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Two late 19th century rosewood drawing instrument boxed sets, each with fitted removable tray

Portraits.- The Drawing Room Portrait Gallery of Eminent Personages, 2 vol, portraits including Isambard Kingdon Brunel, W.E. Gladstone, Alexander von Humboldt and David Roberts, 80 engravings, each 400 x 270mm., some slight spotting, mostly marginal, original decorated cloth, slightly worn, folio, John Tallis, 1859-60. (2).

MISCELLANY.- A mixed group of watercolours and oils, including large Alpine scene, large tulip study and a fighter jet, from 750 x 600mm. to 162 x 110mm., the majority frramed and glazed, late 19th and th century; with one pencil drawing by L.T. Lewcock of wounded soldiers (13).

GEORGE CATTERMOLE (1800-1868) THE OPENING OF THE CASKET Bears a signature, watercolour and gouache 21.5 x 27.5cm.; with a watercolour and ink drawing attributed to WILLIAM STRANG, 24 x 30.5cm.; and another watercolour, indistinctly inscribed, 20.5 x 34. 5cm.(3)++ Mixed; generally fair to good.

FOLLOWER OF FREDERICK GOODALL, RA (1822-1904) HEAD STUDY OF A BEARDED ARAB; ARAB IN A TURBAN Two, each indistinctly inscribed in pencil, oil on canvas laid down on card Each 18 x 15cm. approx.; with an oval watercolour and pencil study of a gentleman's head, follower of RICHARD COSWAY, oval, 13 x 9.5cm.; and a pencil drawing of a standing lady, circa 1850, 15.5 x 7.5cm. (4)

E. BENT WALKER (Fl.1896-1916) A COASTAL SCENE Signed, oil on canvas 54.5 x 70.5cm.; with an ink and brush drawing by Rubin; and a mixed media collage. (3) ++ Oil relined, needs a clean, some faults; others fair.

M** S** N** (Circa 1950) PORTRAIT OF A LADY IN A CHECKED DRESS Signed with initials, oil on canvas 70.5 x 60cm.; with a pastel; a watercolour; and a drawing by various other hands. (4) ++ Oil needs a good clean; others fair.

Jelinger, H. (1895-1961), pen drawing with watercolors, Fish market in Lier, signed b.l., verso annotated with title, dim. 20 x 16 cm. Euro 220-250

Moerkerk, H. (1879-1949), drawing, Two actors, signed l.m., dim. 27 x 40 cm. (paper discolored, stains) Euro 80-100

Moerkerk, H. (1879-1949), drawing, Kniertje Jochems, dim. 18 x 14 cm. (paper discolored, stains in corners) Euro 40-60

Eyck, Ch.H. (1897-1983), black chalk drawing, Man in garden in Curacao, signed and dated '52, dim. 50 x 37 cm. Euro 560-640

STUART C., 'St Andrews from the Links', c.1890, watercolour drawing, titled verso, framed, 17cm x 24cm

G. Clausen: Pencil drawing, a blacksmith at work, 12" x 8", signed

A MAHOGANY CASED SET OF BRASS DRAWING INSTRUMENTS 7 3/4in. (19.5cm.) wide

A 9 piece drawing set (lacks two pieces) with 6" ivory sector and asstd scale rules in fitted mahogany case G+

A 11 piece drawing set by A.G.THORNTON with ivory parallel rule and boxwood scale rule in orig mahogany box G++. See Lot 731 for illustration.

A 11 piece drawing set and asstd instruments below tray in rosewood veneered box G++. See Lot 731 for illustration.

