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-. Good drawing of a naked couple making love, grisalle watercolour over ink on paper, mounted on board, 95 x 175mm., early 19th century

Martin (Frank) A Nude Seated in a Victorian Armchair, charcoal drawing, on buff paper, 600 x 465mm., signed in pencil, lower right, framed and glazed, 1960s

Ungerer (Tomi) Collection of Original Drawings, five of bizarre sexual contraptions, thirteen of couples and groups, fifteen in pen on thin paper, one with red crayon, sheets 210 x 295mm., one with an additional drawing on a conjugate leaf, three in pencil on thin paper, sheets 265 x 330mm., four with cartoon captions, ?1970s (18).

A Victorian Cameo Brooch, the carved shell cameo depicting Apollo and a quadrrigo drawing Aurora and the Sun, in gold mount

Abbo (Jussuf) [Copulating Couple], charcoal drawing on buff paper, 280 x 245mm., monogrammed in pencil, lower right, title 'Kopulierendes Paar', and date in pencil, verso, framed and glazed, 1918.

Sir William Orpen RA RI HRHA (1878-1931). NOLL POSING AS AN EGYPTIAN, signed in monogram and inscribed lower right. pencil drawing. 28 by 23cm., 11 by 9in. The drawing comes with a letter of valuation from art dealer and restorer James Gorry, dated 3 September 1987 (attached at reverse). 2,000-3,000 Euros (IR £1,600-£2,300 approx.)

Jack Butler Yeats RHA (1871-1957). "WHO SAYS RHEUMATICS!". pen and ink drawing on envelope. 8 by 14cm., 3 by 5.5in. Illustration drawn on the reverse of an envelope, postmarked Paddington, 4th March 1916. 1,500-2,000 Euros (IR £1,200-£1,600 approx.)

EPHEMERA. A collection of papers, letters, documents and photographs relating to Sir Bertram Blakiston Cubitt (1862-1942), including Commissions, official papers, family letters; also a signed photograph of Lord Roberts, and pencil drawing 'The Market Pony' after Morland (a box)

6 Folio Edition Jigsaw Puzzles by Waddington - The Great Hall, Warwick Castle (2), The Drawing Room, Arundel Castle, The Dining Room, Luton Hoo, State Bedroom, Woburn Abbey, The Drawing Room, Rudding Park, boxed but used condition.

Langley (Batty) The City and Country Builder's and Workman's Treasury of Designs: or the Art of Drawing and Working the Ornamental Parts of Architecture, 200 engraved plates, minor browning, contemporary calf, rubbed, rebacked, upper joint tearing, 4to, 1750.

Druie Bowett (20th Century) Study of a Girl, inscribed on the reverse "Nude Drawing, 1952, Druie Bowett", 75 x 35cm

Thomas Austen, early 19th century, cottages at Easdale, pencil heightened with bodycolour, signed and dated 1829, 21.5cm x 34.5cm together with a pencil drawing of children by a cottage, dated 1843, 37cm x 29.5cm.

Chabrand (A.) Congres du Club-Alpin Francais: Fíte Alpine de la Societe des Touristes du Dauphine a la Berarde, number 3 of 5 copies on Japon with an original signed pen and ink drawing by Guigues, lithograph plates, illustrations, original pictorial wrappers, 8vo, Grenoble, 1887.

Kick (Paul de) Huit jours au pas de Charge en Savoie et en Suisse, lithographed title, illustrations and letterpress, some slight foxing, drawing of a horse on front free endpaper, modern calf-backed boards, original lithographed boards inset, stained, slip-case, (Meckly 104), oblong 4to, (1845?).

Two late 19th century rosewood drawing instrument boxed sets, each with fitted removable tray

Portraits.- The Drawing Room Portrait Gallery of Eminent Personages, 2 vol, portraits including Isambard Kingdon Brunel, W.E. Gladstone, Alexander von Humboldt and David Roberts, 80 engravings, each 400 x 270mm., some slight spotting, mostly marginal, original decorated cloth, slightly worn, folio, John Tallis, 1859-60. (2).

MISCELLANY.- A mixed group of watercolours and oils, including large Alpine scene, large tulip study and a fighter jet, from 750 x 600mm. to 162 x 110mm., the majority frramed and glazed, late 19th and th century; with one pencil drawing by L.T. Lewcock of wounded soldiers (13).

GEORGE CATTERMOLE (1800-1868) THE OPENING OF THE CASKET Bears a signature, watercolour and gouache 21.5 x 27.5cm.; with a watercolour and ink drawing attributed to WILLIAM STRANG, 24 x 30.5cm.; and another watercolour, indistinctly inscribed, 20.5 x 34. 5cm.(3)++ Mixed; generally fair to good.

