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Raoul Millais, Matador and Bull, red wash drawing, signed, 19cms x 24cms, (7.5" x 9.5").

Raoul Millais, Picador on a galloping horse, wash drawing, signed, 29cms x 20cms, (11.5" x 8").

Lester Sutcliffe, A woodland glade, charcoal drawing, signed, 47cms x 38cms, (18.5" x 15").

Queen Elizabeth The Queen Mother. Christmas cards depicting: Queen Elizabeth The Queen Mother in evening gown seated before tapestry, no date, signed; The Castle of Mey, signed, undated; The Queen Mother in drawing room, signed, undated; The Queen Mother with bouquet, signed, 1959; The Queen Mother with Princes Charles and Andrew and Princess Anne, signed, 1960; Windsor Castle, unsigned (6).

D Summerville (contemporary), A kiss from the deep, a fly fishing montage watercolour and pencil drawing featuring varieties of flies and a wild brown trout around a central watercolour, signed and dated 1992, 27ins by 20ins

A VICTORIAN WALNUT DRAWING ROOM CHAIR, the moulded back button upholstered, the padded bowed seat on turned fluted legs terminating in castors.

A MID 19TH CENTURY OAK GOTHIC LOW DRAWING ROOM CHAIR, the arched back and seat padded and covered in woolwork with gothic motifs, on turned legs.

AN EDWARDIAN FOUR PIECE MARQUETRY INLAID WALNUT DRAWING ROOM SUITE, the backs with shaped top rails and pierced lyre shaped centre splats, the padded serpentine seats on cabriole legs : pair of Side Chairs and a pair of open Armchairs.

A VICTORIAN DRAWING ROOM ARMCHAIR, the low padded back and scroll over solid arms button upholstered, the sprung serpenting seat on turned tapered legs terminating in castors, together with a similarly upholstered Oak Foot Stool, the rectangular padded top on baluster turned legs united by stretchers. (2)

Sassoon (Siegfried) Prehistoric Burial, coloured drawing by Witold Gordon, pictorial wrappers, small 8vo. Borzoi Chapbook, no. 1 (1932); To the Red Rose. Limited Edition (large paper - 400 numbered copies, signed by author). boards, (n.d); The Heart's Journey. Limited Edition (of 590 copies) signed by author on title, quarter cloth, mostly unopened, 1927

A cylindrical mug: The Cavalier and Serving Woman (381) and Driving Cattle (387) green ground, cracked and another Halt near Ruins (390) and Horse Drawing Boat to Land (403) pink ground, cracked (2)

A bowl: Cows in Stream near Ruins (388) and Horse Drawing Boat to Land (403) green ground, 1-2-3 border, gold line decoration, 115mm diameter

Penryn and the Coinage Towns. To the Kings Most Excellent Matie. The humble petition of the Mayor Burgesses and Inhabitants of the Borough of Penryn..., May it therefore please your most Sacred majesty to make the said Town of Penryn a Coinage Town, a fine copy of Penryn's petition of 1682, seven pages, including detailed reasons in support of the claim together with Reasons humbly formed by the Antient Coinage Towns why no patent ought to be granted for the Coynage of Tynn at Penryn, a fine, large three-page document, 1682, written on one side of each leaf only, giving sixteen reasons against the above petition, slight damage at the folds of one leaf, also a copy of the Petition of 1732, from "the principal Inhabitants of the Burrough of Penryn who are buyers and Exporters of Tin or otherwise Concerned as Adventurers in Tin Mines", three pages, petitioning Frederick, Prince of Wales and Duke of Cornwall to make the town a coinage town and copies of other Petitions from the same date, from the Parishes adjacent to Penryn, and from Falmouth, in support of Penryn and copies of Petitions from the same date, from Truro, St. Just, St. Ives, Penzance, Penwith, Helston and elsewhere, against Penryn, and other documents and original letters on the controversy, including a fine, detailed statement of account of the costs to the Corporation of Penzance in contesting the claim, including drawing up and copying petitions and affidavits, attending various other towns, postage, and other costs undertaken, between 1732 and 1738 (-).

