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after Albrecht Durer (1471-1528): Study of a Rider - colour reproduction print, pub. The Medici Society, 40.5 x 31.5cm, gilt framed (64.25 x 55.25cm).

BINDING - Willi KURTH (b.1881, editor). The Complete Woodcuts of Albrecht Dürer, New York, 1963, 4to, illustrations, FINELY BOUND BY DON ETHERINGTON in full cream pigskin, box.BINDING - Willi KURTH (b.1881, editor).  The Complete Woodcuts of Albrecht Dürer ... With an Introduction by Campbell Dodgson. New York: Dover Publications, 1963. 4to (305 x 210mm). Full-page monochrome illustrations after Albrecht Dürer. FINELY BOUND BY DON ETHERINGTON in full cream pigskin, the covers with a striking jagged "crown of thorns" design [?based on a detail after Durer] in black morocco onlays, dissected by gilt ruled lines, the spine lettered in gilt with the artist's monogram at the foot in black morocco onlays, gilt edges, silk endpapers, black cloth book box (light stain to upper edge of upper cover). Provenance: Loosely-inserted is an autograph note, on paper headed "Don Etherington, Bookbinder", dated, "1.6.68", stating, "Dear Sir, Please find enclosed 3 books [sic] for Guild [?of Contemporary Bookbinders] Exhibition, Yours faithfully, Don Etherington." [Please note that only one book is included in the lot.] Don Etherington (b.1935) began bookbinding at the age of thirteen before going on to study at the London School of Printing. He has held positions at the Bibliotheca Nazionale in Florence, the Library of Congress and the Harry Ransom Humanities Research Center at the University of Texas, Austin and has received awards from the American Institute for Conservation and the Guild of Book Workers. Examples of his work can be found in collections across the world.

After Durer, a pen and ink study and another similar study of a classical figure, both framed and glazed. H.24 W.19cm.

After Albrecht Durer (1471-1528, German), coloured print, 'Lady at Home', framed and under glass, measuring 23cm x 35cm, & 27cm x 39cm overall

Leonard Baskin,  American 1922–2000 -  Thistle (In memory of Louis Black), 1959;  bronze relief, H21.5 x W44.5 x D0.3 cm  Provenance:  The Collection of Mary and Alan Hobart, Founders of Pyms Gallery, London  Literature:  Irma B. Jaffe, 'The Sculpture of Leonard Baskin', The Viking Press, New York, 1980, p.212, illus. p.161  Note:  other editions of this bronze are held by Smith College Museum of Art, Northampton. Louis Black was a friend and collector of books, prints and drawings, usually relating to the human figure and natural environment. Jaffe suggested the subject of this work is derived from the engravings of Durer.  Baskins works is highly indicative of the Post-War period, sharing an intensity of vision with figures such as Elisabeth Frink, Germaine Richier and Alberto Giacometti. Like Frink, Baskin focused almost entirely on the male figure, seeking a visual language that spoke to an everyday experience of life and death, demonstrated most fully in his ‘Dead Man’ series, first started in the 1950s. Baskin retained a defiantly figurative language throughout his sculpture and works on paper, continuing the legacy of Käthe Kollwitz in his choice to work across mediums in an attempt to engage with an audience outside of the artistic elite. Works by the artist are in major museum across the USA, including the National Gallery of Art in Washington, MoMA, New York and the Detroit Institute of Arts. In the UK works are held by the British Museum, the V&A and the Tate.

After Albrecht Durer (German, 1471 - 1528) The Weapon Knight Monogrammed and dated 1498, hand-coloured lithograph, 40.5cm x 31.5cm.

A collection of prints, etchings and engravings, some after old masters: Albrecht Durer and one original Victorian pencil sketch in process of being hand-coloured. H.60 W.44cm (largest).

After Albrecht Durer praying hands print together with three papel scrolls. 

