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A 19th century marble bust of a classical maiden head and shoulders, wearing drapery and a rose corsage, on socle base, unsignedheight 32.5 cm.Condition: In need of a clean, slight yellowing. V small impact hole/chip to socle

Y Nathaniel Freese (British 1761/2-1831) A double-sided portrait of a boy, wearing blue coat with gold buttons, and white frilled edge shirt; and a girl in a blue dress with white slip, black necklace tucked in at corsage, dark curled hair Watercolour on ivory, oval 5.8cm (2¼ in.) high Gilt metal frame with plaited hair surround Provenance: Sale, Christie's, London, Important Portrait Miniatures and Gold Boxes, 10 June 2008, lot 57 Condition Report: Boy: Some light surface dirt throughout. There is a slight discrepancy to the pigmentation in the sitter's face but this is very subtle and not clear whether this was the artist's intention rather than later restoration. Some very slight bowing to the ivory sheet. Girl: Some light surface dirt throughout. The miniature has slipped in the mount a little but there is no obvious bowing. There is a small white blemish to the left of the sitter's right shoulder but this looks like it might have been part of the artist's original intention. Unexamined out of glazed frame. The glaze with some surface scratching. The mount with one holding pin missing. Otherwise no significant condition issues, commensurate with age. Condition Report Disclaimer

Y English School (18th century) A young woman, wearing blue dress with lace trim and floral corsage pinned to her breast, red shawl, her fair hair upswept and embellished with flowers Watercolour on ivory, oval Indistinctly initialled F(?)W (lower right) 4.8cm (1¾ in.) high In a gilt metal reeded frame Condition Report: Horizontal surface scratches throughout, these are light but uniform and it is not clear what has caused these. Some light spots of white surface mould but this should be easily removed by a soft brush. Some light rubbing to the framing edge, and the lower left edge also with an area of minimal possible retouching. Light surface dirt throughout, most of which is concentrated at the framing edges. Unexamined out of glazed frame. The mount with heavy surface scratching verso. There is also a large amount of unidentified smooth residue, as well as traces of glue from previous stickers (see online illustration). Light nicks commensurate with age. Condition Report Disclaimer

AFTER HIPPOLYTE MOREAU (1832-1927), A SPELTER BUST OF A YOUNG LADY WITH FLOWERS IN HER HAIR AND CORSAGE. H 67cms.

Charles Lucien Léandre (French 1862-1934) Chagrin à la mode Signed and inscribed C Leandre/Je vois ce manteau rouge, ce chapeau jaune/ce corsage blanc...Eh bien: Ce/manteau rouge, ce chapeau jaune, ce corsage blanc,/....c'est a moi!!! (lower left) Watercolour, and pen and ink 41.1 x 31.2cm Provenance: Redfern Gallery, London, January 1955, where purchased by Dr Leonard Simpson

Francois Martin-Kavel (French, 1861-1931) Half length portrait of a young woman with rose corsageoil on canvassigned90 x 72cm

A rare Lenci pressed felt girl doll, with brown painted side glancing eyes, blonde mohair wig, swivel head, simply hinged with floppy joints at shoulders and hips, long legs, original white muslin dress with pink and peppermint felt trim, pink and peppermint felt bonnet, pink rose bud trim and similar corsage at neck, green shoes and white socks --20¾in. (53cm.) high (a little faded and some staining, fronts of legs seem washed)

Early 20th Century Straw Hats, comprising a cloche-style hat labelled Jack McConnell, New York with straw flowers to the reverse; Mme Roussille Rabat straw hat with blue ribbon corsage; blue straw hat with blue silk crown and smocked detail to the top; another similar with blue silk pleated trim to the brim, smocked silk crown; another similar with a tier brim and crown of blue straw work and gathered silk; Pair of Similar Blue Silk Rayne Court Shoes, retailed by Jenners (6)Condition report: Pair of Jenners/Rayne shoes - some staining and fading and wear.Blue silk ribbon and straw hat - long ribbons, very faded, stitched repairs, loose ribbons and wear.Jack McConnell hat - later trim.Blue straw brim and silk top - very faded, staining, replacement lining and repairs.Mmme Roussille hat - brown spotting and discolouration, wear.Blue straw brim and blue silk ribbon - very faded, discoloured, repaired and worn and silk lining ripped.

