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Click here to subscribeElizabeth S Fulleylove- Pink roses; watercolour, signed and dated 1896, 16.5x27cm: Robert Houston- 'Sedes, Greece'; watercolour, signed and titled: together with a watercolour of an orchard by an unknown hand, two engravings after Durer and a photo of a horse race in Malta titled: 'Malta Races, 1901', and initialed 'GWL', (6)
Follower of Albert Durer Lucas. Study of a birds nest at the bottom of a tree trunk with surrounding flora and fauna. Watercolour. 14in.x 10.75in. Mounted, framed and glazed, the reverse with an old school label printed Bristol 186[9] with name of Emily Holmes in ink and another old illegible label.
Durer (Albert). A Chronological Catalogue of the Engravings, Dry Points and Etchings of Albert Durer as Exhibited at the Grolier Club Compiled by S.R. Koehler, New York, 1897, seven plts. & illusts., edges rough trimmed, orig. cloth, some browning to board edges and spine, extrems. rubbed, 4to, together with Temple (A.G.), The Art of Painting in the Queen's Reign, Being a Glance at Some of the Painters and Paintings of the British School During the Last Sixty Years, 1897, t.e.g., remainder untrimmed, orig. two tone cloth, 4to, with Hamerton (Philip Gilbert) , Paris in Old and Present Times with Especial Reference to Changes in its Architecture and Topography, 1885, b & w plts. and illusts., occ. scattered spotting, a.e.g., orig. cloth gilt, rubbed to extrems., folio, plus four other painting & etching reference (7)
Society of Antiquaries. Illustrated Catalogue of The Exhibition of English Medieval Alabaster Work held in the Rooms of the Society of Antiquaries, 26 May to 30 June, 1910, pub. 1913, b&w illusts. from photos., orig. cloth gilt, a little rubbed, 4to, together with Harding (J. D.), Elementary Art: Or, the Use of the Chalk and Lead Pencil, Advocated and Explained, 3rd ed., 1846, uncol. soft-ground lithos., orig. blindstamped cloth gilt, worn on spine, folio, plus Albrecht Durer Kupferftiche. In getreuen Nachbildungen mit einer Einleitung herausgegeben von Jaro Springer, Munich, 1920, 102 b&w mounted plts., some minor scattered spotting, orig. cloth gilt, a little rubbed, tall folio, and others, various (10)
Davenport (Cyril) Cameos, cloth, gilt, 4to, 1900; Hamerton (P. G.) The Etchings Of Rembrandt, half calf, 4to, 1894; Cust (Lionel) The Engravings Of Albrecht Durer, half calf, 4to, 1894; Salaman (Malcolm C.) The Great Painters-Etchers From Rembrandt To Whistler, cloth, 4to, 1914; and another copy, paper covers, 1913-14 (5).
Job Nixon, R.W.S., R.E. - Stevedores at work by a harbour; etching, signed within the plate and signed win pencil, 23.1 x 37cm: together with three reproduction prints after Marie Laurencin, one after Durer a lithograph of an Aztec design by Ziegler, and a further quantity of prints and reproductions, (a lot).
THE YOUNG ENGLISHWOMAN, A Volume of Pure Literature, New Fashions and Pretty Needlework Patterns, 12 hand-col. plates of fashions, 3 (half pp. & folding) of needlework patterns, contemp. half morocco, sl. worn, 1869--LARDNER (DIONYSUS), Ed., The Museum of Science & Art, Vols 1-XII in 6, illustrations, contemp. half calf, spines rubbed, 1 label missing, 1854-56--CLARKE (HEWSON) & DOUGALL (JOHN) The Cabinet of Arts, or General Instructor, frontis, title vignette, plates, contemp. calf, worn, spine split, sprung, some browning {1825} --THE PORTFOLIO, MONOGRAPHS ON ARTISTIC SUBJECTS...Durer, John Crome and John Sell Cotman, Armour in England, Titian, plates, orig. pict. cl. gilt, 1897 (9) LOCATION T
A COLLECTION OF OLD MASTER PRINTS to include examples after Vinckboons (by Nicola de Bruyn?); Durer (by Raimondi and by Sadeler); other copies after Durer, Lucas de Heere (?) and another, etchings, nine images in five frames. (5) The Vinckboons very worn; the others apparently satisfactory (not examined out of frames)
After Rembrandt Harmensv. van Rijn- 'The Three Trees'; etching, 21.5x28.2cm: Albrecht Durer- The Flagellation of Christ; engraving, 1512, from a later edition: together with a mixed folio of Old Master and later prints, including examples by or after: Jan Kobell, Castiglione, Adriaen Collaert, and others, (a lot), (unframed)
