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After Albrecht Durer: an 18th century woodblock print of a biblical scene with Christ on the cross, monogrammed lower middle, in an intricately carved and pierced oak frame, 39 by 27cm.

After Albrecht Durer, a reproduction gilt framed and glazed engraving of an owl, together with various other pictures and prints, including: amateur watercolour studies, an 18th century map of Kent and other items.

AFTER ALBRECHT DURER TWO BLACK AND WHITE PRINTS FROM `THE LIFE OF THE VIRGIN` SERIES `The presentation of the virgin` `The birth of the vrgin` 11 1/2" x 8 1/4" (29.2cm x 21cm) Stuck down, framed and glazed (2)

ALBRECHT DURER, WOODCUT, "CHRIST TAKING LEAVE FROM HIS MOTHER", 11 1/2" X 8 1/4": From "The Life of the Virgin". Block monogramed; on laid paper; framed. Provenance: Park West Galleries, Southfield, MI. Date that this print was pulled is unknown but not a late impression.

ALBRECHT DURER, ENGRAVING, "ST PHILIP", 4 3/4" X 3": Monogramed in the plate and dated 1526; on laid paper; framed. Provenance: Park West Galleries, Southfield, MI. Date that this print was pulled is unknown but not a late impression.

A pair of northern European sculpted ivory relief panels after Albrecht Durer, second half 19th century, portraying Adam and Eve respectively, the figures carved into bowed rectangular panels with raised edges, 13.5cm high, 6.5cm wide; later set onto green velvet covered backplates

Albrecht Durer Forty Eight Metal Engravings Marazov, Ivan, 1988 (One missing)

"After A. Durer, `St Catherine`, and After Van Dyck, `Jan Van Mildert`, prints, 24.5x 13cm, and after A. Durer, portrait of Paulus Hofhaimer, watercolour, 22 x 16.5cm "

Set of three woodblock prints After Albrecht Durer "Last Supper", "Carrying of the Holy Spirit" and "Christ risen from the Tomb"

Lote 2 monedas 50 y 100 Pesetas guineanas. 1970. AR. Manos de Durer rezando y Maja desnuda de Goya. KM-12.1 y 13.5. PROOF.

After Martens, coloured print, Charge of the Light Dragons, at the Battle of Ramnugger, published by Ackermann, 1851, 41 x 56cm, and after Albrecht Durer, print, allegorical scene with kneeling woman and soldiers, 39 x 29cm.

WENCESLAUS HOLLAR (1607-1677) AFTER ALBRECHT DURER (1471-1528) A STAG LYING Etching, c.1649, on laid paper, unframed 8.5 x 11.2cm. ++ Foxing; needs a clean

A COLLECTION OF OLD MASTER PRINTS comprising examples after Berchem, Callot, Castiglione, Carracci, Durer, Goltzius, Guercino, Maratta and many others; principally engravings and etchings, unframed ++ Generally fair condition

A GROUP OF ART BOOKS comprising Eaux-Fortes sur Paris by C. Meryon, with many etchings, 1852;The Early Drawing-Book,lithographs by J. D. Harding, 3rd edition, c. 1854-1855; The School of Art of Most Compleat Drawing-Book Extant, numerous stipples after Watteau, Boucher etc, 1765; Prout`s Microcosm, with lithographs, 1841; The Durer Society, reproductions, 1902; and two further volumes (7 vols) *Not guaranteed complete; sold not subject to return ++Some fair to poor condition only

After Albrecht Durer Knight, Death & Evil, etching, 25.5cm by 19cm

A small dated 18c fruitwood "Durer Eight" compass plane 5" x 2 1/4" nicely decorated o/a with carving at escapement and dated H.S.1760 (illustrated Russell fig 345) front tote broken and re-mouthed o/w G+

WILHELM WAETZOLDT: DURER UND SEINE ZEIT, Vienna 1935, 1st edn, orig cl gt, d/w (tatty)

Quantity of Berlin reproductions Durer etc

A collection of Michelangelo photographic studies and reproductions, and other History of Art prints, including Goya, Turner and Durer, etc.

A Collection of Five Books Pertaining to Renaissance Artists, Including Michelangelo, Leonardo DaVinci, Vasalius and Durer. Minimum shipping costs apply, please request quote before bidding.