Assorted Circa 1930/50s Mainly Straw Hats, comprising a Original Warner Bros Studio Style Designed by Caspar Davis of Hollywood black small straw hat with red grosgrain ribbon and hung with mother-of-pearl drops; a pale blue straw hat with silk looped trim to the brim and floral corsage; Alice Modes Paris navy blue straw beret style hat with gilt metal hat pin; similar hat in black straw with velvet to the underside of brim by Lea Clostre Paris; similar hat in red straw work; Town Hat Shop black felt hat with pink floral corsage; Austelle black felt box hat with white trim; purple velvet small bonnet with bead appliques; Renee Dufour Paris floral mounted headband, pink velvet and floral headpiece; three other straw hats (one box)

VINTAGE CLOTHING ACCESSORIES including two cream lace stoles circa 1900, a lace collar, cuffs, woven edgings, a pink satin Jacqmar scarf, corsage flowers, various ladies gloves and a qty of handkerchiefs.

A 19th century marble bust of a classical maiden head and shoulders, wearing drapery and a rose corsage, on socle base, unsignedheight 32.5 cm.Condition: In need of a clean, slight yellowing. V Small impact hole/ chip to socle

Filigree mounted blue glass corsage brooch dated 1850 to reverse, in T&J Bragg, Birmingham case, assorted compacts, vestas, picture frame, "The Acme" scout whistle, another whistle and a pair of binocularsCondition ReportPhotos of the vesta case attached. As you can see from the images quite worn. 

IRISH SCHOOL, 18TH CENTURYPortrait of a lady, half-length in a blue satin gown, with floral corsage and painted within a feigned oval c.1730/40Oil on canvas, 74 x 62cmProvenance: Bantry House, Co. Cork; by descent to the Dorman Family, Ballea Castle, Carrigaline, Co. Cork; and thence by descent

GOLD LONGCHAIN, CIRCA 1820The small textured fancy links incised with chevrons, the later clasp set with four turquoise cabochons, length 121cm Footnotes:The longchain rose in popularity after the Napoleonic Wars, when precious gems and metals were in short supply, as they could be produced from thin gold sheet and worn in a variety of ways - draped across shoulders, tucked into belts or pinned at the corsage to create eye catching festoons. The linking ranged vastly in size and texture with both engraved and machine embossed patterns and star motifs. The clasps were often more detailed with bead, burr and filigree detail, sometimes taking the form of a textured, gloved and gem-set hand.For further information on this lot please visit Bonhams.com

FANCY-LINK LONGCHAIN, 19TH CENTURYThe textured, scalloped-shaped links with polished sides, to a sprung circular clasp, length 155.6cmFootnotes:The longchain rose in popularity after the Napoleonic Wars, when precious gems and metals were in short supply, as they could be produced from thin gold sheet and worn in a variety of ways - draped across shoulders, tucked into belts or pinned at the corsage to create eye catching festoons. The linking ranged vastly in size and texture with both engraved and machine embossed patterns and star motifs. The clasps were often more detailed with bead, burr and filigree detail, sometimes taking the form of a textured, gloved and gem-set hand.For further information on this lot please visit Bonhams.com

GOLD FANCY-LINK LONGCHAIN, CIRCA 1820Embossed with diagonal motifs and dots, on a later clasp with burr motifs, length 98.0cm Footnotes:The longchain rose in popularity after the Napoleonic Wars, when precious gems and metals were in short supply, as they could be produced from thin gold sheet and worn in a variety of ways - draped across shoulders, tucked into belts or pinned at the corsage to create eye catching festoons. The linking ranged vastly in size and texture with both engraved and machine embossed patterns and star motifs. The clasps were often more detailed with bead, burr and filigree detail, sometimes taking the form of a textured, gloved and gem-set hand.For further information on this lot please visit Bonhams.com

