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WENCESLAUS HOLLAR (1607-1677) Czechoslovakian Fauna Engravings mainly on laid paper, comprising: Animalium, Ferarum, & Bestiarum, Florum, Fructuum (2 copies), Camel Amongst Others, A Boare and a Mastiff Amongst Flora, Elephant and Others, A Horse Amongst Others, A Griffin Amongst Others, A Wolfe Amongst Others, A Leopard Amongst Others, A Flying Fish (Lantam to verso), Hippopotamus, The Bird Louwa (Jax Hinno to verso), A Whale, Fum Hoam and Leki Ki, An Elephant (P.2118), Rhinoceros (P.2120), A Poodle After MATHAM (P.2097), Donkey After BASSANO (P.2090), Stag Lying After DURER (P.2092), A Stag Lying After DURER (P.2093), and Africa The former 28 x 17.5 cm (Quantity) CONDITION REPORTS: All generally in good condition with expected wear, the majority loose, three mounted, some trimmed, two and beyond margins, some minor tears and losses, some creasing, some with printed text to verso.

LAMBERTO VITALI: DODICI ACQUARELLI E DISEGNI DI ALBERTO DURER, Milan, Vanni Scheiwiller Editore 1970, limited edition (450) numbered, 12 mounted coloured plates as called for, each housed in separate folding card wallets loose as issued with title page letterpress and list of plates on a further 9 elephant folio folded separate sheets, all housed in original solander box gilt

Various prints including after Albert Durer, Sporting Prints, antiquarian prints.

A wooden printing block after Albert Durer, possibly 18th Century

JENNIFER SEMMENS Abstract composition Etching Together with one other etching, two Albrecht Durer prints and other works

Horatio Nelson Interest - The Hero Of Trafalgar, print in colours, framed supplement to Holly Leaves; The Illustrated Sporting and Dramatic News Christmas Number 1898; and a print after Albrect Durer (2)

AFTER ALBRECHT DURER 'Nemesis', heliogravure by Armand Durand, 33 x 24cm

GIOVANNI BATTISTA PIRANESI An ornamental fireplace with caryatids, engraving on laid, 44 x 25cm; another similar; and further assorted prints and engravings, mainly German facsimiles after Rembrandt, Durer etc, all unframed

ALBERT DURER LUCAS (1828-1918) White bellflowers in a landscape, signed and dated 1884, oils on canvas, 24.5cm x 19.5cm

RICHARD COCKLE LUCAS (1800-1883), After Albrecht Durer Lucas, "Christ Healing the Blind". Ivory carved in high relief. Signed on reverse and dated 1851 and front bottom-right. 5ins x 3.25ins. Provenance: The Fine Art Society Ltd, London, Feb. 1970.

A wooden printing block after Albert Durer, possibly 18th Century

*Ladenspelder (Johann, 1511-1569). The sea monster (Das Meerwunder, or The Rape of Amymone by Triton), after Albrecht Durer, copper engraving on laid paper, laid down on old backing paper, a reversed copy of Durer's engraving of circa 1498, with monogram AD to centre of lower margin, and with additional monogram IHVE erased lower right, trimmed to plate margin, small tear without loss to top margin, plate size 245 x 185 mm (9.7 x 7.4 ins) (1)

*Both (Jan, 1615-1652). Sight (t'Gesicht), Smell (De Reuck) & Taste (De Smaek), from the series The Five Senses (De Vijf Zintuigen), circa 1642-1650, together 3 etchings on laid paper by Jan Both after his brother Andries, with foolscap watermark to each, numbered 1, 3 & 5 lower left or lower right, plate size 224 x 176 mm (8.8 x 6.9 ins) and similar, with margins, (the first plate with upper left corner repaired and extreme lower left corner with slight loss, just touching plate mark), early 19th century ink ownership initials WC to lower right corner of each plate, and inscription in brown ink to verso of the first plate with the Bartsch reference and '1829 WE Josi's sale 5 Pcs N 160' Barsch 11-15. Provenance: Christian Josi (died 1828), printmaker and art dealer, who inherited the collections of Cornelis Ploos van Amstel in 1800. Sold Christie's, March 1829. William Esdaile (1758-1837), banker and collector, who lived on Clapham Common, and whose picture collection included works by Durer, Ostade, Rubens, Ruisdael, Richard Wilson and Gainsborough. (3)