Albert Durer Lucas (1828-1918) Spotted butterfly amidst harebells;Blue butterflies and a grasshopper amidst wildflowers, ferns, bracken and heathera pair, both signed and dated 'A. D. Lucas/1878', oil on canvas laid on board22.5 x 18cm (2)Provenance: Christie's, London, 13 November 1992, lot 315;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 37 x 31cmOn close inspection 'Spotted butterfly amidst harebells' has some fine crescent shaped cracks starting to emerge to the upper right corner and lower right quarter. Overall both works present well. Not viewed out of glazed frames.

A late 19th/early 20th century German folder of the prints of Albrecht Durer

After Albrecht Durer (1471-1528), "Knight, Death and the Devil", lithograph, 19x25ccm, framed (housed loosely), glazed

DR WILLI KURTH (Ed): THE COMPLETE WOODCUTS OF ALBRECHT DURER, New York, ND. Hessian boards and original clipped dustjacket (some losses)

After Albrecht Durer, a group of five hunting dogs, engraving, 3.25" x 4.25" (8.5 x 11cm), unframed.

SIX ALBUMS OF SPACE RELATED STAMPS AND FIRST DAY COVERS, TO INCLUDE AUTOGRAPHED EXAMPLES, autographs are by Astronauts, Cosmonauts, rocket engineers, NASA directors and staff etc, astronaut signatures include Fred Haise - Apollo 13, James Irwin Apollo XV, William Anders, James Lovell and Frank Boreman - Apollo 8, Richard F. Gordon - Apollo 12, John S. Bull - Apollo, Ken Rightler - Shuttle STS-60, Jerry Linenger - Shuttle STS-64, Eugene Cernan - Apollo 10 & 17, Gordon C. Fullerton - STS missions, Michael Coates, Dan Brandenstein, John Fabian and Richard Covey - Shuttle STS missions, together with various other astronaut signatures, Engineers and scientist signatures include Herman Oberth, Dieter Grau, James Van Allen, Rocco Petrone, Christopher C Kraft, Friedrich Durer, Werner Albring, Fritz Mueller, Hans Kennel, Edward Stone, Otto Goetz, Magnus Von Braun - brother of Wernher Von Braun, Ed Buckbee, Carolyn Shoemaker, Hans Lindenmayer, Max Nowak and others, with facsimile signatures of Buzz Aldrin, Michael Collins and Neil Armstrong, Gordon Cooper, Alan Shepherd and Virgil Grissom, together with three albums of unsigned First Day Covers and stamps from various countries including USA, USSR, Hungary, Japan etc, to also include two albums of USSR stamp panes of various designs

Germany 24ct gold 500th Anniversary birth of Albrecht Durer 1471 - 1971 medallion - Diam: 25mm weight 7.8grms portrait of Durer and town of Nurenburg, within fitted case

(ar) Henry Wilkinson RE ARCA (1921-2011) "Pheasants", original etching signed and dated 1955. Together with a watercolour of a "Goosander" duck indistinctly signed "Eric Malius", an original etching of an elephant (unsigned) and a print of a hare after Durer. The largest 22 cm by 30 cm.

A folio of 16th century and later Old Master prints and engravings to include after Palma Vecchio (Italian, 1479-1528), engraving, 'The rich man in hell tormented by demons, 1595', after Titian (1489/90-1576), 'St Jerome in the wilderness', after Raphael, 'Battle between the Romans and Barbarians' and a later print after Albrecht Durer (1471-1528), 'The four horsemen of the apocalypse', largest 53 x 38cm, all unframed. Condition - varies, mostly fair considering age There are 11 pages

Print 'Portrait of a Young Man' by Albrecht Durer, framed by Medici Society Ltd, image 11.5" x 17", frame 14.5" x 20.5" and a signed coloured etched print 'A Courtyard, Dorking' by Geo. H. Downing, image 9" x 13", frame 16" x 20"