FOUR FANCY-LINK LONGCHAINS, 19TH CENTURYThree gold fancy-link watch chains and a gilt-metal longchain, circa 1830, the triple hoops embossed from the back with star motifs, to a later clasp set with turquoise cabochons, length of longchain necklace 90.0cm (4)Footnotes:The longchain rose in popularity after the Napoleonic Wars, when precious gems and metals were in short supply, as they could be produced from thin gold sheet and worn in a variety of ways - draped across shoulders, tucked into belts or pinned at the corsage to create eye catching festoons. The linking ranged vastly in size and texture with both engraved and machine embossed patterns and star motifs. The clasps were often more detailed with bead, burr and filigree detail, sometimes taking the form of a textured, gloved and gem-set hand.For further information on this lot please visit Bonhams.com

FANCY-LINK LONGCHAIN, 19TH CENTURYThe small trace-links textured with dots, on an engraved barrel clasp, length 135cmFootnotes:The longchain rose in popularity after the Napoleonic Wars, when precious gems and metals were in short supply, as they could be produced from thin gold sheet and worn in a variety of ways - draped across shoulders, tucked into belts or pinned at the corsage to create eye catching festoons. The linking ranged vastly in size and texture with both engraved and machine embossed patterns and star motifs. The clasps were often more detailed with bead, burr and filigree detail, sometimes taking the form of a textured, gloved and gem-set hand.For further information on this lot please visit Bonhams.com

A WATERCOLOUR PORTRAIT MINIATURE OF SARAH STANFORD (NEE MORGAN) SEATED IN A LACE TRIMMED DRESS WITH FLORAL CORSAGE TOGETHER WITH A PORTRAIT OF EDWARD WILLIAM STANFORD IN UNIFORM

Schwarzweiß-Fotografie, ¨Modell in Strapse und Corsage an Waschmaschine lehnend¨, unten links unleserlich signiert, ca. 45x30cm, gerahmt (70,5x50,5cm)

Two early 20th century portrait miniatures the first 'Portrait of an elderly lady' c.1900 wearing a black laced dress with a rose corsage, oval, watercolour on ivory, signed E. A Hogg, gilt mount and gilt brass frame with beaded edge and tied ribbon crest, second French school, 'Portrait of a young girl', watercolour on ivory, signed Amelie Cochet 1912, ormolu frame with ribbon tied garland crest, easel support, (2)First aperture 9.2 x 7 cm., overall 12.2 x 9.1 cmCondition: First good condition, some very small area of flaking lower edge and to left arm

A Frank Usher black lace cocktail dress, fitted waist, velvet trim, ruffled bodice, 1970's; a Continental couture navy handkerchief hem evening dress, embellished in black sequins, decorative waistband, size 10; a halter neck mid 1970's cocktail dress in gold lami, green floral stripe detail, full detail herringbone design, by I B Jorgensen the halter neck has a floral attached design corsage at the front, size 10 and made by Mattu (3)

AbendkleidMarchesa Notte, New York Seide, pink, Rüschenapplikationen auf den Schultern, mit eingearbeiteter Corsage.

Abendensemble, dreiteilig, Rock, Corsage, BluseElla Singh, Frankfurt Rock, Corsage und transparente lange Bluse, schwarz. Gr. 38 (deutsch). Zustand: Ungetragen, mit Orig. Etikett.

CorsageElla Singh, Frankfurt Samt, schwarz, tiefer Ausschnitt. Gr. 38 (deutsch). Zustand: Ungetragen, mit Orig. Etikett.

λEnglish School c.1770 Portrait miniature of a lady, wearing a pink dress and a rose at her corsage Oval, in a gilt metal bracelet frame 34 x 30mm

AbendkleidMarchesa Notte, New York Seide, pink, Rüschenapplikationen auf den Schultern, mit eingearbeiteter Corsage.

Abendanzug, zweiteiligChristian Lacroix, Paris 1980er Jahre Hose und Oberteil. Seide, schwarz, mit eingewebtem floralen Muster in Gold, Palazzo-Hose, Oberteil geknöpfte Corsage mit langen Ärmel, an den Schultern gesmokt. Gr. Oberteil 36 (französisch), Hose 38 (französisch).

