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Lot 510
PIPER (John; illustrator) The Jesse Tree, by Anne Ridler, Lyrebird Press 1972, 4to, no.10/100 copies, signed, with colour lithograph frontispiece, illustrations, original cloth-backed boards in slipcase; The Last Chapter of Urne Buriall, by Sir Thomas Browne, 1946, 8vo, Rampant Lions Press, one of 175 copies, inscribed in ink by Piper to 'Fishenden March 23 1948 with best wishes', card wrapper slightly stained; Buildings and Prospects, 1948, dust jacket; another copy; Guide to The Lakes, 1951; Piper's Palaces, 1983, dust jacket; with a small folder of cards and booklets
![BLISS (Douglas Percy) Edward Bawden, [1979], Scolar Press for The Pendomer Press, no.69/200 copies, numerous monochrome and c](https://cdn.globalauctionplatform.com/f8abb49b-8379-41ea-9e4a-b2ae00b1f5e0/851ed398-4b50-497b-953b-b2ae0143baeb/468x382.jpg)
Lot 509
BLISS (Douglas Percy) Edward Bawden, [1979], Scolar Press for The Pendomer Press, no.69/200 copies, numerous monochrome and colour illustrations, top edge gilt, morocco backed boards; with - 'Nekayah, Rasselas and Imlac', signed and titled lithograph by Bawden in pencil, no.69/200, 31 x 23cm, in titled paper folder
Lot 153
A striking 1977 etching and aquatint by renowned American artist James Rosenquist, signed, titled, and dated in pencil in the lower right margin. Known for his pioneering role in the Pop Art movement, Rosenquist's work often features fragmented imagery, bold color contrasts, and dynamic compositions that reflect the consumer culture and technological advancements of the 20th century. This piece showcases his signature style, integrating vibrant ribbon-like patterns, geometric elements, and a surreal juxtaposition of abstract and representational forms. The bold use of color and line creates a sense of movement and energy, characteristic of Rosenquist's visual language. A notable example of his printmaking practice, this lithograph embodies his innovative approach to composition and narrative. Edition 78/78. Artist: James Rosenquist (American 1933-2017)Issued: 1977Dimensions: 40"L x 23"HCountry of Origin: USACondition: Age related wear.
Lot 12
This framed memorabilia piece commemorates the Florida Panthers' inaugural home game on October 12, 1993, at Miami Arena, marking the franchise's debut in the National Hockey League. The display includes a limited edition lithograph featuring a fierce panther gripping a hockey puck and ticket, symbolizing the excitement of the team's first game. Also included is an original game ticket, a gold commemorative seal, and a dedication plaque signed by H. Wayne Huizenga, the Panthers' founding owner. The artwork is numbered 214/1993 and is signed by the artist Dina Periera. This professionally framed piece with a gold-tone border and intricate matting is a valuable collectible for Florida Panthers fans and hockey memorabilia collectors.Issued: 1993Dimensions: 26.75"L x 41.25"HCountry of Origin: United StatesCondition: Age related wear.
Lot 142
Offset Lithographs in colors on glossy satin poster paper poster for Banksy: Cut & Run, the artist’s first major show in nearly 15 years. This color lithograph on satin poster paper was offered exclusively at the Gallery of Modern Art (GoMA) in Glasgow, UK, as part of the landmark exhibition featuring Banksy’s original stencils from 1998 to 2023. The bold design showcases Banksy’s signature rebellious aesthetic, with dramatic black spray-paint-style lettering layered over the exhibition announcement. A rare and highly sought-after collectible for contemporary art collectors and Banksy enthusiasts. Artwork can be rolled for shipment.Artist: BanksyIssued: 2023Dimensions: 16.5"L x 23.75"HCountry of Origin: UKCondition: Excellent.