FOLLOWER OF FREDERICK GOODALL, RA (1822-1904) HEAD STUDY OF A BEARDED ARAB; ARAB IN A TURBAN Two, each indistinctly inscribed in pencil, oil on canvas laid down on card Each 18 x 15cm. approx.; with an oval watercolour and pencil study of a gentleman's head, follower of RICHARD COSWAY, oval, 13 x 9.5cm.; and a pencil drawing of a standing lady, circa 1850, 15.5 x 7.5cm. (4)

E. BENT WALKER (Fl.1896-1916) A COASTAL SCENE Signed, oil on canvas 54.5 x 70.5cm.; with an ink and brush drawing by Rubin; and a mixed media collage. (3) ++ Oil relined, needs a clean, some faults; others fair.

M** S** N** (Circa 1950) PORTRAIT OF A LADY IN A CHECKED DRESS Signed with initials, oil on canvas 70.5 x 60cm.; with a pastel; a watercolour; and a drawing by various other hands. (4) ++ Oil needs a good clean; others fair.

Jelinger, H. (1895-1961), pen drawing with watercolors, Fish market in Lier, signed b.l., verso annotated with title, dim. 20 x 16 cm. Euro 220-250

Moerkerk, H. (1879-1949), drawing, Two actors, signed l.m., dim. 27 x 40 cm. (paper discolored, stains) Euro 80-100

Moerkerk, H. (1879-1949), drawing, Kniertje Jochems, dim. 18 x 14 cm. (paper discolored, stains in corners) Euro 40-60

Eyck, Ch.H. (1897-1983), black chalk drawing, Man in garden in Curacao, signed and dated '52, dim. 50 x 37 cm. Euro 560-640

STUART C., 'St Andrews from the Links', c.1890, watercolour drawing, titled verso, framed, 17cm x 24cm

G. Clausen: Pencil drawing, a blacksmith at work, 12" x 8", signed

A MAHOGANY CASED SET OF BRASS DRAWING INSTRUMENTS 7 3/4in. (19.5cm.) wide

A 9 piece drawing set (lacks two pieces) with 6" ivory sector and asstd scale rules in fitted mahogany case G+

A 11 piece drawing set by A.G.THORNTON with ivory parallel rule and boxwood scale rule in orig mahogany box G++. See Lot 731 for illustration.

A 11 piece drawing set and asstd instruments below tray in rosewood veneered box G++. See Lot 731 for illustration.

A 9 piece drawing set by STANLEY London in orig bakelite case G+

A 14 piece set of drawing instruments by B.J.HALL & Co.Ltd. in orig fitted case G++

A 12 piece drawing set by WILD Heerbrugg in orig case G++

A 20 piece drawing set in German silver by NORTON & GREGORY in orig case G++

A 12 piece drawing set by E.O.RICHTER & Co. No 1836 in orig case G+

An unusual 12 piece drawing set by A.G.THORNTON in German silver, including a pen with cantilever adjustment and a pen & pencil bow with rack adjustment etc in chamois case G+

A rare doctor's bill for the years 1769-1774, hand written on six pages of 15" x 6" banknote paper treatments include; Hartshorn drops, a Vomit, the Musk draught, Drawing plaster etc. from Mr Bailward to Jones and Davis Doctors for the sum of 45 15s 10d a considerable sum G++

Four drawing instruments with ivory handles including a rail pen and a small wheel pen G++. TI

Three miniature steel drawing squares 1 1/2" TO 3" by HOLTZAPFFEL G++. TII. See Lot 2132 for illustration

Fran Knowles, Male peregrine, signed, pencil drawing, 30cm x 22cm.

A good Edwardian six-piece drawing room suite, the two-seat sofa with central pierced splat decorated with harebells, shaped back raised on cabriole supports, also a pair of tub chairs and four single chairs.

Anna Mary Howitt (19th century), Two sheets bearing text inscribed by the artist, the first with a roundel depicting a pencil drawing of an old man above an extract of text; the second a poem 'The Spirit of Poetry', each signed and inscribed The Hermitage, Highgate, 1854, lower left, the first, text 25 x 35.5, roundel 23.5 cm diameter, the second 33.5 x 21.5 cm, each bears impressed mark upon the mount upper left, for De La Rue & Co., London Board, each unframed

Cecil Charles Windsor Aldin (187-1935), Donkey drawing water at a Majorcan well; a pair, each etching, each signed in pencil within the margin lower right, each p. 20 x 21 cm

Thomas Rowlandson (1756-1827), Drawing for Twelfth Cake at St. Annes Hill, hand coloured etching, s. 27 x 41.5 cm, published by S.W. Fores, 50 Picadilly, January 16th, 1799, bears paper label verso for The Parker Gallery, 2 Albermarle Street, London, and three other similar satirical chromolithographs

J Ward, 1918. 'Ross Castle, Kilarney', pencil drawing, signed and dated bottom right, 6.5" x 9.25", another 'Fairhead, Co Antrim', pencil drawing, signed with initials, 6" x 4.5", oval.

A MID 19TH CENTURY ROSEWOOD LOW DRAWING ROOM CHAIR, the scroll moulded high cartouche shaped back and serpentine seat padded, on floral moulded cabriole legs terminating in scroll feet.

A PAIR OF EARLY 20TH CENTURY MAHOGANY LOW DRAWING ROOM SIDE CHAIRS, the high backs with central pierced vase shaped splats, the padded serpentine seats on cabriole legs.