A 9 piece drawing set by STANLEY London in orig bakelite case G+

A 14 piece set of drawing instruments by B.J.HALL & Co.Ltd. in orig fitted case G++

A 12 piece drawing set by WILD Heerbrugg in orig case G++

A 20 piece drawing set in German silver by NORTON & GREGORY in orig case G++

A 12 piece drawing set by E.O.RICHTER & Co. No 1836 in orig case G+

An unusual 12 piece drawing set by A.G.THORNTON in German silver, including a pen with cantilever adjustment and a pen & pencil bow with rack adjustment etc in chamois case G+

A rare doctor's bill for the years 1769-1774, hand written on six pages of 15" x 6" banknote paper treatments include; Hartshorn drops, a Vomit, the Musk draught, Drawing plaster etc. from Mr Bailward to Jones and Davis Doctors for the sum of 45 15s 10d a considerable sum G++

Four drawing instruments with ivory handles including a rail pen and a small wheel pen G++. TI

Three miniature steel drawing squares 1 1/2" TO 3" by HOLTZAPFFEL G++. TII. See Lot 2132 for illustration

Fran Knowles, Male peregrine, signed, pencil drawing, 30cm x 22cm.

A good Edwardian six-piece drawing room suite, the two-seat sofa with central pierced splat decorated with harebells, shaped back raised on cabriole supports, also a pair of tub chairs and four single chairs.

Anna Mary Howitt (19th century), Two sheets bearing text inscribed by the artist, the first with a roundel depicting a pencil drawing of an old man above an extract of text; the second a poem 'The Spirit of Poetry', each signed and inscribed The Hermitage, Highgate, 1854, lower left, the first, text 25 x 35.5, roundel 23.5 cm diameter, the second 33.5 x 21.5 cm, each bears impressed mark upon the mount upper left, for De La Rue & Co., London Board, each unframed

Cecil Charles Windsor Aldin (187-1935), Donkey drawing water at a Majorcan well; a pair, each etching, each signed in pencil within the margin lower right, each p. 20 x 21 cm

Thomas Rowlandson (1756-1827), Drawing for Twelfth Cake at St. Annes Hill, hand coloured etching, s. 27 x 41.5 cm, published by S.W. Fores, 50 Picadilly, January 16th, 1799, bears paper label verso for The Parker Gallery, 2 Albermarle Street, London, and three other similar satirical chromolithographs

J Ward, 1918. 'Ross Castle, Kilarney', pencil drawing, signed and dated bottom right, 6.5" x 9.25", another 'Fairhead, Co Antrim', pencil drawing, signed with initials, 6" x 4.5", oval.

A MID 19TH CENTURY ROSEWOOD LOW DRAWING ROOM CHAIR, the scroll moulded high cartouche shaped back and serpentine seat padded, on floral moulded cabriole legs terminating in scroll feet.

A PAIR OF EARLY 20TH CENTURY MAHOGANY LOW DRAWING ROOM SIDE CHAIRS, the high backs with central pierced vase shaped splats, the padded serpentine seats on cabriole legs.

Two early 20th century brass monocular microscopes, a W.F. Stanley drawing instrument (for ovals) in fitted labelled box and magneto electric machine

A large bronzed spelter figure of Don Juan, drawing his sword from his scabbard on a circular base, with highlights, 91cm high

LEON CAILLE (1836-1907 French) pencil drawing with body colour - an old lady and young girl by a fireside, signed and dated 1890, 6.5 x 4.5ins

After Landseer, early 20th century charcoal drawing heightened in white, depicting 2 dogs in a kennel, signed E.J.Budden and dated 1915, 18.5 x 13ins

Hamilton (George) The Elements of Drawing, 51 engraved plates (?of 52) including 10 hand-coloured, 8pp. advertisements at end, frontispiece and title browned, light foxing, mainly to plates, ink inscription to title, bookplate, contemporary boards rebacked with later red morocco, gilt, boards slightly rubbed, 8vo, 1812.

A Charcoal Drawing by Charles Sykes. Both this drawing and its companion have a unique place in the history of the most famous motor car of them all, Rolls-Royce, and its crowning glory, the most famous mascot of them all, The Spirit of Ecstacy, 52cm by 39.5cm

Another Charcoal Drawing by Charles Sykes, similar to the previous, 55cm by 38cm

Architecture.- (Classical Capriccio), pen and ink drawing, on wove paper, 190 x 230mm., bears the name of G.P. Pannini, in ink, lower left, surface dirt and slight creasing, 18th century.