A collection of three 1960s Mattel Barbie dolls, comprising a brunette bubblecut (second version) Barbie doll wearing Red Flare comprising red swingcoat, hat and clutch with white gloves and red open toed shoes with red jersey swimsuit, brunette Skipper wearing Dress Coat comprising red coat, hat and clutch with white gloves, one white sock and white shoes, with red and white striped swimsuit and brass headband, and brunette straight leg Midge wearing a Fashion Pak Silk Sheath dress in yellow, Fashion Pak Going to the Ball white fur jacket with purple corsage (detached) and white open tied shoes. (3)

A diamond and emerald corsage brooch, the wild rose design centred with a circular-cut emerald and pavй-set with graduated circular-cut diamonds, suspending further diamond-set articulated foliate sections, the centre suspending a pear-shaped emerald, set in gold and silver, possible alterations, 10cm high

A small quantity of womens underwear / night wear and accessories including a Harrods scarlet 100% silk dressing gown with matching soft case, made in Hong Kong, a 1960s white rubber swimming hat with applied nylon flowers, two strapless bra corselettes in black and cream two black net fascinators, a peach rose corsage and two purses including a buff fabric and tan leather Christian Dior example (9)

Two Louis Vuitton dresses size 40a bronze dress with corsage detail and open back together with a purple draped dress with gold metal buckle belt engraved with 'Louis Vuitton' (2)Condition: Bronze dress with some marks, composition 100% silk, purple dress with two small stains to front.

A 14-kt gold devant corsage with collar leads, converted into a brooch. The brooch consists of three parts set with rose cot diamonds.L. 10.5 cm. Total weight approx. 33 g.Condition report available onrequest.

˜A PORTRAIT MINIATURE OF A LADY, ENGLISH SCHOOL, CIRCA 1790 wearing a mob cap, white dress with blue bow at the corsage, on ivory, gold frame with engraved scroll initials and later brooch fitting 5.4cm oval

Circa 1970-80 Ladies' Costume, comprising a Thierry Mugler grey wool jumpsuit with silver arrow appliquéd details to the collar and belt loops, with long sleeves (size 40); Mansfield cream wool two piece suit with blue trims to the fitted jacket; Marian Donaldson black velvet full length coat with long sleeves attached trim (size 40); a Joleen cream jumpsuit with three-quarter length sleeves, elasticated waist and detachable fabric belt; a black velvet a line skirt with satin trim waistband; a Fenwicks black velvet full length cape; Louis Feraud black and white checked tailored jacket with black trim and one button fastening (size 36); a black grosgrain type panelled skirt embroidered with posies of flowers and black pleated trim; a black crepe skirt with black velvet flocked circles; a Kati Laura Phillips black crepe full length dress with multi pleated skirt (size 38); a black taffeta sleeveless long dress with ruffle trims; John Charles electric blue evening dress with small white printed squares, an asymmetric ruffle trim to the skirt, spaghetti straps (size 14) (12 items) . Cr Fenwicks cape - later corsage and smocking the reverse, slight wear Black taffeta type dress - buttons missing and some wear John Charles dress - some staining

PABLO PICASSO Malaga 1881 - 1973 Mougins: Figure au Corsage rayé. Ausstellungsplakat anläßlich des XXXIIe Festival d’Avignon im Palais des Papes, Avignon, 1978. Farblithographie von H. Deschamps nach der gleichnamigen größeren, 1949 entstandenen Farblithographie Picassos 1978. Nicht mehr bei Czwiklitzer. Vgl. Bloch 604 und Mourlot 179. - Mit dem Datum „3.4.49.“ im Stein, typographischem Namenszug von Deschamps und Druckeradresse von Mourlot in der Darstellung sowie am breiten Unterrand typographisch bezeichnet. Auf kräftigem chamoisfarbenen Vélin. 75,5 x 51 cm. Vereinzelt schwach fleckig. Oberrand mit winziger Beschädigung. [bg]

A SAMPSON GOLD ANCHOR ARBOUR GROUP OF A GARDENER GIVING A SHEPHERDESS A CORSAGE OF FLOWERS. H 30cms.