Lot 260
A striking color lithograph titled Homage to Mati by Hungarian-American artist Laszlo Dus, showcasing his signature abstract expressionist style. This work blends bold gestural strokes, delicate linear elements, and subtle color fields in an evocative, layered composition. The juxtaposition of earthy tones, dynamic black forms, and ethereal washes of blue and green creates a sense of movement and depth. Signed by the artist in the lower right, the piece exemplifies Dus's ability to merge texture, color, and form in a harmonious yet expressive manner. His works often carry an emotional intensity, influenced by European modernism and American abstract traditions. Signature and date in graphite on lower right. Edition number on lowerleft: 245/275.Artist: Laszlo Dus (Hungarian-American b. 1941) Issued: 1982Dimensions: 28"L x 35.50"HCountry of Origin: Hungary/United StatesCondition: Age related wear.
Lot 55
Framed limited edition lithograph featuring imagery from the 1995 James Bond film "GoldenEye", starring Pierce Brosnan as 007. The composition includes a printed portrait of Brosnan as James Bond holding a pistol, the official film synopsis, and the theatrical release poster. The lithograph is signed in print by artist T. Bates and marked as number 4711 out of a limited edition of 15,000. The artwork is produced by KRSI and licensed by Danjaq and United Artists Corporation. Housed in a black frame with cream and black double matting. Frame size: 15"L x 0.75"W x 12.25"H. Sight size: 13"L x 10.25"H.Artist: Tom BatesIssued: 1995Dimensions: See DescriptionCondition: Age related wear.
Lot 42
Framed limited edition lithograph featuring imagery from the 1995 American post-apocalyptic action film Waterworld, starring Kevin Costner and Dennis Hopper. The composition includes an illustrated portrait of Kevin Costner, a printed synopsis of the film, and a printed mini-poster. Original artwork by Fred Dingler. Copyrighted 1995 by MCA/Universal Pictures and KRSI. This lithograph is numbered 1140 out of an edition of 15,000. Encased in a black frame with a double mat. Frame size: 15"L x 0.75"W x 12.25"H. Sight size: 13"L x 10.25"H.Artist: Frank Dingler Issued: 1995Dimensions: See DescriptionCondition: Age related wear.
Lot 102
A striking lithograph by Lowell Nesbitt, depicting a male nude in a dramatic foreshortened perspective. Executed in 1979, this work showcases Nesbitt's masterful use of line and shading, emphasizing anatomical precision while exploring themes of the human form and perspective distortion. The composition exudes an almost sculptural quality, highlighting the musculature and naturalistic rendering that are hallmarks of his figurative works. Signed and dated in pencil by the artist in the lower margin, the piece is also hand-numbered 89/175, indicating its place within a limited edition. Nesbitt, widely recognized for his floral and architectural imagery, also created a significant body of work featuring male nudes, challenging conventional representations of masculinity and form. His works are held in major institutions, including the Smithsonian and the Museum of Modern Art. Title in pencil on reverse. Artist: Lowell Nesbitt (American, 1933-1993)Issued: 1979Dimensions: 30"L x 24"HCountry of Origin: USACondition: Age related wear.
Lot 56
Framed lithograph commemorating "Gone With the Wind", a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell. The film stars Vivien Leigh as Scarlett O'Hara and Clark Gable as Rhett Butler. Set during the American Civil War and Reconstruction era, the story follows the struggles of Southern aristocracy and the transformation of the South through war and upheaval. The lithograph includes printed artwork, a reproduction of the official film poster, and a plaque with printed synopsis and licensing information. Presented in a black frame with matting. Frame size: 15"L x 0.75"W x 12.25"H. Sight size: 13"L x 10.25"H.Issued: 1995Dimensions: See DescriptionCondition: Age related wear.