Panofsky (Erwin). Albrecht Durer, 2 vols., 2nd ed., revised, Oxford University Press, 1945, b&w illusts., orig. cloth, damp marked, very sl. affecting first and last few leaves to each vol., 4to, together with Hind (Arthur M.), Wenceslaus Hollar and His Views of London and Windsor in the Seventeenth Century, 1st ed., 1922, b&w plts., some light foxing to first and last few leaves, orig. cloth in d.j., a little rubbed and some marks to extrems., 4to, plus Woodall (Mary, ed.), The Letters of Thomas Gainsborough, Cupid Pres, 1963, orig. qtr. cloth gilt, in torn and frayed glassine d.j., 4to, and other art reference, various, including many Phaidon monographs, Pelican History of Art series, 13 vols., Joan Evans, Art in Medieval France, 1st ed., Oxford University Press, 1948, etc. (6 shelves)

Albert Durer Lucas Black Berries Oil on board, signed 1909, 25 x 19cm

A GOOD COLLECTION OF OLD MASTER PRINTS by or after Rembrandt, Durer, Ostade etc.

Late C19th Early C20th Yellow Metal Set Italian Pietra Durer Brooch, Earrings, Cape Clips & Stick Pin, all with pink, blue & white flowers

Albrecht Durer, original woodcut circa 1496, Ritter and Landsknecht, Bartsch 131, framed and glazed, damage and restoration.

Albrecht Durer (1471-1528), "St. Jerome in his Study", engraving, image size 24 x 18.5cm.; 9.5 x 7.25in, together with another after Rembrandt Harmensz van. Rijn (1606-1669), Rural landscape with windmill, etching, image size 14.5 x 21cm.; 5.75 x 8.25in; and three other etchings and engravings (5).

A pair of hand-coloured engravings of John Bull and Napoleon, published by Thomas Tegg circa 1800, 14" x 10", in gilt frames, a framed print on silk, a Durer print and a signed print of Cambridge College

Albert Durer Lucas Oil on ivorine panel Signed, dated 1877 "Wild heather with butterflies" 12.5 cm x 10 cm

An unusual pair of carved wooden roundels, depicting scenes from Christ`s passion, the agony in the garden and the crowning with thorns. Probably German c.1550. Both with old inscriptions verso` 16th century`.. The agony based on Durer`s scene from his small passion, the crowning possibly based on the scene from Durer`s green passion, known only from his drawings

Albert Durer Lucas (1828-1918): an oil on canvas pathway through trees past a running stream, titled verso `Shanklin Chine`, signed lower left and dated 1890, 59.5 by 44.5cm.

A framed Sepia reproduction of Albrecht Durer`s 1521 brush drawing on primed paper ``Head study of a man, aged 93``, 8 7/8`` x 6`` approx.

ALBRECHT DURER - `The Knight and Man-at-Arms`, woodcut, 15 1/2" x 11" (losses to edges of paper and laid down)

"Collection of books on art, grand masters to include Leonardo Da Vinci, Rembrandt, Durer"

A gilt framed oil on board still life of Companula signed A D LUCAS 1888 and verso Albert Durer Lucas AET 60 1888, 50 Padwell Road, Southampton 19.5 cm x 15 cm

A gilt framed oil on board still life of a Wild Rose signed A D LUCAS 1888 and verso Albert Durer Lucas AET 60 1888, 50 Padwell Road, Southampton

Albrecht Durer Philipp Melanchthon engraving on thin laid paper with a papal crown watermark, 173 x 126mm., a slightly faint impression, trimmed on the platemark, a small loss to upper right corner, small 17th century inscription at lower right, hinged onto support, [B.89; P.823], 1526 (but later); with a group of 6 other small plates by or after Durer, including Man of Sorrows by the Column [B.3], and Flagellation [B.8] from the Engraved Passion, also Christ Brought Before Pilate, Musical Satyr and Nymph with Baby, Madonna on a Grassy Bench (reverse copy), and Rustic Couple, engravings, all trimmed on or just within the platemark, occasional browning, various dates (7).

ALBRECHT DURER "The small horse", engraving, 7" x 5"; and one further "St George on horseback", 6" x 4 3/4" (2)

An interesting group of 14 antique engravings of the passion in the style of Durer dated 1521. Unframed.

Albrecht Durer: The Madonna by the Wall, 1514. An original engraving by Durer, probably lifetime, but laid down and in poor condition. Provenance Nagel, Stuttgart.

