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Click here to subscribeA 1960s black cotton dress by Wallis, embroidered across the hem with small pink roses, with matching bolero top and pink sash; an early 20th century black silk velvet jacket; a blue velvet 1960s shift dress with a velvet flower corsage; a cream embroidered blouse; a late 1960s ethnic style long sleeved tunic; a 1970s child's Wrangler denim jacket; and a black velvet maxi-skirt, UK sizes 10/12 approx. (7)
A small collection of jewellery to include a unmarked yellow metal nephrite pendant, a farthing pendant, an unmounted moonstone, a sterling silver brooch, a unmarked white metal brooch plus a unmarked yellow metal brooch, a Scottish WM circular brooch together with a pair of paste set clip earrings and a unmarked white metal RAF brooch, a jet bead corsage and a gold plated necklace
Valentino Boutique black jacket with black fur collar and one-button fastening, size 6, Valentino Boutique dogtooth jacket with black beaver lamb collar and fabric corsage on lapel, size 6, Valentino Miss V black velvet jacket with black ribbon edging, size 6 and a Valentino brown wool jacket with top stitching and fur trim, size 6 (4)
John Smart (English, 1741-1811) Portrait of a noblewoman, wearing a white dress, her red surcoat trimmed with ermine and a drop-pearl brooch and sapphires at her corsage, her upswept powdered hair dressed with white ribbons signed lower left with initials and dated 'JS / 1774' watercolour on ivory 5.10 x 4cm (2 x 2in) Provenance: The Rt. Hon. The Earl of Lanesborough: Sotheby's, London, 15 July, 1968, lot 77; Christie's, London, Important Portrait Miniatures Including the Walter and Gertrude Rappolt Collection, 14 October 1998, lot 68; Karin Henninger-Tavcar, 1999; Private Collection, Germany Condition appears fine.
Castellani, parure realizzata nel XIX secolo, composta da pettorina, collana, orecchini e tiara.La pettorina in stile rinascimentale è formata da due grandi spille scomponibili impreziosite da 15 cammei di corallo mediterraneo, 3 diamanti taglio a rosa e da 49 diamanti "rosina d'Olanda". Quella superiore è formata da un insieme di nastri che disegnano un grande fiocco impreziosito da smalto bianco applicato ad incavo che mette in evidenza motivi di fronde e fogliame. La parte inferiore è costituita da un'altra grande spilla smontabile arricchita da volute di nastri intrecciati e da cammei di corallo pendenti.Sul retro delle spille vi sono dei fili d'oro che seguono fedelmente il movimento serpentiforme della parte finale dei fiocchi. I vari agganci e snodi agli anello consentono un completo movimento di tutta la pettorina.Dimensioni: altezza cm. 15; larghezza da cm. 8 a 6. Gr. 87.70Gli orecchini a fiocco realizzati in volute di nastri d'oro con smalti bianchi e impreziositi da 22 diamanti tagliati a rosina d'Olanda; i fiocchi sono sorretti da ganci in filo d'oro in stile pompeiano. Nel centro sono presenti quattro cammei in corallo mediterraneo raffiguranti busti a mezzo profilo di donne. Materiali e tecniche di realizzazione sono gli stessi della pettorina.Dimensioni: lunghezza cm. 5; larghezza cm. 3.10. Gr. 27.91La collana è composta da elementi raccordati tra loro e formati da sette motivi a fiocco con pendenti in oro e smalto bianco uniti da castoni rettangolari per mezzo di fili a "U" trattenuti da doppi anelli. Gli elementi a fiocco ospitano dei cammei in corallo mediterraneo raffiguranti busti di damine incorniciati da diamanti a rosina d'Olanda. All'interno dei castoni rettangolari sono posizionati dei cabochon rettangolari di corallo mediterraneo con cornice di smalto ad alveoli che riprende il motivo floreale. Materiali e tecniche di realizzazione sono gli stessi della pettorina.Dimensioni: lunghezza cm. 43.5; larghezza cm. 3.4; altezza cm. 4.5. Gr. 114.93La tiara è realizzata con un doppio filo di "piattina" stondato sulla parte anteriore; su di esso sono inseriti castoni ovali in oro giallo che incorniciano dei cammei in corallo raffiguranti profili di damine alternati a castoni con griffe in argento che sostengono diamanti taglio a rosa. Al di sopra della raggiera è posto un grande motivo a fiocco in oro e smalto bianco che ripropone il disegno caratteristico di tutta la parure, con al centro un cammeo in corallo sormontato da un diamante fissato in un castone d'argento.Sul retro si nota il monogramma Castellani rappresentato da due "C" incrociate.Dimensioni: lunghezza cm. 17; altezza cm. 4.5. Gr. 46.37⁂ La parure è in buono stato di conservazione e non mostra interventi di restauro. E' accompagnata da report e studio IGN.