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Larionov (Mikhail) A collection of correspondence with Ifan Kyrle Fletcher, 1939-1963, comprising eight A.Ls.s., 12pp., one 8vo, the remainder 4to; five typed Ls.s., 7pp., one 8vo, the remainder 4to, one with long autograph postscript; a typed card s., and a New Year greeting with an ink drawing of a grape vine and swallows by Natalia Gontcharova, with five envelopes and a printed announcement of Larionov's death.

A CANTON BODYCOLOUR DRAWING Late 19th Century, depicting a male and female being attended by a female serving tea and another tending a peony plant, on pith paper, 21cm x 32cm.

A SERIES OF O.S. MAPS, 1921-1924 edition, Burton, Sudbury etc (4) and a facsimile architectural drawing (5)

M. Scholower, A scantily clad maiden drawing back a curtain and holding a rose, signed, oil on canvas, 58 x 37cm.

After Laurence Stephen Lowry (1887 - 1976), "By St. Phillips Church, Salford", signed in pencil and numbered 75/75, black and white reproduction print from an original pencil drawing, 25 x 35cm.

Rosewood case of drawing instruments, by Rowney, circa 1890.

A set of French 19th century drawing instruments, in a rosewood veneered box with lift out tray, the purple silk to the interior of the lid inscribed Compas Superieurs, Brevetes S.G.D.G. 8.1in.(20.5cm.)

Talish rug fragment, south east Caucasus second half 19th century, 6ft.5in. x 3ft.3in. 1.96m. x 1m. Overall wear, heavy in small areas, slight losses both sides, outer guard missing both ends, reduced in length by lateral cut across upper end. Leaving aside its condition, the colour, 'drawing', weave and wool of this rug are all of the highest quality.

Unusual and attractive Shahsavan (?) band, embroidered in wool on coarse undyed wool ground, north west Iran or south Caucasus second half 19th century, 14ft.3in. x 1ft.2in. 4.34m. x 0.36m. The attribution of this rare and intriguing weaving is somewhat speculative. In many ways, the style of animal 'drawing' is close to that of both the Shahsavan and the Qashqa'i and the human figures are also reminiscent of the Persepolis-style figures found on many Fars weavings; however, the overall effect seems closer to the Shahsavan style. The intended function of the piece is also speculative.

William Lionel Wyllie, RA,RI, RE (1851-1931) 'Destroyers patrolling' ink and wash drawing, signed and inscribed, 10" x 16.5"

Sir William Orpen (1878-1931) 'Portrait of Lee Hankey' pencil drawing, signed, 8" x 6.5"

Anthony Devis (1729-1817) 'Ullswater', ink and wash drawing 11.5" x 16.5"

Anthony Devis (1729-1817) 'A view of Windermere and The Langdale Pykes' ink and wash drawing, 11.5" x 16.5"

AN EDWARDIAN MARQUETRY & IVORY INLAID WALNUT SEVEN PIECE DRAWING ROOM SUITE: two seater Settee, pair of Armchairs, and four Side Chairs, raised on cabriole legs.

A VICTORIAN WALNUT LOW DRAWING ROOM CRINOLINE CHAIR, the high scroll moulded sloping curved back button upholstered, the serpentine sprung seat on cabriole legs.

A VICTORIAN WALNUT DRAWING ROOM ARMCHAIR, the waisted scroll over back and low curved padded arms button upholstered, the serpentine sprung seat on cabriole legs terminating in castors.

A VICTORIAN WALNUT DRAWING ROOM BOW ARMCHAIR, the padded scroll over back and arms button upholstered, the serpentine sprung seat on square tapered legs.

A PAIR OF LATE VICTORIAN MARQUETRY INLAID WALNUT DRAWING ROOM SIDE CHAIRS, the sprung serpentine seats on cabriole legs.