A devant-de-corsage broochSilver and gold, 19th centuryBow set with 55 antique brilliant cut diamonds totalling (ca. 2.70ct) the larger (ca- 0.50ct) and 3 pear shaped drops set with 71 antique brilliant cut diamonds totalling (ca. 4.00ct)Unmarked in compliance with Decree-Law 120/2017, art. 2º, nº.2 C3,5x4,2 cm14.1 g

A pair of French kid leather long evening gloves and three other pairs, four pairs of fabric gloves, a fabric hat pin cushion with hat pins, one with banded agate, Charles Horner ball and flame hat pin, faux tortoiseshell hair comb, bead work collar necklace, black ostrich feather corsage, gilt filigree belt buckle, white metal buckle, two small buckles.

A large quantity of modern and vintage costume jewellery, brass 25mm half hinged Victorian style bangle, ivy leaf design, ivorine belt buckle, lily design, mink butterfly brooch, feather corsage, many modern necklaces and bracelets, North Berwick Tantallion ceramic brooch on original card, simulated pearls, a Win De Luxe 3500 cigarette lighter in original box, painted rice paper fan with wooden sticks.

Philip Alexius de László, PRBA, RP, NPS (British, 1869-1937)Baroness Conrad von Meyendorff, née Nadine Vladimirnova Louguinine half-length to the left, head turned in three-quarter profile to the right, wearing a black coat with fur collar and black feathered hat, hands raised to a large red corsage at her shoulder, a large ring on the smallest finger of her right handsigned, inscribed and dated 'P.A. de László / Paris 1914. January' (lower left) oil on canvas92 x 75.5cm (36 1/4 x 29 3/4in).Footnotes:ProvenanceAnon. sale, Castellana, Madrid, 26 February 2001, lot 142.Anon. sale, Castellana, Madrid, 31 May 2001, lot 148.Private Collection.ExhibitedLondon, Christie's, A Brush with Grandeur, loan exhibition, 6-22 January 2004, cat. no. 63.LiteratureSitters' Book I, f. 95: Nadine de Meyendorff / January 1914Owen Rutter, Portrait of a Painter, London, 1939, p. 282.Duff Hart-Davis, in collaboration with Caroline Corbeau-Parsons, De László: His Life and Art, Yale, 2010, p. 136.De László regularly travelled to Paris to fulfill commissions and stayed with his friend and patron the Duc de Guiche at 42 avenue Henri Martin, near the Bois de Boulogne. He had use of a studio in the house and during his visit in early 1914 painted the present portrait and one of the sitter's husband Baron Conrad de Meyendorff (inventory number 111504), now untraced. The artist's autobiography notes that he was 'feted everywhere' and his sitters included important figures in Parisian society: Vice-President Jean Dupuy (4479), M. and Mme de Bruyn (110548 & 4822), the Comtesse de Pourtalès (4848) and the Vicomtesse de Fontenay (4468).De László painted a full length portrait of Baroness Meyendorff in 1908 (110711). Her husband was also painted in 1916 in London wearing Russian naval uniform (4842).Nadezhda 'Nadine' Vladimirovna Louguinine was born 18 February 1881, the daughter of Vladimir Feodorovitch Louguinine (1834-1911) and his wife Maria Petrovna Minier. Her father was a scientist in the field of thermodynamics and worked in Paris and St Petersburg. On 1 February 1903 she married Baron Conrad von Meyendorff (1880-1945), an officer in the Russian Navy. There were two sons of the marriage: George (born 1904) and Vladimir (born 1906), both of whom died in a tragic accident in 1924. The family lived at 10 Chesham Street, London from 1911, while Baron Meyendorff served as a diplomatic attaché in the Russian Embassy. Baroness Meyendorff and her husband were intrepid explorers. They spent their honeymoon on the Inca trails in Peru and Bolivia, where Nadine took some two hundred photographs and wrote a diary. These were published as L'Amazonie d'une baronne Russe, Des Andes à l'Atlantique en 1903. She and her husband collaborated on L'Empire du Soleil: Pérou et Bolivie, published in 1909.Nadine was also a courageous and expert mountain climber. The family had a home at Chiètre, Switzerland, and by the time she was eighteen she had completed climbs of the Alpes Vaudoises and the Dents du Midi. In 1925 she became the first woman to reach the peak of Cerro Tolosa (5730m) in the Aconcagua Mountains in Argentina. Nadine died in 1930, aged only forty-nine. Her husband survived her fifteen years and died in Madrid in 1945.We are grateful to Katherine Field for writing the catalogue entry for this lot, which will be included in the Philip de László catalogue raisonné, currently presented in progress online: www.delaszlocatalogueraisonne.comThe Hon. Mrs de Laszlo and a team of editors are compiling the catalogue raisonné of the artist's entire oeuvre. Katherine Field is Senior Editor. Please see www.delaszloarchivetrust.com or contact catalogue@delaszlo.com for more information or to offer any contribution.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