Raimondi (Marcantonio) The Betrothal of the Virgin, from "The Life of the Virgin", after Albrecht Durer, engraving, sheet 290 x 210 mm (11 1/2 x 8 1/4 in), trimmed, mounted on support, unframed, 1506 or later; together with group of over 25 miscellaneous prints by old masters and others, including Bernhard Rode's 'Herodes rottet die Räuber aus', an engraving by Wendel Dietterlin, and others, all unframed, 17th to 19th century (c. 25)

Two Framed Albrecht Durer Prints, "A Nuremberg Woman in Dance Dress" and "Dressed for Church", Each 32 X 20cm

Graphik von Durer und Rembrandt, 153. Auktion, 11 Juni 1994. With many black and white illustrations of works by Albrecht Durer and Rembrandt Harmensz van Rijn. Contains 67 pages. Text in German. Dimensions: 7.5"W x 10.5"HManufacturer: F. Dorling GmbHCountry of Origin: GermanyCondition: Age related wear.

A reproduction of an Albrecht Durer engraving depicting The four horsemen of the apocalypse, in period oak frame, 18" x 21".

ALBERT DURER LUCAS (1828-1918) 'Cross Leaved Heath - Red Admiral Butterfly'signed and dated 1889 lower right, further signed and titled verso, oil on canvas, 20.5cm x 15cm

ALBERT DURER LUCAS (1828-1918) 'White Bryony - Nest of the Grey Wagtail'signed and dated 1909 lower right, further signed and titled verso, oil on board, 19cm x 23.5cm

Egidius II SADELER (1570 - 1629) nach Albrecht Dürer. "Maria und Kind mit Vielzahl…"Circa 35 cm x 25 cm. Circa 50,5 cm x 40 cm mit Passepartout. Kupferstich nach Albrecht Dürer ("Maria und Kind mit einer Vielzahl von Tieren und Pflanzen"). Unten mittig bezeichnet "Cum privil. S. C. Mtis." / "Albertus Durer Almanus Inventor / S.C.M. Sculptur Aegid. Sadeler Sculpsit". Blatt vergilbt, leicht fleckig und geknickt. Zustand siehe Fotos.

Attributed to William Bell Scott (Scottish, 1811-1890) -'A Collection of Sketches, Drawings and Prints illustrating English Costume, M.S.S., Architecture, etc., chronologically' -Over a thousand illustrations historical encompassing ornaments, architectural elements and others, many of them inscribed, including traced drawings by Francis Henry Salvin and after Albrecht Durer -Page size 36 x 28cm -Scott's bookplate attached to the cover -The opening page with handwritten title -The spine reads 'English Archaeology'

ART BOOKS: HAMMACHER (A), RENE MAGRITTE, 1st edition, tipped in plates, d.j., Thames and Hudson, 1974; STRIEDER (P), DURER PAINTINGS, PRINT AND DRAWINGS, Frederick Muller, 1982; with other art books, books on illustrators, and, BENEZIT (E), DICTIONNAIRE DES PAINTRES, SCULPTEURS, DESSINATEURS ET GRAVEURS, 8 vols, 1966, (qty)

Armand Durand (French, 1831-1905) after Albrecht Durer Knight, Death and Devil,heliogravure, after Durer's original engraving of 1513,24 x 19cm

La Grande Passion par Albert Durer, en douze gravures sur bois, Nuremberg Anno 1511. Reproduction procede P.W. Van De Weijer utrecht d’apres les epeuves avant la lettre appartenant au cabinet de Dr. Straeter avec une introduction de Georges Duplessis, published Utrecht P.W. Van De Weijer with Intorcertificat by Dr. Straeter dated 3 Aprill 1875 comprising 12 engraved plates on toned paper tipped onto larger sheets (many loose) with printed wrapper & introduction (large folio), together with eight additional prints of Francisus Franck, Paulus de vos Pictor, Petrus Breugel and Ioannes de Wael by Van Dyck, Hans Holbein, Venice etc

Pair of large blue and white Delft chargersdepicting Rembrandt and Durer (2) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

After Albrecht Durer,St Jerome in the cave,woodcut (?), collector's stamp, lower centre, J.S.A. [John St. Aubyn; Lugt 1534], no watermark, trimmed to the borderline, repairs to sheet edge,16.8 x 12.4cm.Condition report:Additional images have been uploaded to the lot page on our website for you to view.

