We found 67230 price guide item(s) matching your search

A Louis XV style walnut framed three piece drawing room suite, early 20th century, comprising upholstered three seater sofa raised on foliate carved cabriole legs and two conforming arm chairs in later green floral fabric covers (3)

Crawhall (Joseph, editor) A Collection of Right Merrie Garlands for North Country Anglers, one of 50 on large paper, extra-illustrated copy, xvi, 312pp., [1p.], half-title, title printed in red and black, extra illustrations by F.M. Fenwick, 96 original full-page drawings, 107 original ink drawing vignettes and 1 original watercolour, some woodcut vignettes hand-coloured, bookplate of John George Fenwick, occasional light foxing, contemporary red morocco, gilt, g.e., very slightly rubbed, [Westwood & Satchell p.69], 8vo, Newcastle upon Tyne, George Rutland, 1864. *** Unique; an unusual association copy, profusely extra-illustrated. The additional drawings occupy the blank ff. of the book with vignettes illustrating the half-titles. These charming drawings are of fish, angling and river bank scenes. The watercolour is of an angling permit dated 1889. Fenwick was a close associate of Crawhall. Confusingly, the spine of this book carries a different title, 'Newcastle Fishers' Garlands'. Also confusing is the note opposite the title in the octavo edition saying "Fifty Copies printed on large paper". Interestingly, the limited large paper edition does not carry such a note.

Bury (Adrian) Joseph Crawhall [III], The Man & The Artist, number 275 of 990 copies, 251pp., half-title, foreword by Sir Alfred Munnings, tipped-in colour frontispiece, mounted portrait of Crawhall III, numerous plates including many colour, original pen and ink drawing, 2 newspaper articles and plate loosely inserted, original cloth, gilt, t.e.g., 4to, Charles Skilton, 1958 [1957]. *** Original signed pen and ink drawing, 125 x 175mm., depicts two figures, a horse and dogs, with monogrammed initials "JC", apparently a page from an early sketchbook of Joseph Crawhall III.

Hamilton (Vivien) Joseph Crawhall, 1861-1913, One of the Glagow Boys, xiv, 177pp., half-title, portrait frontispiece, numerous plates and illustrations throughout, most colour, original boards, dust-jacket, large 4to, John Murray in association with Glasgow Museums and Art Galleries, 1990. *** An interesting biography of Joseph Crawhall III, nicknamed "The Great Silence". A new study drawing on the large amount of information that has come to light since Bury's 1958 monograph. Contains extensive bibliography, list of exhibitions containing his work, 1894 and 1912 exhibition catalogues, Alexander Reid-Crawhall correspondence, a description of the W.A. Coats collection and Sir William Burrell's Crawhall purchases, 1916-52.

[Lodge (Edmund)] Life of Sir Julius Caesar, Knt ... with Memoirs of his Family and Descendants, large paper copy, 18 engraved portraits, 1 with corresponding watercolour drawing, the rest with hand-coloured coat-of-arms and 1 or 2 additional states, 2 engraved plates, folding genealogical table, extra-illustrated with 78 hand-coloured coats-of-arms heightened with gold in margins and 5 more watercolour drawings of monuments and tombs (one with 2 versions), 1 folding, some portraits on india paper, all additional states mounted, some with pencil annotations, near contemporary note in pencil "Lodge's own copy, Unique" on front free endpaper, some foxing and offsetting, bookplate of Christopher Turnor, Stoke Rochford Library on front paste-down, fine contemporary red morocco, gilt, by I.Wright, g.e., spine gilt in compartments, very slightly rubbed at joints and edges, large 4to, 1810.

A Japanese ivory group of a fisherman drawing in his net over a rock on which is a crab, 11.5cm, red seal mark, circa 1900

A Six Piece Edwardian Rococo Style Walnut Drawing Room Suite : a pair of Armchairs and four Side Chairs, the backs with vase shaped centre splats, the bowed sprung seats on cabriole legs, the Armchair with open arms.

A VICTORIAN WALNUT DRAWING ROOM CRINOLINE CHAIR, the waisted tongue shaped back button upholstered, the sprung serpentine seat on foliate moulded cabriole legs terminating in castors.