* Attributed to A. Charles (active 1785-1800). Silhouette of Georgiana, Duchess of Devonshire, oval black painted silhouette, three-quarter length portrait, profile to left, of a seated lady, wearing a wig embellished with feathers and a veil, and a corsage of flowers in her dress, toned and marked (show-through from reverse?), 12.4 x 9.7cm (5 x 3.75ins), oval verre eglomise mount and gilt moulded frame, with printed labels on verso pertaining to provenance, and with early manuscript note 'Reframed since the Sale'Qty: (1)NOTESProvenance: Francis Wellesley Collection; Christie's, The Wellesley Collection of Silhouette Portraits, June 19th, 1917, lot 23, attributing the work to A. Charles. Literature: Illustrated in One Hundred Silhouette Portraits, Selected from the Collection of Francis Wellesley, Oxford: Horace Hart, 1912, plate XXIV. Famed beauty Georgiana Cavendish, Duchess of Devonshire, née Spencer (1757-1806), was notorious for her political activism, gambling addiction, and unorthodox domestic arrangements. Her best friend was also her husband's mistress, and Georgiana tolerated a ménage à trois for many years. She herself bore a child out of wedlock.

A wedding dress and corsage

Vintage costume jewellery and wristwatches, Scottie dog brooch in a gilt metal 55mm frame, rectangular bakelite Scottie brooch, bakelite squirrel brooch, blue squirrel on a brass ivy leaf brooch mount, Simon Nicholas paste set squirrel brooch in branded box, brass bangles, bead necklaces, Sandoz and Excalibur gold-plated wristwatches, De Luxe pendant watch, enamelled dress clip, 70mm, Kenyan flamingo feather corsage in original box, plastic Scottie dog ornament, 70mm, vintage plastic buttons,

δ Pablo Picasso (1881-1973) after.Le Corsage RayeLithograph printed in colours, 1949-78, a proof before text, the edition was 300, printed by Mourlot, Paris, with the Atelier Mourlot rubber stamp, verso, on wove paper, with full margins, sheet 780 x 575mm (30 ¾ x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

English School, c. 1900, a portrait miniature of a lady, a corsage at her breast, oval, watercolour on ivory, framed; together with a framed silk panel worked with doves at an urn after the Hadrian's Villa mosaic, framed. (2) 6.75cm by 6.75cm and 6cm by 5.5cm

A pair of Secessionist or Art Nouveau bronze figural candelabrum, each modelled as a woman, with swirled skirt, and typical decoration to the corsage, with swept up hair, and her arms holding the naturalistic candle sconces, each 25 by 14 by 43cm high. (2)

A French painted plaster bust of a young girl, wearing a scarf tied around her head and wheat at her breast, on a rectangular base, with Depose, T-7-F marked to the back, 41cm high, and a painted plaster bust of the Madonna, with a lily corsage, 89 stamped verso, 34cm high. (2)

Assorted Circa 1950-60s Ladies' Cocktail and Evening Wear, comprising a Dermore of Mayfair blue cotton lace mounted two piece comprising a straight skirt, and a top with scoop neck, three quarter length sleeves, scalloped hem, zip to the reverse; a gold brocade sleeveless dress with v-neckline and v to the back, a gold sash draped across the front and matching fabric bows to the shoulders; black silk cocktail dress with capped sleeves, navy lace mount detail to the front of the dress and skirt, wrap style skirt appliquéd with beads and sequins, and bow to the waistband; a blue sleeveless dress with sweetheart neckline, pleated bust with floral corsage, woven with cream and silver swirls overall; Kenilworth Model grey brocade sleeveless dress woven with red roses, a scooped neckline, pleated full skirt with a bow to the front, and attached bow to the top of the zip (size 40); black lace mounted short sleeved dress with scooped neckline, silk multi pleated waistband with stylish detail to the v neck back, bow to the reverse with small lace train (6) Dermore of Mayfair - slight rubbing around the neckline and waist. Gold brocade dress - slight wear. Black silk cocktail dress - some bead and sequin losses, otherwise appears to be ok. Blue swirl dress - some slight staining under each arm, stain runs down the front of the dress, zip broken, slight wear. Grey brocade dress - zip broken, light stains to the back of the dress, hole to the lining inside and wear to the skirt lining. Black lace dress with bow - small hole to the back, couple of small marks and slight wear.

