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Albert Durer Lucas (British, 1828-1918) bell heather still life, signed and dated 1878, oils on canvas, 25.5cm x 20.5cm

Albert Durer Lucas (British, 1828-1918) Pink bell heather, signed and dated 1872, inscribed Erica Tetralix, watercolour, 23cm x 18cm

A reproduction map of Suffolk, a 19th century engraving of Windsor Castle, an 18th century engraving of Robert, Earl of Oxford, a pencil drawing of Wellington Church in Somerset, and a print of a knight after Durer

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921), (In the manner of Albrecht Durer) THE KNIGHT chalk on paper, signed 51cm x 41.5cm Mounted, framed and under glass

ZEHN JAHRE EDITION HUNDERTMARK 1970-1980 BERLIN-KOLN, Daad-Galerie Berlin, 1980, orig wraps + HERBERT ZEMEN: DIE PORTRATMALERIN JOSEFINE SWOBODA 1861-1924 LEBEN UND WERK, Wien 2004, orig cl gt + A BALIS: RUBENS HUNTING SCENES, Trans P S Falla, 1986, orig cl, d/w + PETER STRIEDER: ALBRECHT DURER, NY 1982, 1st edn, orig cl gt, d/w + MARCEL FRISCHMAN: DRAWINGS, Oxford 1957, limited edition (500) numbered, 23 plts compl, orig cl gt, d/w (5)

A large collection of Art Reference Books, including "Mayer" Guides, Annual Art Index, the "Lyle" Official Guides, others on Artists, Studios (Durer, Joseph Wright of Derby, Turner & others), as a collection, w.a.f. (1)

Albrecht Durer woodcut print - The Virgin Crowned by Two Angels - 37cm, x 47cm frame to frame

ALBRECHT DURER (1471-1528) MADONNA BY THE TREE (B.35) Engraving, 1513, a slightly later impression, narrow margins 11.5 x 7cm.; with `Entombment`, `St. Peter` and `St. Eustace`, engravings, all copies after Durer (two in reverse); and `The Good Samaritan` etching, after Rembrandt (in reverse). (5) ++ `Madonna` fair but grubby; the others fair, but foxed/grubby

European School 19th Century- Children and an artist on a grand stone doorstep; said to be 'Albrecht Durer watching Children' watercolour heightened with gum Arabic 33.5 x 27.5cm.

A limited edition bronze casting of a rhino, after the 16th century engravings by Albrecht Durer, signed and dated to the rear leg DCT ‘79, and from a short run of castings with limited edition number 4/9 22cm H, on marble base Small chip to the underside corner of the base

A collection of hard and paperback novels: Crime & Punishment, Hamlet, Durer, etc. in three boxes.

TWO FRAMED ENGRAVINGS, one by Albrecht Durer.

FOLLOWER OF ALBRECHT DURER Second half of the 16th century St. John the Evangelist Oil on copper, 10 x 10 cm This picture was painted by an anonymous follower of Albrecht Dürer, working in the mid-16th century, who has clearly mastered the technique of painting in oil on copper. The artist’s highly graphic and clean rendering of the figure’s facial features unmistak- ably echoes the style of Dürer in his engrav- ings. The silky, irridescent red drapery is also handled with enormous skill. The picture’s small size suggests that it may be a fragment belonging to a cover designed for a Gospel Book or for a work of private devotion in the shape of a small, portable illu- mination.

Portrait of Albrecht Durer. Fair condition. Oxidation & blemishes on the image. Inscribed on top of the image. Engraving, 13" x 9 5/8"

ORIGINAL ETCHING OF A SLEEPING LION CUB, 4 ½" x 7" (11.4cm x 17.8cm), AND A REPRODUCTION PRINT OF AN OWL, AFTER ALBRECHT DURER (2)

Manner of Albrecht Durer Head of Christ with an unfinished study of a French Tudor revival portrait of a Monarch in ermine to the reverse oil on copper on gold ground 19 x 13cm (7 x 5in) Provenance: From an Irish country house. Copper surface has been gilded with gold leaf. Small old losses in paint layer have been retouched. A few scratches o surface and some wear and abrasion, notably to sitter's beard at lower edge. On the reverse is n unfinished painting of a monarch. Frame is on good condition - a few scratched to the surface. One small pin hole to the top edge. Modern black frame.