Allom (Thomas, 1804-72). Clovelly, North Devon, pen, ink & wash drawing, heightening with bodycolour, approx. 9.5 x 15.25cms, framed and glazed. This drawing was engraved by Tombleson, and published in 1832. A copy of the engraved version is included with this lot. (1).

Allom (Thomas, 1804-72). Sefton Church, Lancashire, pencil, pen, ink & wash drawing, approx. 10 x 15cms (4" x 6.25"), framed and glazed, with Agnew's label to verso. The original drawing for the engraving in Vol.1 of Wright and Allom's Lancashire, c.1840. (1).

Becker (Edmund). View near Bath, pen, ink & wash drawing, c.1790, showing the River Avon near Bath, indistinctly inscribed, affected by damp, approx. 25 x 35cms, framed and glazed (1).

Bourne (James, 1773-1854). 'A Cottage at Mason's Hill, Bromley', Kent, c.1810, watercolour and wash drawing, approx. 30.5 x 44cms (12" x 17.25"), framed and glazed, with old Abbott & Holder label to verso (1).

Cattermole (George, 1800-68). Wells Cathedral, North Porch, pencil drawing, approx. 24 x 17cms., with inscription in pencil to lower margin, together with a 19th-c. pencil drawing of old houses near Trinity Church, Abergavenny, titled and dated 1848, both framed and glazed (1).

English school. View of the Avon Gorge at Bristol, c.1820s/30s, pencil drawing, approx. 7 x 11cms, framed and glazed (1).

English school. Monument to the Duc de Montpensier, Henry VII's Chapel, Westminster Abbey, early 19th-c. pen, ink & wash drawing, approx. 23.5 x 15.5cms (9.25" x 6"), framed and glazed (1).

English school Whitby Abbey, the aisle of the north transept, early 19th-c. pencil drawing, approx. 27.5 x 17cms (10.75" x 6.75"), framed and glazed (1).

Mould (C.J.). "Durham", watercolour, signed, titled and dated 1933, approx. 225 x 150 mm, together with two others by the same hand, London Bridge and a coastal scene, signed and dated 1913, also a 19th century pencil drawing inscribed 'near Lymington, Hampshire' to verso, various sizes (4).

O'Neill (Hugh, 1784-1829). Floating Harbour, Bristol, during its construction, showing Clifton Wood on the left with the gazebo of Goldney House on the extreme left, Lime Kiln Lane glass house to the right at Jacobs Wells with Bristol Cathedral beyond, pencil drawing, inscribed in pencil 'Bristol from the New Docks', approx. 20 x 32cms (8" x 12.5"), framed and glazed (1).

Pyne (James Baker, 1800-70). "Dutchman's Rudder, Calais", 1833, pencil sketch, approx. 16 x 23cms., together with "Sailing Boat, Deal" & "Fishing Boat", pencil and wash drawing and pencil sketch respectively, approx. 18 x 10.5cms and 18 x 12cms. respectively, all mounted (3).

Pyne (James Baker, 1800-70). Study of a Tree, pencil drawing, approx. 33 x 45.5cms, mounted on card (1).

Roe (John, of Warwick, exh. 1771-90). "A Ruined Abbey", watercolour and wash drawing, approx. 29.5 x 43.5cms, framed and glazed, with label of Carlton Gallery, Cheltenham, to verso (1).

English school. View of Rochester, Brompton, Chatham & Stroud, backed by Gad's Hill, pen, ink & watercolour, approx. 16.25 x 21cms, framed and glazed, with old typewritten label to verso, indicating that the drawing dates from around 1790, together with two other small-format watercolour views, 19th/20th-c., incl. one by Agostino Aglio, c.1830, both framed and glazed (3).

Italian School. Portico Interna del Portico del Panteon, early 19th-c. pen, ink & wash drawing of the portico of the Pantheon in Rome, small label in ink to reverse, giving title and the name "Antonia Aquavagi", approx. 21 x 15cms, wash mount, framed and glazed (1).

Pyne (James Baker, 1800-70). Coastal View in Southern Italy, pencil landscape drawing, approx. 33 x 48cms, mounted on card (1).

