Frame dimensions: 8.75"L x 1"W x 11.25"H. Artwork can be unframed and rolled for shipment.Artist: After Bernard Smith (20th century)Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

‡ LAURENCE STEPHEN LOWRY RBA RA (British 1887 - 1976) offset lithograph printed in colours on wove - 'Sailing Boats', signed in pencil, published in 1975 by Venture Prints Ltd, Fine Art Guild blindstamp, 29 x 34cmsProvenance: private collection Swansea, by family descentComments: framed and glazed, ready to hang Condition Report:blind stamp letters DED

‡ LAURENCE STEPHEN LOWRY RBA RA (British 1887 - 1976) offset lithograph printed in colours on wove - 'Industrial Scene', signed in pencil, published in 1974 by Venture Prints Ltd, Fine Art Guild blindstamp, 34.5 x 24.5cmsProvenance: private collection Swansea, by family descentComments: framed and glazed, ready to hang Condition Report:blind stamp letters FLF