By or After Jan Gillisz van Vliet, Rembrandt, Albrecht Durer, Francois Flameng and others VARIOUS SUBJECTS etchings, engravings and lithographs, various sizes, unframed. (9)

CHARLES WATSON (1846-1927) - A cathedral interior, etching, signed in the plate and dated 1920, signed in pencil, unframed, 20cm x 21.5cm also various prints after Durer and others and a quantity of reproduction prints to two folders (qty)

A run of 15 German 10,000 mark, Reichbanknote dated 19th January 1922, No.01297343-01297357, blue-green on olive brown underprint, portrait of Albrecht Durer above denomination

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921), (In the manner of Albrecht Durer) THE KNIGHT chalk on paper, signed 51cm x 41.5cm Mounted, framed and under glass

A pen drawing after A. Durer, another, similar, both framed, pair of Chinese carved stone seals, etc., as viewed

After Durer, a good 19th c. Print of Christ as the man of Sorrows, attached autographed owner's name plate believed to be that of Francis Turner Palgrave, critic and poet, 1824-1897

Albrecht Durer, The Durer Society, volume 1904, 1905 and 1906, with plates (three volumes)

Garden Sculpture: Andy Sinclair Durer's Rhino Bronze resin Signed and numbered from an edition of 3 193cm.; by 6ft 4ins high by 259cm.; 8ft 6ins long Andrew has lived in South Africa and worked in Europe and as in this example is influenced by the sculptors of the renaissance. He lists the Earl and Countess of Leicester, Oldham City Council, Christopher Moran of Crosby Hall, publisher Felix Dennis, Georgio Logothetis of Lomar Shipping, Royal Ascot racecourse and Royal Caribbean amongst his clients. He has work in private and corporate collections in the UK, USA, Norway, Greece, Holland and South Africa and has exhibited in London and the Home Counties.

Albert Durer Lucas (1828-1918) - Oil painting - Still life of wild flowers, canvas 8ins x 5.5ins, signed and dated 1888, in gilt moulded frame

A large volume of the works of Albert Durer extensivly illustrated, Verlag Munchen (1920) and a volume of the Pictorial Sunday Book.

ILLUMINATED MANUSCRIPT CUTTINGS:C.16/17th century (Durer?)

A set of four 19th century miniature Topographical prints together with two Durer black and white prints.

One of the David Russell collection Durer Eight planes (see p117) a fruitwood smoother 6 3/4" x 2 1/2" with front tote and with decoration at escapement and to the sides and dated I.G. S.T. 1740 (illustrated Russell fig 343) lacks iron and some worm damage to sole G

Another fine and little used fruitwood "Durer Eight" smoother c1800 7" x 3 1/2" nicely decorated o/a with carved escapement and front tote (illustrated Russell fig 340) G++

The largest of the Russell Durer Eight planes, this 18c radiused and slightly compassed moulding plane, 8" x 4" with nicely carved cupids bow escapement, has an elegant front tote (illustrated and discussed Russell fig 341) some filled worm G+

Albert Durer Lucas (1828-1918) - Oil on panel - Study of violets in a natural setting, signed and dated 1893, 20cm x 14.5cm Condition: ** General condition consistent with age

Albert Durer Lucas (1828-1918) - Gouache - Study of a crimson underwing moth, annotated, signed and dated to the reverse 1912, 14cm x 20cm Condition: ** General condition consistent with age

Albert Durer Lucas (1828-1918) - Gouache -Circular study of a sovereign and half sovereign depicted within a gilt frame, signed in pencil, 9.5cm diameter Condition: ** General condition consistent with age

Albert Durer Lucas (1828-1918) - Gouache - Three depictions of a cream spot tiger moth, male, signed and dated 1899, 20cm x 15cm Condition: A little yellowed - ** General condition consistent with age

WAGNER, RICHARD; The Rhinegold And The Valkyrie, illustrated by Arthur Rackham, STAWELL, RODOLPH; My Days With The Fairies, illustrated by Edmund Dulac, LONGFELLOW; The Golden Legend, illustrated by Sidney Mateyard, Etchings of Rembrandt, published by George Newnes Ltd, and Famous Etchings From Durer to Whistler, Folio 1 (5). CONDITION REPORT: Significant spine damage, bumps to corners and foxing to front pages.

AFTER FERDINAND BOL (1616-1680) STUDY OF AN OLD MAN, ETCHING, with leaf trefoil decoration on his coat, mounted between card, 9cm by 7cm; together with AFTER ALBRECHT DURER, THE CIRCUMCISION OF CHRIST, a 19th century woodcut, unframed. 30cm by 20cm (2)

A Scrapbook of Prints, Drawings and Text, Two Books of Capolavori Della Pittura 'Durer' and 'Velazquez' Coloured Prints plus other Engravings, GWR Maps etc

A Queen Anne period woodcut-printed invitation to a funeral procession for Thomas Smith Esq from Doctors Commons, 25th Oct 1710, addressed to Dr John Harwood, 22.5 x 18 cm, in later glazed frame to/w an engraving after Albrecht Durer, 'Christ Suffering', 11.5 x 9 cm impression size, applied label for F.J. Palgrave (2)

Two copper engravings on paper - The Virgin with a Monkey after Albrecht Durer (trimmed) and The Apostle Bartholomew (trimmed and stuck to card), both with AD monogram in the print, 18.5cm x 12cm and 12cm x 7.5cm

After Albrecht Durer, two good 19th c. Prints on laid paper- 'The Prodigal Son' and 'Knight Death and the Devil' 7" x 9 1/4" each

After Albrecht Durer, two good 19th c. Prints on laid paper- 'St Jerome in his Study' and 'Melancholia'. 7" x 9 1/4" each

THREE EARLY 20TH CENTURY LEATHER COVERED PAPIER MACHE MODEL ANIMALS comprising; a pair of standing horses and an "Albrecht Durer" rhinoceros, 32cm high tallest

Albert Durer Lucas [1828-1918]- Primroses and violets:- signed and dated A D Lucas 1880 bottom left oil on canvas

Albert Durer Lucas [1828-1918]- Blackberries and a Silver Y moth:- signed and dated 1880 bottom right oil on canvas 24 x 19cm.