Norton (Hon. Mrs. & Mackay, Charles). The Drawing-Room Scrap-Book, Being a Selection of the Most Favourite Subjects from the Drawing Room Scrap Books..., 3 vols only, n.d., c.1840, frontis. to first volume, one hundred and sixty-nine eng. plts., eng. half title to vols one and three but excised from vol two, contemp. blind stamped red calf, gilt dec., 4to (3).

London. The Ambulator; or, A Pocket Companion for the Tour of London and its Environs..., 11th ed., 1811, folding hand-col. eng. map showing 25 miles round London (lined with linen to verso), thirteen eng. plts. (of 14), modern crude mock leather, 12mo, together with Barclay (James), Barclay's Complete and Universal English Dictionary..., Leeds, [1840], addn. eng. title, lacks all maps, adhesive tape repairs to margins of final leaf of text and few other pages, some browning throughout, modern half morocco, thick 4to, with Butler (Samuel), Hudibras, in Three Parts..., 1726, eng. port. frontis., sixteen eng. plts. after Hogarth (inc. 5 folding), contemp. calf, 12mo, and withGibbs-Smith (C.H.), Balloons, pub. Ariel Press, 1956, col. litho plts., orig. cloth, slightly soiled, slim folio, with Drawing Room Portrait Gallery, 1862-3, eng. portraits, a.e.g., contemp. gilt dec. red morocco, worn, folio, plus other misc. (a carton).

Manner of Joseph Mallord William Turner. Pencil drawing. A manor house, Dorking, Surrey. 22.3cm x 17.4cm. F&G.

Samuel Atkins (fl.1787-1808), A British Indiaman, signed bottom right, monochrome wash drawing, 11.5 x 16.5cm.

Manner of Jacob de Wit, Silenus and Putti with Bacchus, on a mule, ink and wash drawing, 23 x 18cm.

John Varley (1778-1842), An estuary scene, figures by a, shore in the foreground, cattle on a headland beyond, signed and dated 1827 bottom, left, pencil drawing, 9.75 x 15.5cm. together with John Keeley - Shorne Church, Kent, signed, watercolour, 10 x 15.5cm. (2)

Preparatory drawing for Leda and The Swan… AN OLD MASTER DRAWING OF A NAKED YOUTH on his knees, 10 1/2" x 8", unframed.

ATHENE ANDRADE, Mstislav Rostropovich (cellist), pencil drawing, 13" x 18"; Pierre Monteu in rehearsal with the L.S.O.; Sir John Barbirolli and Orchestra; and one other, signed.(4)

Henry Lamb (1883-1960) - Pastel drawing - Shoulder-length portrait of a gentleman, 11ins x 8.5ins, signed and dated '43, in modern gilt frame and glazed

Francis Nicholson - "The Practice of Drawing and Painting Landscape from Nature in Watercolours", second edition, published by John Murray, Albemarle Street, London 1823 (one volume illustrated with drawings and fold-out plates - leather binding with marbled boards), and a small selection of other prints and information relating to Francis Nicholson

A set of six Victorian walnut balloon back drawing room chairs, the shaped and moulded backs carved with leaf paterae and scroll work to crest rail, and shell and scroll pattern splats, the seats upholstered in green dralon, on cabriole front legs One

An early 19th century engraving of Haddon Hall, Derbyshire. Tinted, together with a 19th century engraving of Malvern from a drawing by H Lamb together with and early 19th century engraving of Blithefield in Staffordshire and an early 19th century miniature engraving of Worcester showing the quayside, the Cathedral and warehouses in the background.

Set of six mahogany drawing room chairs, circa 1900 banded in satinwood, each with a lattice splat on square section legs and spade feet.

Painted and silk embroidered picture of 'Fame Scattering Flowers on Shakespeare's Tomb', after the engraving by Francesco Bartolozzi in turn after the drawing by Angelica Kauffman. In satin and couched stitches, the head, arms and feet of Fame painted. English late 18th-early 19th century, oval 12in. x 10in. 3.66m. x 3.05m. Painted silk sky shattering.

