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Mahogany drawing room settee, with a triple arched back and upholstered in cream and red striped fabric, 58.25in (148cm) wide

Edwardian mahogany drawing room armchair, with a pierced and railed splat and inlaid with burr maple panels

Edwardian rosewood drawing room settee, the back with padded and railed sections and with padded sections to the arms, on square tapered legs, 56in (142.2cm) wide

Late Victorian rosewood drawing room chair, inlaid with boxwood stringing, the top rail and pierced splat inlaid with marquetry, on square tapered legs

Edwardian rosewood drawing room armchair, inlaid with herringbone stringing, the top rail with marquetry panels over a padded section and seat, on square tapered legs

Harold Riley (born 1934), "Lowry in his studio 1971", signed in pencil, dated ' 73, and numbered 20/25, reproduction print after an original drawing, 59 x 58.5cm.

After Laurence Stephen Lowry (1887 - 1976), "The football match", signed in pencil and numbered 765/850, black and white reproduction print from an original pencil drawing, 25 x 36cm.

After Laurence Stephen Lowry (1887 - 1976), "St Mary's, Beswick" signed in pencil and numbered 28/500, black and white reproduction print from an original pencil drawing, 26 x 37cm.

After Laurence Stephen Lowry (1887 - 1976), "St Simons church", signed in pencil and numbered 207/300, black and white reproduction print from an original pencil drawing, 38 x 76cm.

After Laurence Stephen Lowry (1887 - 1976) "Great Ancoats Street", signed in pencil and numbered 702/850, with blindstamp, black and white reproduction print from an original pencil drawing, 26 x 36cm.

David Shepherd (born 1931), "Zebra", signed in pencil and numbered 261/495, with blindstamp, black and white reproduction print from an original pencil drawing, 21 x 32.5cm. *** With certificate of authenticity.

David Shepherd (born 1931), "Lions", signed in pencil and numbered 261/495, with blindstamp, black and white reproduction print from an original pencil drawing, 21 x 35cm. *** With certificate of authenticity.

David Shepherd (born 1931), Panda, signed in pencil on mount, reproduction black and white print from an original pencil drawing, 13.5 x 12cm.

Late Victorian mahogany drawing-room suite, of a two seat settee, a pair of arm chairs and a pair of standard chairs, each with pierced top rail and splats and stuffed over seat on cabriole legs.

Dodsley, Robert, The Perceptor: Containing a General Course of Education, wherein the First Principles of Polite Learning are laid down...., in twelve parts, illustrated with maps and useful cuts, London, for J Dodsley, 1775, 8vo, two volumes, two engraved frontispieces and thirty-two folding plates and maps, including a numbered suite of twelve to illustrate the section on drawing, maps one hand-coloured in outline, a few plates with frayed edges, and the occasional short marginal tear, no lon, contemporary calf, red morocco lettering pieces, joints to volume I splitting, covers scuffed in places, sixth edition

A late Victorian walnut nine-piece drawing room suite comprising: a two-seat settee with buttoned stuff-over back above turned spindles and carved motifs, with buttoned padded arms and seats covered in floral tapestry, raised on dwarf cabriole legs; together with a pair of easy chairs to match; including a set of two standard arm chairs and two pairs of single chairs.

DR EMILIO COIA, Jan Pascal Tortellier with cello, bust length, pencil drawing, 40cm x 21cm.

An Architect's Drawing Set and two Slide Rules

Eric Scott. The Gallery, signed in pencil and dated 1992, black and white pencil drawing, 46 by 29cm

*English School, early 19th century- 'Drawing of a Portico'; pen and black ink and watercolour, signed with initials and dated 1838, inscribed Gray's Inn Road, 23.4x36.8cm: English School c1860- Prospect of a detached villa; pen and ink and watercolour: together with a mixed folio of drawings of architectural related subjects, various sizes, (a lot), (unframed)

Lucien Pissaro- 'The Crowning of Esther', publ. by Venture Pear Tree Press, 1903, 9.8x8.8cm: together with a collection of prints by or after different hands including: Cheriane, John Copley, Lucien Gautier, Marcel Frischmann, and a drawing of a seated woman by an unknown hand, various sizes, (7), (unframed)

English School c1880- Woman with a bouquet of flowers by a dining table in a drawing room; watercolour, 49.3x72.2cm., (unframed)

A silhouette picture, 2nd quarter 19th Century, the glass reverse painted with figures at a table, a dog at their side and caged parrot above, the backdrop painted en-grisaille with a drawing room, within a gilt box frame, 50.5x40.5cm.