An early Victorian architectural watercolour plan of a military fort, titled Square Redoubt and shown in top and side elevations, signed and dated, together with a drawing plan of an 18th century ship, 32ins, both framed, 25ins

An Art Deco Opaline Glass Ashtray depicting figure drawing bow, 14cm wide

MARION ADAMS. The Angel of Avalon, signed and inscribed, pencil, ink and bistre wash, 28 x 21cm, sold with a short letter which accompanied the drawing when given to the late owner by the artist . In excellent condition

THE REV. JOHN SWETE (c.1752-1821) PINHAY CLIFFS, LIME (sic), 1814 DORSETSHIRE - FROM PINHAY CLIFFS Inscribed with title, blue and grey wash over pencil, drawing verso 17 x 22cm. ++ A little faded; old crease lower left corner; slight light staining

FOLLOWER OF ALFRED GOMERSAL VICKERS (1810-1837) LANDSCAPE SCENE WITH A DISTANT WINDMILL, ANGLERS AND A FIGURE TENDING SHEEP IN THE FOREGROUND Watercolour and pencil, pencil drawing of boats at low tide verso 14 x 20cm. ++ A few spots of foxing; needs a light clean; grubby verso

ARTHUR ROYCE BRADBURY (1892-1978) A SMALL FOLIO OF FIGURE STUDIES: FIELD WORKERS, VRAICKING etc. Ten, unsigned, some dated 1961, watercolours, some pencil studies and ink drawings, with one drawing of a cannon The largest 17.5 x 25cm. (11) ++ Good condition overall

ARTHUR ROYCE BRADBURY (1892-1978) A FOLIO OF CHANNEL ISLAND VIEWS (SARK AND GUERNSEY) Fifteen, eight signed or initialled, some inscribed or dated 1928-1969, fourteen watercolours, some with pencil, one pencil drawing The largest 18.5 x 27.5cm. (15) ++ Each in good condition overall

ARTHUR ROYCE BRADBURY (1892-1978) A FOLIO OF COASTAL AND LANDSCAPE VIEWS Twelve, five signed or initialled, some inscribed or dated 1915-1973, including "The last drawing made in the old Four Winds studio, Sark, Sept 3 1939", watercolour, some with pencil The largest 19 x 28.5cm. (12) ++ Good condition overall

After Laurence Stephen Lowry (1887-1976). "THE REFERENCE LIBRARY". Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a black and white reproduction from an original pencil drawing, {26.5cm by 36.5cm (10.5in by 14.5in)}

Circle of Sir Edwin Landseer and Thomas Landseer (1802-1873). A STUDY OF A VICTORIAN GENTLEMAN, DRESSED IN PERIOD COSTUME AND A TOP HAT, KNEELING ON ONE KNEE. Inscribed on the margin below the drawing with the name "Sir Edwin Landseer R.A.", charcoal, white chalk and coloured chalks, {23.5cm by 16cm (9.25in by 6.25in)}; together with five further studies A SEATED GENTLEMAN WEARING RED ROBES AND BLACK HAT, HOLDING A BOOK ON HIS LEFT KNEE Inscribed "Thomas Landseer", {24cm by 16cm (9.5in by 6.25in)}; A GENTLEMAN WEARING A MONK'S HABIT, AND HOLDING A WOODEN STAFF IN HIS RIGHT HAND, WITH A CRUCIFIX HANGING FROM HIS WAIST Inscribed "Sir Edwin Landseer, R.A. by himself", {24cm by 16cm (9.5in by 6.25in)}; A STUDY OF A YOUNG MONK WEARING A HABIT, HOLDING A LARGE PLATE Inscribed "Thomas Landseer", {24cm by 16cm (9.5in by 6.25in)}; A STUDY OF A MONK, SEATED, DRINKING FROM A VESSEL {24cm by 16cm (9.5in by 6.25in)}; A STUDY OF A MONK, RECLINING, WEARING A HABIT Inscribed "Thomas Landseer", {16cm by 24cm (6.25in by 9.5in)}, all are contained within an album inscribed on the binding "Scrope's Salmon Fishing, Landseer Drawings" with a collector's label on the inside front page, for "Ray Livingstone Murphy", together with a black and white engraved coat of arms with the name "R. Meinertzhagen"

Ernest Savage P.S. (b.1906). "A SUSSEX VILLAGE". Signed, also extensively inscribed on an exhibition label verso with the title of the work and the artist's address "Pipers Studio, Fittleworth, Sussex", original price of 45 Guineas, pastel drawing on buff paper, {53cm by 72.5cm (21in by 28.5in)} .