Four early engravings - Albrecht Dürer Birth of the Virgin Mary, from Life of the Virgin, 29.5cm x 21cm, unframed, Burlington House Piccadilly, 19cm x 24.5cm, in glazed frame, Engraving After Bassano of The Little Milkmaid, by R Sadeler, 22cm x 29cm in glazed frame, St Sebastian, 11cm x 7.5cm in glazed frame (4)Durer print stuck on backing board

After Albrecht Durer (1471-1528, German), coloured print, 'Adam and Eve', framed, mounted, and under glass, measuring 23cm x 35cm, & 40cm x 48cm overall

Swiss made precision quartz chronograph movement, sapphire crystal, 200m water resistant. Bi-directional Tachymeter bezel for calculation of speed. Black and red color carbon fiber dial with three sub-dials and Superluminova illumination system on hands and markers. The total length, including the leather straps is 10.25"L. Dimensions: 44mmManufacturer: Chase-DurerCondition: Age related wear. Functionality not guaranteed.

ALBRECHT DURER (GERMAN 1471-1528) THE KNIGHT AND THE MAN-AT-ARMS  Woodcut, 39.5 x 28.5cm (15.5 x 11.25") Provenance: With Colnaghi, London (label attached to backboard) Condition Report:The sheet presents in fair condition.It has been taped to a supporting mount by the upper corners. Tape remains in place.Some browning to the sheet. Some mottling. Some pale spotting.Pinholes/small holes to mid vertical edge areas.Evidence of a historical (repaired) tear to left mid edge, circs 2.5cm, with localised discolouration. Fold/possible historical damage to upper right corner (obscured by tape).Historical fold across the mid-point of the sheet, horizontally.There appears to be a watermark resembling a serpent

After Albrecht Durer (German, 1471-1528) The Passion and Resurrection, twelve copper engravings on laid paper with watermark, each tipped onto a card backing, each monogrammed and some dated in the plates 1501-1512, unframed, dimensions with small variations up to 12.7 x 8.3cm.* Twelve copper engravings from a group of sixteen,19th century or earlier.

Twenty nine German silver 5 Deutschemark .625 silver commemorative coins comprising 1963, two 1968 Pettenkofer, 1969 Mercator, two 1971 Durer, 1971, 1973, 1848,1974, 1949-74, two 1974 Imanuel Kant, two 1975, two 1975 Schweitzer, two 1975 Ebert, two 1976, 1621-1676, two 1977 Gauss, two 1977 Kleist, two 1978 Neumann, two 1978 Stresemann and two 1979 archeological, with three MDM certificates, the coins displayed on a wooden board.

A pair of Albrecht Durer (German 1471-1529) prints. 'Christ Shown to the People' and 40.5cm x 29.5cm and 'The Lamentation', 40cm x 29cm, both framed and glazed

Seven assorted antiquarian, leatherbound titles etc, including Virgil; J.M.B. Clement: 'Observations critiques, sur la nouvelle traduction en vers François des Georgiques de Virgile, et sur les poemes des saisons, de la déclamation, et de la peinture. Suivies de quelques réflexions sur le poëme de psyché.', Geneva, 1771, contemporary mottled calf gilt; FOUQUÉ, Friedrich de la Motte: 'Sintram and his Companions. From the German.', London, Edward Lumley, [nd], c.1860, engraved frontis after Albrecht Durer, contemporary calf gilt; 'History of Suffolk', 1720, engraved folding map of Suffolk by Robert Morden, 4to, half calf gilt, marbled paper covered boards; plus 4 others including Sir Thomas Browne etc (7)

