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After Banksy 'Peckham Rock' offset lithograph on a shaped wood board produced by the British Museum, 201812 x 18cm, mounted on a mirrored frameBanksy’s 'Peckham Rock' is a piece of concrete showing a supposed prehistoric figure pushing a shopping trolley. This was placed in the British Museum in 2005, accompanied by an authentic-looking information label, and was there for three days before anyone realised something was amiss. This wooden postcard, originally sold by the British Museum, replicates the image from the information label that was originally placed with the wall art.Condition ReportFramed: 37 x 42cmStuck down to mirror. Light surface scratches to frame.

Mark Tobey (American-Swiss 1890-1976) 'Mandarin Flowers'lithograph in colours, 1973, signed and dated 'Tobey 73' in pencil l.r. and numbered '43/95'sheet 77.5 x 102.5cm, unframedCondition ReportA few faint dirty marks and smudges to the margins with a little surface dirt. There is a 2cm pencil line to the centre of the upper margin, with a faint thumb print to the upper right corner. The printed area appears to be in good condition.

▲ David Hockney OM CH RA (b.1937) 'Pool Made With Paper and Blue Ink' for the book 'Paper Pools' (MCA Tokyo 234)lithograph in colours, 1980, signed and dated 'Hockney 80' in pencil l.r., and numbered '681/1000', published by Tyler Graphics Ltd., Mount Kisco, New York, with blind stamp sheet 27 x 24cmWhen thinking about David Hockney, the subject of the swimming pool is one that comes to mind. It has become one of the defining motifs of his artistic career and an iconic image of modern art. The theme recurs frequently in his paintings, drawings, photographs and prints.Hockney’s fascination with pools began in 1964 when he flew over Los Angeles and was captivated by the vivid expanse of blue pools dotting the Californian landscape - an image starkly different from the scenery of Britain he had left behind. To Hockney, the swimming pool was a representation of pleasure and leisure in the 1960s, and a joyous image to reproduce. Additionally, it provided a creative opportunity to explore the play of light and reflections on water, shaped by ripples, curves and shadows cast by gentle breezes or the movement of swimmers.This motif repeatedly surfaced in his work over the years, including the present lithograph titled 'Pool Made With Paper and Blue Ink for a Book'. This piece was created for the special edition book 'Paper Pools' by David Hockney, edited by Nikos Stangos and published in 1980 by Thames & Hudson. The book delves into Hockney’s 'Paper Pool' series, comprising twenty-nine paper pulp artworks that he created in 1978 while staying with his friend, the printmaker Ken Tyler. Inspired by this new medium, Hockney used Tyler’s swimming pool as the subject for this lithograph. He meticulously studied the pool at various times of the day and night, observing and recording the interplay of light and colour, through drawings and photographs.Though smaller in scale compared to Hockney’s large oil paintings, this lithograph is equally vibrant and demonstrates meticulous precision in its execution. The image was initially hand-drawn by the artist and then printed in six colours from three lithographic limestones and three aluminium plates. This lot is pencil signed and numbered '681' from a limited edition of 1,000 prints with an additional 122 proofs. Condition ReportFramed: 58 x 49.5cmPresents well overall. In our opinion the colours are bright. Slight time staining to the margins. There is some acid discolouration to the extreme edges. There is a little rubbing/ abrasion to the water in the lower centre and along the left edge, please see additional condition images. The print has been stuck down in the corners and it is not possible to see the reverse of the sheet. The print sits flat without any obvious cockling or creasing.

Eric Ravilious (1903-1942) 'Bakers and Confectioners'lithograph in colours, from 'High Street' by J M Richards, printed by the Curwen Press and published by Country Life, London, 1938visible 22 x 14cmCondition ReportFramed: 43 x 30.5cmA couple of very small, faint dirty marks to the unprinted area in the upper left. Presents well overall and ready to hang. Not viewed out of the perspex glazed frame.