Assorted Late 19th/Early 20th Century Children's Christening Gowns and Day Dress, including four white cotton gowns with short sleeves, broderie anglais and machine worked embroidered frills and insertions; cream silk long sleeved baby jacket with lace trims to the neck and cuffs, cotton baby bonnet with floral embroidered decoration and lace trim; later white purse with metal mount; white cotton muslin spotted girl's short sleeve dress with corsage (one box). Christening dresses - couple of small stains to some, possibly just need a good wash. Baby bonnet - has two stitched repairs. Girls dress, is made up of different types of fabrics.

Artist Unknown - A half-length portrait of an early 20th Century young woman holding a corsage of flowers, oil on canvas, 39 x 49cms, in swept gilt frame.

A 1940s suitcase with the initials R. F. H. containing a collection of accessories to include a 1920s belt, a hat with a band, an early 1930s straw hat with a beige floral embroidered band. An unusual floral 1920s style cap with a black feather corsage. A men's straw Panama hat 1930/40s (small size). An embroidered velvet fez with tassel. A cocktail black hat with blue beads 1930s and a 1950s feather hat by Maugran and a 1930s evening purse with a clear clasp and a black chiffon fan and two purses. 

A late 19th century enamel and diamond watch chain or Léontine, comprising a circular brooch, centrally set with rose cut diamond within a red and black star enamel surround, suspending a chain with kite shape enamel and rose cut diamond spacers and spring clasp, length 10.1cm, gross weight 8.2g. Pictured in How the Watch was Worn by Genevieve Cummings, plate 404. Cummings states this piece closely matches Vever's description of a Léontine as a brooch with a short chain for a watch: "For a while it was fashionable to replace the 'baton' or the hook which secured the chain to the corsage with a flat circular brooch that matched the watch case. The brooch was worn prominently and was...often centred with a small decorative motif or a gemstone. This variety of chain was called 'Léontine' after a successful actress." p.138.Condition report: Overall condition good to fairSome scratches and abrasion to enamel, visible under magnification - first enamel link on chain from brooch is missing a portion of enamelling, visible with the unaided eyeWith hoops to reverseLocalised scratching to the reverse of one of the chain linksPin in working orderDiameter of brooch approx 1.8cmDiameter of principal rose cut diamond approx. 4.2mm

Paar Rosenquarz-Ohrgehänge von Boucheron Paar Rosenquarz-Ohrgehänge von Boucheron Paar Rosenquarz-Ohrgehänge von Boucheron Roségold, gest. 750. Aus zart rosafarbenem Rosenquarz und anthrazitfarbenen Zuchtperlen in sehr farbintensivem rosé-grün changierenden Lüster. Akzentuiert durch taubenblutrote Rubincabochons von zus. ca. 2,00 ct. und diversen Brillanten von zus. ca. 2,50 ct. (river-top wesselton(D-F/if-vvsi) in Pavéfassung. Herstellerzeichen. Frederic Boucheron gründete 1858 das berühmte Juwelenhaus am Place Vendôme in Paris, es folgten Dependancen u. a. in Shanghai, London, New York und Moskau. Er fertigte neben einer Corsage mit Diamantenbesatz im Auftrag des russischen Fürsten Felix Felixowitsch Jussupow, eine Tiara für Lady Greville sowie Juwelen für Queen Elisabeth II. und weiterem internationalen Hochadel. A pair of rose quartz earrings by Boucheron. Set with numerous rubies total approx. 2,00 ct. and numerous diamonds total approx. 2,50 ct. (D-F/if-vvs).