NUREMBERG CHRONICLE, Hartmann Schedel, Liber Chronicarum, Nuremberg, Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 12th July 1493. Imperial 2o, 402 x 335mm; collation [20], cclxvi, [5] cclxvii- ccxcix, [1]; 325 of 326 leaves, lacking blank. Woodcut title (1r) laid down. 1809 woodcut illustrations from 645 blocks. Initials supplied in colour - red, blue, green and gold. Capital letters highlighted in red, and woodcuts in skilful old hand colouring throughout. Worn seventeenth century calf with armorial crest in gilt on the front board and label to spine: `Historia Aetatum Mundi`. Provenance: Crossley family of Todmorden and by descent. An unpublished family history records that the book was loaned to the Brotherton Library, Leeds University, between 1938 and 1956 and stored with incunabula underground by the National Library of Wales during World War Two. First Edition of the most extensively illustrated book of the fifteenth century. The Chonicle contains more illustrations than any previous publication from moveable type. The text covers the history of the world from the beginning to the date of publication. It is thought that around 1400 to 1500 copies of the Latin edition were published with around 400 still extant. The illustrations come from the workshop of Michael Wolgemut with his apprentice Albrecht Durer probably contributing to the publication. The text shows frequent finger marking and occasional page repairs. Many pages, particularly in the middle of the volume, have been reattached to page stubs. There is some waterstaining to the rear of the book. Folio ccxcix has been laid down in order to strengthen the holed map of Europe, with further paper repairs around the colophon. The marbled front free endpaper has adhered to the front board. The first two of the blank leaves called for (folios cclix and cclx) have headlines supplied in manuscript and may be later replacements. The woodcuts are excellent impressions and the colouring skilful and attractive. Comparison with other coloured examples of the book and the presence of coloured initials strongly suggests that the colouring is early or contemporary with publication (Illustrated)

19th Century gilt framed watercolour, half length portrait of Durer, unsigned, 24ins x 20ins approximately (a/f)

After Albrecht Durer, a collection of loose engravings, to include Madonna and child, engraving of a cardinal, pope holding Jesus, crucifixion scenes, saints, prophets etc, most bearing a red stamp verso (31) and one other 19th century print of an Ibis (illustrated)

After Albrecht Durer, c. 1500, `` The Martyrdom of St John`` woodcut, on laid paper, some tears and minor losses trimmed and stuck down to a 19th c. backboard.

Albrecht Durer, A folio of reproductions of the prints and vintage German magazines.

After Marcantonio Raimondi, Italian c.1480-1527/1534- "Neptune Calming the Tempest which Aeoluis Raised aginst Aeneas` Fleet", after Raphael; engraving, 41x32.5cm: After Marcantonio Raimondi, Italian c.1480-1527/1534- Venus sitting on a bank extracting a thorn from her foot; engraving, 26x17cm: After Anea Vico, Italian 1523-1567- "The Entombment", after Raphael; engraving, 27.7x20cm: After Aegidius Sadeler 1570-1629- "Virgin and Child on a Grassy Bank", after Albrecht Durer; engraving, 32x24cm: After Heironymus Hopfer c.1500-1563- "Portrait of Charles V, Emperor"; etching and stipple engraving, 32.5x15.3cm: Follower of Martin Schongauer 1430-1491- The Adoration of the Magi; engraving, 26x19.5cm: Georg Pencz, German c.1500-1550- The money lender; engraving, 11.3x7.5cm: together with a further quantity of old master prints by and after different hands, (a lot) (7) (unframed)

A selection of 20th century works including: Donald Blake (American, fl. late 20th century) Boats, Oil on paper, signed in pen to the bottom right corner, John Mills (English, b.1933) Study for Sculpture, watercolour, signed and dated 90 in pencil to the bottom right corner, Deirdre Hubbard (American, fl. late 20th century) Nude, gouache, ink and pencil, initialled to lower right corner, Carol Haney (fl. late 20th century) "Indian Summer", lithograph, signed, titled, dated 75 and numbered 2/3 in pencil, Aeldmann (fl. late 20th century) Chapel, pen and wash, signed and dated 89 bottom right and a facsimile of a Durer print of an owl all mounted, framed and glazed Boats: 16.5cm x 45cm, Study for Sculpture: 37cm x 28cm, Nude: 20cm x 13.5cm, "Indian Summer": 48cm x 59cm, Chapel: 35cm x 27cm, In good condition View on auctionatrium.com

After Albrecht Durer, pair of unframed antique etchings on laid paper, historical scenes

AFTER A. DURER "Study of a 16th century warrior seated upon his charger", black and white engraving, monogrammed and dated 15.08, INDIAN SCHOOL, two hunting scenes, hand coloured, another similar, and various pictures and prints

A leather bound and marblised book of prints, after Albrecht Durer, depicting the Life of Christ

A print of the Emperor Franz entering Vienna in 1814, an 18th century portrait print of a young man reputedly Mozart, an early reproduction after Durer etc.