⁂ Il lotto è offerto con licenza d'esportazione.Enamel, coral and diamonds parure by Castellani comprising a necklace, a tiara, a devant de corsage and a pair of earrings, 19th Century.Accompanied by IGN report.Accompanied by export license
A Callot Soeurs couture blonde and black lace evening gown, early 1930s, with ivory ribbon 'Nouvelle Marque, Paris' label, the integral black satin bias cut underslip overlaid with spiralling tiers of black tulle inset with blonde bobbin lace, large velvet corsage to waist, bust 81cm, 32in CONDITION REPORT: Generally good condition, a few small holes to the tulle on the right shoulder strap, a few small scattered repairs and the occasional small hole to the black tulle ground generally - but nothing immediately noticeable or serious. A large panel of matching black tulle has been inserted at the left hip (front and back) which is not immediately noticeable. It is extremely well done - just a shade or two darker than the rest of the dress. The lower hem flounce would have had an additional finer black tulle lining which is largely missing. However, this does not affect the overall aesthetic of the dress. 13cm horizontal repair in tulle at left underarm/breast area. One strap, underarms, and left closure panel have been backed in finer tulle to strengthen, I think this is original
A fine Jeanne Lanvin couture bridal gown, Summer 1935, labelled and numbered 22872 to the slip, the bias-cut gown with large pearlised floral corsage to the neck, long curved, full sleeves, with matching circlet and satin belt, the pointed train with diamond seaming, 350cm, 148in long, bust approx 86cm, 34in (3)Provenance: worn by Anne Marie Astraudo (1914-2004) for her marriage to Christian Bricard (1911-2000) who was director of the department store 'La Belle Jardinière', Paris. CONDITION REPORT: Dress has perspiration stains at underarms, light soiling to train. Clear celluloid film is lifting off the petals in places, a few creased petals but generally good. Original glue marks on inside of bodice from corsage. Headdress is generally good condition, a few of the petals are creased and the clear celluloid film covering the petals has begun to lift off in places. Belt edge has slight rust mark and pin hole to pointed tip. Slip is good condition, 2 white marks below right breast (minor).
An 18th century corsage ornament, probably Iberian, designed as an articulated drop of foliate wirework with pendant cross, set throughout with oval and square cut deep pink hardstones, probably garnets, in closed back and foiled settings, integral suspensory loop so that the jewel may be sewn to the front of the dress, or worn on a ribbon or chain; length 8.8cm
George Engleheart (English, 1750-1829) Portrait miniature of Mrs Cookson, in a lilac dress, with white frilled collar, a white ribbon tied in a bow at corsage, white bandeau in her upswept powdered hair and falling over her shoulders, 1788 watercolour on ivory 4.40cm (2in) Provenance: Sotheby's, 'Silhouettes, Portrait Miniatures, Objects of Vertu, Gold Boxes and European Silver', 7th March 1983, lot 42. English Private Collection. Other Notes: George Engleheart kept meticulous fee books detailing the identity of his sitters and the amounts due to him. Mrs Cookson, the sitter in this miniature, is recorded as having sat for Engleheart in 1788. Although both her forename and maiden names are unknown, it may depict Mrs Ann Helena Cookson (née Weir) (1766-1789), the first wife of the successful and affluent army officer George Cookson of Wellington, Shropshire (1760-1835). Daughter of Dr Thomas Weir of Jamaica, Ann Cookson would have been twenty-one at the time this portrait was painted, having married Cookson two years earlier.