Lot 281
Original lithograph on paper titled Phoenix Rising II by Frank Howell, depicting a dynamic fusion of human and avian elements, characteristic of Howell's ethereal and spiritually evocative style. The composition showcases a figure seamlessly merging with a rising phoenix, rendered in delicate, flowing lines and subtle tonal transitions that emphasize movement and transcendence. Known for his ability to capture the essence of the human spirit through dreamlike imagery, Howell's work is deeply influenced by Southwest Native American culture and mythology. This piece exemplifies his masterful use of lithography to create atmospheric depth and a sense of spiritual elevation. Title, edition number, signature and date on lower center. Artist: Frank Howell (American, 1937-1997)Issued: 1989Dimensions: 66.25"L x 33.75"HCountry of Origin: USACondition: Age related wear.
Lot 180
A striking limited edition lithograph by Comanche artist Rance Hood, depicting a dramatic Native American warrior scene set against a moonlit winter landscape. The central figure, a warrior in elaborate regalia, rides a spirited Appaloosa horse, its mane and tail flowing in dynamic movement. The warrior brandishes a weapon, with red ribbons accentuating the sense of motion, while in the background, three shadowy riders emerge from the misty snow-covered terrain. Hood's signature style incorporates intricate detailing, vivid colors, and a dreamlike atmosphere, capturing the spirituality and power of Native American traditions. Rance Hood is a contemporary Native American artist, born in 1941 Oklahoma. He is of Comanche descent, and his work is deeply influenced by his Native American heritage, as well as the cultural traditions and spiritual beliefs of the Comanche people. Hood's artistic journey started at a young age, and he developed a passion for art that was deeply rooted in his Native American upbringing. Throughout his career, he has worked in a variety of mediums, including painting, sculpture, and mixed media, with his paintings often being the focal point of his artistic expression. His work is known for combining traditional Native American symbolism with contemporary styles, making it both visually striking and culturally significant. The print is hand-signed and numbered 311/1500 in pencil by the artist, with a visible 1980 date incorporated into the composition. Hood, renowned for blending traditional Comanche themes with contemporary artistic techniques, creates works that celebrate the heritage, strength, and mythology of his people. Artwork can be unframed and rolled for shipment.Artist: Rance Hood (Native American, Comanche, b. 1941)Issued: 1980Dimensions: 28.25"L x 33.75"HCountry of Origin: United StatesCondition: Age related wear.
Lot 252
Limited edition lithograph by contemporary realist painter Adrian Deckbar, numbered 271 of 275. The composition depicts a young man and woman reclining in an intimate domestic setting, rendered in Deckbar's signature hyperrealist style. The work captures a moment of quiet tension, enhanced by the soft yet meticulous detail in the figures' expressions, body language, and interplay of light and shadow. Deckbar, known for her explorations of realism and psychological depth, imbues the piece with a cinematic quality, evoking a narrative beyond the frame. Embossed with the publisher's mark, the print is executed with rich tonal variations, emphasizing the warmth and softness of the subjects. Edition 271/275. Artist: Adrian Deckbar (American/Louisiana b. 1950)Issued: c. 1990Dimensions: 42"L x 32"HCountry of Origin: USACondition: Age related wear.
Lot 182
A limited edition lithograph by renowned Navajo artist R.C. Gorman (1931-2005), titled Reflection. This artwork, numbered 206/225, features Gorman's signature depiction of a Native American woman draped in a flowing red shawl, gazing at a traditionally decorated pottery vessel against a serene desert landscape. R.C. Gorman (1931–2005) was a celebrated Native American artist known for his distinctive and vibrant depictions of Native American women. Born in Chinle, Arizona, on the Navajo Nation, Gorman belonged to the Navajo (Diné) tribe and is often considered one of the most important Native American artists of the 20th century. Gorman's work primarily focused on portraying the strength, beauty, and grace of Native American women, often shown in relaxed, sensual poses. His signature style was characterized by bold, flat colors, rich textures, and an emphasis on form. He often used gouache, lithography, and other mediums, combining traditional Navajo motifs with modern techniques. Gorman was also known for his large-scale paintings and drawings. In addition to his art, Gorman became an influential figure in the art world, opening galleries in Santa Fe, New Mexico, and contributing to a broader understanding and appreciation of Native American art. His works are included in collections around the world, and his influence extended beyond visual art to cultural advocacy. Gorman, often referred to as the Picasso of American Indian Art, was celebrated for his bold use of color and fluid line work, particularly in his portrayals of Indigenous women. Signed and numbered in pencil by the artist, the piece is elegantly matted and framed. Artwork can be unframed and rolled for shipment.Artist: R.C. Gorman (Navajo 1931-2005)Issued: 1950Dimensions: 46.25"L x 41.25"HCountry of Origin: United StatesCondition: Age related wear.