Wale (Samuel R.A.) (Sailors bringing tea ashore), drawing, pen and black ink over pencil, with grey wash, 163 x 150mm., unexamined out of frame, framed and glazed, mid 18th century. *** The drawing shows three women drinking tea around a fire in the countryside, as sailors unload a further shipment onto the shore. In the background a "Crown Inn" stands neglected and dilapidated. A label on the reverse suggests this to be a preparatory drawing for an engraving.

Architecture.- Hollar (Wenceslaus) (A Chalice), after a finely detailed drawing by Andrea Mantegna in the collection of the Earl of Arundel, etching, 465 x 240mm., narrow margins, upper three-quarters laid at edges onto a loose album leaf, horizontal fold, with a slight split, above lower quarter with an area of loss to the left side, not affecting image or title, two short tears and light creasing in this section, a surface abrasion, spotting and surface dirt, 1640; (The Tower St Rombaut's, Mechelen), detailed elevation of the 13th century structure, without background, etching, two plates joined, 740 x 155mm., laid down, old horizontal folds, slight browning and spotting, a few light surface abrasions, not affecting the engraved area, surface dust, Antwerp, 1649; with an early 19th century engraved view of Harefield Palace and a pen and ink drawing of a monastery interior (4).

Illingworth (Leslie Gilbert) (Apartheid), original cartoon of South African prime minister Daniel Malan as Don Quixote, bearing the standard of Apartheid, beside the figure of Havenga as Sancho Panza, pen and black ink over pencil, on card, 385 x 290mm., signed in ink, lower middle, inscribed in pencil on the reverse, Punch, and dated, 1954 ~ (Weisz (Victor)) "Vicky", Funny to think that they may remember me as a "moderate" man, once he started, original cartoon of an apparition of Johannes Strijdom, in Apartheid Valhalla, floating above the seated figure of Dr. Verwoerd, new Prime Minister of South Africa, pen and black ink, with wash and blue crayon, on card, 475 x 400mm., signed in ink, lower left, the figure of Strijdom redrawn on an overlay, with an autograph letter from the artist to Mr Koston, thanking him for his letter of appreciation of the cartoon and offering him this original drawing, 1958 (2).

Lobel-Riche (Almery) Un Crepuscule d'Islam, by Andre Chevrillon, numbered 48 of 315 copies, the frontispiece an original drawing, with a composite set of plates by Lobel-Riche, comprising 23 images only, of 36, some in 2 or 3 states, 54 plates in total, including 4 duplicates, 20 further plates within the text, the frontispiece, pen and ink over pencil, signed and dated in pencil, lower right, the plates, etchings, the variant states with drypoint or plate tone, and occasional marginal vignettes added, printed in black or brown ink, almost all on vellum-type paper, text uncut, printed by R. Coulouma, the plates printed on the artist's own press, loose in original printed wrappers, as issued, additional blue boards and slip-case, small folio (330 x 250mm.), Paris, by the artist, 1930 ~ Besancenot (Jean) Bijoux Arabes et Berberes du Maroc, from an edition of 650, title, coloured frontispiece and 40 plates of jewellery designs, uncoloured lithographs, each c.195 x 250mm., or the reverse loose as issued, in original printed wrappers, in cloth-backed printed boards with ties, small folio, Casablanca, Editions de la Cigogne, 1953 ~ Irwin (Eyles) A Voyage up the Red-Sea, 2 engraved maps, only, and 4 aquatint coastal views, only, these trimmed within the platemark and inset on support sheets, contemporary mottled calf, worn, covers detached, 4to, J. Dodsley, 1780; sold not subject to return (3).

Essex.- Jones (M.) publisher. A View on the Chelmsford Road; A View on the Dee, 2 original hand-coloured aquatints after Cocking, one engraved by Mackenzie, each c.185 x 230mm., unexamined out of frames, both mounted within the platemark but well outside image and title, framed and glazed, 1806; Ostell (T.) publisher. View near Richmond, original hand-coloured aquatint, 175 x 215mm., unexamined out of frame, slight even browning, minor marginal defects outside the platemark, framed and glazed, 1805 (3). *** Most probably related to instructive landscape drawing books produced by both publishers around this time.