An Impressive Victorian diamond tremblant corsage brooch, designed as a floral and foliate spray of old brilliant, rose and cushion-shaped diamonds, the two flower heads en tremblant with central cushion-shaped diamonds, raised stamens and pavé set diamond petals, with further pavé set diamond buds and leaves, mounted in silver and gold, 105mm long
A DIAMOND CORSAGE ORNAMENT, realistically designed as a floral spray with cascading ribbon and foliage, set throughout with graduated cushion-shaped, old and rose-cut diamonds, the central flowerheads detaching to form pendants/brooches, the reverse with French eagle's head control marks, accompanied by two diamond set pendant fittings and a further brooch fitting, (two diamonds deficient), total weight of cushion and old-cut diamonds approximately 11.50ct, length 12.5cm (see illustration on page 3)
An impressive gem-set and diamond butterfly and flower corsage, mid-20th century. The yellow gold butterfly mounted en tremblant and set with topaz, sapphires, emeralds and diamonds with cabochon ruby eyes. The main body of the brooch set with a wild rose mounted en tremblant and pave-set with diamonds. Suspending a detachable articulated section of foliage pave-set with diamonds in silver and gold. 17cm longest. For similar brooch, see plate 204, David Bennett & Daniela Mascetti, Understanding Jewellery.
A Comme des Garçons 'Punk Chic' collection ensemble Autumn-Winter, 1991-92, labelled and size M, the black velvet jacket,with dropped shoulders, 30s-style hem, large knotted rose-motif corsage; together with black fish-net skirt worn under black tulle tutu with long scarf-like panels that can be tied like a bustle (3)
An American ready to wear copy of a Dior couture original, 1957, labelled Mignon, Paris New York, of scarlet silk taffeta, with pleated fichu-like collar, ruched and gathered centre front with concealed zip, rose corsage and ribbon streamers, integral stiffened petticoat, bust 92cm, 36in, waist 66cm, 26in See 'Dior' Thames & Hudson, p.264 for the Dior black taffeta 1957 original. CONDITION REPORT: Perspiration stains at underarms. Taffeta is richly coloured and generally fresh appearance - the odd small spot stain concealed within the folds, silk has perished within the folds of the stole-like collar. Interior is clean and good generally.
Kennedy (William) The Ink Truck (Dal Press, New York, 1969) signed, v.g. in cloth, d.w. slightly soiled, creased along bottom edge of front panel, hinges a little weak, edges toned. A lovely copy of Kennedy's Scarce First Book. In clear protective covering; The Flaming Corsage (Viking 1996) signed; Very Old Bones (Viking 1992) signed v.g. in cloth, d.w. with 1mls, orig. envelope, laid in; Quinn's Book (Kennedy (William) In clear protective covering. (5) Note: last two books were listed twice. Just 5 items as above.
Daffinger, Moritz Michael. 1790 - Wien - 1849. Porträt einer jungen Frau vor Interieur -Hintergrund, dat. 1832. Aquarell u. Gouache auf Elfenbein. Sign. u. dat. seitl. li. "Daffinger 1832". 11,2 x 9 cm. In vergoldetem Bronzerahmen, hinter Glas gerahmt. - Äußerst qualitätvoll gemaltes halbfiguriges Porträt einer jungen Frau in hellblauem, schulterfreiem Kleid mit gr. Spitzenkragen vor einem schweren, schwarzrotem Brokatvorhang. An der Corsage steckt ein kl. Rosenbukett. Leicht aus der Mitte gerückt hebt sich das hellblaue Kleid und das zartrosa Inkarnat ihrer Haut von der dunklen Schwere des Brokatvorhanges ab. Das Blau der Augen und das Rosa der Wangen spiegeln sich im Kleid bzw. den Rosen wider. Der lockere Pinselstrich von Kleid und Blumen steht im gekonnten Kontrast zu den äußerst feinen Nuancen des Gesichtes und der Schulter. Der Kontrast von zarter Aquarellmalerei und beinahe skizzenhafter Darstellung ist typisch für den Höhepunkt in Daffingers Schaffensphase. Hervorragendes Sammlerstück. Vgl. Schidlof, S. 186 ff, Pl. 149, 150. Slg. Tansey, S.100 ff.