▲ Mary Fedden RA (1915-2012) 'The Orange Mug' lithograph in colours, 1996, signed 'Fedden' in pencil l.r., and numbered '445/550', published by Bow Art with blind stamp image 22.5 x 27cm Condition ReportFramed: 59.5 x 60cm Appears to be in good condition and ready to hang. Not viewed out of perspex glazed frame.

▲ Mary Fedden RA (1915-2012) 'Cat and Fish', 2007lithograph in colours, signed 'Fedden' in pencil l.r., and numbered '37/100'image 14.5 x 18.5cmCondition ReportFramed: 34 x 38cmAppears to be in good condition. Not viewed out of glazed frame.

▲ John Piper CH (1903-1992) 'Scotney Castle, Kent' (Levinson 265)lithograph in colours, 1976, signed 'John Piper' in pencil l.r., numbered '61/120', printed by the Curwen Studio, published by Christie's Contemporary Art and the National Trust, 1977, with blind stampsimage 43.5 x 56cmCondition ReportFramed: 59 x 73cmTime staing and foxing to the margins and the edge of the printed area. A small crescent shaped crease mark in the lower left corner. Not viewed out of glazed frame.

▲ David Hockney OM CH RA (b.1937) 'Portrait of Felix Man', 1969lithograph on japon, signed 'David Hockney' in pencil l.r.sheet 76.5cm x 53.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is not numbered. Scattered spots of foxing. Light creases visible to the reverse. A diagonal crease mark to the lower right corner. Please see additional condition images. Deckled edges. Unframed.

▲ Laurence Stephen Lowry RA (1887-1976) 'Market Scene in a Northern Town', 1939lithograph in colours, 1973, signed 'L. S. Lowry' in pencil l.r., an edition of 750, published by Patrick Seale, courtesy of Salford Museum and Art Galleryimage 45.5 x 60.5cmCondition ReportFramed: 71 x 84cmA little discolouration to the margins caused by the mount. The print has a slightly yellow/ green hue overall, please refer to illustration. Not viewed out of glazed frame.

After John Storey‘Newcastle Upon Tyne in the Reign of Queen Victoria’,a lithograph,framed, glazed and mounted,59 x 89cms;together with,After J. Ellis‘A Plan of Newcastle Upon Tyne and Gateshead’,reproduction map,68 x 93cms,both later reproductions.

“Snaffles” Charles Johnson Payne(1884-1967)Thrusters “ ‘ustle your ‘orses, ’arden your ‘earts”,hand-tinted lithograph,printed signature,56 x 97cms.

"Snaffles" Charles Johnson Payne (1884-1967)"Gunners",hand-tinted lithograph, with printed remarque,37.5 x 59.5cms, in frame.

After John Wilson Carmichael(1979-1868)Tynemouth on Ascension Day,hand-tinted lithograph,published by Bevan & Storey, Newcastle,47 x 74cms, 61 x 88cms overall.

After SIR MUIRHEAD BONE - WWI lithograph depicting Somme Western Australian Rouen, together with three others

Edward Ardizzone, colour lithograph print

After Howard Hodgkin (1932-2017), abstract colour lithograph, ‘Moonlight’, unsigned, 48 x 56cm. Condition - good

Mihail Chemiakin (New York, Russia born 1943) "Untitled VIII" Color Lithograph. Numbered (42/225) lower left. Signed lower right. Watermark "Arches France".Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States.Image Size: 20 x 17.25 in.Sheet Size: 30 x 21 in.Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Untitled VII" Color Lithograph. Numbered (44/225) lower left. Pencil Signed lower right. Watermark "Arches France".Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States.Image Size: 19 x 16.5 in.Sheet Size: 30 x 21 in.Unframed.