*Wierix (Hieronymus, 1553-1619). Nemesis (The great fortune), after Albrecht Durer, circa 1580-1610, engraving on laid paper, a reversed copy of the engraving by Albrecht Durer of circa 1502, trimmed to plate margins, with some marks and slight damage to upper left corner, with a little loss (not affecting image), with early monogram LB to top margin, and numbered 59 in brown ink to upper left corner of backing sheet, sheet size 334 x 232 mm (13.2 x 9.2 ins), mounted on old laid paper, with pencil inscription to verso 'From the Barnard Collection, Mark Anthony Copy Very Fine & Rare, Maggs Bros, Strand, London, Jan 1897' (1)

Durer (Albrecht, 1471-1528). The Sea Monster (Das Meerwunder), circa 1498, copper engraving on laid paper, without watermark, a very good, strong and clear impression, trimmed to or just inside the platemark, the inner border line intact, small (1 mm) hole to extreme lower right of the image, a few other minor marks and unobtrusive stains, otherwise in good condition, sheet size 252 x 191 mm (9.9 x 7.5 ins), together with 6 other 16th century German engravings and woodcuts by Aldegrever (3), Durer (2), and Altdorfer (1), 12 17th & 18th century engravings by G.F. Schmidt, Claude Le Lorrain, Bartolozzi, Cond‚, Dickenson, Saenredam (after Goltzius), 2 portraits from Boissard's Bibliotheca Chalcographica 1650, and J. Van Campen (after Giorgione), 3 19th century etchings by Herkomer, Richard Lane and Paul Rajon, 3 original drawings by E. Griset, Henry Corbauld and Richard Lane after A.E. Chalon, one 19th century unsigned circular oil study, 6 19th century watercolour landscapes, including one by George P. Popkin of Llyn Idwal, North Wales, dated 1850, and one inscribed to verso H. Stanier, plus other various mostly 19th century engravings and reproductions after Old Masters, including several wood engraved illustrations and colour reproductions, all contained in original folio album, all edges gilt, bound in green full morocco gilt, a little rubbed and some minor marks, folio (385 x 290 mm, 15.2 x 11.4 ins) Provenance: From the collection of Sir Theodore Martin KCB, KCVO (1816-1909), Scottish poet, translator and royal biographer, and author of The Life of His Royal Highness the Prince Consort, 5 volumes (1875-1880). This work earned him the Queen's lifelong gratitude and friendship. Thence by descent. Bartsch 71. Meder 66. (1)

After Durer, portrait of a mounted soldier, coloured print. Framed and glazed.

A 19th century sepia coloured study of a renaissance style group of the Virgin and Child in a garden setting, in the manner of Durer, with blind embossed stamp to lower right corner, 23 x 16 cm approx unframed and together with old backing board with German gallery label and presentation inscription dated Christmas 1936, together with a 19th century printed auction bill for a sale at Castle Morton, Worcestershire for a house and farmland, 44 x 28 cm in simple black frame

Celestial Chart. Durer (Albrecht), [Hemisphaerium australe] published Nuremberg, 1515 but later 3rd state, circa 1781, uncoloured woodblock on laid of a celestial projection of the southern hemisphere, blindstamp of an unidentified coat of arms on verso, old central horizontal fold, scattered spotting, pencil annotations below map, diameter 370 mm, sheet size 565 x 425 mm Bartsch 150. Durer's star maps were the first to be published in Europe. This later state lacks the border decoration which comprised of dedications to Stabius, Heinfogel and himself, together with dedications, acknowledgements and the coats of arms of the Archbishop of Salzburg, Cardinal Matth„us Lang, and the Holy Roman Emperor, Maximilian I. The latter being the patron of Stabius and Drer. This state also has the 'AD' Durer monogram added below Piscis Notius. The original woodblock for this print is held at the Kupferstichkabinett in Berlin. See Daniel Crouch Rare Books, Catalogue 6, item 3 for a copy of the first issue with original colour. Rare. (1)

After William Heaton Cooper, 'After Sunset, Grasmere', lithograph, signed in pencil, together with map of Covent Garden, a pencil sketch of a young women, and a portrait of a gentleman after Albrecht Durer. (4)

After Durer, engraving on laid paper, crucifixion scene, 9.5ins x 6.5ins, unframed

An Albrecht Durer style copper dish, 75 cm diameter

A large Limoges enamel Plaque of the Crucifixion, circa 1530, finely painted in polychrome and details in gold with a scene modelled on the engraved passion of the Durer. Translucent salmon coloured counter enamel. In an ornate composition frame. An area of restoration lower right but generally in good condition. In style and palette this enamel is closely related to three enamels from the Passion series in the Musee des Beaux Arts at Orleans, dated to the first third of the 16th century, 5 1/2'' x 6 3/4''.

