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A Victorian Marquetry Inlaid Walnut Part Drawing Room Suite,: an Armchair with padded back and low open scroll arms, and a pair of Side Chairs, the open backs with single horizontal bars, all with padded bowed seats, on turned tapered legs.

A Set of Four Victorian Walnut Balloon Back Drawing Room Side Chairs, the waisted backs with pierced carved scrollwork horizontal bars, the padded serpentine seats on cabriole legs.

A Victorian Walnut Drawing Room Crinoline Chair, the waisted moulded back button upholstered, the sprung serpentine seat on cabriole legs terminating in castors.

A Pair of Late 19th Century Walnut Low Drawing Room Armchairs, the scroll over backs button upholstered above a central pierced vase shaped splat with open scrolled arms, the sprung seats on baluster turned legs terminating in castors. One slightly reduced.

A Victorian Parcel Gilt Ebonized Drawing Room Low Chair, with burrwood inlay, the back with padded inset top rail united by a vase shape central splat to a spindled horizontal bar, the sprung seat on turned tapered legs terminating in castors.

Two Late Victorian Low Drawing Room Chairs,: one with rectangular padded back, the other with button upholstered tapered scroll over back, both with sprung seats, on turned legs terminating in castors

Fellows (Sir Charles, traveller and archaeologist, 1799-1860) A Narrative of an Ascent to the Summit of Mont Blanc, first edition, [one of 50 copies], the author's own copy with his extra-illustrations, lithographed vignette titles, facsimile and 21 plates (1 engraved, the rest lithographed), with the lithographed titles and plates in two states (1 title and 10 plates hand-coloured), extra-illustrated by the insertion of an autograph manuscript title with a vignette in pencil, 11 original watercolours and 1 pencil drawing for the plates (1 watercolour not used), 1 watercolour of geological specimens and a rough pencil sketch (by Fellows?) for the watercolour (also present), partly heightened with white, of Fellows' triumphant planting of a baton at the summit of Mont Blanc by W.S. Hastings, 1 hand-coloured aquatint of De Saussure's ascent of Mont Blanc in 1787, with the original document certifying Fellows and Hawes as the thirteenth party to reach the summit of Mont Blanc, signed by Paijou Jean Francois, Sindic, Simon Goudett, guide chef, J. Barrier & all the guides on verso, 6 autograph manuscripts bound in: including: List of Ascents continued [&] Expences attending the Ascent, by Charles Fellows, 2pp., n.d., and commendations and observations on Fellows and the ascent of Mont Blanc signed by Edmund John Clark, 1p., 7th June 1828; Frederick Clissold, 1p., 11th April 1828; John Auldjo (geologist and Alpinist, 1805-86), 1p., 20th June 1828; William Hawes (ascended the summit of Mont Blanc with Fellows), 1p., 16th July 1828; David Wilkie, 1p., 3rd September 1828, very small stain to lower margins at end not affecting text or illustrations, Fellows' bookplate on front pastedown, watered silk rose doublures, sumptuously bound in near contemporary straight-grain morocco, gilt, title on upper cover "Ascent of Mont Blanc 1827", g.e., skilfully rebacked preserving original gilt spine, [Meckly 71, Meckly lists the above as copy 1 in his Appendix, Census of Copies of Fellows' "Narrative" ... with Coloured Plates; Neate F18], 4to, [Privately Printed], 1827. *** A unique copy. Arguably the most desirable work on Alpine mountaineering to be offered for sale in recent years.

Dugdale (Sir William) Monasticon Anglicanum, A History of the Abbies and other Monasteries ... in England and Wales, 6 vol. in 8, large paper copy, one of 50 copies with proof plates and issued in sumptuous publisher's binding, half-titles, additional engraved titles, printed titles in red and black, 283 engraved plates including 50 double-page on guards, some foxing, bookplate of the Earl of Bradford, Weston House, contemporary blue morocco by J.Mackenzie, gilt tooled borders, spines in six compartments with double raised bands, red morocco labels, g.e., marbled endpapers with inner gilt dentelles, occasional slight rubbing to extremities, overall a magnificent set, [Lowndes I, p.685], royal folio, 1817-30. *** A greatly expanded edition by John Paley, Sir Henry Ellis and Rev. Bulkeley Bandinel drawing on records from the Cottonian Collection and the Tower of London.