A late 19th/early 20th century 'The Oriental' carte de Visite album, with lithograph decorated pages of animals and foliage, together with one other plain CDV album, (2)

A captivating limited edition Art Nouveau style lithograph, featuring an elegant female figure in traditional Balinese attire. The artwork is characterized by flowing lines, intricate detailing, and decorative elements reminiscent of the Art Nouveau movement. The central figure is dressed in an ornate gold-patterned costume, holding a delicate fan, and adorned with a lavish headdress embellished with floral motifs. Her poised stance and graceful expression reflect the refinement of cultural artistry. The background features a striking composition with a silhouette of a tiered pagoda against a softly rendered sky, framed by decorative embellishments that enhance the artwork sophistication. The artist masterfully balances traditional influences with Art Nouveau aesthetics, creating a harmonious and visually engaging composition. Edition numbered 16 of 300 on the lower left under the image, and the artist mark on the lower right under the image.Dimensions: 23"W x 36"HCondition: Age related wear.

Original color lithograph of Alphonse Mucha's celebrated poster Bieres de la Meuse, published as part of Les Maitres de l'Affiche (Plate 182). Printed by Imprimerie Chaix, this piece exemplifies Mucha's signature Art Nouveau style, featuring a central female figure adorned with a floral and wheat headdress, symbolizing abundance. The composition is enriched with swirling lines, organic motifs, and stylized typography, hallmarks of Mucha's work. The advertisement promotes the Meuse brewery with intricate vignettes of beer production scenes in the lower portion. Mucha was a pioneering artist and graphic designer of the Art Nouveau movement, renowned for his distinctive style characterized by flowing lines, decorative elements, and ethereal female figures. Born in Moravia (now the Czech Republic), Mucha initially worked as an illustrator before gaining international fame in 1894 with his iconic poster for the French stage actress Sarah Bernhardt in Gismonda. His success led to a long-term collaboration with Bernhardt and a prolific career in commercial art, designing posters, advertisements, book illustrations, and decorative panels. This color lithograph is stamped on the lower right with the blind embossing designed by Jules Cheret for Les Maitres de l'Affiche, a prestigious publication that featured works by leading poster artists of the late 19th century.Artist: Alphonse Mucha (Czech-French, 1860-1939)Issued: 1899Dimensions: 19.75"L x 23.50"HCountry of Origin: Czechoslovakia/FranceCondition: Age related wear.

This color lithograph titled Le Verger (The Orchard) after Marc Chagall's comes from the celebrated Daphnis et Chloe portfolio, a series created in 1961 as an homage to the ancient Greek romance by Longus. The series was commissioned by Teriade and is widely regarded as one of Chagall's greatest achievements in lithography. This image, rich in symbolism and rendered in Chagall's ethereal, dreamlike style, features lush greenery, whimsical lovers, and mythical figures, all composed with fluid motion and radiant color. The piece captures the magical, pastoral love story at the heart of Daphnis et Chloe, imbued with Chagall's signature emotional and fantastical interpretation. Signed in plate at lower right and numbered 21/375 on lower left, the work exemplifies the artist's mastery of color lithography and storytelling through visual poetry. Framed under glass with a linen mat and gilt wood frame.Artist: After Marc Chagall (Russian-French, 1887-1985)Issued: 20th centuryDimensions: 42.75"L x 33.75"HCountry of Origin: Russia/FranceCondition: Age related wear.

Salvador Dali (1904-1989) hand-signed lithograph from the "Les Caprices de Goya" series, a reinterpretation of Francisco de Goya's original 1799 etchings. This print, numbered "E.A.," is executed on BFK Rives paper and features Dali's distinctive signature in pencil in the lower right margin. The work is accompanied by a Salvador Dali Archives Ltd. authentication certificate, dated October 20, 2008, confirming its authenticity. Elegantly framed with a gold-tone plaque inscribed "Salvador Dali 1904-1989." Artist: Salvador Dali (Spanish, 1904-1989)Issued: 1977Dimensions: 26.5"L x 30.75"HCountry of Origin: SpainCondition: Age related wear.

