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HORTON, GEORGE EDWARD (1860 - ); watercolour, All that was left of her, depicting the broken mast of a ship in a barren coastal landscape, signed, 10 1/8in x 26 1/4in, inscribed to reverse, Exhibited at The Laing Art Gallery, Newcastle-upon-Tyne, original gilt gesso frame; together with a charcoal drawing, Schiedaam, Holland, depicting fishing vessels, signed and titled, 9in x 7in, unframed. (2).

McGILL, DONALD; the original watercolour drawing for the postcard 'I think I will' depicting a lascivious gent admiring a painting of a naked girl partially obscured by clouds, the picture being entitled Wait till the clouds roll by, 9 1/2in x 6 3/4in; together with the printed version of the card.

McGILL, DONALD; an original watercolour drawing Here's jolly good luck to Tommy and Jack, depicting two views of the same rotund woman, wearing a union flag bathing costume to the front and a swastika to her ample posterior, 8 1/2in x 6 1/2in, with a typed caption to the mount.

McGILL, DONALD; the original watercolour drawing for the postcard You'll enjoy the sun - but you'll miss the sons! depicting two young women reclining in bathing costumes upon a beach, 6 1/2in x 10 1/4in; together with the printed postcard version.

English School early 19th century- 'Village of Old Nuneham, Oxforshire', (recto), A group of farm buildings with woodland, (verso); pencil, inscribed, 18x31.5cm: English School 19th century- Fieldworker by a stone wall; watercolour: together with a drawing of a standing classical figure holding a torch in pencil and red chalk by a different hand, various sizes, (3)

A. Talbot Smith- 'Dignity and Independance'; pen and ink original artwork for illustration, signed, 28.5x26cm: British School early 20th century- Two maidens meeting on a country track; watercolour, dedicated and dated 1913: together with a portrait study in pencil by Marjorie B. Honeyburne and a Russian School c20th century pencil drawing of a street scene, various sizes, (4)

GOSPORT, NAVAL ACADEMY. Pen and ink and watercolour drawing of Clarence Square, showing groups of people, probably naval cadets, engaged in various activities, including CRICKET. 113 x 196mm. (small piece missing from upper blank corner)

A PAPIER MACHE DESK BLOTTER the cover painted with young girl and a child drawing water from a spring within a gilt oval, 12in. (31cm.) x 9in. (23cm.).

LOUIS CONRAD ROSENBERG (1890-1983), Rue du Pont Veille, drypoint, pencil signed in the margin, 8 1/2" x 5 1/4", a pen and ink drawing of a building and aquatint engraving of two foals in a stable, signed Lawrence Fosset. (3).

JOHN DOWNMAN (1750-1824), Portrait of a lady, signed with initials and dated 1778 pencil drawing, 8" x 6 1/2".

AN OLD MASTER DRAWING OF A YOUNG LADY reading from a Bible, pencil and coloured chalks, 11 1/2" x 8 1/2".

SIR FRANK DICKSEE (1853-1928), Three figures in 18th century dress in an interior, pen and grey wash drawing heightened in white, 5" x 3 1/2".

WILLIAM STRANG (1859-1921), Figure study, signed pencil and coloured chalk drawing, 14" x 12".

ATTRIBUTED TO CHARLES SPENCELAYH (1865-1958), A man holding a mousetrap, pencil drawing, 9" x 6".

A large pierced working drawing of Immingham East signal box, together with another similar of Brocklesby signal box.

Carolyn Haywood, pen and ink drawing, three children close to a beach; coloured print Doctor Syntax at an Auction; and various topographical prints

A set of three 19th Century coloured hunting prints by H. Alkin titled, 'Drawing the Cover' 'Getting Away' and 'Full Cry'; SS 17 ins by 13.5 ins framed and glazed (3)

A Victorian rosewood drawing room chair, moulded carved frame, upholstered back and seat on cabriole front legs.

Precision Drawing Instrument And Scale Rules To Include Cased Set 12 Rules By J.Halen & Co. And Ivory Rules (4).

Lewis Nockalls Cottingham - Design for a gothic armoire for the great drawing room at Snelston Hall the seat of John Harrison Esqr, two elevations and the plan, scale 1:12, signed L N Cottingham Archt and inscribed, pen and ink, watermarked j whatman 1837, 52 x 73cm

A mid 19th century Winsor and Newton mahogany paint box containing blocks of paint, ceramic mixing palettes and with some pens and drawing implements in the drawer below, the box, 23cm wide.

A FIVE PIECE MAHOGANY DRAWING ROOM SUITE, comprising: a pair of Armchairs and three Side Chairs with shield shaped foliate moulded backs and open arms, the sprung seats on cabriole legs with castors. (5)

AN EDWARDIAN INLAID MAHOGANY THREE PIECE DRAWING ROOM SUITE, comprising: two seater Settee and a pair of Armchairs, each with overhanging rectangular top rails above interlaced splats and curved and turned open arms, the padded seats on turned tapered legs.

A VICTORIAN WALNUT DRAWING ROOM CRINOLINE CHAIR, with flower moulded button upholstered back, the sprung seat on cabriole legs terminating in castors.

