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Three folders containing a quantity of early 20th century prints showing works of the great masters including Durer, Holbein, Michelangelo, Rembrandt, average sheet size 64 x 50 cm (all unframed)

Three Folio's from 'The Durer Society', 1902 - fifth series with 31 plates, 1903 - sixth series with 28 plates and 1905 - eighth series with 30 plates with introductory notes by Campbell Dodgson, presented to Northampton Public Library in 1928.

After Albrecht Durer, St Jerome, and other prints and pictures

AFTER REMBRANDT, DURER, RUSSELL FLINT, etc - a collection of various black and white prints, together with two watercolour studies and four Parisian colour prints AFTER MAURICE LEGENDRE CONDITION REPORTS AFTER REMBRANDT, DURER, RUSSELL FLINT prints - all generally OK, with wear conducive with age and use. Watercolour of church has foxing,especially to skylie. AFTER MAURICE LEGENDRE prints - all faded, with insects trapped beneath the glass.

Marcantonio Raimondi after Albrecht Durer, a 16th century engraving of the Sojourn of the Holy Family. A fine impression in good condition on laid paper with a 16th century watermark. The image has a number of discrepancies with Durer's original which conform with Raimondi's reworking of the block. Unframed, 8'' x 11 3/4''

After Albrecht Durer, the Standing St. George, mounted, framed and glazed. Unexamined out of frame, 2 3/4'' x 4 1/2''

AFTER ALBRECHT DURER AN AUTOTYPE OF AN ETCHING `Knight, Death and the Devil` 9 1/2" x 7 1/4" (24 x 18.5cm) and AFTER REMBRANDT FIVE AUTOTYPE ETCHINGS `Beggar and his dog` and `Portrait of a Man` etc (6)

A selection of framed prints and engravings, including genre and portrait subjects, after Durer, Teniers and others (qty)

DURER, ALBRECHT (1471-1528) (AFTER), `St George and the Dragon`, print, framed, 11cm x 7cm (Provenance: Franz Wengraf of Bond St)

A French 1970’s/1980’s aluminium Vitus Gentleman`s Racing Bicycle, titanium mechanism and Durer Ace parts

Durer Series - Minton China Works - Three 6 inch dust pressed tiles circa 1880 each decorated with a transfer applied scenes after Albrecht Durer A/F

After DURER Four religious prints (4)

After Albrecht Durer, St Sebastian Bound to the Tree, St Christopher Facing Left, St Christopher Facing Right, Saint George on Horseback, Saint George on Foot, five 19th century engravings, 125 x 80mm, unframed All laid down. Foxing and staining.

Abel Fontoura da Costa Deambulations of the Rhinoceros (Ganda) of Muzafar, King of Cambaia, from 1514 to 1516 165 x 220mm Reprint with explanations of the 1516 edition, ex-library with usual stamps and labels, illustrations after Durer, 53 pages, slightly foxed, booklet format , 165 x 220mm, condition:good. In 1515, a German from Nuremberg wrote a letter referring to the arrival of a Rhinoceros in Lisbon, and subsequently at Rome. The original letter is lost but a translation exists at Florence,from which this booklet is based. Apparently Durer, the German Painter copied the sketches of the animal from the original letter and these are now in the British Museum (page 23). good Lisbon Portuguese Colonial Office 1937

After Albrecht Durer, a large copy of the woodcut 'Christ shown to the Multitude', late 18th/early 19th century, unframed.

A parcel lot of unframed pictures to include GIROLOMO. Signed, wash on paper, Old Master style sketch of St Peter, holding the keys to heaven, three after ALBRECHT DURER (1471– 1528) stipple engravings on paper, two after REMBRANT VAN RIJN (1606 - 1669) stipple engravings, `La Toilette de Venus`, and four other stipple engravings, average: 27cm x 18.5cm, (10).