Lot 464
Humber (William). A Practical Treatise on Cast and Wrought Iron Bridges and Girders, As Applied to Railway Structures..., 1st edition, London: E. & F. N. Spon, 1857, tinted lithograph frontispiece and 57 (of 58) lithograph plates including some double-page, occasional spotting, contemporary half calf, rubbed, folio, together with:Weale (John). Quarterly Papers on Engineering, volumes 1-3 and 5, London: John Weale, 1844-46, engraved plates including some double-page, occasional light spotting, contemporary half morocco with gilt decorated spines, extremities rubbed, 4to, Walmisley (William). Iron Roofs. Examples of Design. Description, Illustrated with Working Drawings, 2nd edition, London: E. & F. N. Spon, 1888, monochrome frontispiece, plates, diagrams and illustrations, including some double-page, modern black buckram, folio, Simms (Frederick W.). Public Works of Great Britain, Divisions 1-4, 1st edition, London: John Weale, 1838, numerous engraved plates and diagrams, modern dark blue half morocco, large folio, Phillips (Philip). The Forth Bridge in its Various Stages of Construction, and compared with The Most Notable Bridges of The World, 2nd edition, Edinburgh: R. Grant & Son, [1890], decorative title and monochrome plates, library classification stamp to verso of title, library bookplate to upper pastedown, original pictorial cloth, extremities slightly rubbed, oblong folio, plus a selection of other engineering, railway and mixed reference etc., 19th and 20th-century publications, with few related plans etc.QTY: (6 shelves)
Lot 16
St. John (James Augustus). Views in the Eastern Archipelago, Borneo, Sarawak, Labuan, part 1 only (of 4), 1st edition, London: Thomas McClean, 1847, tinted lithograph title, 6 tinted lithographs by J. W. Giles after Captain Drinkwater Bethune, Commander L.G. Heath and others (1 folding, each tissue-guarded), dedication leaf and accompanying text leaves present, publisher's advertisement and prospectus present (1 bound-in, the other loose), lacking list of plates, folding plate with closed repaired tear affecting image and central fold reinforced with paper, a little spotting and toning, a few small closed tears to blank margins, extremities a little chipped, original pictorial paper wrappers bound-in, modern brown cloth gilt, folioQTY: (1)NOTE:Abbey, Travel 548. Scarce in any form, especially with the original wrappers preserved. The lithographs present here consist of: Kini-Balu Mountain (Borneo); Dayak Suspension Bridge (Sarawak); View from Mr Brooke's Bungalow looking up the River Sarawak; Ceremony of Hoisting the British Flag on the island of Labuan; a folding view of Kuching and The Steamer Phlegethon repelling an attack from the forts at Borneo proper.