Sue (Eugene) Les Mysteres de Paris, 4 vol., 2 A.Ls.s. one by the author, another from the Secretariat general, Ministere de la Marine, original pencil sketch of the author tipped-in on front endpaper, ink drawing loosely inserted, plates, illustrations, bookplates on front endpapers, contemporary half morocco over marbled boards, original printed wrappers bound in, 4to, Paris, Charles Gosselin, 1843-4.

Clifford Hall (1904-1973) "Study of a girl in veiled hat", pen and ink drawing, signed and dated 30/07/46, 7" x 8 1/4"

Dutch or Flemish School, C18th. Pencil drawing. Figures in an interior, one smoking a pipe. 20.5x26.5cm. F&G.

Ruskin (John) The Elements of Drawing, first edition, 1857; The Elements of Perspective, first edition, 1859 § Evans (Joan) The Lamp of Beauty, Writings on Art, 1959 § Collingwood (W.G.) The Life and Work of John Ruskin, 2 vol., 1893 § Burd (Van Akin) The Ruskin Family Letters, 2 vol., 1973, original cloth, last mentioned with a cloth slip-case; and 11 others, Ruskin, 8vo (18).

Cooper (Douglas) The Work of Graham Sutherland, 1961 § Friedman (Martin) Hockney Paints the Stage, 1983 § Luckhardt (Ulrich) and Paul Melia. David Hockney, A Drawing Retrospective, 1995 § Auping (Michael) &c. Howard Hodgkin Paintings, 1995 § Arnold (Bruce) Mainie Jellett and the Modern Movement in Ireland, 1991, plates and illustrations, all except first in original boards and dust-jackets; and c.45 others, Modern and Contemporary British Art, 8vo & 4to (c.50).

Hammacher (A.M.) Marino Marini, Sculpture, Painting, Drawing, New York, n.d. § Russoli (Franco) Marino Marini, Paintings and Drawings, 1965, original cloth, dust-jackets; and 3 others on Marini, 8vo & 4to (5).

Romain (Lothar) and Rolf Wedewer. Bernard Schultze, inscribed by the artist with original ink abstract drawing on half-title, Munich, 1991 § Descargues (Pierre) Hartung, Barcelona , n.d. § Seuphor (Michel) Abstract Painting in Flanders, n.p., 1974 § Sartoris (Alberto) Jean Gorin, Venice, 1975 § Ponente (Nello) Alberto Magnelli, Rome, 1973 § Hodin (J.P.) Manessier, Bath, 1972, plates and illustrations, original cloth or boards, all except last 2 mentioned with dust-jackets; and c.45 others, Contemporary Art, mostly Abstract, 4to & 8vo (c.50).

Doust (L.A.) A Manual of Caricature and Cartoon Drawing, illustrations, original cloth, very slightly rubbed, 1934 § Reed (Langford) Sausages and Sundials, illustrations by Murdock Simpson, a little very light foxing, original pictorial cloth, n.d. § Lariar (Lawrence) Golf and Be Damned, illustrations, original boards, dust-jacket, slightly rubbed and chipped, 1959 § Robinson (W. Heath) Humours of Golf, illustrations, original boards, dust-jacket, 1975; and a small quantity of others, Cartoons and Caricatures, v.s. (sm. qty).

Links (J.G.) Townscape Painting and Drawing, 1972 § Lutyens (Mary) Millais and the Ruskins, 1967 § Taylor (Basil) Stubbs, 1971, first editions, plates, some colour, illustrations, first 2 with autograph inscriptions to Handasyde Buchanan signed by the author; and 7 others, art reference, original cloth, dust jackets, 4to & 8vo (10).

SUNDERLAND ROLLINSON (1882-1950) SUMMER FRUIT AND FLOWERS Oil on canvas, unframed 61 x 50.5cm.; with another still life by the same hand, 50.5 x 40cm., unframed; and a wash drawing en grisaille of children playing with boats, signed and dated 09, 23.5 x 35cm.(3)++ Each original, but light clean advised for the oils.