Rheims (Maurice). The Age of Art Nouveau, 1st ed., Thames & Hudson, 1966, num. b & w illusts. from photos., orig. dec. cloth, slightly frayed at head of spine, together with Knappe (Karl Adolph), Durer. The Complete Engravings, Etchings, and Woodcuts, n.d., pub. New York, c. 1965, num. b & w illusts., orig. cloth in slightly torn d.j., plus Restany (Pierre), G.H. Rothe. Master of the Mezzotint, New York, 1983, port. frontis., num. col. and b & w illusts., orig. cloth in d.j., plus other misc. art ref., mostly 4to & folio (approx. 35)
Meisterzeichnungen des Louvre [Vol.1:] Die deutschen, flamischen und hollandischen Zeichnungen Herausgegeben von Roseline Bacou...[Vol. 2:] Die franzosischen Zeichnungen Herausgegeben von Maurice Serullaz...[Vol. 3] Die italienischen Zeichnungen Herausgegeben von Roseline Bacou..., Munich, Prestel-Verlag, [1968], 4to (290 x 210mm.), three volumes, half titles, illustrations, many full-page, original cloth, red morocco lettering pieces, dust-jacket, slip-case With a number of other art reference material including Walter Koschatzy's 'Albrecht Durer die Landschaftsaquarelle' (Vienna & Munich, 1971), and Otto Kallir's 'Egon Schiele' (Vienna, 1966)
Chagall (Marc and Eluard, Paul). Le Dur Desir de Durer, Paris, Arnold-Bordas, 1946, hand-col. pochoir frontis. and twenty-five b&w or tinted illusts., printed by Daniel Jacomet after Chagall, untrimmed, loose in orig. printed wrappers, with glassine d.j., rubbed and a few minor marks, minor wear to extreme head and foot of spine with loss of small portion to foot of spine, large slim folio Limited edition 119/330, signed by Eluard and Chagall. (1).
A Doulton Lambeth Faience Three-Handled Pedestal Vase, Decorated by Walter Nunn, frontally decorated with a bust portrait of Durer, inscribed 'Albert Durer', against a ground of scrolls and groteschi, the reverse with a baroque cartouche enclosing a painted frieze of three putti representative of the arts, impressed mark "Doulton Lambeth Faience", impressed 1884, and with artist's monogram, (44.5cm high) (one handle riveted, shoulder crack, chip on the foot)
Lefebvre (Valentin) (Tobias and the Angel), after Titian, engraving, 325 x 290mm., trimmed within platemark but outside border line of image and title, light surface dirt and creasing, Venice, Van Campen, c.1682 ~ (Cabel, (Adriaen van der)) (Mythological Scene in a woodland landscape setting), engraving, 200 x 290mm., trimmed to just outside border line, mounted at top edge, one small hole within the image, c.1680; with a small group of others, by or after Bloemaert, Durer, Jonas Umbach and others, engravings, various sizes and conditions, including later issues, 17th and 18th centuries (small qty).
Orde Powlett (Thomas, Lord Bolton) (A Caricature of 2 Figures Going to Market), etching, 185 x 160mm., signed T. Orde, and dated, in the plate, surface dirt, (Cambridge), 1768; with a small, mixed, group of figure studies and landscapes by or after Boucher, Deuchar (3 on 1 sheet), Guercino and others, etchings and engravings, also with two pen and ink drawings after Durer woodcuts, various sizes and conditions, 17th to 19th centuries (12).
Montaigne (Michel Eyquem de) The Essayes, third edition, engraved title, library-backed morocco-backed buckram, 1659 ~ Rabelais (F.) The Works, 2 vol., illustrations by Heath Robinson, library half morocco, gilt, n.d. ~ Conway (W.M.) Literary Remains of Albrecht Durer, original cloth, rubbed, Cambridge, 1889 ~ Way (A.S.) The Lay of the Nibelung Men, original cloth-backed boards, Cambridge, 1911; and others, foreign literature, library stamped, 8vo and 4to (qty).
Col. Robert Charles Goff, (1837-1922), House of Albrecht Durer and Old City Walls, Nurnberg, signed and inscribed '2 Sept 1902' in pencil lower right, similarly inscribed with title, watercolour, 20 x 27 cm unframed, and W** Mossman after W** H** Bartlett, Suspension Bridge at Clifton, hand coloured engraving, 20.5 x 27 cm unframed.