A quantity of Durer Prints, various subjects and views, etc, G. More, coloured plates, figures in various pursuits

After Albrecht Durer (1471 - 1528), a set of six, St Eustace; St Jerome in Penitence; Melancholia I; St Jerome; The Four Horsemen; The Prodigal; Knight, Death and the Devil, monochrome prints, 36cm x 27cm

Three framed and glazed prints to include Harriet Brigman - sheep Transport, a limited edition print 22/50, signed and titled in pencil to lower margin 25x25cms, after Albrecht Durer Saint Eustace, engraving 40x31, and Ascot Grandstand c 1840, a coloured print 21x 36cmsLocation:GIf there is no condition report shown, please request

After Albrecht Durer (1471-1528), "Knight, Death and the Devil", lithograph, 19x25ccm, framed (housed loosely), glazed

A good collection of works on art, pottery and sculpture. Roger Fry. 'Henri-Matisse,' first edition thus, cloth backed boards, colour plates tipped in, illustrations throughout out, some light finger soiling and toning but generally vg, A. Zwemmer, London, 1935; Jacques Guenne. 'Portraits D'Artistes,' original paper wraps debound with a tear towards the spine, b+w plates throughout, good to vg, Editions Marcel Seheur, Paris, n.d; 'Michael Cardew. A Collection of Essays,' introduction by Bernard Leach, staining to card wraps, b+w illustrations throughout, bibliography, vg, Crafts Advisory Committe, 1976; Nine exhibition catalogues including Ben Nicholson, Peter Startup, Garth Evans, Peter Brandes, Another View by Marion Whybrow, Pia Anderson &c. &c.; 'Picasso. From The Ballets to Drama 1917-1927' card slip, Kinemann, 1999; 'The Wood Engravings of Gwen Raverat'; 'Gwen John' by Mary Taubman; With seven other works mostly on art and illustration including 'The Greenman' by Jane Gardman & Mary Fedden, 'Albert Durer' by T. Sturge Moore &c. &c. (Q)

A Rectangular Carved Boxwood Religious Plaque after Albrecht Durer, 11.5x8cms

After Albrecht Durer, black and white etching, The Prodigal Son Amid the Swine, unframed, 11ins x 9ins

* Durer (Albrecht, 1471-1528). The Abduction on a Unicorn, 1516, etching on laid paper, a good, dark Meder c impression with the rust marks in the plate, with city gate watermark (Meder 263, similar to Briquet 15940, dateable to the 1550's), plate size 310 x 213 mm (12 1/4 x 8 3/8 ins), with 1mm or 2mm outer margins, generally in good condition, verso with some old light waterstains, remains of paper hinges to top margin verso, late 19th/early 20th century backing card inscribed with details of the print in pencil QTY: (1)NOTE:Bartsch 72; Meder 67; Schoch, Mende, & Scherbaum 83.

* Cranach (Lucas, 1472-1553). Christ Taken Captive, 1509, woodcut on laid paper, a good clear impression, with the artist's initials LC and the date 1509 on a tablet to the lower right corner of the image, and two Saxon coat-of-arms to upper right corner, verso with printed text in German gothic type, sheet size 252 x 182 mm (10 x 7 1/4 ins), framed and glazed, with Folio Society Collectors' Corner printed and typewritten label to verso, indicating the provenance as Richard FisherQTY: (1)NOTE:Provenance: Richard Fisher (1809-1890), of Hilltop, Midhurst, Sussex, author of Introduction to a Catalogue of the Early Italian Prints in the British Museum (1886). His substantial print collection which included fine examples by Durer, Cranach, Lucus van Lyden, Goltzius, Mantegna, Marc Antonio Raimondi, Marco Dente and many others was sold by Sotheby's London on May 23rd 1892 and the four following days. (Lugt 2204).Hollstein 11 from the series The Passion (Hollstein 10-23).