A VICTORIAN WALNUT DRAWING ROOM ARMCHAIR, with arched curved deep button upholstered scroll over back and low padded scroll over arms, the sprung seat on cabriole legs terminating in castors.

A VICTORIAN DRAWING ROOM ARMCHAIR, the waisted moulded back and scroll over solid arms button upholstered, the sprung serpentine seat on cabriole legs terminating in castors, and a Companion Crinoline Chair. (2)

A set of 19th Century brass drawing instruments, contained in shagreen covered case, retailed by J. Bleuler, No. 27 Ludgate Street, London, 7ins x 2.75ins (case slightly damaged, with ruler and some fitments missing), and a brass framed map reading magnifying glass with slender turned handle, 4.5ins overall

A set of four Victorian rosewood balloon back drawing room chairs, the moulded backs with fretted and carved leaf cresting and scrolled splats, the seats upholstered in rose brocade, on cabriole front legs

Baxter: 'The Flower Garden' with Annuals (53) cover missing, another copy with Greenhouse Perennials (5) and 'Fishers Drawing Room Scrap Book' with Hindoo and Mohamedan Buildings (5) (3)

An oviform teapot and cover: The Wooden Bridge (400) and Horse Drawing Boat to Land (403) green ground, 1-2-3 border, gold line decoration, 136mm high, tiny chip to spout (2)

Lawrence - pencil drawing - portrait, 1795 and two others

Gilt-framed print of a lady playing the mandolin, 'The Drawing Room'.

Cornelius Varley (1781 - 1873), "Fisher Village", indistinctly signed, pencil drawing, 30.5 x 47.5cm.

Late Victorian part drawing room suite, with inlaid Florentine decoration, of two open arm chairs and two side chairs, together with a somewhat similar side chair, each upholstered in brocade. (5).

Watercolour drawing, still life, bird's nest and hawthorn blossom on a bank, indistinctly signed JMC or G? 1890 under the mount 6ins x 7 1/2 ins, an oil on board, coastal scene signed V.M. Agnew 1913 and two prints(4)

*Albert Pollitt 1905 Watercolour drawing, coastal scene with waves breaking on rocks, signed and dated, 11ins x 17 1/2 ins

Watercolour drawing, still life, bossom in a vase, "Christmas roses", signed M. Cockburn, hand-coloured print - "Dorfold, Cheshire", black and white print of "Old Fishmarket, Folkestone", print after Constable and another Llanstephan Castle(5)

Victorian walnut portable writing box with brass corners and a mahogany instrument box complete with drawing instruments

Watercolour drawing of a church, monogrammed EHH & four prints various, one entitled "Geraldine" c.1840

John Falconar Slater (1857-1937) A COUNTRY HOUSE GARDEN WITH HERBACEOUS BORDERS, FISH POND AND TREES Signed, pastel drawing, {46cm by 62cm (18in by 24_in)}.

Theodore Zimmerman (20th century contemporary) "A LOVELY DAY ON THE BEACH AT LE TOUQUET, FRANCE" Signed, also inscribed "Le Touquet" and bears a studio stamp for the artist, also inscribed with the title of the work on the reverse of the actual work, pastel drawing, {17cm by 22.5cm (7in by 8_ in).

...Davis (20th century contemporary) AN INTERIOR SCENE WITH A LADY SEATED AT A DESK TALKING TO A YOUNG BOY WHO IS HOLDING A MODEL PLANE, HIS FATHER STANDING NEARBY Signed, charcoal drawing, {73cm by 47cm (29in by 18_in)}; together with two further works by the same artist, THE ARTIST'S STUDIO, SHOWING THE ARTIST HOLDING HIS EASEL AND SMOKING A PIPE, WITH A MODEL IN THE FOREGROUND, and STUDY OF A YOUNG LADY SEATED BESIDE AN ORNATE DESK, A YOUNG MAN HOLDING A NEWSPAPER NEARBY, {66cm by 39cm (26in by 15_in) and 68cm by 40cm (26_in by 16in)} (3).

...Davis (20th century contemporary) A FIGURE STUDY DEPICTING A LADY AND A GENTLEMAN BOTH SEATED ON THE SAME CHAIR, THE GENTLEMAN SMOKING AND THE LADY WEARING AN EVENING GOWN AND HOLDING A DOCUMENT IN HER RIGHT HAND Charcoal drawing, {73.5cm by 76cm (29in by 29_in)}; together with a further example by the same artist A YOUNG LADY HOLDING A PEN WITH A DOCUMENT IN HER LEFT HAND, THE DOCUMENT READING "THE SWEETEST FATHER IN THE WORLD. HE'S SO VERY THOUGHTFUL AND SOMEHOW AVOIDS THE DULL AND ORDINARY..." Charcoal drawing, {60.5cm by 51cm (24in by 20_in)}; together with a black and white reproduction of a LADY AND GENTLEMAN IN A BOX AT THE THEATRE, the print produced for the Black Magic chocolate advertisement campaign "Who knows the secret", a limited edition print 329/400, {overall size 54cm by 41.5cm (21_in by 16_in)} (3).