Frederick (Fred) Lawson (1888-1968). "LEYBURN, OCTOBER FAIR". Signed, inscribed and dated October 9th 1959, also extensively inscribed on various labels verso, pen and ink drawing, {22.5cm by 29.5cm (8.75in by 11.5in)}

Robert Leslie Howey (1900-1981). "DURHAM". Signed, also inscribed on a later label with the artist's name together with the date 1945, pastel drawing, {40cm by 49cm (15.75in by 19.5in)}

Eugene Feyen (1826-1895). A STUDY OF A YOUNG BOY, NUDE, SEATED WITH HIS BACK TO THE ARTIST. Signed, charcoal drawing, {60cm by 45.5cm (23.75in by 18in)}

Mane Katz (1894-1962). "TETES DE CHEVAUX", A STUDY OF TWO HORSES. Signed, pen and ink drawing, {24.5cm by 18.5cm (9.5in by 7.25in)}.

Theodore Zimmerman (20th century). "A DAY TO REMEMBER WITH THE FAMILY AT LE TOUQUET". Signed and inscribed "Le Touquet" and bears a studio stamp for the artist, pastel drawing, {22.5cm by 39cm (9in by 11.5in)}

William Heath Robinson (1872-1944). FIGURES IN A PROCESSION. Signed, also inscribed on various labels verso, possibly entitled "The Three Swords", black and white ink drawing, {23.5cm by 26cm (9.25in by 10.25in)}

Frederick (Fred) Lawson (1888-1968). A GYPSY CARAVAN AND A VEHICLE ON A VILLAGE GREEN IN THE DALES, WITH A DOG IN THE FOREGROUND. Signed, pen, ink and watercolour on tinted paper, {24.5cm by 31.5cm (9.75in by 12.75in)} *The drawing is sold together with a book entitled "Fairings" by Dorothy Una Ratcliffe with illustrations by Fred Lawson

Frederick (Fred) Lawson (1888-1968). "DROVEWAY, MASTILES LANE". Signed and dated 1931, also inscribed on a later label verso with the title, the artist's name and the date, pencil and watercolour, {25cm by 35.5cm (9.75in by 14in)}; together with a further pencil drawing "ST WILLIAMS COLLEGE YORK" Dated September 1913, {24cm by 17cm (9.5in by 6.75in)} (2)

John Falconar Slater (1857-1937). A GARDEN SCENE WITH STONE STEPS LEADING TO A ROSE BOWER, FLOWERS IN A HERBACEOUS BORDER IN THE FOREGROUND AND SHRUBS NEARBY. Signed, pastel drawing on buff paper, {46cm by 61.5cm (18in by 24.25in)}.

A Micrometer, in case, Drawing Instruments, in case and sundry Instruments

Attributed to Francesco Furini, Florence 1604-1646, study of a pair of crossed legs, bears old attribution on mount: Farini, red chalk on blue paper, 230 by 83 mm (2) And one other drawing in black chalk, also 17th century Italian school, the preaching of an apostle.

Attributed to Raymond Lafage, Lisle-sur-Tarn 1656 - 1684 Lyon, moses drawing water from , the rock, pen and brown ink over black chalk, 517 by 412 mm

Albert Christophe Dies, Hanover 1755 - 1822 Vienna, recto: a mother and infant in a cave, another figure watching them from a distance, verso: an angel delivering an infant to a , reclining woman, signed in brown ink: A.C. Dies f. Rom 1784, and inscribed lower margin and verso in gothic german with the poetic texts illustrated in the drawing, pen and black ink and brown wash (recto); pen and brown ink and grey wash over black chalk (verso), 233 by 287 mm

Adolphe Guillon- Pastoral river landscape; pencil heightened with white on buff paper, signed, dedicated and dated 1862, 18.2x26.5cm: together with a drawing in black chalk of a moonlit coastal scene by the same hand, signed with initials, and inscribed and dedicated on the mount, 10.7x18.4cm., (2)