Darius Joseph MacEgan (1856-1939) LA TOUR EIFFEL, signed and dated [1925] lower left, oil on board, 27 by 21cm., 10.5 by 8.25in. Also with this lot, an unframed pencil portrait of the publisher Frederick William Ryan (1883-1956), signed and dated [1927] lower left, 14 by 18 inches (for more on Ryan, see Lot 224); plus an unframed watercolour of the fountain in St Stephen's Green, signed and dated [1926] lower left, 9.25 by 11.5 inches; an unframed pen drawing inscribed Elm Sketched in A College Park, signed and dated [29 July 1918], 10.5 by 7.5 inches; and a mounted sepia-tone photo of artist at work on a portrait of the Dublin Lord Mayor Alfred Byrne in 1931. (5) €1500-€2000

Frederick William Ryan KM (1883-1956) An archive of papers, photographs and sketches. Included here are two copies of the prospectus, seven advertising flyers announcing the portraits of Tim Healy and President Cosgrave, photos and a b&w lithograph of Healy (by MacEgan); the same again for Cosgrave but with the printed folder and letterpress; the manuscript dummy copy for the Robert Emmet pamphlet, with ink lettering inside and out and the original pencil drawing of Emmet by MacEgan pasted in; a variety of photographs and manuscript material concerning the Wolfe Tone pamphlet, including MacEgan's pencil portrait of the bust in TCD library, newspaper clippings reporting the 1933 Wolfe Tone celebrations, annotated by Ryan, and a letter from Cahill & Co., who printed the Wolfe Tone Souvenir for Ryan; plus Lord Ashbourne - an Intimate Pen Picture by Charlotte Dease, published by Ryan and with eight related photos laid in. Also Dublin Shrines: Number One - Shrine of St. Anne at the Church of St. Audoen, High Street, with a lithograph by MacEgan, printed by Goodridge's and distributed by F. K. Ryan, with order form enclosed. Also a folder of 19 photographs of Irish interest; better include a scene in Castlecomer Co. Kilkenny, woodland scenes near Blarney Co. Cork, St Stephen's Green and Wine Tavern Street, Dublin. Lastly, manuscript notes relating to a pamphlet titled A French Consul in Ireland, 1789-1792: Two Note Books of the Baron Coqueber de Montbret.. By F. W. Ryan. The 22 page pamphlet (stapled wrappers, pages uncut) reproduces a talk that was read before the Royal Society of Antiquaries of Ireland on 9 December 1930 and is inscribed by the author. Also his manuscript notes and translations of the notebooks (which are held in the Bibliotheque Nationale Paris), and typed manuscript copy of the Baron's Carnets de Voyage.. a travers Ireland. An interesting lot. €1000-€1500

Gladstone: a scallop edged pottery plate printed in brown with a portrait inscribed for his death, another with black printed portrait within a gilt border and a blue printed line drawing portrait (3)

Gladstone: a scallop edged pottery plate printed in pale colours with a portrait, a black portrait line drawing portrait and a blue-bordered plate with colour portrait, cracked (3)

Heywood Hardy, ARWS, RPE (1843-1933) Drawing Covert, signed lower left "Heywood Hardy", oil on canvas, 90 x 120cm.

A 19th Century mahogany draughtsman's cabinet by T. Dunn of Edinburgh, having a mahogany case, the brass plaque inscribed James Morrison, having two boxes including rules, a set square, a tray containing watercolours, the upper tray with brass drawing instruments and a ceramic palette, 33cm x 10cm.

A Georgian mahogany writing box, rectangular complete with a quantity of brass drawing tools, protractor etc.

Three drawing/ink wash 'Armada' East Indiamen - Richard Scheleckt (USA)

Watercolour/Wash Drawing of St Marys Church, Warwick

E. Law - Ink and wash drawing - "South-West View of Canterbury Cathedral" (circa 1820), 13.75ins x 20ins, inscribed to bottom right corner "Drawn by E. Law, College Street" (unframed)

Late 19th/early 20th Century English School - Pastel drawing - Plough boy leading two plough horses through a ford, 23ins x 35ins, unsigned, in gilt painted frame and glazed

An Edwardian mahogany framed three piece drawing room suite of Sheraton design, comprising - three seat settee and pair of tub shaped easy chairs, all with shaped and moulded showwood frames, embroidered in rose leaf pattern brocade, on square tapered front legs carved with bellflower ornament, with spade toes, the settee with four front legs, 72ins wide x 35ins high

William Hyde- Lighthouse viewed from a coastal path; bodycolour, en grisaille, signed and dated '99, 11.5x19.5cm: English School, c1900- Cottages; watercolour, signed with initials 'F.H.R' and dated '01: together with a pen and ink drawing, three botanical studies and three watercolours, various sizes, (9)

Gwen Raverat (1885-1957) 'THE PHILOSOPHER' Pen, ink and wash, inscribed in pencil and verso 'The Philosopher ink drawing by G R od. 1922', 7 x 8cm; and another by the same hand, ELIZABETH, the artist's daughter pencil, inscribed 'Elizabeth by G R', 11 x 15cm (2)

A photograph of Charles Darwin inscribed in pencil verso 'Charles Darwin done in Verandah at Devon by his son Leonard', mounted on card, 19 x 13cm A photograph of Emma Darwin inscribed verso 'Emma Darwin wife of C.D.', mounted on card, 24 x 17cm Two photographs of the Ruskin & Morris drawing room at 31 Kensington Square with Henrietta Litchfield (C.D.'s daughter Aunt Etty), seated in a chair, taken by Leonard Darwin, 25 x 29.5cm An etching of Charles Darwin, 9 x 8cm, and an engraving of Erasmus Darwin, 45 x 31cm

A SET OF SIX VICTORIAN ROCOCO STYLE WALNUT DRAWING ROOM CHAIRS, with waisted "C" scroll shell and flower moulded backs, the bound padded seats on foliate moulded cabriole legs.