§ After Salvador Dali (Spanish, 1904-1989) Adam and Eve, from the suite 'Hommage a Albrecht Durer inscribed "EA" and numbered XV/XX lower left, bears signature lower right in pencil lithograph 68 x 49cm (27 x 19in)

After Albrect Durer-Hare 1502, Medici Society print in colours, paper label verso 21 x 24cm

MIXED LOT OF PICTURES AND PRINTS including two L.S. Lowry prints, one Durer print and an original watercolour by H.W.S. Soulsby (6)

After Albrecht Durer; a group of four engravings, including 'Melancholia', all unframed, various sizes.

Albrecht Durer, 'Knight, Death and the Devil', woodblock engraving laid on card, unframed, 23cm by 20cm

Albert Durer Lucas (1828-1918) British. 'Pied Wagtail', study of a Birds Nest, Oil on Canvas, Signed, Inscribed 'AET 76, and Dated 1905, Inscribed 'Pied Wagtail, (Motacilla Boarula) much concealed from view, so taken out', 8" x 10".

Albert Durer Lucas (1828-1918) British. A Landscape with Ferns in the foreground, Oil on Canvas, Signed and Dated 1878, Unframed, 16" x 12".

An Old Albrecht Durer print - date 1903 - 69cm x 98cm

Two folios containing a collection of Durer Society prints

David Teniers '18th Century Style Village Scene' Dry point etching, signed with initials DT lower right, 18.5cm x 24.5cm, also with Durer '16th Century Scene Of Mother And Child', monograph AD 1514 to top left (2)

An Old Albrecht Durer print date 1903 - 69cm x 98cm

A GOOD EARLY LIMOGES SEPIA PLAQUE, After DURER, The Three Wise Kings and The Infant Christ. 9cms x 15cms.

AFTER ALBRECHT DURER, A KNIGHT, DEATH AND THE DEVIL etching image 23.5 x 18.5cm framed and under glass

Manner of Albert Durer Lucas, 19th century oil on canvas - still life of exotic flowers, in gilt frame, 40cm x 27.5cm

A quantity of mainly art history books to include works on Dutch, Italian and Flemish painters, Durer and a first edition of Annie Leibovitz At Work (1974), Francois Cali, France aux Visage book, Arthaud (af)

Woodcut print of St. Jerome in a cave, after Albrecht Durer in an ornate gilded frame, 5ins x 6ins

Monaco1885-1961, an outstanding collection unused, virtually complete, including the first issue complete mint, "Orphelins" set mint, Wedding of Princess Charlotte complete mint incl. the highest denomination (signed Brun) and the three marginal se-tenant pairs with one stamp featuring inverted "c" (signed Brun), 1933-37 Landscapes, 1972 Albert Durer error, etc; as well as souvenir sheets with "Deo Juvante" on blued paper, nuances with 1933-37 45c. red-brick and 1937-39 1fr. rose, varieties such as 1924 75c. on 1fr. with double overprint or postage dues 1925 1fr. on 50c. with double surcharge, and imperforates such as 1933 1fr.50 on 5fr. in marginal pair, etc. A magnificent and very fine lot. Photo