LUDWIG GOLDSCHEIDER: THE PAINTINGS OF MICHELANGELO, 1948, 2nd edn, sigd pres copy from Sven [Berlin] to Denis [Mitchell], fo, orig cl, d/w (tatty) + CAROLINE FOX AND FRANCIS GREENACRE: ARTISTS OF THE NEWLYN SCHOOL, 1979, Denis Mitchell’s copy with his sig on ffep, orig pict wraps + CAROLINE FOX: PAINTING IN NEWLYN, 1985, 1st edn, sigd pres inscr to Denis [Mitchell] from the Director of the Publisher John [Halkes], orig pict wraps + MIKLOS RAJNAI (ed): JOHN SELL COTMAN, 1982, 1st edn, orig cl, d/w + GERALD WILKINSON: THE SKETCHES OF TURNER, 1974, 1st edn, 4to, orig cl, d/w + ANDREW WILTON: TURNER IN THE BRITISH MUSEUM, 1975, 1st edn, 4to, orig pict wraps + PATRICK PROCKTOR: SELF-PORTRAIT, 1991, 1st edn, orig cl, d/w + ALEKSANDER ZYW: POLES IN UNIFORM, 1943, 1st edn, obl, 4to, orig cl gt + WALTER L STRAUSS (ed): THE COMPLETE ENGRAVINGS ETCHINGS AND DRYPOINTS OF ALBRECHT DURER, NY 1972, 4to, orig pict wraps + P WALDBERG: SURREALISM, 1965, orig pict wraps (10)

Franklin Mint 100 Greatest Masterpieces silver proof medals, including Praying Hands (Albrecht Durer 1508), The Virgin of the Rocks (Sandro Botticelli , circa 1480), many other masterpieces, housed in a good quality wooden chest of six drawers, with certificates (100 medals)

ALBRECHT DURER `The Lamentation for Christ` (from the Small Passion), woodcut, 5 3/4" x 4 1/2" (see illustration).

After Albrecht Durer Inquisition Scene Etching, remounted on backing paper, cut at border, 39 x 28cm

Art, Architecture and Design Various including reprints of Durer`s Works, in folder, Munich 1920; COMBE (J) Jhieronymus Bosch 1946; RICE (D.T) Byzantine Painting, 1968; HMSO Royal Commision on Historical Monuments, Essex, vol.I, 1916; another - London, vol.I, 1924; Le Corbusier Oeuvre Complet, 4 vols 1938-1957, (rather dust stained), etc. (a box)

ALBRECHT DURER - `Samson and The Lion`, wood cut, 15" x 11"; and one further - `The Entombment From the Small Passion`, 4 3/4" x 3 3/4" (2) (see illustration).

ALBRECHT DURER - `Adam and Eve`, engraving, 10" x 8" and two further to include `St Jerome in Penitence` and `St Eustace` (3) (see illustration).

After Albrecht Durer - Three woodcuts, two `Seventeen cuts from the life of the Virgin`, `The Angel brings the message to Joachim `, 29 x 20cm and `The Meeting of Joachim and Anne at the Golden Gate`, to/w another, 38 x 28 cm (3)

Albrecht Durer The Virgin with the monkey engravin Albrecht Durer The Virgin with the monkey engraving on laid paper c.1497 or later 190 x 121mm. [B.42; M.30] Condition report: 3 to 4mm. margins to all sides pale even browning.

Erhard Schn Portrait of Albrecht Durer in profile Erhard Schn Portrait of Albrecht Durer in profile after Matthes Gebel`s portrait medal [Bartsch 156; Meder p. 240; Hollstein (Durer School) 32] c.1528-29 woodcut 300 x 260mm. coat-of-arms with Durer`s monogram and date 1527 upper left unframed Condition report: upper right corner torn and missing with a tear at the left corner and further tears and sheet loss at edges spotting.