Lot 42
Roscoe (Thomas). The London and Birmingham Railway; with the Home and Country Scenes on each side of the line; including sketches of Kenilworth, Leamington, Warwick, Guy's Cliff, Stratford, &c., London: Charles Tilt; Birmingham: Wrightson and Webb, [1839], folding engraved map, 15 engraved plates, lithograph plan, wood-engraved vignette illustrations, occasional light dust-soiling, contemporary half calf, rebacked preserving remnants of original spine with recent red morocco title label, 8vo, together with:Edwards (Percy J.). London County Council. History of London Street Improvements, 1855-1897, London: London County Council, 1898, folding lithograph map, numerous lithograph single-page plans, some toning to margins mostly at front and rear, contemporary navy cloth, rebacked preserving original spine, folio,Brathwaite (Richard). Drunken Barnaby's four Journeys to the North of England. In Latin and English metre..., new edition, London: T. and J. Allman, 1822, 4 lithograph plates, occasional spotting, contemporary quarter vellum, dust-soiled and some marks, 8vo,Nicholls (Thomas). The Steam-Boat Companion, or Margate, Isle of Thanet, Isle of Sheppy, Southend, Gravesend, and River Thames Guide, with Biographical Incidents and Topographical Remarks, with concise descriptions of every island, village, dock, gentleman's seat, church, ruin, obelisk, remarkable place, &c., on each side of our noble river, from the Custom-House to Margate, and on to Broadstairs, Ramsgate, &c., London: Thomas Hughes, 1823, 2 hand-coloured linen-backed maps, initial leaves detached, edges untrimmed, original green cloth, upper board detached, wear to extremities, 12mo, plus other British topography related, 19th-century publicationsQTY: (27)
Lot 476
Simms (Frederick W.). Public Works of Great Britain, Divisions 1-4, 1st edition, London: John Weale, 1838, engraved title, numerous engraved plates and diagrams (including few folding and double-page), some scattered spotting, bookplate of Hutton House Transport Collection Library to upper pastedown, hinges broken, contemporary dark green half morocco, covers loosening, large folio, together with:Adams (George & Jones, William). Plates and Index to Lectures on Natural and Experimental Philosophy, volume 5 only, 2nd edition, London: printed by J. Dillon and Co., for W. and S. Jones, 1799, 40 folding engraved plates only (of 44), several plates torn with loss and few with some ink staining, contemporary speckled calf, gilt decorated spine, 8vo,Newbigging (Thomas & Fewtrell, W. T.). Treatise on the Science and Practice of the Manufacture and Distribution of Coal Gas, 3 volumes, London: W. B. King, 1878-82, chromolithograph frontispiece to volume 1 (spotted), numerous lithograph plates and wood-engraved illustrations, occasional scattered spotting, contemporary half morocco (vol. 3 without gilt line decoration to spine compartments), extremities rubbed, 4to, French (James Weir). Machine Tools commonly employed in Modern Engineering Workshops, together with a series of sectional models illustrating the arrangement of the parts and the details of some typical tools, 2 volumes, Gresham Publishing Company, [1911], 10 sectional models with overlays, printed in colour, numerous monochrome illustrations, original decorated cloth (in the style of Talwyn Morris), folio, plus other miscellaneous books including engineering and few railway related, etc.QTY: (3 shelves)
![[Gray, James]. Life in Bombay, and the Neighbouring Out-Stations, 1st edition, London: Richard Bentley, 1852, half-title, 12](https://cdn.globalauctionplatform.com/f54f2524-23c5-4fce-851e-b2ab00b37c36/b6927250-2d8f-4cb0-a0a2-b2ae00f7d692/468x382.jpg)
Lot 7
[Gray, James]. Life in Bombay, and the Neighbouring Out-Stations, 1st edition, London: Richard Bentley, 1852, half-title, 12 tinted lithograph plates (a few small marginal repairs), occasional light offsetting and toning, top edge gilt, contemporary half calf gilt by Hatchards, some fading to spine, joints and edges a little rubbed, 8voQTY: (1)
Lot 339