Two early 20th century brass monocular microscopes, a W.F. Stanley drawing instrument (for ovals) in fitted labelled box and magneto electric machine

A large bronzed spelter figure of Don Juan, drawing his sword from his scabbard on a circular base, with highlights, 91cm high

LEON CAILLE (1836-1907 French) pencil drawing with body colour - an old lady and young girl by a fireside, signed and dated 1890, 6.5 x 4.5ins

After Landseer, early 20th century charcoal drawing heightened in white, depicting 2 dogs in a kennel, signed E.J.Budden and dated 1915, 18.5 x 13ins

Hamilton (George) The Elements of Drawing, 51 engraved plates (?of 52) including 10 hand-coloured, 8pp. advertisements at end, frontispiece and title browned, light foxing, mainly to plates, ink inscription to title, bookplate, contemporary boards rebacked with later red morocco, gilt, boards slightly rubbed, 8vo, 1812.

A Charcoal Drawing by Charles Sykes. Both this drawing and its companion have a unique place in the history of the most famous motor car of them all, Rolls-Royce, and its crowning glory, the most famous mascot of them all, The Spirit of Ecstacy, 52cm by 39.5cm

Another Charcoal Drawing by Charles Sykes, similar to the previous, 55cm by 38cm

Architecture.- (Classical Capriccio), pen and ink drawing, on wove paper, 190 x 230mm., bears the name of G.P. Pannini, in ink, lower left, surface dirt and slight creasing, 18th century.

Wale (Samuel R.A.) (Sailors bringing tea ashore), drawing, pen and black ink over pencil, with grey wash, 163 x 150mm., unexamined out of frame, framed and glazed, mid 18th century. *** The drawing shows three women drinking tea around a fire in the countryside, as sailors unload a further shipment onto the shore. In the background a "Crown Inn" stands neglected and dilapidated. A label on the reverse suggests this to be a preparatory drawing for an engraving.

Architecture.- Hollar (Wenceslaus) (A Chalice), after a finely detailed drawing by Andrea Mantegna in the collection of the Earl of Arundel, etching, 465 x 240mm., narrow margins, upper three-quarters laid at edges onto a loose album leaf, horizontal fold, with a slight split, above lower quarter with an area of loss to the left side, not affecting image or title, two short tears and light creasing in this section, a surface abrasion, spotting and surface dirt, 1640; (The Tower St Rombaut's, Mechelen), detailed elevation of the 13th century structure, without background, etching, two plates joined, 740 x 155mm., laid down, old horizontal folds, slight browning and spotting, a few light surface abrasions, not affecting the engraved area, surface dust, Antwerp, 1649; with an early 19th century engraved view of Harefield Palace and a pen and ink drawing of a monastery interior (4).

Illingworth (Leslie Gilbert) (Apartheid), original cartoon of South African prime minister Daniel Malan as Don Quixote, bearing the standard of Apartheid, beside the figure of Havenga as Sancho Panza, pen and black ink over pencil, on card, 385 x 290mm., signed in ink, lower middle, inscribed in pencil on the reverse, Punch, and dated, 1954 ~ (Weisz (Victor)) "Vicky", Funny to think that they may remember me as a "moderate" man, once he started, original cartoon of an apparition of Johannes Strijdom, in Apartheid Valhalla, floating above the seated figure of Dr. Verwoerd, new Prime Minister of South Africa, pen and black ink, with wash and blue crayon, on card, 475 x 400mm., signed in ink, lower left, the figure of Strijdom redrawn on an overlay, with an autograph letter from the artist to Mr Koston, thanking him for his letter of appreciation of the cartoon and offering him this original drawing, 1958 (2).

Lobel-Riche (Almery) Un Crepuscule d'Islam, by Andre Chevrillon, numbered 48 of 315 copies, the frontispiece an original drawing, with a composite set of plates by Lobel-Riche, comprising 23 images only, of 36, some in 2 or 3 states, 54 plates in total, including 4 duplicates, 20 further plates within the text, the frontispiece, pen and ink over pencil, signed and dated in pencil, lower right, the plates, etchings, the variant states with drypoint or plate tone, and occasional marginal vignettes added, printed in black or brown ink, almost all on vellum-type paper, text uncut, printed by R. Coulouma, the plates printed on the artist's own press, loose in original printed wrappers, as issued, additional blue boards and slip-case, small folio (330 x 250mm.), Paris, by the artist, 1930 ~ Besancenot (Jean) Bijoux Arabes et Berberes du Maroc, from an edition of 650, title, coloured frontispiece and 40 plates of jewellery designs, uncoloured lithographs, each c.195 x 250mm., or the reverse loose as issued, in original printed wrappers, in cloth-backed printed boards with ties, small folio, Casablanca, Editions de la Cigogne, 1953 ~ Irwin (Eyles) A Voyage up the Red-Sea, 2 engraved maps, only, and 4 aquatint coastal views, only, these trimmed within the platemark and inset on support sheets, contemporary mottled calf, worn, covers detached, 4to, J. Dodsley, 1780; sold not subject to return (3).