A Great Western Railway wooden jigsaw puzzle "Oxford", after a pen and ink drawing by Fred Taylor, made by Chad Valley, approximately 150 pieces, size 30.2 x 40.1cm; guaranteed complete, good condition, box with colour-printed black label to lid fair to good

F** H** Townsend (mid 20th century), Playing with baby; study of a drawing room interior at Christmas, watercolour and gouache, signed lower left, 30 x 35.5 cm

Nagy, (early 20th century), Pescadores de Cana (Tossa), oil on board, signed indictinctly, inscribed Tossa, and dated 1916 lower left, 33 x 41 cm, bears pencil drawing dated 1916 verso, also bears paper label for Arthur Tooth & Sons, 155 New Bond Street, London

Jean-Jacques Boissieu (1736-1810) A Head Study of Benjamin Franklin (1706-1790) together with studies of four other heads. Pencil drawing, 22 x 16cm. Sold together with: Jean-Jacques Boissieu (1736-1810). Engraved by Ignace-Joseph Claussin (1795-1844) A Head Study of Benjamin Franklin (1706-1790) together with studies of four other heads. An engraving from 1817, 27 x 21cm. The drawing is Boissieu's original. It does not appear reproduced in the volume of prints by Boissieu in the Fitzwilliam Museum, and the date of the engraving (1817) is after his death. Sir John identified the bottom head in the drawing as that of Benjamin Franklin.

A late 19th century Blackhurst & Tunnicliffe pottery bowl painted in brown and overpainted with the Railway pattern of a 'Mail' train drawing tender, four carriages and a coach on a flat bed truck, 16.5cm.

Edwardian walnut drawing room tub chair, the carved upholstered back raised on carved splat support and moulded front supports with stuff over seat, raised on turned legs

Edwardian mahogany two piece drawing room suite with shell cresting, carved and shaped back, scroll arms, raised on cabriole supports

North Country Angler (The); or the Art of Angling: as Practised in the Northern Counties of England, iv, 89pp., [1p.], fourth edition, 1p. advertisements at end, manuscript leaf with verse and drawing of fish bound in at beginning, light dust-soiling, uncut, modern calf-backed boards, [Westwood & Satchell p.13], 8vo, for Longman, Hurst, Rees, Orme and Brown, 1817.

Shaw.- [Fishes], 48 original drawings of fish including 33 pen and ink and 15 pencil, most labelled and signed 'Shaw', contemporary half calf, gilt spine, t.e.g., rubbed, 4to, n.d., [?c.1824]. *** A note on the front free endpaper suggests these are drawings by John Shaw, author of "Observations on the Growth of Salmon Fry", etc. There is a note on one drawing which reads "Salmo Trutta, Salmon Trout Female, London market April 25 1824."

Zouch (Thomas) The Life of Izaac Walton; Including Notices of his Contemporaries, first edition, [vi], 93pp., engraved frontispiece and title vignette, plates, occasional light offsetting, modern buckram, [Westwood & Satchell p.245], 8vo, Septimus Prowett, 1823. *** Eight copies of this edition were printed on large paper with proof plates on India paper. The illustrations used in this and the 1826 edition are those used in Gosden's edition of the "Compleat Angler", 1822. The 1830 edition is on drawing paper, for private circulation, and without the name of the author.

A Three Piece Drawing Room Suite, comprising a two seater settee and pair of armchairs, with humped backs, loose back and seat cushions upholstered in pink damask, on acanthus carved mahogany cabriole front legs terminating in shell carved pad feet

A miniature of a Lady (French School circa 1810), seated pointing to a religious drawing, wearing white dress with narrow waistband, gilt-mounted, set in a gilded wood frame lined with velvet, circular, 3.25" diameter

David Cox OWS, (1783-1859) "Figures outside an old stone cottage" pencil and wash drawing, signed with initials and dated 1845, 8 x 11".

Attributed to John Downman ARA (1750-1824) "Portrait of Mr Ridding wearing a topcoat and cravat" half length, pastel drawing, 10.5 x 8.5"

W L Beaufort (early 19th century) "Adare Abbey" pencil and wash drawing, signed with initials and dated October 1810, 7.5 x 10" and a companion - a pair (2)

Hugh Douglas Hamilton (1736-1808) "Portrait of Sir Thomas Miller Bt. 1778, wearing a grey jacket, long bust length" pastel drawing, oval 9 x 7"

Gabriel Emile Edouard Nicolet, (Swiss School 1856-1921) "Portrait of a young lady", half length, coloured crayon drawing, signed, 19 x 14"

Scottie Wilson (1888-1972) "Birds on the branches of a tree" ink and crayon drawing, signed, unframed, 20 x 24".