Brees (Samuel Charles). Railway Practice. A Collection of Working Plans and Practical Details of Construction in the Public Works of the most Celebrated Engineers..., series 1-4 and Appendix, London: John Williams, 1837-39, numerous lithograph plates and diagrams, including some double-page and folding, occasional spotting, volume 1 in modern cloth, volume 2-4 in original cloth (vol. 2 cloth torn to spine with loss), appendix in modern half cloth, 4to, together with: Dempsey (George Drysdale). The Practical Railway Engineer: A concise description of the Engineering and Mechanical Operations and Structures which are combined in the Formation of Railways for Public Traffic; embracing an Account of the Principal Works executed in the Construction of Railways to the Present Time; with Facts, Figures, and Data, intended to assist the Civil Engineer in Designing and Executing the important details required for those great Public Works, 4th edition, greatly extended, London: John Weale, 1855, engraved portrait frontispiece and 71 double-page engraved plates, modern dark brown buckram, large 4to,Weale (John). Quarterly Papers on Engineering, volumes 1-3 and 5 part II, London: John Weale, 1844-46, engraved plates including some double-page, occasional light spotting, volumes 1-3 in contemporary half morocco with gilt decorated spines, volume 5 part II in near contemporary half calf, each rubbed to extremities, 4to,[Townsend, Richard Edward Austin]. Visions of the Western Railways. Dedicated to Sir Charles Lemon, Bart., M. P. for the Western Division of Cornwall. (Printed for private circulation), London: Samuel Bagster, 1838, title inscribed by the author (recipient's surname name rubbed out with consequent paper thinning), original cloth, later label to spine, upper joint split and spine torn, slim 8voQTY: (11)
Lot 328
Railwayana / Advertising:after Jeremias E Navarro (1924-1999) , LONDON BY TRAIN, circa 1953, an abstract composition depicting a Life Guard (Household Cavalry) mounted with London Skyline and the Picadilly Circus statue of Eros in the background, colour lithograph poster approx 101.5 x 36cm, published by British Railways (Eastern Region) (PP 1194), Jordison & Co Ltd, London and Middlesborough [1]
Lot 330
British Railways Travel Poster: after A J Wilson, designed 1958, COLWYN BAY - THE NATURAL CENTRE OF THE NORTH WALES COAST., a panoramic view of the beach, pier and surrounding area with a large rhododendron in the foreground, published by British Railways (London Midland Region) reference L.M 19458, printed by Jordison & Co Ltd., London and Middlesborough., colour lithograph poster, approx 101 x 63cm
Lot 329
Railwayana / Advertising:after John A Greene, designed circa 1961, LONDON MIDLAND ELECTRIFICATION - MANCHESTER . LIVERPOOL . BIRMINGHAM . LONDON "Forging Ahead" with accompanying text 'An artist's impression of an electrically-hauled express passing a local electric train between Liverpool and Crewe", the poster depicts an express passenger train with locomotive No E3005., published by British Railways London Midland Region and printed by Jordison & Co Ltd London and Middlesborough., colour lithograph Quad Royal approx 101cm x 127xm
Lot 615
After Piranesi, Veduta interna del Panteon volgarmente detto la Rotonda' mounted and in a gilt frame, engraving, 59.5 x 83cm overall, and 'Napleon a Eylau', after Louis Stanislas Marin-Lavigne (1797-1860), lithograph, in a gilt frame, with laurel wreaths to the corners, 70.5 x 53.5cm, two mezzotints after Thomas Burke, framed, 54 x 44cm, and another in a verre eglomise frame, 29 x 29cm (5)Condition ReportWith knocks and wear. Good labels, frames with wear.
Lot 991
HENRI MATISSE (FRENCH 1869-1954) 'NU BLEU SERIES X', a 1954 edition lithograph depicting a standing female figure, initialled in the plate, Goldmark Gallery labels verso, approximate size 34cm x 24cm, Condition Report: incorrect series to the label, confirmed with Goldmark that it is Series X, discolouration to the paper, some frame damage
Lot 984
HENRI MATISSE (FRENCH 1869-1954) 'NU BLEU SERIES VII', a 1954 edition lithograph depicting an abstract female form, initialled in the plate, Goldmark Gallery labels verso, approximate size 34cm x 24cm, Condition Report: incorrect series to the label, confirmed with Goldmark that it is Series VII, discolouration to the paper, some frame damage
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