DOLMEN/MILLER, LIAM (ED.).The Dolmen Chapbook, a miscellany in twelve parts, LIMITED EDITION, 250 copies issued to subscribers, Dolmen 17, uniform size 10 x 6 ¼ inches regular edition. November 1954 - March 1960 in special folderIncludes: i)Ballad of Jane Shore by Donagh McDonagh - hand coloured cut by Eric Patton November 1954ii)A Wexford Carol with design by Leslie MacWeeney December 1954iii)The Perfect Wife by Robert Gibbings with wood engraving by author June 1955iv)Thirty Three Triads translated by Thomas Kinsella from the Irish- drawings by Pauline Bewick 200 copies only August 1955v)Death of a Queen by Thomas Kinsella. Drawings by Bridget Swinton April 1956vi)The Mines of Siberia by Arnold Ussher designs by Nelson Paine May 1956vii) The Loves of Bregog and Mulla by Edmund Spenser. Hand coloured monotypes by Leslie MacWeeney September 1956viii) O’Reilly by Richard Weber. Monographic design by Liam Miller June 1957ix)Irish Elegies by Padraic Colum with device by Liam Miller October 1958x)Angel Songs translated by Rhoda Coghill from the German of Rainer Maria Rilke. Decoration after Albrecht Durer. December 1958.xi)A Gaelic Alphabet by Michael Biggs with a note on Gaelic lettering by Liam Miller March 1960xii) Moralities by Thomas Kinsella designs after Albrecht Durer 175 copies only .March 1960

After Albrecht Durer 17/18th Century The rejection of Joachim’s offering Oil on panel 111 x 74.5cm; 43¾ x 29¼in With a copy of the book Albrecht Dürer Holzschnitte including the engraving (2) ++Panel with bracing verso, vertical splits to panels, some rippling to panels with a horizontal indent above curtain rail creating some lifting and a little paint loss , visible retouching

Albert Durer Lucas (British, 1828-1918) Yellow butterfly and flowers, signed and dated 1910, watercolour, 9cm tondo Provenance: Formerly with David Messum of London

After Albert Durer The Prodigal Son among pigs, 20th Century, etching, 27cm x 20cm, together with an indenture for William Duggard and a modern watercolour intialled M J (3)

Germany; a commemorative three mark 1813-1913, together with an Albrecht Durer commemorative three mark dated 1928, a five reichsmark dated 1934, a five reichsmark dated 1937 (Von Hindenburg 1847-1934) and a commemorative three mark, dated 1901 (Frederich I 1701- Wilhelm II 1901) (5)

Book - The Best of Redoute's Roses, Ariel Press, 1959, 22 plates, removed from binding, reproductions of Pierre Joseph Redoute's engravings of roses from the Empress Josephine's garden at Malmaison; together with a Bibby 1930 calendar; and a Sueddeutsche Albrecht Durer calendar, 1954 (3)

Scatola bivalva con rilievo in stucco e rilievo in cera neoclassico raffigurante Rea Silvia e i gemelli Romolo e Remo. Francia o Germania XIX secolo, Cera monocroma e gesso. Raffinato esempio del collezionismo erudito che affonda le radici nella classicità. L’opera evoca oggetti e opere nate per i colti viaggiatori del Grand Tour Scatola in legno di palissandro contenente al suo interno un rilievo in cera e uno identico in gesso da un’incisione di Heinrich Aldegrever (Paderborn, 1502 - Soest, 1560 ca), Rea Silvia (1532) Francia o Germania, XIX° secolo; dimensioni totali cm 28 x 21,5 x 7; rilievi cm 22 x 16. Sul retro del rilievo in cera una scritta coeva: Epreuve d’une pierre dure gravée par Henri Aldegrever (Elève de Ab.t Durer.) Tirée à Douze exemplaires. Neuvuème exemplair.Proprieté de M.rVan Cuyck offert à M.r Henri Berthoud.N.9. I due rilievi contenuti nella scatola, identici per soggetto ma differenti nell’impiego dei materiali usati - il gesso e la cera, sono basati su una stampa di Heinrich Aldegrever del 1532 raffigurante Rea Silvia, madre dei gemelli Romolo e Remo fondatori di Roma le cui vicende sono raccontate nel I° libro Ab urbe condita diTito Livio.Figlia di Numitore,un discendente di Enea.Un giorno il dio Marte la incontrò in un bosco e se ne invaghì,seducendola;dall’unione nacquero i due gemelli, che però furono destinati alla morte da suo zio Amulio, usurpatore del trono di Numitore, che non voleva discendenze maschili. Rea Silvia mise i gemelli in una cesta e li abbandonò nel Tevere. Furono trovati da una lupa che li allevò, ed in seguito furono cresciuti da un pastore. Rispetto all’incisione la figura in primo piano di Rea Silvia è più piccola e la descrizione del terreno e dell’albero sulla destra è semplificata.Anche il cartiglio con l’iscrizione in alto a sinistra ha una sagoma diversa e non vi compare il monogramma dell’artista. Con le stesse differenze rispetto all’incisione, nelle raccolte del Victoria & Albert Museum di Londra c’è un rilievo, pressoché coevo all’incisione, in pietra calcarea di Solnhofen, per inciso delle stesse dimensioni dei nostri, dello scultore tedesco Loy Hering (Kaufbeuren, 1484 ca - Eichstätt,1555) (N. Jopek, German Sculpture 1430 - 1540. A Catalogue of the Collection in the Victoria and Albert Museum, Londra,V&A Publications 2002, p. 12 fig.1; p. 66 n. 22). cm 22x16