Peter Le Cave, (late 18th century/early 19th century) "A study of swine herd, pigs and horsesl" pencil drawing, signed and dated 1799, 10 x 15"

An Edwardian Walnut Seven Piece Drawing Room Suite, the top rails with ivory stringing inlay: a Two Seater Settee, a Pair of Armchairs, the bowed top rails above pierced vase shaped splats, and Four Side Chairs, the backs with straight top rails and single splats. All with padded seats and raised on turned legs united by stretchers.

A Victorian Rosewood Drawing Room Armchair, the waisted crown shaped back padded, the open padded arms with knurled terminals, the sprung serpentine seat on cabriole legs terminating in castors.

A Victorian Walnut Drawing Room Armchair, the moulded waisted back button upholstered, the scroll over solid padded arms with knurled terminals, the sprung serpentine seat on cabriole legs terminating in castors.

A Victorian Walnut Drawing Room Armchair, the curved padded back and solid arms button upholstered, the sprung serpentine seat on turned legs terminating in castors.

An Edwardian Inlaid Walnut Bowed Drawing Room Armchair the back with padded centre, the open arms each with a pair of pierced splats and with reed moulded turned tapered supports, the sprung seat on moulded turned legs terminating in castors.

A VICTORIAN WALNUT DRAWING ROOM ARMCHAIR, the floral moulded waisted back padded, the scroll over solid padded arms with knurled terminals, the sprung serpentine seat on floral moulded cabriole legs terminating in scroll feet with castors.

A Victorian Walnut Drawing Room Armchair, the open back with padded arched top rail above a pair of moulded "C" scroll splats, continuing down to form open padded arms terminating in knurls, the serpentine sprung seat on floral moulded cabriole legs terminating in castors.

A VICTORIAN WALNUT CRINOLINE DRAWING ROOM CHAIR, the floral moulded waisted back padded, the serpentine sprung seat on moulded cabriole legs terminating in castors.

Kenneth Newton (1933-1984) - Charcoal drawing - Full length study of an old woman seated with a basket in her right hand, 12ins x 7.5ins, unsigned (mounted but not framed). Note: An early student work, circa 1956 .

Kenneth Newton (1933-1984) - Pencil and charcoal drawing - "Iron plough rotting in a field near Sandwich" - Study of a plough covered in weeds and brambles, 9.75ins x 15ins, unsigned (mounted but not framed). Note: Drawn circa 1963.

UNSIGNED PEN AND INK DRAWING Cornish fishermen, 13" x 16"

FRANCES ARBON, SIGNED AND DATED 1884, PENCIL DRAWING, HI-LIGHTED WITH WHITE, Children with a donkey, 13" x 18"

D M CLARK, SIGNED AND DATED '78, PENCIL DRAWING, A St Bernard Dog, 21" x 13"

UNSIGNED PEN AND INK DRAWING Entitled 'Hastings', (fishermen with their boats), 7" x 6" and 'J A B' INIITALLED, PEN, INK AND WASH DRAWING, Inscriber verso 'Haddiscoe Marshes, '39', 4" x 5"

INITIALLED FRENCH PENCIL DRAWING Head and shoulders portrait of a lady, 17" x 11"

19TH CENTURY ENGLISH SCHOOL, PEN, INK AND WASH DRAWING, 'Don't Move There!, We Shall Clear You!', (comical hunting scene), 9" x 12"

DEREK SOUTHALL, SIGNED AND DATED 1954, INSCRIBED 'BERLIN', BLACK INK DRAWING, Portrait of Zelda, (see further details verso), 17" x 11"

19TH CENTURY RUSSIAN PEN AND INK DRAWING of a soldier, 5" x 4" and one other, (2)

UNSIGNED VICTORIAN CHARCOAL AND CHALK DRAWING, young girl seated with a rabbit, 30" x 21", unframed

AFTER SEARLE, PEN AND INK DRAWING, 'Musik Lessons', 6" x 6"

INDISTINCTLY SIGNED PENCIL DRAWING HIGHLIGHTED WITH WHITE, shipping at sea, 5" x 6"

PALEY, SIGNED PENCIL DRAWING, 'Blacksmith', 6" x 7"

ATTRIBUTED TO W R BEVERLEY, PEN AND INK DRAWING, figure in rowing boat with sailing ship in distance, 4" x 5"