Limited edition color lithograph after Marc Chagall, titled Chupa, portraying a romantic scene beneath a red canopy. The central figures, an embracing couple surrounded by ethereal figures and musicians, exemplify Chagall's unique blend of mysticism, folklore, and tender emotion. Executed in a soft yet vivid palette of turquoise, crimson, and cobalt, the composition floats between reality and dreamscape, hallmarks of Chagall's poetic style. Signed in plate at the lower right and hand-numbered 69/375 at the lower left. Printed on wove paper and presented under glass in a dark metallic frame with matting.Artist: After Marc Chagall (French/Russian, 1887-1985)Issued: 20th centuryDimensions: 35.75"L x 42.75"HCountry of Origin: France/RussiaCondition: Age related wear.

VINCENT VAN GOGH. After. chambre à coucher. Lithograph, 44 cms x 57cms, Published by Les Editions Braun & Cie, Framed.

‡SIR KYFFIN WILLIAMS RA (1918-2006) unnumbered lithograph - village 'Carmel', signed with initials, 39 x 56cmsProvenance: private collection Vale of GlamorganComments: unframed, light foxing to main image and border

‡CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) lithograph on sepia - entitled verso 'Barcud Coch / Red Kite', signed in pencil, 22 x 15.5cmsProvenance: private collection Ynys Môn (Anglesey), inscribed verso 'argraff wreiddiol wedi'i cofnodi gan C F Tunnicliffe, 1989' (original impression recorded by...)Comments: framed and glazed; foxing present

‡ JOHN ELWYN (1916-1997) limited edition (193/300) lithograph - 'Laugharne Estuary from Dylan Thomas's Writing Shed', dated 1988, 35 x 52cmsNote: John Elwyn admired Dylan Thomas’s poetry. It was introduced to him in the 1940s by his friend Anglo-Welsh writer Glyn Jones, who had helped establish Thomas’s reputation. Following a visit to Thomas’s boat house at Laugharne, Elwyn made a series of watercolour paintings of the Taf estuary and the Gower beyond. This limited-edition print was produced at the same time.Provenance: private collection CeredigionComments: unframed

‡SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (85/100) lithograph - entitled verso 'Pen y Graigwen' on Martin Tinney Gallery label, signed with initials in pencil, 36 x 74cmsProvenance: private collection Vale of GlamorganComments: framed and glazed

‡ELERI MILLS (b.1955) limited edition (9/10) hand coloured lithograph - entitled, 'Sycharth' on Martin Tinney Gallery label, signed, 30 x 37cmsProvenance: private collection ChesterComments: framed and glazed

‡SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (116/150) lithograph - 'Pontllyfni in Snow', signed fully (with Christie's Contemporary Art COA), 44 x 74cmsProvenance: private collection AberystwythComments: framed, glazed

‡JOSEF HERMAN OBE RA (1911-2000) limited edition (15/70) lithograph - figure with horse and cart, signed in pencil, 55 x 73cmsProvenance: private collection PembrokeshireComments: framed and glazed

‡JOHN ELWYN (1916-1997) limited edition (artist's proof) lithograph - Capel Hawen, Rhydlewis, 1975, 38 x 56cmsNote: The iconic Hawen Welsh Independent Chapel at Rhydlewis first made its appearance in John Elwyn sketchbooks and paintings in 1948. For decades it remained a source of reference. The Council for the Protection of Rural Wales reproduced this print on their Christmas card in 1981.Provenance: private collection CeredigionComments: unframed

‡CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) lithograph on sepia - song thrush in branches, 18.5 x 13cmsProvenance: private collection Ynys Môn (Anglesey)Comments: framed and glazed

‡CERI RICHARDS CBE (1903-1971) lithograph - entitled verso, 'Blossom' on Goldmark Gallery label, signed and dated 1965, 60 x 81cmsProvenance: private collection HerefordshireComments: framed, glazed

‡CERI RICHARDS CBE (1903-1971) lithograph - entitled verso 'Do Not Go Gentle into That Good Night', on Martin Tinney Gallery label, signed and dated '65, 79 x 56cmsProvenance: private collection Vale of GlamorganComments: framed and glazed

‡SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (157/750) lithograph - Cattle Porth Cwyfan, signed and numbered in pencil, 29.5 x 37cmsProvenance: private collection Rhondda Cynon TaffComments: framed, glazed.