* Hopfer (Hieronymus, 1528-1563). The Landscape with Cannon, after Durer, 1520–1550, etching on laid paper, a strong clear impression, collector's mark to verso of J. P. M. Cerroni (Lugt 1432), old (probably 19th century) pencil inscription to verso with the artist's name and title of the work in French, sheet size 193 x 282 mm (7 5/8 x 11 1/8 ins), window-mountedQTY: (1)NOTE:Provenance: Johann Peter Maria Cerroni (1753-1826), Austrian historian and civil servant, Brunn. An avid collector of manuscripts, early books and prints, Cerroni's library was catalogued under the title Bibliotheca Cerroniana, and published in Vienna in 1833-1834. The sale of his print collection took place in Vienna at Artaria, in March and October 1828, and included fine examples of the early German printmakers as well as the Italian, Dutch, and French schools.Hopfer copied Dürer's last etching Landscape with Cannon, also known under the title The Large Cannon or simply The Cannon, slightly reduced from the original size. In the foreground, the artist shows a warlike scene. On a slope stands a cannon on which a mercenary with a halberd is leaning. While another halberdier stands guard in the hollow just behind it, a third accompanies a group of men who appear foreign due to their clothing. Hopfer's initials, including the Augsburg Pyr, at upper left. Later impressions bear the number '62' underneath, belonging to the Nuremberg publisher David Funck, who owned the plate in the 17th century, numbered it and distributed impressions at that time.

After Albrecht Durer (1471 - 1528), a set of six, St Eustace; St Jerome in Penitence; Melancholia I; St Jerome; The Four Horsemen; The Prodigal; Knight, Death and the Devil, monochrome prints, 36cm x 27cm

A small print of 'Young Hare', with monogram and 1502 beneath, by Albrecht Durer, framed and glazed. Approx. 21.5cm wide. 

Vintage Chase Durer Pilot Commander chronograph men's wristwatch. Stainless steel case and bracelet, quartz movement, black bezel and dial and stainless steel sub dials, 42mm bezel. 

Reproduction Albrecht Durer resin plaque, 39cm x 29cm.

A Folio Society edition, "The Book of Common Prayer" an illustrated imitation of Queen Elizabeth l's book, woodcuts after Durer and Holbein, 2004, in slip case, together with other books includes a two volume edition "Shipping Wonders of the World" 

[Art] The Moment of Explosion: Blake & the Illustration of Milton 1983. Durer The Artist & His Drawings 1971. The Paintings of Samuel Palmer by Lister 1985. Ancient Lanscapes, Pastoral Visions Samuel Palmer to the Ruralists. The Drawings of Raphael with a Complete Catalogue by Joannides 1983. British Romantic Artists by John Piper 1942. The A-Z of Art. Victorian Painting by Christopher Wood. Turner’s England 1810-38 by Shanes and others on Henry Scott Tuke, John Singer Sargent, Michelangelo, Rembrandt etc, in dust-wrappers (24)

After Albrecht Durer, St. Eustace or St. Hubert, engraving, 35x26cm, F&G

After Albrecht Durer (1471 - 1528), a set of six, St Eustace; St Jerome in Penitence; Melancholia I; St Jerome; The Four Horsemen; The Prodigal; Knight, Death and the Devil, monochrome prints, 36cm x 27cm

After Albrecht Durer, the Madonna of the animals, coloured engraving, image 31cm x 24cm, framedImage in good condition, mount and margin foxed

Three late 19th Century Mintons China Works 6 inch dust pressed tiles, from the Durer series, printed en-grisaille on buff ground. (3)