Attrib. E HUTCHINS - pen & wash drawing interior and exterior view of the hall window at Mayfield Place, Sussex, 19" x 13"

DAVID ADDEY - watercolour drawing review of the fleet with RFA Stromness & the sailing training ship Sir Winston Churchill, enscribed, signed & dated 1977, 10" x 19"

Lionel Dalhouse Robertson Edwards, (1878-1966), Drawing Cover; The End of the Day; A Misty Morning; Forrard On, Forrard, each lithographs, each s. 26.5 x 42 cm.

A Set of Four Edwardian Mahogany Drawing Room Side Chairs, the backs with pierced vase shaped centre splats, the sprung serpentine seats on cabriole legs

A Victorian Walnut Drawing Room Armchair, the waisted scroll moulded back button upholstered, the scroll over solid padded arms with moulded supports, the serpentine sprung seat on lotus moulded turned legs terminating in castors

A Victorian Walnut Crinoline Drawing Room Chair, the waisted scroll moulded back button upholstered, the serpentine sprung seat on cabriole legs

A Mid 19th Century Walnut Drawing Room Armchair, the waisted scalloped rose moulded back button upholstered, with foliate scrolled open arms, the serpentine sprung seat on cabriole legs

An Edwardian Inlaid Mahogany Drawing Room Armchair, the back with rectangular pierced centre splat with open arms, the padded seat on square tapered legs terminating in spade feet

NORWICH SCHOOL, a watercolour drawing of a castle ruins and figures, bears signature left 'P De Wint', in a gilt and strapwork frame, 20cm x 30cm

GOUCH,J.G, a cross-sectional drawing of a 4-6-0 LMS Railway locomotive, framed, 47cm 97cm

IVOR HITCHENS, A coloured print 'The Edge of the Wood' and a drawing of a nude girl, framed. (2)

16TH CENTURY ITALIAN SCHOOL, A fragment of a pen and ink drawing of figures, pieced together, mounted and framed, 8"x6 3/4".

18TH CENTURY ITALIAN SCHOOL, A red chalk study of a Roman Emperor, 6"x9" and an earlier Italian drawing of hand, 6 3/4"x10", each mounted and framed.

AN 18TH CENTURY FRENCH DRAWING AFTER BOUCHER of a putto, with hunting horn watermark, 8 1/2"x10 1/2" , mounted and in gilt frame.

18TH CENTURY FRENCH SCHOOL, An offset red chalk drawing of an allegorical scene of figures, 10"x7", mounted and in a gilt frame.

WEISBER, Gabriel 'The Realist Tradition, French Painting and Drawing 1830-1900' The Cleveland Museum of Art, 1981. Tog.with other art.(1 box)

The Rev. Gilbert White 'The Natural History Of Selbourne', pub'd circa 1871, leather bound, (bindings A/F), 'Memoirs Of The Life Of Sir Stephen Fox', rebound in 3/4 leather, pub'd 1757, and 'Fishers Drawing Room Scrap Book', pub'd 1832, (binding A/F)

After W.J. Shayer: 'Drawing Cover', 'Full Cry', 'Dead Beat' and 'Gone Away', set of four republished hunting prints, 42cm x 53cm (16.5" x 21")

F E DIBDEN 1849 pencil and watercolour drawing of a cottage at Bownegg Wales, in carved gilt frame - 8ins x 12ins

HARRY HOPE READ 1920's pencil drawing of families on Hastings Beach sitting in deckchairs behind wind breaks, unframed - 8ins x 12ins

HARRY HOPE READ 1920's pencil drawing of two ladies sitting on the beach whilst knitting with other figures sitting in deckchairs, unframed - 7.5ins x 11ins

HARRY HOPE READ 1920's pencil drawing of a fisherman's hut on Hastings beach with rowing boat and nets drying on the foreshore - 7.5ins x 10ins

PIETRO ANNIGONI black and white drawing taken from the 1 Quattro Cavaliere dell Apocalisse, in glazed frame - 12ins x 19ins

Philip Meninsky (20th century) "Portrait of a girl wearing a hair band" charcoal drawing, signed 17 x 11.5"

Philip Eustace Stretton (ex 1884-1915) "Two bloodhounds" pen and ink drawing, signed and dated 1894, 10 x 15.5"

Sir Hubert von Herkomer (1849-1914) "The orchard" pencil drawing heightened with white, signed with initials and dated 1869, 5 x 8"

Robert Purves Flint (1883-1947) "Chiesa Degli Cazi, Venice" pencil and wash drawing, inscribed on lable on reverse 18.5 x 14.5"

Architect's drawing viaduct

AFTER THOMAS LAWRENCE, A girl drawing water at a pool , oil on canvas, indistinctly signed, 14"x11", in gilt frame.