Miniaturist, wohl Ende 18. Jh. Möglw. Sené, Louis (1747 Genf - 1804). Porträt einer jungenDame in Landschaft. Aquarell u. Gouache auf Elfenbein, auf Pappe aufgezogen(?). Unsign. Rücks. handschriftl. bez., jedoch schwer leserl. "A.....61..p....Mi... on Ivory (?) Lonsdale Collecti...". 5,5 x 7,5 cm. Hinter Glas gerahmt. - Sehr fein gemalte, halbfigurige Darstellung einer jungen, vornehmen Dame in gelbem Kleid und üppigem roten Manteltuch vor idealer Parklandschaft. Die Corsage und der Ausschnitt sind mit einer Rosengirlande bestückt. Minim. Abplatzungen. Vgl. dazu Slg. Tansey, 320, 324 u. 326.
A fine 19th Century silver gilt “Ornement de Corsage”, set with chrysoprase and rubies, approx 44cm long x 3cm wide, accompanied by green hardstone, enamelled silver gilt and ruby drops, two drops with A.H maker's mark and dog's head assay mark, in fitted case with retailers mark of Fossin, Rue de Richelieu, Paris. Jules Fossin the younger, of this address, was associated with Cartier Paris.
A COLLECTION OF 1930's/40'S/50'S EVENING DRESSES A 1930's floral lace dress with a flower corsage on the shoulder. 26" high waist. A 1940's nylon red rose long dress, side hook and eye fasteners. 26" waist. (needs cleaning and stitching) A 1950's 'Jean Allen' long dress made from metallic light blue quilted fabric. 30" waist. A further 1950's 'Laura Phillips' dark blue velvet evening dress with diamante clasp. 30" waist. (4)
Pink and White Crystal Corsage Style Bangle, a hinged bangle with a pink enamel, graduated pink crystal and white crystal lily to the centre front, and Art Nouveau leaf and bud designs to the sides, in green, pink and lilac enamel, studded with pink and AB crystals; hinged to the back, the closure, to one side of the lily, is completely hidden
A Collection of Garnet Jewellery, late 19th century, comprising of a corsage pendant brooch, with detachable drop (one stone missing), a set of six buttons, bombe style, a pair of earrings and a single earring. (a quantity). From a private Shropshire vendor. Corsage Piece: top: 68mm x 50mm No stones missing but one small stone replaced or different at some stage. In my opinion the metal is silver gilt.Detachable drop pendant: 55mm length x 44mm width. One stone missing at the top of pendant. In my opinion the metal is silver gilt.Six Dress Studs/Buttons: 17mm width all matching. Two with later backs. In our opinion the backs are silver gilt with two later solder attachments in gilt metal (see photo) A Pair of Earrings: 18mm x 15mm. No stones missing. In our opinion on silver backs with screw fitting of base metal. A single Earring: 7mm width . No stones missing . In our opinion on a base metal.
Pink and White Crystal Corsage Style Bangle, a hinged bangle with a pink enamel, graduated pink crystal and white crystal lily to the centre front, and Art Nouveau leaf and bud designs to the sides, in green, pink and lilac enamel, studded with pink and AB crystals; hinged to the back, the closure, to one side of the lily, is completely hidden
A COLLECTION OF 1930's/40'S/50'S EVENING DRESSES. A 1930's floral lace dress with a flower corsage on the shoulder. 26" high waist. A 1940's nylon red rose long dress, side hook and eye fasteners. 26" waist. (needs cleaning and stitching) A 1950's 'Jean Allen' long dress made from metallic light blue quilted fabric. 30" waist. A further 1950's 'Laura Phillips' dark blue velvet evening dress with diamante clasp. 30" waist. (4)
Pink and White Crystal Corsage Style Bangle, a hinged bangle with a pink enamel, graduated pink crystal and white crystal lily to the centre front, and Art Nouveau leaf and bud designs to the sides, in green, pink and lilac enamel, studded with pink and AB crystals; hinged to the back, the closure, to one side of the lily, is completely hidden