Victorian ivory brisé fan painted on eighteen struts, by Albert Durer Lucas (1828 - 1928), 'The Ships Of Old England', depicting various Iconic British historical figures and the development of ships through the ages, signed and dated 1877, housed in a silk-lined glazed mahogany case, 21.5cm high x 40cm wide (opened)

PACKET: FIVE OLD MASTER ENGRAVINGS, INCLUDING DURER, assorted sizes, all unframed (5)

A SMALL COLLECTION OF UNFRAMED OLD MASTER PRINTS TO INCLUDE SCENES OF VENICE, PORTRAITS AFTER DURER,ETC

A reproduction of Durer`s Knight in Armour and a further quantity of prints

After Albrecht Durer `Melencolia`, a black and white engraving together with a collection of miscellaneous engravings, Akermans after T. Unwins, Bartolozzi after Kauffman, ``Cornelea mother of the Gracchi`` and Faber after Knellor, 23cm by 28cm and various other sizes (qty)

After Durer - `Madonna of the Many Animals`, pen and watercolour

After Albrecht Durer, ''The Coat of Arms with the Cockerel, on laid paper but stuck down, the antique frame with stamped Christie's numeral verso.

A 19th century Durer etching Neptune and a woman in rocky landscape

AFTER ALBRECHT DURER ST JEROME IN HIS STUDY 92 x 72cm ++ An old copy of Durer`s masterpiece with localised old restoration and ingrained dirt. Lined in probably the 19th c on what could be the original Continental pine stretchers with a fragmentary bookplate of Sir Charles Clifford, in gilt slip frame

An Album of Medallions, mostly silver and of German interest, to include: 35mm Albrecht Durer 1528-1928, 35mm 1927 Hindenburg 80th birthday, 35mm 1933 NSDAP, 35mm Return of Austria to the Fatherland 1938, 35mm Erich Ludendorff 1865-1937. An assortment of US Medals of Kennedy interest, various Dutch and Danish types and a 1608 Regensburg Civic issue "Klippe" (32mm)

A print of Port Isaac, Durer print of Hare, engraving of the Menai Bridge and three other prints.

Two boxes of books on art, including Hals, Stubbs, and Durer

A collection of 19th century and other pictures and prints including an oil painting on canvas of a coastal landscape with rocky outcrop, a coloured hunting print after F A Stewart showing the Duke of Beaufort`s Hunt from the Sodbury Vale, an 18th century coloured engraving showing Blaize Castle near Bristol in gilt frame of octagonal form, coloured print after Durer of an owl, coloured print of children on a beach building sandcastles, etc

After Rebrandt van Rijn Sheet of studies with the head of the artist, a beggar, woman and child Etching 10cm x 12cm; together with an etching after Antoine Waterloo (1610-1690) A landscape with river. Print 13cm x 13cm Inscribed lower left corner `Antoni Waterlo jn. et fe. together with an unframed Albrecht Durer (1471-1528) `The Knight, Death and the Devil` Print 18.5cm x 24cm (3)

After Durer - print of the Madonna and child, and other pictures and prints

(Peinture) - DÜRER, Albrecht.- Les Quatre livres d`Albert Durer, peinctre & géométrien très excellent, De la proportion des parties & pourtraicts des corps humains. Traduicts par Loys Meigret Lionnois, de langue Latine en Françoise. Arnhem, chez Jean Jeansz., 1613. In-f° : [2]-124 ff. (lég. bruni sauf qqs ff. plus fortement, qqs ff. dont le titre coupés un peu plus court aux bords, f. suppl. non paginé entre f. 111 et 112 mais provenant peut-être d`une autre édition car titre courant différent et non paginé, qqs taches, pet. déchirure restaurée au bas du f. 124...). Rel. 19e s. : demi-veau clair, dos à nerfs guillochés dorés et caissons fleuronnés dorés avec étiq. de cuirs rouge et vert, plats de pap. marbré (mors sup. partiellement fendus, coiffes et coins frottés). Est. : 1.500/ 1.700 € Seconde édition en français de ce superbe ouvrage (éd. orig. de la trad. par Louis Meigret : Paris, 1557) dans lequel Dürer, suite à son second voyage en Italie et après avoir vu les oeuvres de Vinci, applique l`anthropométrie aux arts. Il y aborde donc l`étude des proportions de divers types physiques humains : les adultes des deux sexes bien proportionnés à divers âges, l`étude plus particulière des "petits gros", des "grands maigres", des "larges" et "courts" ainsi que le mouvement de leurs corps dans l`espace. Soit plus d`une centaine de grand bois à pleines pages figurant des hommes, des femmes et quelques enfants étudiés selon diverses tables de mesure. Avec des diagrammes, des études de têtes ou de mains in texto. Le texte est folioté sauf 4 planches dépliantes paginées (73-74, 97-98, 99-100 et 118-119). ▲ Provenance : mention d`achat de l`époque ("empto 3 flor."); L. Cervera Vera (ex-libris 20e s.); Librairie Tulkens (étiq.).