A SET OF FOUR VICTORIAN WALNUT DRAWING ROOM SIDE CHAIRS with waisted balloon backs, the serpentine padded seats on slender baluster turned curved legs united by stretchers.

A VICTORIAN WALNUT DRAWING ROOM ARMCHAIR, the moulded tongue shaped back and solid scroll over arms button upholstered, the serpentine sprung seat on moulded cabriole legs terminating in castors.

A VICTORIAN WALNUT DRAWING ROOM CRINOLINE CHAIR, the waisted tongue shaped back button upholstered, the serpentine sprung seat on turned legs.

TWO LATE 19TH CENTURY OAK DRAWING ROOM CHAIRS with padded backs and sprung seats, on turned legs terminating in castors, one with arms.

A VICTORIAN WALNUT DRAWING ROOM ARMCHAIR with moulded padded and solid scroll over arms, the serpentine sprung seat on cabriole legs.

A Framed Signed Ink Drawing of a Motor Car Scene, by F Paterson dated 1923 for inclusion in 'The Motor'

Japanese School c1900- Moonlit harbour scenes, a pair; paint on fabric, 55.5x53cm., ea., both in matching ebonised moulding frames: together with a Jubilee newspaper and a drawing book, (4)

English School, 19th century- A castle viewed from a wooded river shore; watercolour, 23x32cm: Ernest Savage- Figure by a chateau; watercolour, signed: together with a pen and ink drawing of a fisherman by a stream by a different hand, and two oils, one of a church and the other of a coastal scene, various sizes, (5), (part unframed)

I. Kaczor- Female nude reclining full-length; oil on canvas, signed and dated '83, 64.9x92.4: K. H. Kramer- Alpine landscape; oil on board, signed: together with a pencil drawing of goatherds in an alpine scene by Ludwig Hesshaimer, various sizes, (3)

Frank J. Ball- 'A Wet Day in Derby'; watercolour, signed, and inscribed on the reverse, 36.2x27.8cm: Kathleen Edith Lewis- 'Sussex Farmstead'; black chalk and pastel, signed, and inscribed on label verso: together with a gouache of boats by Hugh Boycott Brown and a pastel drawing of a ballerina by George W. Ball, various sizes, (4)

Early 19th century watercolour and pencil drawing on buff paper, Young girl with a basket, picking flowers, 15cm x 11cm.

Peter Scott 1909-1989, 'Brood of barnacle geese', pencil drawing, signed, reverse titled, 5cm x 14cm

H M Bateman. The Demand WWI cartoon drawing of figures queuing for bus, pen and ink, signed and dated 1917, 37cms x 28cms.

Jean Leyris. Study of trees, unframed, pen and ink, 38cms x 63cms, and a similar small pencil drawing dated 1978.

Curtains throughout the house except Drawing Room, Panelled Room and Bedroom One.

Three pen drawings by Claude Muncaster, a pen drawing of two ladies signed Phil May and a portrait of Spanish style lady.

(+VAT) A GROUP OF TEN PRINTS RELATING TO WORDSWORTH AND OTHER LITERARY FIGURES comprising mainly steel engravings of Rydal Mount (3), The Knoll, Ambleside, (residence of Harriet Martineau), Dora Wordsworth, Byron, Lady Noel Byron, The Dungeon of Chillon, a cabinet photograph by Herbert Bell of Ambleside depicting a print of the Drawing room, Rydal Mount, with William and Mary Wordsworth, and an etching of Dove Cottage (?) (inscribed verso Rydal Mount), mostly taken from books (10)

Edward Horace Thompson, (1879-1949) "ON THE HEATHERY MOORS OF TROUTBECK IN KESWICK", watercolours, signed lower left, entitled, signed and annotated "An Original Watercolour Drawing" on an original label of Charles Nicholls & Son, Manchester, verso, 17.5cm x 25.5cm, (7in x 10in), in gilt card mount and gilt frame under glass

A GEORGE III LADY'S DRAWING-ROOM SPINNING WHEEL in oak and mahogany, with wool box within an inlaid circle of ebony and boxwood feathered stringing, (some parts replaced), 89cm, (35in) high

Guido Barque (19th Century) Portrait of Arcangelo, inscribed lower right "Rome '55", watercolour, 20 x 17cm together with another watercolour and a pen and ink drawing (3)

Tony Brodrick (20th Century) St John's College, from the South-East; St John's College; Trinity College; Shrewsbury Tower, St John's College; Corpus Christi Chapel; Corpus Christi Courtyard; King's College Chapel, West Front, conte drawing, various sizes (7)