ALBRECHT DURER Hercules at the Crossroads Engraving Monogrammed to the plate 32 x 22cm

•SIX MODERN PRINTS comprising `Pines, Birds and Sea` (1948) after Milton Avery, coloured and inscribed by Gerald Dillon, 11 x 15cm.; `St. George`, etching by Leo Wyatt after Albrecht Durer, signed and inscribed, 10.5 x 8.5cm.; `Sitting Hare`, wood engraving by Charles Frederick Tunnicliffe, publ.2007, 18.5 x 11.5cm.; and three unframed prints by Mainie Jellett, Leo Wyatt and Barry Moser, two signed, various sizes. (6) ++ Each in good condition

MANNER OF ALBRECHT DURER (1471-1528) SELF PORTRAIT, AGED 32 The artist depicted half length, wearing a white shirt and cap, a russet cape at his left shoulder, bears monogram and inscription IMAGO ALBERTI DURERI/ AETATIS SUAE 32 1503, oil on panel, unframed 32.5 x 26cm. * Durer executed four pioneering self portraits in 1484 (a silverpoint drawing, Vienna, Kunsthistorisches Museum), 1493 (Paris, Louvre),1498 (Madrid, Prado)and 1500 (Munich, Alte Pinakothek). This composition derives directly from the 1498 portrait with similar clothing and posture but has been `updated` to suggest how Durer may have looked in 1503. The panel has been planed verso and cradled. It appears to have extensions of approx 2.5cm. at each side but the picture was probably executed in the 17th or 18th Century.

After Durer Albrecht (1471-1528). St. Jerome in his study, engraving, unframed, 26cm x 20cm.

Albrecht Durer his complete woodblocks etchings and dry points an A2 portfollio published in 1938 generally lovely images binder with a little wear to corners an outstanding group of work.

Follower of Albrecht Durer St. John the Evangelist oil on copper 10 x 10 cm the second half of the sixteenth century

Albrecht Durer 1471-1528 The Archangel Michael fighting the Dragon-the Apocalypse Xilograph 39 x 27,3 cm Initials at the Center, at the base 1511 Latin text on the back.Printmaking terms Small repair to Woodworm on bottom, top hole towards the right margin. Wire copy margin.Just nibbled the left margin at the Center.The inks of this specimen appears to be of excellent quality.

Quantity of pictures including Indian watercolours, 2 prints after Durer, 19th century pencil river scene, etc.

German Commemorative Medallions (2) each silver d.36mm: Albrecht Durer 1528-1928 by K. Goetz, and Reichspresident Von Hindenburg 1847-1927 , both lightly toned GEF and impressed on edge: BAYER. HAUPTMUNZAMT SILBER 9004.

CHARLES WATSON (1846 - 1927) - A cathedral interior, etching, signed in the plate and dated 1920, signed in pencil, unframed, 20cm x 21.5cm also various prints after Durer and others and a quantity of reproduction prints to two folders

"Patch", study of a dog`s head, watercolour, tog. with a framed print of a hare after Albrecht Durer

"Patch", study of a dog`s head, watercolour, tog. with a framed print of a hare after Albrecht Durer

AN EARLY 20TH CENTURY SAMSON JESUIT WARE PORCELAIN PLATE, decorated en-grisaille with Albrecht Durer’s Saint Sebastian, 9.3in diameter.

Salmi (Mario & Tolnay, Charles & others). The Complete Work of Michelangelo, pub. Reynal and Company, n.d., c. 1979, 1040 illusts., with thirty-two plates in full colour, orig. cloth in d.j., large folio, together with Baroni (Constantino & Calvi, Ignazio & Others), Leonardo da Vinci, 2 vols., pub. Leisure Arts, 1964, numerous colour and b&w illusts., orig. cloth in d.j.s, and slipcase, large folio, plus Strieder (Peter), Durer, 1st ed., pub. Mercatorfonds, 1982, numerous colour and b&w illusts., orig. cloth in d.j., and slipcase, folio, and other art reference, including Cecil Gould, Leonardo, The Artist and the Non-Artist, 1975, Lawrence and Dighton, French Line Engravings of the Late Eighteenth Century, 1910, etc., folio/4to/8vo, G/VG (3 shelves)

Three Books, ''The Ladies of Hampton Court'' by James Laver, ''Bronzes of West Africa'' by Leon Underwood and a King Penguin book entitled ''Woodcuts of Albrecht Durer''