Albrecht Durer (German, 1471-1528), St Jerome in his study, engraving, unframed, 25 x 19cm (9 3/4 x 7 1/2in)

Cust, Lionel Albrecht Durer - A Study of his Life and Work, first edition published by Seeley and Co. 38 Great Russell Street, bound in buckram with gilt title above a foliate cartouche bearing a portrait of Durer, pencil dedication to first page. * Bears a pictorial bookplate for Athelstan Riley who was Seigneur of Trinity, Jersey.

Gaston DOUMERGUE. 1863-1937. Homme politique, président de la République. L.A.S. à Louis Barthou. Paris, 11 août 1934. 4 pp. in-8, en-tête en coin de la Présidence du Conseil. Très belle lettre politique de Doumergue quelques mois avant l’attentat du 9 octobre : (…) La situation intérieure est en ce moment, comme tu me l’écris, tout à fait calme. Ce calme durera-t-il ou bien est-il le précurseur de prochains orages ? C’est le secret de demain, mais j’estime qu’il faut être plus attentif et plus vigilant que jamais. Il me semble que certains battent les cartes et préparent leur jeu. N’éparpillons pas nos atouts. Nous en avons. Nous en aurions beaucoup plus si tout était vraiment calme chez nous, si les querelles des partis étaient vraiment apaisées, si les mentalités étaient changées, s’il y avait dans la Chambre, une majorité réellement unie, cohérente, disciplinée et clairvoyante, donnant pleine sécurité de durée au gouvernement (…). Etant donné la situation actuelle de l’Europe et du monde, si la France avait un gouvernement assurer de durer, sans obligation par conséquent, d’avoir à défendre chaque jour ou chaque semaine son existence, c’est la France qui pourrait diriger la politique européenne et même mondiale (…).

William Dodd: `Chapman House, Finsthwaite`, watercolour, two further watercolours and a reproduction of Durer`s `hare`

After Albrecht Durer (1471-1528). St. Jerome in his study, engraving, unframed, plate size 26cm x 20cm.

Albrecht DURER LA VIERGE ET L’ENFANT AU SINGE. (Hollstein, Meder 30 ; Strauss 21) 190 x 120. Burin. Belle épreuve légèrement jaunie et rognée d’environ 2 mm, état définitif tirage tardif. Légers plis, petites taches. On joint - LA VIERGE l’ENFANT ET SAINTE ANNE, d’après Durer par A. Sadeler (H. 77) 130 x 85. Burin. Belle épreuve tirage tardif. Légers plis, filet de marge. Ens. de 2 planches.

Albrecht DURER SAINT SÉBASTIEN LIÉ A UN ARBRE. (H. M. 62, Str. 33 e/e) 114 x 68. Burin. Belle épreuve tirage un peu tardif, rognée d’environ millimètres avant la marque du cuivre petites amincissures à trois angles et restauration dans le haut à droite. Provenance:

Albrecht DURER LE REPOS DE LA SAINTE FAMILLE PENDANT LA FUITE EN ÉGYPTE, planche de la série La Vie de la Vierge. (H. M. 202 ; Bartsch 90) 297 x 209. Bois. Très belle épreuve de l’édition avant le texte au verso, papier au filigrane balance dans un cercle (M. 169). Très légèrement jaunie, petites taches et mouillures, infimes manques en surface, quelques amincissures, bande de renfort au verso sur deux côtés, légers plis ondulés, ancienne trace de pliure horizontale médiane. Cachet de l’ancienne collection A. Caironi (Lugt 426) au verso.