‡ SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (86/150) lithograph - Penrhyn Du Farm, Ynys Môn (Anglesey) with Welsh Black cattle, fully signed in pencil, 56 x 73cmsProvenance: private collection ConwyComments: unframed, light foxing in upper margin

JOAN MIRO Montroig 1893 - 1983 Mallorca: Miró, Lithographe I - Miró, Der Lithograph II. Franz. bzw. deutsche Ausgabe. 2 Bände mit 4 (statt 12; einschl. Umschlag; 2 doppelseitig) und 12 (einschl. Umschlag; 4 doppelseitig) Orig.-Farblithographien, zahlr. Farbabb. und Text. Bearbeitet von F. Mourlot. Paris, A. C. Mazo & Cie., (1972) bzw. Genf, Weber, (1975). 4°. Lose in OPp.-Umschlag bzw. in Orig.-Umschlag und OKalikobd., jeweils in OLwd.- bzw. OKaliko-Kassette. Cramer B 160 und 198. M. 854, 857, 860 und 863 sowie Cramer L 1036-1047. - Band I mit Gefälligkeitssignatur (Lithographie VII, M. 863). Meist verso typographisch bezeichnet. Auf kräftigem Vélin. Umschläge gering fleckig (M. 854) bzw. knitterfaltig (C. L 1036). Kassette mit Rückenbeschädigung (Bd. I) bzw. leicht fleckig (Bd. II). Umfassen Mirós lithographisches Werk der Jahre 1930-1952 und 1953-1963. [ms]

JOAN MIRO Montroig 1893 - 1983 Mallorca: Miro, Der Lithograph II. Deutsche Ausgabe. Band mit 14 Orig.-Farblithographien (einschl. Umschlag; 4 doppelseitig), zahlr. Farbabb. und Text. Bearbeitet von F. Mourlot. Genf, Weber, (1975). 4°. Lose in Orig.-Umschlag, OKalikobd. und OKaliko-Kassette. 253 SS. Cramer B 198. Cramer L 1036-1049. - Expl. 91/150 der Vorzugsausgabe. Die beiden zusätzlichen Farblithographien (C. L 1048/1049) signiert und numeriert. Auf kräftigem chamoisfarbenem Vélin. Umschlag (C. L 1036 wellig). 2 Bll. (C. L 1048/1049) schwach stockfleckig bzw. mit kurzem Randeinriss. Umfasst Mirós lithographisches Werk der Jahre 1953-1963. [ms]

Portrait of a pensive woman seated on a chair, lithograph, signed in pencil lower right and dated '72, marked A/P lower left (Artist's Proof), 36 x 27.5cm, framed and glazed

Jean Cocteau, 1889-1963, Taureaux, limited edition lithograph, numbered 49/200 in pencil to the margin, 38 x 28cm

Harry Becker, 1865-1928, The Potato Gatherers, lithograph, 37 x 55cm

*After L S Lowry (British, 1887-1976), Industrial Scene, offset lithograph printed in colours, 1974, signed in pencil, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, and numbered 242, with margins: image 38.5 x 27cm, unframed, two small faint water marks along top margin.