Browne (Hablot Knight, "Phiz", 1815-82) "Hunting in the Peninsula", original drawing for Charles Lever's novel Charles O'Malley, pen and ink on laid paper mounted on card, 190 x 370mm., published 1841.

(Hughes-Stanton (Blair)) The Writer, wood-engraving, 90 x 95mm., unsigned, (1948) ~ Leighton (Clare) Brother Juniper, from Thornton Wilder's The Bridge of San Luis Rey, wood-engraving, 125 x 80mm., signed in pencil, lower right, letter A of specimen copy in pencil, lower left, (1927); with 4 individual illustrations by Edward Bawden, Duncan Grant, Mariette Lydis, Janet Archer and Mona Moore, for Vathek, Cheng-en, B¿+ötes su la Terre, Pather Panchali, and the Sea Poems of Myfanwy Piper, respectively, colour lithographs, average 225 x 125mm., all unsigned, (1927 to 1968); also with a signed pen and ink drawing by Stanley Jackson, the original artwork for an illustration to May Wynne's Little Brown Tala Stories (8).

F** M** DUKE (Circa 1920) ST. IVES; POLPERRO; ST. MICHAEL'S MOUNT Three, two signed, each inscribed with title, watercolour over traces of pencil, unframed 26.5 x 38cm. and smaller; with an ink and wash drawing of a bullfight by another hand, inscribed 'Villeboeuf', circa 1920-1930, framed. (4) ++ The Dukes fair; `Villeboeuf' foxed.

ATTRIBUTED TO JAMES WARD, RA (1769-1859) STUDY OF A CALF Bears a signature, pencil 12 x 21.5cm.; with two small vignettes in the style of SAMUEL PROUT, framed as one; and a pencil drawing ascribed to GEORGE CHARLES HAITE, with faint studio stamp. (3)++ Mixed condition, generally fair.

Elizabeth I (Queen of England).- Camden (William, attributed to) This and the Six following Plates, contain the funeral Procession of Queen Elizabeth, from a Drawing of the time, supposed to be by the hand of William Camden,..., 7 double page plates bound as 14, i.e. pl. 18-24 extracted from vol. 3 of an unidentified work, (published by the Society of Antiquaries?), no text, 1st 2 & last plates repaired, with some loss of engraved surface, later half calf, rather worn, oblong folio, April 23rd 1791; sold not subject to return.

Digby (Henry, seventh Baron and first Earl, d. 1793) A.L.s. to Robert Adam, 1p., sm. 4to, Sherborne Castle, 18th August 1772, "I have received yours of the 5th Inst with a Bill inclosed for a Design of a Bridge I had four years ago & as it was not executed, & indeed, it was not possible to execute it at the spot for which it was intended, I can't help thinking the Charge of twelve Guineas for one drawing of a Bridge in three Arches extravagant & I find other people I have talked to think so likewise, I have been told six Guineas would be enough as you never was from home... . I send you inclosed, a Draft... for the sum of eight pounds eight shillings...", corners cut slightly affecting signature, folds, browned.

A set of Riefler drawing instruments contained in leather-lined case.

George Denholm Armour. 9.5 in. x 12.75 in. (24 x 32.5cm) "Postman and highland lassie" - a humorous drawing in pen and ink Signed; inscribed in pencil.

Victorian nine piece walnut framed drawing room suite comprising scroll end chaise longue with carved acanthus and scroll decoration, gentleman's open scroll arm chair and matching lady's chair with carved scroll, leaf and bell husk swag decoration and six matching side chairs-all on carved cabriole supports

Francis Picabia Pencil and wash drawing, Nude male, signed in pencil, 9.5" x 7.5"

WELBURN,K.ROSS, study of a female nude lying face down, ink drawing, signed lower right, framed, 28cm x 42cm

R GIBB, 19th Century, Pencil Drawing: view of "The Tay" figures walking in parkland etc, 6 1/2 x 9in signed

A Late 19th Century Mahogany Seven Piece Drawing Room Suite, the top rails pierce carved with scrolls, with padded panels beneath, above pierced vase shaped central splats, the padded serpentine seats on cabriole legs: a two seater Settee, a pair of Armchairs, and four Side Chairs .