Albert Durer Lucas (1828-1918). ‘The Church Engagement’, Oil on ivory, Signed and dated 1882 lower left, Titled and inscribed verso, 15cm x 9.5cm, In an ebonised and gilt frame

A collection of early 20th Century black and white prints, including a pair of woodblocks of continental towers, both monogrammed in the plate, an etching of Chester bridges, a limited edition print of St Michael`s Mount, and an engraving in the style of Durer (5)

A watercolour 'Autumn Ferns', signed lower right 'Liz King', 22'' x 29''' a Durer print of 'Man with Flag', 9'' x 12'' and a picture 'Sunstones', 10'' x 12'', framed

After Albrecht Durer (1471-1528) - coat of arms, engraving, initialled AD, framed and glazed, 19x12cm

A woodcut print After Albrecht Durer Martyrdom of St. Catherine, 39 x 29cm, unmounted and unframed

Three volumes of etchings and engravings, 17th/18th century, 1. approximately ninety after Van Dyck; 2. approximately fifty after Claude, Holbein and others; 3. approximately fifty works by Durer, Van Leyden, Rembrandt and others CONDITION REPORT: Albums 57 x 40cm. Later prints, majority are pasted down on paper and then inserted, pasted into the albums. Majority are cut close to plate marks. Old masters crease marks to corners where pasted. All have minor foxing.

ALBRECHT DURER WOOD ENGRAVING 1523 `THE LAST SUPPER` AND AUTHENTICATION LETTER FROM THE BRITISH MUSEUM 1949, OLD REPAIR TO TOP LEFT CORNER APPROX. 12 X 8.5 INS.Postage Cost (basic) : £22

1501 [HROSWITHA of GANDERSHEIM] Opera Hrosvite illustris virginis et monialis Germane gente Saxonica orte nuper a Conrado Celte inventa. Norunbergæ: Sub privilegio sodalitis Celticæ, 1501. Small folio. 82 leaves, without pagination. Hrotsvitha (c. 935-1002), also known as Hroswitha, Hrotsvit, Hrosvit, and Roswitha, was a 10th-century German secular canoness, as well as a dramatist and poet who lived and worked in Abbey of Gandersheim, in modern-day Lower Saxony, a community of secular canonesses. She was noted for her great learning and was introduced to Roman Writers by Gerberg. Hrotsvit's work shows familiarity, not only with the Church fathers, but also with Classical poetry, including Virgil, Horace, Ovid, Plautus and Terence (on whom her own verse was modelled). Several of her plays draw on the so-called apocryphal gospels. Her works form part of the Ottonian Renaissance. The Benedictine Rule was relaxed for her and other aristocratic women who joined the order; they were not required to take the vow of poverty. Two Abbesses in her time were nieces of the ruling Emperor with the status of Imperial Princes. The frontispiece of the book, a Durer engraving, shows Hroswitha presenting her manuscript to the Emperor Otto I. The book was edited and seen through the press by the Imperial Poet Laureate, Conrad Celtes, who in 1493 had discovered a copy, still extanct, of the Mss in the Benedictine Monastery of St. Emmeram in Regensburg. Hrosvit divided her work herself into three books. The Book of Legends contained eight legends - with the exception of Gangolf - in dactylic hexameter - the writing style that is most prominent in poetry and can be found in Homer's Iliad and Odyssey. Her plays feature the chastity and perseverance of Christian women and contrast these to the perceived Latin portrayal of women as weak and emotional. Her Passio Sancti Pelagii is derived, she says, from an eyewitness to the martyrdom of Pelagius of Cordova. Her name, as she herself attests, is Saxon for "strong voice." Hroswitha wrote in Latin, and is considered by some to be the first person since antiquity to compose drama in the Latin West Provenance: The estate of Tony Sweeney