Circa 1930s/40s Evening Wear, comprising a green velvet full length dress with capped sleeves, floral corsage and gathered skirt; red velvet sleeveless dress with velvet shoulder straps, detailed bust and full length gathered skirt; DNSE Theatre Royal Drury Lane rust coloured silk type long sleeved jumpsuit with gilt embroidery to the pockets, cuffs and shoulders; green chiffon bias cut full length dress with long open seam sleeves, gilt metal trim to the neckline; Merrylee Model yellow ochre crepe full length dress with short sleeves and two panels with silk to the reverse to be draped over the bodice; Betty Beresford Glasgow black crepe full length dress with long sleeves and plum velvet trims and appliques (6)

Circa 1930s/50s Day and Cocktail Dresses and Coats, comprising a Carnegie Model dress with capped sleeves, pink under dress and black lace type mount, multi buttons to neck, with belt; a Riddella The Ideal Model black dress woven with gold diamond shapes, elbow length sleeves, V neck line, buttons to the front; a grey wool dress with long sleeves, sweet heart neckline appliqued with beads overall to the front and back; a black and pink brocade style sleeveless dress with pleated shoulder straps, waistband and gathered skirt; Brilklie London long sleeved dress with black velvet flocked foliate mount, over a pink under dress with sweet heart neckline; Lo Roco capped sleeve dress with grey shot silk bodice, mounted with net, the collar and skirt are mounted with black lace (size 36); a black capped sleeve dress with black and white spot collar and modesty panel; black wool coat with shawl style collar, three quarter length flared sleeves both with multi pleated trim, pockets to side; black quilted swing style coat with wrap around collar and floral corsage in a matching fabric, side pockets, three quarter length sleeves and three large buttons; black silk brocade coat appliqued with black velvet trailing floral trim, scoop neck, three quarter length sleeves and press stud fastening (10 ) . Pink dress - couple of small holes to lace mount on bodice and skirt, slight wear overall. Black and gold Riddella dress - 1 button missing and belt - some threads loose. Grey beaded dress - some bead losses, slight wear. Black pink brocade dress - slight wear overall. Flocked dress - some flocking esp on bodice and around armpits are rubbed, belt missing, slight staining under the arms and wear. black dress - damages/alterations to the modesty panel, belt missing, slight wear. Black coat with pleated collar - slight wear overall. Quilted swing coat - slight fading wear and esp to shoulders and back of collar. Black silk brocade coat - some of trims are loose, fading to the shoulders and small hole to the front on the button

Assorted 19th Century and Later Textiles and Accessories, comprising a cream silk bodice, ermine stole and neck tie, straw hat, wool work panel, eastern woven panel of striped design in red, green, blue and orange etc, pale pink ottoman towel, Carrickmacross flounce length 34cm by 528cm, velvet hair corsage, pink and silver metallic bead evening bag, Maltese lace coasters etc (one box)

Assorted 19th Century and Later Costume Accessories, including a pair of early 19th century silk mittens woven with diamond design to the top of the hand and wrist; pair of silk stockings (a.f.); fabric trims including silk ribbon, length of woven edging; pale pink silk trim with zig zag edge appliqued with beads and lace, and a bead corsage; black wool circular pin cushion/pen wipe, bearing the initials 'WM' and dated '1859' in coloured beads; black velvet cuff with floral bead decoration; black velvet collar with brass beads; cotton pouch with multi pockets; black/brown net fichu with white embroidery; Ottoman linen towel with pink and gold striped embroidery; small ivory figure of fisherman, small letter opener with ivory blade (small box)

An early 20th century heavily beaded belt in shades of silver and blue, length 100cm, together with a black and gold beaded corsage applique, 18cm x 7cm (2).

A GROUP OF MINIATURE PORTRAIT STUDIES to include; 19th Century British school portraits of women, on ivory. 9.5 x 7cm approx. In Morocco leather cases. Together with an early 19th Century portrait of a young gentleman on ivory, within a locket also with pin, having over glazed locket of hair verso and a late 19th Century portrait of a young woman with flower corsage on ivory, with lock of hair verso in pendant mount, a modern Italian portrait of an 18th Century woman and two photographic miniatures of a young child and a middle aged gentleman. (7) (B.P. 21% + VAT) All are rather grubby in somewhat unloved condition but the images themselves appear generally good.