Sir Frank Brangwyn (1867-1956) The Mosque of Ortakevi, Constantinople, at the Entrance to the Bosphorus, from a signed impression of 125, plate destroyed, plate etched from a drawing, signed in pencil lower right "Frank Brangwyn", etching on zinc, 59 x 74cm

Russell Sidney Reeve, 1895-1970, The vet visiting, signed, pencil and black and red crayon, 25x43.5cm.; 9 3/4x17in. (2). To be sold together with Cart Horse, another drawing by the same hand. Euro 900-1,150.

Russell Sidney Reeve, 1895-1970, The horse parade, signed, red chalk, 23x37cm.; 9x14 1/2in. (4). To be sold together with another drawing of horses by the same hand and two lithographs. Euro 400-550.

Russell Sidney Reeve, 1895-1970, The Felixstowe to Ipswich coach, oil on canvas, unstretched and unframed, 38x57cm.; 15x22 1/2in. (5). To be sold together with a watercolour and pencil sketch relating to the present work and another drawing and watercolour by the same hand, all unframed. Euro 600-900.

ENGLISH SCHOOL. A Crayon drawing portrait of a grey horse, 56 cms. x 86 cms.

Continental watercolour drawing (The return of the logger's), initIalled lower left TPM, slight tear upper right, 25 X 35.5cm.

Macmillan History Pictures. Two portfolios of school prints, [1951], in total 110 (of 12) col.-printed posters with captions, each approx. 53 x 43 cm, some minor marginal fraying and scattered repairs, some drawing pin holes, contained in two leather portfolios, some wear, together with the companion Macmillan Geography Pictures, in total 113 (of 120) col.-printed posters in similar state and two matching portfolios, plus the accompanying Reference Books to each set, ed. E.J.S. Lay, 2 vols., 1951 & 1952 respec., b&w illusts., orig. cloth, worn, 8vo, plus 9 x Macmillan's Picture Books incl. two duplicates (17)

Smith, George, The Cabinet-Makers and Upholsterer's Guide: Being A Complete Drawing Book..., London, Jones & Co, 1826, small folio (260 x 200mm.), hand-coloured frontispiece, additional illustrated title, ca. 145 plates, of which 33 are hand-coloured, spotting and browning, contemporary ownership inscription of John Gray on verso of frontispiece and on verso of last leaf, later half calf, lettering piece see illustration)

F B KIRKMAN (Editor). "The British Bird Book". Four Volumes published by T C & E C Jack London & Edinburgh, 1911. Plates and drawing throughout. Hard linen boards (rebound).

A LATE VICTORIAN PARCEL GILT WALNUT DRAWING ROOM CHAIR with cartouche shaped padded back, the serpentine sprung seat on turned fluted legs terminating in castors.

AN EDWARDIAN INLAID MAHOGANY DRAWING ROOM ARMCHAIR with slatted back and open arms, the padded serpentine seat on cabriole legs united by turned stretchers.

A VICTORIAN WALNUT DRAWING ROOM ARMCHAIR, the moulded tongue shaped back button upholstered, the open scrolled arms padded, the sprung serpentine seat on turned legs terminating in castors.

Sonia Lawson (b. 1934), 'Drawing Book', pencil and watercolour, signed upper left, 27 x 23cm (10 3/4 x 9in)

Hannah Palmer (working 1924), Figures waving farewell to a parting ship, watercolour, signed and dated 1924 lower left, 25 x 35cm (10 x 13 3/4in), and a pastel drawing of four dinghies, indistinctly signed, 43 x 41cm (17 x16in) (2).

Pencil and crayon drawing, figures harvesting wheat before a citadel on a hill with viaduct, inscribed in pencil Ebernburg, watercolour drawings, woodland scene and another, garden scene with church beyond, signed G.E. Ward

Watercolour drawing, coastal scene with rocky out crops, inscribed en verso "Shore Mowcles", 5ins x 12ins

Watercolour drawing, figures before a timbered farmhouse and four others, similar - one signed M.H. Lee 1909