Modern British School c1920 - 'Buckingham Palace Garden Party, Augustus John said it looked as if something had sagged', pencil, inscribed, 22.5x17.5cm: together with five other sketches, by the same of related hand(s), depicting cartoons of figures in fancy dress, one inscribed: 'Picture Drawing, The Russian Ballet, Laura Knight, The Leicester Galleries, now open...', various sizes, (6), (unframed)

Paul Fischer- Cartoon depicting Cupid firing an arrow at a gentleman being pursued by a Satyr; pen and black ink over pencil, signed, 18x20cm: together with a quantity of drawing watercolours and prints, by different hands, mostly19th century, many mounted, various sizes, (a lot), (unframed)

Tom Keating- North American Indian standing in a landscape; oil on canvas, bears signature, 35.5x17.8cm: together with one other gouache study in the manner of Cornelius Kreighoff, and a coloured chalk drawing of a lady in the style of Toulouse Lautrec, 17.2x23.6 and 29x19cm., (3), (unframed).

Follower of Thomas Sidney Cooper- Cattle resting by a tree; pencil and sepia wash, 17x25cm: together with a pencil and wash drawing of resting sheep by a similar or same hand, 11.3x15.4cm., (2), (unframed)

F. P. O'Neil- 'Elpeck's Farm, St. Leonards on Sea, Sussex'; pen and coloured ink signed and titled, 37x65cm: together with one other drawing in pen and coloured ink by the same hand titled: 'Last of the Dying Day', signed and dated '82 indistinctly, 39.2x70.5cm., (2)

Modern British School c1950- Portrait of a man, head and shoulders; oil on canvas, 38.2x30.6cm:together with a portrait of a gentleman in oils on panel by a different hand, and a pen and ink and watercolour drawing of a sailor in the manner of Dufy, various sizes, (3), (part unframed)

Harden Sidney Melville (fl. 1837-1881) - Winter scene with three horses drawing a timber wagon, canvas 30ins x 50ins, signed in red, in modern gilt moulded frame

Egron Lundgren (1816-1875) - Pencil and watercolour drawing of two gypsy children, 8.75ins x 5.5ins, unsigned, framed and glazed

Gerard Dillon (1917-1971) - Ink drawing - Three-quarters length nude portrait of the artist, Gerard Dillon, and his friend and fellow artist, Peggy Archer, in landscape, 10.25ins x 14.5ins, inscribed "To Peggy From Gerard" and dated Dec.-60 (paper creased and top left-hand corner missing)

Kenneth Newton (1933-1984) - Pencil drawing - Street scene, thought to be Street in Somerset, 6.25ins x 11.75ins, unsigned, mounted.

Kenneth Newton (1933-1984) - Pencil drawing - Street scene in Islington with Chippendale style chairs on street to foreground, 9ins x 5.5ins, unsigned, mounted.

Kenneth Newton (1933-1984) - Pencil drawing (unfinished) - View of Harbledown, near Canterbury, Kent, looking towards church, 7ins x 9. 5ins, unsigned, mounted.

Paul Signac (1863-1935) - Crayon and wash drawing - "Rue en Provence" - Village street scene, 6.25ins x 6.75ins, signed, in modern aluminium frame and glazed .

Aristide Maillol (1861-1944) - Pastel drawing - Rear view of nude woman (possibly Diana Vierney), 7ins x 4.75ins, signed in red with an "M" within an oval, in limed wood frame and glazed

17th Century Italian School - Sanguine drawing - "Cupid", 9.25ins x 7. 25ins, bears collector's seal of Stefan von Licht (1880 - 1932) to lower left corner, in gilt moulded frame and glazed

A late Victorian mahogany framed open arm drawing room armchair, the shaped crest rail with carved leaf borders, oval panel to back inlaid with ivorine and boxwood with urn, mask and leaf scroll ornament, out-scrolled arms, the seat upholstered in old gold dralon, on slender cabriole front legs (with repairs to back)

A collection of various drawing instruments, incl fountain pens, compass sets, etc, (a box).