Brandt (Sebastian), The Shyp of Fooles, translated by Alexander Barclay, No. 81 of a limited edition of 200 on Gutenberg paper, pub. High Loft, Seal Harbour, Maine, 1982, illustrations from the original Durer woodcuts in the Basel edition of 1497, original linen-backed boards with printed paper label to spine (1)

ALBRECHT DURER ETCHING, H 15.5", L 11", "THE AGONY IN THE GARDEN": Framed and matted under glass. Appraisal from Park West Gallery in consignor file.

A Chase-Durer chronograph with yellow face, baton markers date aperture to 4 o'clock, alarm aperture to 8 o'clock dials at 2,6 and 10 for 30 minute timer, seconds and 12 hour timer - in box with spare link and associated paperwork, stainless steel case, face entitled Fighter Command to central dial Condition report: Few small scuffs to face but as new

A Chase-Durer chronograph with black face, baton markers with date aperture to 4 o'clock, dials to 2,6, and 10 for 1/10 sec counter, seconds and 12 hour counter, stainless steel case face entitled Squadron Commander

Albrecht Durer (1471-1528) Cristo davanti ad Anna, xilografia, monogramma: AD, dalla Piccola Passione, tiratura probabilmente del 1511, cm 13x10. Sul retro etichetta della Libreria Antiquaria Pregliasco con autentica e descrizione. e 500

JAMES ABBOTT McNEILL WHISTLER (1834-1903) BILLINGSGATE (K.47) Etching, on cream wove, 1859, apparently the 8th state (of 9) as published in The Portfolio, 1878 15 x 22.5cm.; with a group of assorted etchings by or after J M W Turner (by Brunet Desbaines), H. Toussaint, L. Flameng, H. von Herkomer, C. Meryon, G. P. Jacomb Hood, F. S. Haden; also heliogravures after A. Durer and M. Schongauer, all unframed (a lot) ++ Good condition

Bible in Latin. Biblia Magna. Biblia cum concordantiis veteris et novi testamenti et sacrorum canonum, Lyon: Jacques Mareschal als Roland, 3 March 1525, folio, black letter, title printed in red and black within red border, with 4 principal woodcuts - St. Jerome after Durer, The Creation, Solomon Asleep and The Nativity, other smaller woodcut illustrations, old manuscript notes and underlinings, recent panel calf. Provenance: Sotheby's sale at Easton Neston, May 17, 2005, lot 489.

After Albrecht Durer (German, 1471-1528), Descent from the Cross, woodblock print, unsigned. H.13cm W.10cm

ALBERT DURER LUCAS (1828-1918) Bell flowers and honeysuckle, signed and dated 1876, oils on canvas, 23.5 x 19cm Prov: Formerly with David Messum of London

AFTER REMBRANDT Self portrait with Plumed Cap, etching, 13 x 10.5cm; and further engravings after Rembrandt, Durer, William Blake etc., all unframed

European School 19th Century- Children and an artist on a grand stone doorstep; said to be 'Albrecht Durer watching Children': watercolour heightened with gum Arabic 33.5 x 27.5cm.

Albert Durer Lucas (British, 1828-1918) A Study of Blackberries and a Moth oil on canvas, signed and dated 1873 lower left 10 x 8in. (25.5 x 20cm.)

AFTER ALBRECHT DURER (1471-1528) "The Harrowing of Hell", a study after Jan Baptiste Goossens from "The Engraved Passion", in reverse, monogrammed within the image and dated 1512, etching, 4.5" x 3" (plate)

A collection of eight King Penguin books, comprising: The Leaves of Southwell; The Microcosm of London; Woodcuts of Albrecht Durer; English Book Illustration; English Ballet; The Bayeux Tapestry; Ballooning; and The English Tradition in Design.