[FINE BINDING]DARLEY, FELIX O. C.; and WASHINGTON IRVING. Illustrations of Rip Van Winkle [bound with] Illustrations of the Legend of Sleepy Hollow. [New York]: For the members of the American Art-Union. 1848 and 1849. Elaborately bound in period brown calf over the spine and corners, gilt ruled, with varicolored floral leather inlays, and gilt-titled and decorated spine, purple cloth over boards, with leather inlays and protruding colored leather appliques decorated with imititation pearls and jet metal balls, and with an inlaid brown calf roundel in the center of the boards, the upper board’s roundel with pictorial colored leather inlays and gilt titles, the lower board with a leather inlaid heraldic crest, gilt ruled turn-ins, decorative floral patterned paper endpapers, top edge gilt, the binding perhaps by Pawson and Nicholson. 11 ¾ x 14 ¼ inches (29.75 x 36 cm); 11 pp., with tinted lithograph frontispiece and 6 plates, 16 pp. with 6 plates of line engravings signed “Darley inve.t et sculp.t. Printed by Sarony & Major, New York.” Some wear to the leather mostly along the extremities, the cloth on the front board unevenly faded to light blue, pale staining to front board, losses to the leather appliques, some pearls and jet balls missing, a short edge tear to the front free endpaper, light toning and spotting to the contents, a closed edge tear to plate 1 of “The Legend of Sleepy Hollow,” ownership signature of Iris Potter in blue ink.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

JIM DINE and OSCAR WILDEThe Picture of Dorian Gray. London: Petersburg Press, 1968. "Edition A," signed by the artist and numbered "200/200" on the justification page. Publisher's red velvet with the title stamped in silver on the cover, black cloth slipcase. 17 1/4 x 12 inches (44 x 31 cm); not paginated, with color printed title page, 12 color lithograph plates, including one with collage and one with a printed acetate overlay, and with illustrations throughout the text. Some scuffing, staining, and wear to the slipcase, a few spots of light wear to the velvet, the contents are generally clean and bright, but with a creased corner to the acetate overlay, without the additional suite of six signed prints.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

[LIMITED EDITIONS CLUB]PAZ, OCTAVIO and ROBERT MOTHERWELL (illustrator). Three Poems. Tres Poemas. New York: Limited Editions Club, 1987. From an edition of 750 (out of a total edition of 820), signed on the colophon by both Robert Motherwell and Octavio Paz. Publisher's natural Irish linen over heavy boards, original matching clamshell box. 21 3/8 x 17 1/8 inches (54.5 x 45 cm); unpaginated text with 27 original mounted lithographs by Motherwell, including an original lithograph inset on the front cover of the book. Some fading to the spine of the case, the case, the book itself fine.The book was handset in Bauer Bodoni and printed at the Stamperia Valdonega in Verona. Each of the 27 lithographs by Robert Motherwell was produced at Trestle Editions in New York using handmade Japanese paper, and hand-mounted upon the Magnani mould-made paper also used for the text. The text is bilingual, the Spanish printed in red, with English translation of the poems printed in black on facing pages. Belknap 354-380.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

HOCKNEY, DAVIDA Bigger Book. Cologne: Taschen. 2016. Limited Collector's Edition of 10,000 signed copies, this number 3129 (the first 1,000 copies had an original Hockney lithograph). Publisher's cloth in dust jacket. 27 1/2 x 19 5/8 inches (70 x 50 cm), 498 pp. English text, 13 fold-outs, with adjustable bookstand designed by Marc Newson. Book fine, a crack to the acrylic table of the stand.One of the aptly named Sumo series published by Taschen.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Taxidermy interest: Framed Lithograph from "The Illustrated London News March 7th 1896," called "The Taxidermist." By the Artist A. J. Wall.

Robert Tavener, 'Cornfield & Downs', signed, titled and numbered 8/75, lithograph, I.39 x 52.5cm.

Graham REYNOLDS (British 20th/21st Century) Dylan Lithograph Signed and numbered 1/100 to mount Framed and glazed Picture size 40 x 28cm Overall size 73 x 41cm

Ben MAILE (British 1922-2017) A Folio of Four Wild Life Studies - large bundle of ex trade stock, approx 36 Lithograph Signed and numbered of an edition of 650 Unframed 50 x 37cm

Manner of Henri de TOULOUSE LAUTREC Jane Avril Lithograph Framed and glazed Picture size 42 x 30cm Overall size 60 x 47cm

ARR Lawrence Stephen Lowry (1887-1976) - Lithograph in colours - "View of a Town", signed in pencil in margin and with impressed marks, 17ins x 21.5ins, framed and glazedThis lot has not been inspected out of the frame. It appears to be in good condition with no obvious damage/loss/restoration.