John Holt (20th century contemporary) "EVENING CAFE, ST TROPEZ' Signed, also inscribed on an exhibition label verso with the title of the work etc, pastel drawing, {54cm by 44cm (21in by 17in)}.

Frederick (Fred) Lawson (1888-1968) A BARN INTERIOR WITH GRAIN, BARRELS AND OTHER IMPLEMENTS, ONE OF THE SACKS INSCRIBED "YORKSHIRE AGRICULTURAL DRIERS LTD" YARD, TOPCLIFFE, YORKSHIRE Signed and dated March 28th 1949, also inscribed "Castle Bolton", black and white pen and ink drawing, {25.5cm by 34.5cm (9_in by 13_in)}.

Davidson Knowles R.B.A. (fl.1879-1896) A DRAWING ROOM INTERIOR WITH A LADY PLAYING A PIANO, A GENTLEMAN NEARBY HOLDING A VIOLIN Signed, oil on panel, {35cm by 46cm (13_in by 18in)} .

After Schweninger, Young lovers in the drawing room, A crystoleum, 25 cms x 20 cms.

A Black Forest carved nut cracker in the form of a deer head with glass eyes and a rosewood boxed drawing set.

A watercolour drawing of a young boy, by John Turmeau, signed, circa 1815, head and shoulders and profile to dexter with forward combed hair wearing a black jacket, ebonised wood frame, oval, 5.5"

John Fredrick Herring, Jnr (1815-1907) 'A fall at the ditch', ink and wash drawing, signed, 7" x 11.5"

James Warren Childe (1778-1862), 'Portrait of a little girl wearing a white frock playing with her pet cat in a drawing room interior', watercolour, signed and dated 1839, 16" x 12"

John Hassall (1868-1948) 'The court of Queen Elizabeth', ink and wash drawing, signed, 9" x 11" and the companion - a pair (2)

Pedja Milosavljevic (b.1908) 'Reclining nude', pencil and wash drawing, signed, 10" x 17"

E Hure (circa 1950) 'Tahitan dancers', ink and wash drawing, signed, 18" x 16"

William Pearson (late 18th century, early 19th century) 'Uffington Church, Shropshire', ink and wash drawing, signed, inscribed and dated 1808 on reverse, unframed, 7.5" x 10"

An early Regency giltwood and gesso overmantel, the marbled cornice over figural scene frieze, with lion drawing chariot and trumpeting angels, above a plain triple plate, flanked by moulded pillars, 96x174cm.

Fowler, John, and John Cornforth, English Decoration in the 18th Century, London, Barrie & Jenkins, 1974, large 4to (295 x 205mm.), half title, photographic plates and illustrations, original green cloth, and dust-jacket. Linstrum, Derek, West Yorkshire Architects and Architecture, London, Humphries, 1978, 4to (270 x 215mm.), half title, photographic frontispiece of a detail of carton-pierre of the Grand Theatre, Leeds, plates and illustrations, original green cloth, and dust-jacket. Pearce, David, London's Mansions The Palatial Houses of the Nobility, London, B. T. Batsford, 1986, large 4to (300 x 205mm.), half title, photographic frontispiece of a Section drawing of Sir William Chamber's proposal for York House, plates and illustrations, original red cloth, and dust-jacket. Stalley, Roger, The Cistercian Monasteries of Ireland, London & New Haven, Yale University Press, 1987, large 4to (285 x 225mm.), half title, photographic frontispiece of Corcomore Abbey at the end of the nineteenth century, plates and illustrations, original blue cloth, and dust-jacket. Together with 14 other works in 14 volumes, including Olive Cook's 'The English House Thorough Seven Centuries' (London, 1968), Frank Russell's 'Art Nouveau Architecture' (London, 1979), and Graham Stuart Thomas 'Gardens of the Natural Trust', (London, 1979)

Life in England in Aquatint and Lithography 1770-1860 Architecture Drawing Books Art Collections Magazines Navy and Army Panoramas Etc from the Library of J. R. Abbey A Bibliographical Catalogue, Folkestone & London, Dawsons, 1972, folio (255 x 190mm.), half title, colour frontispiece, facsimile plates, and illustrations, original cloth, red morocco lettering piece, dust-jacket

[Langley, Batty], The City and Country Builder's and Workman's Treasury of Designs: on the Art of Drawing and Working The Ornamental Parts of Architecture, London, for and sold by S. Harding, 1750, 4to (290 x 230mm.), 210 engraved plates by the author, new endpapers, modern calf backed spine, marbled boards, red morocco lettering piece

[Langley, Batty], The City and Country Builder's and Workman's Treasury of Designs: On the Art of Drawing and Working The Ornamental Parts of Architecture, London, printed for S. Harding: and sold by B. Dod, and J. Marks, 1756, 4to (285 x 220mm.), 198 (of 200, lacking Nos. 110 & 177), engraved plates, new endpapers, contemporary calf, rebacked, green morocco lettering piece