CELINE LOUIS-FERDINAND: (1894-1961) French novelist. A.L.S., with his initials LFC, three pages, folio, Copenhagen, 31st August (1947), to [Dr. Alexandre Gentil] (´Mon cher vieux´), in French. Celine, whilst exiled in Denmark, writes on a variety of subjects and attempts to arrange a meeting in Paris between his correspondent and his lawyer, Thorvald Mikkelsen, stating, in part, ´Ypéricon C’est le nom scientifique et danois, et allemand et anglais. Qu’est-il en français ? [le nom français de la plante est le Millepertuis (Hypericum perforatum)] Pressée fraîche [et] jaune cette fleur rend un sucre violet. Les danois en font grand usage [Céline rajoute en marge supérieure ´inutile de te dire que je n’y ai jamais gouté !], la font macérer dans l’alcool à 90° et s’enivrent de ce breuvage [qui] prend alors la couleur rose foncée [sic]. Veux-tu reconnaître cette fleur et ce breuvage? Me dire en quelles régions telle fleur se trouve en France, en quelles régions on se saoul chez nous de la même essence? Mon amour propre patriotique est en jeu… cette fleur cette plante pousse dans les bois et paraît fleurir pendant tout l’été. Mikkelsen compte être à Paris début d’octobre. Je te dirai quel hôtel. La récolte des pommes va durer tout le mois de septembre. Il compte en récolter pour 140.000 couronnes. Soit environ pour 6 millions de francs.C’est un gentil denier mais là-dessous environs les deux tiers de frais et d’impôts. Tu vois que je ne parle pas pour ne rien dire. Le miel des abeilles est rentré. Mais là l’exploitation est humble. En vente il fait trop froid ici pour les abeilles. (Oh ne lui dit pas qu’il fait froid dans le nord !). D’ailleurs il ne nous a pas donné un pot de miel (c’est une de ses bigarreries) Un susceptible ! Tu vas bien t’amuser. Vous vous entendrez à merveille !......Il est ici avocat des ambassades d’Angleterre et d’USA. Donc d’un optimisme absolu. Au-dessous = déni de naïveté. Demi roublardise. Mais un admirable cœur – Ce type est savoureux – avare et généreux etc. Tu connais ces contrastes. Un puceau pour nous…Je t’attends avec ta réponse pour abasourdir ces benêts, les confondre, les humilier à mort!´ (Translation: ´Ypericon is the scientific name, Danish, German and English. What is it in French? [The French name for the plant is Millepertuis (Hypericum perforatum)].Squeezed fresh [and] yellow, this flower yields purple sugar. The Danes make great use of it [Céline adds in the upper margin ‘needless to say, I've never tasted it!’], macerating it in 90° alcohol and getting drunk on this beverage [which] then takes on a dark pink colour. Do you recognise this flower and this beverage? Can you tell me where in France you'll find such a flower, and where in France you'll get drunk on the same spirit? My patriotic self-esteem is at stake... this flower this plant grows in the woods and seems to bloom all summer long. Mikkelsen plans to be in Paris at the beginning of October. I'll tell you which hotel. The apple harvest will last throughout September. He expects to harvest 140,000 kroner. That's about 6 million francs. That's a nice penny, but about two thirds of that is expenses and tax. You can see that I'm not just talking. The honey from the bees has returned. But this is a humble operation. On sale, it's too cold here for the bees. (Oh don't tell him it's cold up north!). Besides, he didn't give us a jar of honey (it's one of his bigarreries) A susceptible one! You're going to have a great time. You'll get on famously!.....Here he's a lawyer for the British and American embassies. So he's absolutely optimistic. Underneath = denial of naivety. Half cunning. But an admirable heart - This guy is tasty - miserly and generous etc. You know these contrasts. A virgin for us.....I'm waiting for your reply to stun these fools, confuse them and humiliate them to death!´) Celine also signs (´Lucette´) at the conclusion on behalf of his wife, the French dancer Lucette Destouches (1912-2019). Accompanied by a typed document confirming brief biographical details for Celine (named as Louis Ferdinand Destouches) issued for the purposes of receiving a military pension. Some light age wear to the letter and the dosument with some minor tears and neat splits at the edges FR to VG, 2