ARR Lawrence Stephen Lowry (1887-1976) - Lithograph in colours - "Deal Beach", signed in pencil in margin and with impressed marks, 10.25ins x 19.75ins, framed and glazedThe 3 letter blind stamp is BHE. This print has not been inspected out of the frame. It appears to be in good condition with no obvious damage/loss/restoration.

A schiffsbaukasten wooden ship building kit, German circa 1915, the ship's hull approx 58cms long, with lithograph printed instruction pamphlet illustrating ships that can be constructed, in its original box, 62cms long. Provenance: from the collection of the late Tony Cuff

This limited edition lithograph commemorates the Florida Panthers' inaugural NHL game on October 12, 1993, at Miami Arena against the Pittsburgh Penguins. Created by artist Denis Periera, the artwork features a fierce panther gripping a hockey stick-shaped ticket, symbolizing the birth of the franchise. This piece is hand-signed by Panthers owner H. Wayne Huizenga and artist Denis Periera and is numbered 16/199. The display also includes two original game tickets from the historic first game and additional artistic elements from the event. Professionally framed with blue and gold matting and housed in a dark wood frame, this is a must-have for Panthers fans and NHL memorabilia collectors.Artist: Denis PerieraIssued: 1993Dimensions: 31.5"L x 43"HCountry of Origin: United StatesCondition: Age related wear.

This signed lithograph by Isaac Ishtar Holtz captures a spirited and joyous Hasidic dance scene, rendered in detailed black-and-white tones. The composition centers on three figures, their hands raised in unison as they dance with fervor, surrounded by an animated crowd. The background features expressive onlookers, adding depth and movement to the scene. Holtz, known for his ability to convey the vibrancy of Jewish life, infuses this work with a dynamic energy and deep cultural resonance. His precise linework and tonal shading highlight the rich textures of traditional garments and facial expressions. A celebration of Jewish heritage and communal joy, this work exemplifies Holtz's mastery of figurative storytelling in print form. Edition on lower left: 229/250. Signature on lower right. Artist: Isaac Ishtar Holtz (Polish-American 1927-2018)Issued: c. 1980Dimensions: 36.50"L x 30.50"HCountry of Origin: Poland/United StatesCondition: Age related wear.

This framed memorabilia piece commemorates the Florida Marlins' inaugural game on April 5, 1993, at Joe Robbie Stadium, where they faced the Los Angeles Dodgers in their historic first MLB game. The display features a limited edition lithograph by artist Dina Periera, depicting a marlin leaping from a cracked baseball over a diamond, with the words "Inaugural Year 1993." Included in the frame is an original Opening Day ticket, a commemorative gold seal, and the first game box score, highlighting the Marlins' 6-3 victory. Signed by H. Wayne Huizenga, the team’s founding owner, this professionally framed piece is a must-have for Marlins and baseball collectors.Issued: 1993Dimensions: 33.25"L x 35.25"HCountry of Origin: United StatesCondition: Age related wear.

This color lithograph poster titled Sheer Elegance after renowned pin-up artist Alberto Vargas captures the ethereal beauty and sensuality that defined his work. The composition showcases a glamorous figure in a sheer flowing gown, posed in an arched-back stance, exuding grace and sophistication. The delicate rendering of fabric transparency and meticulous shading reflect Vargas' masterful ability to depict the female form with softness and precision. A defining figure in 20th-century pin-up art, Vargas became widely recognized for his work with Esquire and Playboy, shaping the visual culture of mid-century glamour. This professionally framed lithograph is a testament to his lasting influence in the genre.Artist: After Alberto Vargas (American, 1896-1982)Issued: c. 1990Dimensions: 25.25"L x 36.25"HCountry of Origin: USACondition: Age related wear.