19TH CENTURY ENGLISH SCHOOL, Rydal, West Moreland, A pencil drawing, dated 1842, 6"x9.5".

A 19TH CENTURY WATERCOLOUR AND WASH DRAWING, DEPICTING RIDERS ON HORSEBACK going through water, inscribed "Bob and Joe riding to town after wet weather, scene, Lea Marshes, July 18th, 1835", unsigned, approximately 6 1/2 ins x 8 1/2 ins in a veneered frame.

ESG, 1825, PENCIL DRAWING, DEPICTING A SEATED LADY, reading a book, signed with initials and dated, approximately 9 3/4 ins x 7 ins, framed and glazed.

A PENCIL DRAWING OF A CLOWN in silhouette, signed with initials L.K. possibly Laura Knight, 8"x7", mounted and framed.

SIR FRANK SHORT, Farringdon Market, 1891, a pencil sketch, 6"x5", and a drawing of Temple Bar dated 1870 and a further drawing of Houses of Parliament signed H G HAMPTON. (3)

A pair of blue-printed vases, of flattened ovoid shape, printed in blue with a landscape featuring artists drawing a ruined archway, with a chinoiserie-type border around the foot and both inside and outside the rim, height 17.5cm, unmarked, circa 1805-15 (one with rim chip)

FRANCIS WALKER Dunstaffanage Castle Signed Pen and ink drawing 36 x 54cm.

Edwardian carved mahogany drawing room easel with circular foliate cresting to carved frame and similar adjustable platform, 184cm.

Edwardian walnut two seat drawing room sofa, the frame with carved frieze, scroll arms, upholstered in green velvet, raised on turned, fluted, tapered supports, 83cm.

'The Anastatic Drawing Society', six volumes, 1857-1861 and 1863

DIANA LOW, pastel drawing of a woman and dog seated on the beach with a small boy at her feet, in pine frame - 9ins x 7.5ins.

An unsigned 19th century pencil drawing heightened with watercolour of a seated woman wearing a white lace bonnet, in gilt frame - 10.5ins x 7.75ins.

An unsigned 19th century pencil drawing heightened with watercolour of a seated young woman, her hair in ringlets and arm resting on a table, in gilt frame - 8.5ins x 6.5ins.

A 19th century French pen and ink drawing of an old woman sitting in a rock and holding a walking stick - 9.75ins x 6.75ins.

A 19th century unsigned French pencil drawing of deer watering at a pond outside a wood - 5.5ins x 8ins.

H ALSTON, pastel drawing of a puppy lying in bed with a bandage wrapped over one eye, in maple frame - 11.75ins x 9.5ins.

Attributed to JOHN BARTHOLD JONKIND 1869 German school, pencil drawing of boats on the Dort, in gilt frame - 4ins x 8ins.

ROSAMUND BORRADAILE, pen and ink drawing 'Short Pose' study of a nude woman, in glazed frame - 13.25ins x 10.25ins.

HERMIONE HAMMOND, chalk and gouache drawing of a classical urn on a pedestal, signed and dated 10/3/57, unframed - 11.5ins x 8.75ins.

HERMIONE HAMMOND, chalk and watercolour drawing of an architectural scene Sun Lorenzo Vicenza, signed and dated 9/54, unframed - 12.5ins x 6.5ins.

HARRY HOPE READ watercolour drawing of women and children in the street painted in Tunbridge Wells C1920, unframed - 12.75ins x 11ins.

A pencil drawing of woodland landscape with figures and boat on a lake - 4.5ins x 7ins and a pencil drawing of a farmhouse, signed GAS 1904 - 6.25ins x 9ins.

PHIL MAY, pen and ink drawing 'A Day at the Races' depicting Edward 7th, Duke of Wellington, Mosely, Mr. Punch and Disraeli, margin signed and dated 1897, in glazed frame - 10ins x 15.75ins.