Framed engraving, `Old School, Harrow`, another lithograph, `The Kings Guard` and an engraving after Durer

Engravings, after Durer, Pennell, etc

AFTER ALBRECHT DURER (1471-1528) "Portraits" - a set of 24 black and white prints

ALBRECHT DURER (1471-1528) "Knight, Death and Devil", engraving, 9.75" x 8"The paper appears somewhat discoloured. There does not appear to be any damage or restoration but the work has not been inspected out of the frame. New mount and frame.

A Book - 'Albrecht Durer' being a study of his life and work by Lionel Cust

A collection of 19th century and other pictures and prints including watercolour of a mountainous lake scene, a 17th century black and white engraving, "The south view of Holdenby Palace in the county of Northampton", coloured print of a lady after Albrecht Durer, an oriental painting on silk of a pair of doves, a 19th century watercolour of the Alhambra, etc

Albrecht Durer, "Lamentation of Christ," copper engraving Albrecht Durer (German, 1471-1528), "Lamentation of Christ," (Descent from the Cross) from "The Engraved Passion," 1907, copper engraving, Meder b impression, image: 4.625"h x 2.75"w, overall (frame): 9.75"h x 7.625"w. Catalogue Reference: 14, Bartsch

A collection of art reference books, to include Anja Eichler `Albrecht Durer`, publ. Ullman n.d., Martyn Monroe `John Martin` publ. Tate n.d.

FOLIO OF 18TH CENTURY AND LATER ENGRAVINGS AND PRINTSincluding subjects after Rembrandt, Durer, and others, in a gilt half-calf binding

"GEORGE KOLBE(German 1877-1947)Female Nude Pen and inkSigned lower rightImage size 14 inches x 17 inches (35.6 x 43.2 cm), unframedProvenance:Acquired by Dr. Frank Seiberling Jr., circa 1937, from Dr. Hans Tietze according to the family, thence by descent through the family to present owner, the daughter of Dr. Frank Seiberling Jr.Dr. Hans Tietze (1880-1954) was a prominent Austrian art historian who studied at the University of Vienna under Franz Wickhoff and Alois Reigl. Dr. Tietz published numerous scholarly texts on Venetian and Viennese art history as well as on the graphic work of Albrecht Durer. Dr. Tietze`s art history career is vast and includes work as a negotiator for war reparations of Austrian art following World War I as well as positions such as Assistant Professor of Art History at the University of Vienna, member of the Association for the Promotion of Modern Art in Vienna, Visiting Professor at the Toledo Museum of Art and Lecturer at Columbia University. Tietz`s engagement with art fostered friendships with significant modern artists such as Oskar Kokoschka and Georg Ehrlich who created portraits of him and his wife, art historian Erica Conrat, now housed in the Museum of Modern Art, New York and the Austrian Gallery Belvedere in Vienna, Austria. Art Historian Dr. Frank Seiberling Jr. (1908-1990) served as Supervisor of Education at the Toledo Museum of Art (presumably where he came in contact with Dr. Tietze). He later worked as Professor of Art History and Head of the School of Art at Ohio State University. In 1959, he became the Head of the Department of Art and Art History at the University of Iowa."

A PAIR OF GERMAN CARVED IVORY FIGURES, 19TH CENTURY. Of the sculptor Peter Vischer and the artist Albrecht Durer. Each in period clothing and well carved in good detail. Raised on cylindrical bases with inscribed names. Height 7.5 inches (19 cm).

AUGUSTE CARRIER BRONZE BUST OF ALFRED DURERAuguste Joseph Carrier (FRENCH, 1800-1875) bronze bust depicting artist, engraver, mathematician and theorist Alfred Durer (GERMANY, 1471-1528). Mounted to gilded base. Signed `A. CARRIER` to verso. Measures 8 1/2" height (21.6cm). Total weight of 1945 grams.